Wild stuff – and one of the oddest records we've ever heard! The work is truly a Symphony Of Birds – in that all the source material here was recorded in the field, out of the mouths of actual birds – but the overall execution is far different than just a bunch of birdcalls, and thanks to careful studio manipulation, Jim Fassett makes the whole thing sound like a record of analogue electronics! From what we can tell, the album involves Fassett manipulating and re-assembling his bird call recordings in ways that form a whole new kind of music – one that has some bird-like elements, but which sounds hauntingly electronic at most moments – and which comes across in a beautiful array of chirps and cheeps. The package features some notes in Japanese, others in English, lots of photos – and even a massive "disc guide", listing dozens of related albums of field recordings, bird calls, and even whistling! Titles include some initial "Explanatory Comments" by Fassett, plus different movements of the suite. The second half features more birdcall recordings, narrated by Fassett – but presented in a more straightforward way. (Now Sound, Out Sound) CD

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A key meeting between 2 important forces in electronic music in the 70s – the increasingly-experimental Brian Eno and the Cluster team of Dieter Moebius and Hans-Joachim Roedelius! Unlike the trio's other album, this one's an all-instrumental affair – one that takes the atmospherics of Cluster, and gives them a darker Eno edge – in a way that gives the record an incredibly moody feel, and predates endless electronic work to come in the 90s. There's a spare brilliance here that's almost indescribable – songs that are hardly songs, sounds that slide back into silence – but somehow the whole thing's got a power that's far beyond the sum of its very small parts. Titles include "Wehrmut", "Fur Luise", "One", and "Die Bunge". (Rock, Out Sound) CD