Very early work from the Jamaican scene – a set that includes cuts by artists who'd later record classic tracks in the rocksteady years, but who here are working in a much different mode! The title is plenty apt, but only gets at part of the sound – as this isn't straight doo wop as you'd know from the American scene, but instead some early group harmony – of the sort that would flourish even more strongly on famous Jamaican trio recordings of the late 60s – handled here with much more stripped-down instrumentation, and a shifting set of rhythms that mixes US influences with other more Caribbean modes. Titles include "Muriel" by Alton & Eddie, "Dearest Darling" by Jiving Juniors, "Til The End Of Time" by Chuck & Dobby, "Dearest Beverly" by Jimmy Cliff, "Heavenly Angel" by Laurel Aitken, "Do You Know" by Owen & Millie, "I'm Going Back" by The Charmers, "Diamonds & Pearls" by Dobby Dobson, and "Album Of Memory" by The Mellowlarks. LP, Vinyl record album

A third healthy dose of music from the early years of the Jamaican scene – work that's a direct precursor to the trio group soul mode of the rocksteady years, and which provides a great bridge into the way that American soul music went on to have such a strong influence on reggae! The "doo wop" in the title is key here – as these tracks are definitely heavy on harmonies and lighter on instrumentation – very much tied to American expressions of the genre, and delivered by artists who'd both go on to later fame, and disappear in the shifting sands of time. Titles include "My Heaven" by Alton & Eddie, "Sweet As An Angel" by Jiving Juniors, "First Time We Met" by Annette & Shenley, "Dream Girl" by Ricketts & Rowe, "Don't You Know" by The Moonlighters, "I'll Always Call Your Name" by Belltones, "Never Go Away" by Wilfred Jackie Edwards, "Change Of Mind" by Higgs & Wilson, and "I've Done You Wrong" by The Blues Busters. LP, Vinyl record album

Very early work from the Jamaican scene – a set that includes cuts by artists who'd later record classic tracks in the rocksteady years, but who here are working in a much different mode! The title is plenty apt, but only gets at part of the sound – as this isn't straight doo wop as you'd know from the American scene, but instead some early group harmony – of the sort that would flourish even more strongly on famous Jamaican trio recordings of the late 60s – handled here with much more stripped-down instrumentation, and a shifting set of rhythms that mixes US influences with other more Caribbean modes. Titles include "Muriel" by Alton & Eddie, "Dearest Darling" by Jiving Juniors, "Til The End Of Time" by Chuck & Dobby, "Dearest Beverly" by Jimmy Cliff, "Heavenly Angel" by Laurel Aitken, "Do You Know" by Owen & Millie, "I'm Going Back" by The Charmers, "Diamonds & Pearls" by Dobby Dobson, "Album Of Memory" by The Mellowlarks, "Have Faith In Me" by Jiving Juniors, "Now You Want To Cry" by Prince Buster & The Charmers, "I Love My Teacher" by Chuck & Dobby, "Call Your Name Forever" by The Blues Busters, "I Love You Forever" by The Echoes Celestials, "Hear My Cry" by Wilfred Jackie Edwards, "Guilty Convict" by Rupert Edwards, "Julie" by The Moonlighters, "Worried Over You" by Keith & Enid, "My Heaven" by Alton & Eddie, "Sweet As An Angel" by Jiving Juniors, "First Time We Met" by Annette & Shenley, "Dream Girl" by Ricketts & Rowe, "Don't You Know" by The Moonlighters, "I'll Always Call Your Name" by Belltones, "Never Go Away" by Wilfred Jackie Edwards, "Change Of Mind" by Higgs & Wilson, and "I've Done You Wrong" by The Blues Busters. CD

Mindblowing sounds from the great Bunny Lee – and exactly the kind of collection that makes us love the Pressure Sounds label so much! The track selection is wonderful – and most numbers are balanced in a unique space between reggae and rocksteady, and often have some crucial influences from American soul and funk as well – but they come across with a mode that's very different from more standard reggae, especially the style of the music that would be more codified a few years later. Instead, there's a really rich sense of experimentation here – as Bunny Lee and his All Stars work on instrumental tracks, or alongside other key artists like Delroy Wilson, Rico Rodriguez, Tommy McCook, U Roy, or Winston Williams. Some tunes have amazingly trippy touches – and a few points even mix in some wild moog too – and titles include "Double Attack", "Ivan Itler The Conqueror", "Scarface", "Joe Lewis", "War", "Wet Vision", "When I Get My Freedom", "Smooth & Sorts", and "Death Rides A Horse". CD

Yabby You maybe wasn't one of the first to start experimenting in the studios of Kingston – but with work like this, he was certainly one of the best – especially in the classic period covered in the collection! The Yabby You approach often has a leaner, more stripped-down approach than some of his contemporaries – with less of the overall effects on the totality of a tune, and instead a nicely focused application to just a key instrument or element – sometimes an added bit of electronics, sometimes a way of messing up a solo in the middle! The Pressure Sounds label has always been great with work in this side of the spectrum, but they really knock it out of the park here – and bring together Yabby You versions of cuts from a variety of artists – including Wayne Wade, Michael Prophet, Ranking Trevor, and Samuel Patterson – titles that include "Creation Rock Version", "Now I Know Dub", "Warrior No Tarry Yah Version", "Heads A Roll Dub", "Repatriation Rock", "Death To All Racist", "Aggression Dub", "Chanting Version", "Yabby U Sound", "Man Of The Living Dub", "Black Is Our Colour Dub", and "Babylon A Fall Dub". LP, Vinyl record album