An amazing record! By all rights, this shouldn't be so good – but it's an incredible album of haunting tracks that really has us coming back again and again over the years. The formula is simple: Jose plays late 60s pop tunes on acoustic guitar, and sings them in his spacey soulful voice. Backings are by George Tipton, plus a jazz combo made up of Jim Horn, Ray Brown, and Milt Holland – but it's Jose that really makes the whole thing amazing! His style of presentation is like anything else we can describe – filled with sadness and soul, but enough joy to keep moving forward. He takes tracks like "Light My Fire", "In My Life", "Sunny", and "California Dreamin", and transforms them into an amazing document of the darkness hidden behind the sun of southern California. "California Dreamin" is especially amazing – and Jose's version is one of the best soul songs of all time! LP, Vinyl record album

Classic work by Jose in the style he forged in LA at the end of the 60s – a mix of 60s pop and soul with that wonderful Latin style he used, the one that made his vocals and guitar cry slightly with the rhythms, taking conventional and familiar songs, and opening them up in a whole new way, with a depth that's quite unexpected! Titles include "Destiny", "She Came In Through The Bathroom Window", "Blackbird", "Once There Was A Love", "Susie Q", "Yesterday", and "Pegao". LP, Vinyl record album

One of the best albums ever from this hip Australian soul singer – a vocalist who was as important to her scene in the 70s as Chaka Khan was in the US! That comparison may seem like a strong one, but Renee Geyer's got a hell of a voice – and she really sounds wonderful here working in a live setting with her very tight group! Titles include her classic funky version of "Really Really Love You" – plus the great "Hard Head" and "Shakey Ground". (Soul, Rock) LP, Vinyl record album

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A classic of Canadian rock – and a set that broke big on this side of the border too! Wheatfield Soul is a sublime showcase for the young talents of Burton Cummings, Randy Bachman, and other members of the group – working here in a mix of jazz/rock modes and blue-eyed soul that would go onto set the scene for countless other groups in years to come – hard to describe accurately, but beautifully summed up in the album's "These Eyes" hit! Cummings vocals and keyboards come across wonderfully – and the rhythms often have clever changes that hint at his jazzy future to come, but on shorter tunes here that have a rich amount of complexity packed in a very tight space. Titles include "These Eyes", "Lightfoot", "I Found Her In A Star", "Pink Wine Sparkles In The Glass", "Maple Fudge", "We're Coming To Dinner", "When You Touch Me", and the amazing 10 minute tune "Friends Of Mine". LP, Vinyl record album

Classic work from this Bay Area combo – with cuts that include "Hesitation Blues", "Don't You Leave Me Here", "Uncle Sam Blues", "How Long Blues", and "Mann's Fate". LP, Vinyl record album

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Jefferson Airplane's weirder follow-up to Surrealistic Pillow – and a pretty incredible record – concentrating their sprawling psychedelic impulses into fairly succinct 3 to 4 minute songs, for the most part! It's a creative approach,and it's a brave record. If Surrealistic Pillow lured the mainstream into the rabbit hole, this one is the tripped out tea party inside! Only a couple of tunes roll past the 5 minute mark, so it never gets too far out, and it's got plenty of chugging, bluesy rock to keep it neat. Includes "The Ballad Of You & Me & Pooneil", "Young Girl Sunday Blues", "Martha", "Wild Tyme", "Two Heads", "Watch Her Ride", "Won't You Try/Sunday Afternoon"and more. CD

Jefferson Airplane flying high in the late 60s – and Crown Of Creation was both a creative and commercial triumph for the band – balancing the tripped out adventurousness of their earlier work, with a more focused approach! Front loaded with moodier, acoustic-based songs that build into heavier rock as the record plays on – with some really great use of sound effects for added drama here and there! Titles include "Lather", "In Time", "Star Track", "Chushingura", "If You Feel", "Ice Cream Phoenix", "The House At Pooniel Corners" and more. CD

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Early genius from these Bay Area stalwarts – one of the greatest rock records of its time! Surrealistic Pillow is the second Jefferson Airplane album, but they took a number of huge creative leaps in the 8 months or so between their debut record and this one. This one is where they're joined by psych siren Grace Slick, but it's not just the line-up change that sets it apart. Surrealistic Pillow is a perfect title, as it's comforting and disorienting at the same time. It's also the magical confluence of wildly different spirits – with standout contributions by the entire band. Titles include the seminal "White Rabbit" – plus "Embryonic Journey", "3/5 Of A Mile In 10 Seconds", "DCBA 25", "How Do You Feel", "Today", "She Has Funny Cars", and "Plastic Fantastic Lover". LP, Vinyl record album

Early genius from these Bay Area stalwarts – one of the greatest rock records of its time! Surrealistic Pillow is the second Jefferson Airplane album, but they took a number of huge creative leaps in the 8 months or so between their debut record and this one. This one is where they're joined by psych siren Grace Slick, but it's not just the line-up change that sets it apart. Surrealistic Pillow is a perfect title, as it's comforting and disorienting at the same time. It's also the magical confluence of wildly different spirits – with standout contributions by the entire band. Titles include the seminal "White Rabbit" – plus "Embryonic Journey", "3/5 Of A Mile In 10 Seconds", "DCBA 25", "How Do You Feel", "Today", "She Has Funny Cars", and "Plastic Fantastic Lover". CD

Seminal late 60s work from Jefferson Airplane – done with an all-star roster of fellow counterculture heroes and late 60s icons in the studio – including David Crosby, Jerry Garcia, Steven Stills, and Nicky Hopkins! The whole thing is an incredible mix of breezy harmonies and killer melodies, but tuned to more political lyrics – a brilliant approach – full of disarmingly tuneful, yet lyrically defiant songs. Amazing stuff – and a heck of a way to cap off the 60s for this legendary band. Titles include "Wooden Ships", "Eskimo Blue Day", "We Can Be Together", "A Song For All Seasons", and "Volunteers". LP, Vinyl record album

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A classic run of records from Waylon Jennings – brought together in a single package! First up is Lonesome Onry & Mean – a pivotal album for Waylon Jennings – the record where he really found the new direction that would finally get him the fame he deserved – delivered in a way that's free from all the later cliches, and which also ties Waylon pretty strongly to the hipper currents of the underground – especially that point where singer/songwriter genius intersected with country! The production is his own, and vastly different than the late 60s records – even though we love those to death too – and that magical Jennings vocal approach does fantastic things to tunes by Steve Young, Mickey Newbury, Kris Kristofferson, and others! Titles include the fantastic "Lonesome Onry & Mean", plus "Good Time Charlie's Got The Blues", "Freedom To Stay", "Lay It Down", "You Can Have Her", "Pretend I Never Happened", "San Francisco Mabel Joy", "Sandy Sends Her Best", and a great take on "Me &Bobby McGee". Honky Tonk Heroes is genius material from Waylon Jennings – one of those career-defining records from the early 70s that completely put him on top, and heralded a whole new generation in country music! The set's maybe equally noteworthy as a showcase for the up-and-coming Billy Joe Shaver, who wrote much of the songs on the record – and it's also a great showcase for the important production talents of Tompall Glaser, who really gets the spirit of the music right! Titles include great versions of "Honky Tonk Heroes", "Old Five & Dimers Like Me", "Ride Me Down Easy", "Black Rose", "Willy The Wandering Gypsy & Me", "Omaha", and "Ain't No God In Mexico". This Time is one of those Waylon Jennings records from a time when he could do no wrong – fighting the stronger powers at RCA to really find his voice – recording at the studio of Tompall Glaser, with great production help from Willie Nelson – who was enjoying his own transformation at the time too! As with the previous two gems from this period, the choice of material and presentation is great – songs by Willie, JJ Cale, and Billy Joe Shavers – in a set of titles that include "Heaven Or Hell", "It's Not Supposed To Be That Way", "This Time", "Pick Up The Tempo", "If You Could Touch Her At All", "Walkin", "Slow Rollin Low", "Louisiana Woman", and "Slow Movin Outlaw". Ramblin Man is Waylon Jennings at peak mid 70s perfection! Ramblin' Man fits in stylistically with the gruff honky tonk hero mode he first fully realized a couple albums earlier, but he's still fiercely blazing trails here, pairing his gruff lead vocals with sweeter female harmonies on some tracks, changing the groove from laidback swagger to fast-paced honky tonk, working in some tender ballads with the gruffer numbers...Waylon at his best. Starts up with the eternal title track and equally classic "Rainy Day Woman" and hardly lets up in greatness from there, with "Cloudy Days", "The Hunger", "It'll Be Her", a great cover of the Allman Brothers' "Midnight Rider", "Memories Of You And Me", "Amanda" and more. Features bonus tracks too – "Laid Back Country Picker", "The Last One To Leave Seattle", "Big Big Love", "Got A Lot Going For Me", "The Last Letter", and "The One I Sing My Love Songs To". (Folk/Country, Rock) CD

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An overlooked gem from The Kinks – a set that's got all the wit of their late 60s material, a bit of the rootsy currents of Muswell Hillbillies, and a lot more bite than the group would have in some of their next few albums to come! Ray Davies' pen is razor-sharp, as is his vocal approach – and the songs are maybe even more gritty than the group would have done a few years before – furthered by some of the instrumental currents that also bring in a few acoustic elements and some Americanized riffs, which are then also matched by an occasional twang in Ray's vocal presentation. Plus, the double-length set also features one album of studio material, and a second live album – almost as a "bonus" thrown in for good measure. Studio tracks include the hit "Celluloid Heroes", plus "Here Comes Yet Another Day", "Maximum Constipation", "Unreal Reality", "Hot Potatoes", "Motorway", and "Supersonic Rocket Ship" – and live cuts include "Skin & Bone", "Alcohol", "Banana Boat Song", "Lola", "Holiday", and "Mr Wonderful". LP, Vinyl record album

The second act of The Kinks' entry into the rock opera mode of the early 70s – and in some ways, a much more confident effort than the first! The second act of Preservation is much bleaker than the first in a number of ways – quite possibly the strongest because it seems that Ray Davies has really begun to inhabit the roles of the tunes – stretching out here in high drama on a double-length set that certainly matches Tommy for its sense of scope and ambition – even if it was less likely to generate a catchy single! Titles include "Oh Where Oh Where Is Love", "Flash's Confession", "Introduction To Solution", "Shepherds Of The Nation", "Scum Of The Earth", "Mirror Of Love", and "Salvation Road". LP, Vinyl record album

One of the oddest of the 70s concept albums by The Kinks – a set of tracks that takes Ray Davies and the band back to the school days of their youth – where they revisit frustrations, anger, and the disgrace in the title! The best moments here are the ones that unlock a bit of the straighter rocking that shows up more in late 70s Kinks work – like the excellent single "I'm In Disgrace", the anthemic "No More Looking Back", or the leadoff "Schooldays" – and a few of the weaker moments get a bit too silly, and almost showy at times – like Ray's writing for a forthcoming Broadway career. Titles include "The Hard Way", "Headmaster", "Education", "Jack The Idiot Dunce", and "Finale". LP, Vinyl record album

One of the oddest of the 70s concept albums by The Kinks – a set of tracks that takes Ray Davies and the band back to the school days of their youth – where they revisit frustrations, anger, and the disgrace in the title! The best moments here are the ones that unlock a bit of the straighter rocking that shows up more in late 70s Kinks work – like the excellent single "I'm In Disgrace", the anthemic "No More Looking Back", or the leadoff "Schooldays" – and a few of the weaker moments get a bit too silly, and almost showy at times – like Ray's writing for a forthcoming Broadway career. Titles include "The Hard Way", "Headmaster", "Education", "Jack The Idiot Dunce", and "Finale". LP, Vinyl record album

One of the highest-concept of all 70s Kinks album – a dark exploration of fame and the price of success, done as a mini-rock opera starring Norman & The Starmaker! As with some of these sets, the best tunes here are those that are the most subtle and less dramatic – and which revisit the more everyday themes of the group's Village Green years. Other tracks are a bit more showy and gimmicky, in a way that almost makes you feel silly for caring about the subject matter – even though Ray Davies's vision of the issues at hand is still as biting as ever. A few standout tracks move into straighter rocking territory, but without the kitsch of some of the other "oldies" styled numbers – and titles include "Holiday Romance", "Everybody's A Star", "Rush Hour Blues", "Nine To Five", "When Work Is Over", "Ducks On The Wall", "You Can't Stop The Music", and "Face In The Crowd". LP, Vinyl record album

One of the highest-concept of all 70s Kinks album – a dark exploration of fame and the price of success, done as a mini-rock opera starring Norman & The Starmaker! As with some of these sets, the best tunes here are those that are the most subtle and less dramatic – and which revisit the more everyday themes of the group's Village Green years. Other tracks are a bit more showy and gimmicky, in a way that almost makes you feel silly for caring about the subject matter – even though Ray Davies's vision of the issues at hand is still as biting as ever. A few standout tracks move into straighter rocking territory, but without the kitsch of some of the other "oldies" styled numbers – and titles include "Holiday Romance", "Everybody's A Star", "Rush Hour Blues", "Nine To Five", "When Work Is Over", "Ducks On The Wall", "You Can't Stop The Music", and "Face In The Crowd". LP, Vinyl record album

(Folk/Country, Rock) LP, Vinyl record album

A special TV-only Monkees album! LP, Vinyl record album

Think what you want about Mike Nesmith as a Monkee – he's also a hell of a sensitive singer/songwriter, and one of the key talents who helped give birth to the country rock sound at the end of the 60s! This album's one of the few that Nesmith cut with his wonderful First National Band – a group of well-matched players who can easily move between country and Cali, and come up with just the right balance of both – augmented throughout with some excellent steel guitar from Red Rhodes! There's an easygoing charm to the whole record – one that's maybe less self-conscious than some of the others touching this space at the time – which is what makes it so great. Titles include "Thanx For The Ride", "Silver Moon", "Tengo Amore", "Listen To The Band", "Conversations", "Dedicated Friend", "Bye Bye Bye", and a version of "I Fall To Pieces". LP, Vinyl record album

Completely wonderful solo work from Monkee Mike Nesmith – music that almost bears no relationship to his famous TV sounds – save for the fact that Mike's still got all of his charms firmly intact! Yet the approach here is unabashedly country rock – that style that Nesmith was bringing to some of his songs as the 60s moved on, from very credible roots – and served up here by a very cool group that features plenty of steel guitar from OJ Red Rhodes! The tunes are smart, but understated – catchy, but never cloying – almost in the territory of the Byrds or Flying Burrito Brothers, but maybe without the darker corners. Titles include "The Crippled Lion", "Mama Nantucket", "The Keys To The Car", "Hollywood", "Calico Girlfriend", and "Nine Times Blue". LP, Vinyl record album

Mike Nesmith is letting his hair grow a bit on the cover of this third album with his First National Band – and he also seems to be opening up his sound a bit, too – firmly flowing into the expansive country rock territory he opened up with the group's first two albums! Nesmith sometimes seems to have an even more confident lead vocal – partly through a stronger sense of twang – and while he's written more great tracks for this album, he also opens the door to handle work by Bobby Whitlock, Nilsson, and Mike Murphy too. Titles include "Here I Am", "Propinquity", "Grand Ennui", "Texas Morning", "Rene", and "Rainmaker". LP, Vinyl record album

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Every single master take of Elvis Presley's music from the 50s – a comprehensive overview of the King's important years! Also features 14 never-issued tracks and a cool set of stamps! CD

Material from one of the first-ever films to feature Elvis on screen! CD

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One of the weirdest records ever from Shel Silverstein – and that's saying a heck of a lot, given what a weirdo he is! The set was recorded hot on the heels of the big Johnny Cash recording of "Boy Named Sue" – and it features Shel singing that famous tune, plus a host of other original country material – all of which is quite different than the usual songs coming from Nashville in the 60s! Production was done by Chet Atkins – who must have flipped a wig recording this one – and Shel's raspy, nasally voice is surprisingly at home in the professional Nashville backings. The record's a great leftfield country relic from the 60s – and titles include "Boy Named Sue", "Dirty Ol Me", "Alimoney", "Someday's Here", "Time", "Comin After Jinny", and "Daylight Dreamer". (Vocalists, Rock) LP, Vinyl record album

A rare second meeting between Lee Hazlewood and Nancy Sinatra – recorded for RCA a few years after their initial outing for Reprise, and done with a style that's even moodier than the first! Given that Nancy's less of a star at this point, Lee really dominates the album – and casts Sinatra in a space that's filled with his own dark themes of loneliness, pride, responsibility, and forbidden adult love. Backings are rich and large, but the voices are always upfront in the mix – and arrangers Larry Muhoberac and Clark Gassman really do a great job of getting the Hazlewood vision down perfectly. Most of the tracks are originals, and titles include "Got It Together", "Back On The Road", "Arkansas Coal Suite", "Congratulations", "Paris Summer", "Friendship Train", and "Tippy Toes". Also features two great bonus tracks – "Machine Gun Kelly" and "Think I'm Coming Down". (Vocalists, Rock) LP, Vinyl record album

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Really amazing early work from Al Stewart – light years away from his bigger 70s AM radio fame, and instead a very sensitive singer and songwriter, with a unique vocal approach as well! LP, Vinyl record album

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A UK trio, but one with a very heady sound – music that's mostly acoustic, but which has all these great twists and turns that take the whole thing past more familiar folkish styles of the time! True, the guitars are acoustic, and the vocals have a darkly eerie vibe – but the group is also heavy on read work from Jim Fraser, who arranged the set and plays a variety of saxes and flute – often with these edges and tones that are nicely unsettling! In addition to guitars, other instrumentation includes vibes, violin, and percussion – all used in really creative ways – on titles that include "Minerva", "Morpheus", "The Tale Of The Spider & The Fly", "Vesta", "Rolling & Tumbling", "Just As The Curtain Finally Falls", and "Aurora". LP, Vinyl record album

Includes "Lay It On The Line". LP, Vinyl record album

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Music from Paul Evans, Leroy Pullins, The Nutty Squirrels, Vicky Randle & Stewart Copeland, Billy Williams, Henhouse Five Plus Two, Stewart Copeland, Dave Hardin, Vicky Randle & Stewart Copeland, Stan Ridgeway & Stewart Copeland, Stewart Copeland & Judd Miller, Damecus Metoyer & Stewart Copeland, The Grid, and The Rock-A-Teens. (Soundtracks, Rock) CD

A compelling collection of work from the UK rockabilly revival of the late 70s – quite a surprise, given that these sounds were happening at the same time as punk! Includes work by Hotfoot Gale, Crazy Cavan & The Rhythm Rockers, Rock Island Line, Matchbox, and Screamin Lord Sutch! LP, Vinyl record album

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A great debut from Bow Wow Wow, and a mighty second act from Maclolm McLaren – whose work with the young group was one of his main projects after getting rejected by the Sex Pistols! This group's got a very different vibe, and an equally longstanding appeal – as playfully new wave as the Pistols were punk – with all sorts of romping rhythms that are heavy on drums, played by ex-members of The Ants – and fronted with lead vocals from the teenaged Annabella Lwin – a singer who really knows how to step out front with a lot of brash, young energy! There's a tribal groove to most tracks that really fits the title of the album – and tracks include "Jungle Boy", "King Kong", "Chihuahua", "Go Wild In The Country", "Why Are Babies So Wise", "Orang-Outang", and "Hello Hello Daddy (I'll Sacrifice You)". LP, Vinyl record album

Almost a "greatest hit" of "greatest hits" collection – given the importance of this album to the David Bowie catalog! Sure, it compiles tracks from other releases – but it also was the album that gave the world the killer cut "John I'm Only Dancing" – one of the key cuts in Bowie's gender revision in the 70s – and a title that was previously only out as a single! Alongside that gem, you also get a fantastic run of greatness from Bowie's first chapter of recording – the kind of cuts that would make other singers weep – including "Space Oddity", "Changes", "Ziggy Stardust", "Suffragette City", "Jean Genie", "Diamond Dogs", "Rebel Rebel", "Young Americans", "Fame", and "Golden Years". LP, Vinyl record album

David Bowie back in costume at the end of the 70s – but informed enough from his Berlin trilogy that he's coming at things quite differently here! The album's a great summation of the sounds on Low, Heroes, and Lodger – taken almost back to some Ziggy Stardust and Space Oddity territory, but in ways that are a bit leaner, and more focused. Even more impressive, though, is the near-complete absence of other 1980 elements in the set – hardly any influences from punk or new wave, no post-disco dancefloor elements – just deeply unique Bowie all the way through, and proof that he could always find his own space in music when he wanted! Titles include "Up The Hill Backwards", "Teenage Wildlife", "Scream Like A Baby", "Because You're Young", "Scary Monsters", "Ashes to Ashes", "Fashion", and "Kingdom Come". LP, Vinyl record album

Arguably one of the greatest rock and roll albums of all time – and the key flowering of the partnership between David Bowie and Mick Ronson! The guitars here are heavy – so much so that the record's always crossed over big with crowds who are always suspicious of Bowie's artier work of the 70s – and represented a crucial moment when his groundbreaking music also found a large mainstream audience as well. And despite the fact that Ziggy's an androgynous space rocker with a spurious pedigree, the manufactured posturing of the album's come to be taken quite literally over the years – a vivid text of alienation, expression, and redemption – served up beautifully over a host of classic tracks that include "Five Years", "Soul Love", "Moonage Daydream", "Suffragette City", and "Ziggy Stardust" – all further proof of Bowie's 70s ability to slide in wherever he wanted with ease! LP, Vinyl record album

A landmark session that gathered together just about every hip British jazz and jazz/rock musician of the time – and brought them together into one super-cool orchestra of sound! Robert Fripp produced the record, and Keith Tippett is the overall music director – but the album's got a feel that's much more in the avant side of the UK jazz spectrum – particularly the trippier side of the Deram/Decca label of the late 60s – like work by Mike Westbrook or Mike Gibbs! The lineup is huge – with Elton Dean and Dudu Pukwana on alto sax, Alan Skidmore and Gary Windo on tenor, Ian Carr and Mongesi Fesa on trumpets, Mark Charig on cornet, Nick Evans and Paul Rutherford on trombone, Keith Tippett on piano, Brian Godding on guitar, Robert Wyatt and John Marshall on drums, and Maggie Nicholls, Julie Tippett, Mike Patto, and Zoot Money on vocals – plus lots of strings as well! Great 2CD version – remastered from the original tapes, with much better sound than previous versions. (Jazz, Rock) CD

Includes covers of "Bette Davis Eyes", "Jessie's Girl", "Take A Chance On Me", "Hit Me With Your Best Shot", "Leader Of The Pack", "Queen Of Hearts", "Whip It", "Heartbreaker", "Hold On Tight", and "Losing You (I Really Wanna Lose You)". (Children's, Rock) LP, Vinyl record album

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A beautiful little live album from Jose Feliciano – recorded in London at the end of the 60s, with a sound that's often more stripped down than his studio work of the time! Jose's on vocals and guitar, backed by only a bit of bass and percussion – so the record's almost got the intimacy of a solo effort, which is quite astounding – given the obvious size of the concert setting! The double-length nature of the record allows Jose to stretch out a bit more than usual – and take on a nice variety of material that really show his growing talents at the time. Titles include "High Heel Sneakers", "Mama Don't Allow It", "La Entrada De Bilboa", "The Comedy Bit", "Malaguena", "No Dogs Allowed", "Day Tripper", "Black Orpheus Medley", "California Dreamin", "Light My Fire", "Day In the Life", and "El Voh". LP, Vinyl record album

Oh, the feeling here is more than good – as the album's a stunner from the legendary Jose Feliciano, the kind of set that never fails to make us smile when we hear it! Jose's really evolved here from his earliest days – going even farther past the genius of his late 60s work for RCA, and picking up a host of more righteous soul influences in the process – really coming up with a great sound for the 70s! The record is filled with surprising gems – the kind of cuts that will make you go "damn!", and have you digging for other Feliciano records from the same time. Highlights include an excellent remake of Stevie Wonder's "Golden Lady", with loads of jazzy changes – plus the originals "Virgo", "Hard Times In El Barrio", and his classic theme to "Chico and the Man" – a cut that sounds especially great on this album, in ways we never appreciated when watching the show. Other numbers include "Essence Of Love", "Stay With Me", "You're No Good", and "I've Got To Convince Myself". LP, Vinyl record album

Jose Feliciano really lives up to the title here – stepping out strongly with the same style used on his "California Dreamin" hit – a massive blend of strings, soul, and Jose's unique vocal approach! Feliciano came out of the Latin market in the 60s, but by the time of this record he's really a key crossover force in soul – and one that helped establish the brown-eyed variant of the music through his massive work for RCA. The instrumentation is often as groovy as the record – with backing by a small combo that includes Milt Holland on percussion, Ray Brown on bass, and Mike Melvoin on keyboards – plus added arrangements from RCA talents George Tipton and All Capps. Titles include the groovy "Hitchcock Railway", plus "Younger Generation", "Sad Gypsy", "Hi Heel Sneakers", "She's Too Good To Me", and "Sleep Late My Lady Friend". LP, Vinyl record album