Late 50s Exotica jazz gems from Les Baxter for Capitol – Africa Jazz and Jungle Jazz in a single set! Africa Jazz is one of his greatest records, and one that's got just about everything you'd ever want! Plas Johnson plays tenor, and his solos are right out front, and recorded beautifully. There's a number of other great LA session players on percussion and vibes, and the arrangements have a definite jazz bent to them. Tracks include "Congo Train", "Walkin Watusi", "Ostrich Hunt", "Balinese Bongos", and "Mombasa After Midnight". Jungle Jazz is also fantastic stuff, and recorded with beautiful sound! It's right on a par with African Jazz, which uses a similar formula: Plas Johnson's up front playing gutsy tenor, and Les is behind, working a large group of exotica players into a tribal frenzy of mellow grooves. Titles include "Amazon Falls", "Coco", "Isle Of Cuba", "Jungla Brava", "Go Chango", and "Blue Jungle". CD
(Out of print.)
2
Marty Gold & His Orchestra —
Soundaroundus ... LP RCA, 1966. Near Mint- ...
$6.999.99
Swingin hi fi and big band sounds – and, as the label says, "a marriage of music and electronics – spellbinding". The "electronics" aren't moogy or anything like that, but the sound's pretty good, and there are some nice covers such as "A Taste Of Honey", "Michelle", "King Of The Road", "The Shadow Of Your Smile", and "People" plus an original called "The Soundaroundus". LP, Vinyl record album
(Stereo Dynagroove pressing with deep groove. Cover is bent just a bit at the spine, in fantastic shape otherwise.)
The Latin sound is a groovy sound too – thanks to some great arrangements from the legendary Henry Mancini! The album's less a straight Latin date than it is a new approach to the grooves Mancini was laying down on his 60s soundtracks – a mix of bossa and cha cha-inspired themes that sparkle wonderfully with warm jazzy touches from a host of LA players who include Dick Nash on trombone, Harry Klee on flute, Ted Nash on alto and tenor, Jimmy Rowles on piano, Laurindo Almeida on guitar, and Gene Garf on organ – all working beautifully under Mancini's direction, with a sound that's both tight and relaxed at the same time! Lots of tracks have some nice groovy organ, which gives the arrangements a cool lively sound – and titles include "Preciosa", "Baia", "Carnavalito", "Quiet Nights Of Quiet Stars", "Tico Tico", and the nice "Senor Peter Gunn", a Latin remake of Mancini's big hit! LP, Vinyl record album
(German stereo pressing. Cover has bent corners and date of purchase written in pen in back.)
A great look at the genius of David Axelrod – the groundbreaking producer who recorded some incredibly hip albums at Captiol during the late 60s, but who's now only finally getting his due! Axelrod brought a whole new sensibility to the studio in his day – an approach that really stripped down the overly-cluttered modes of the era of Phil Spector and Brian Wilson, and which went instead for a spacious approach to the music that seemed to use silence as heavily as it did sound! Axelrod's genius was heard most famously on key 60s recordings by Cannonball Adderley and Lou Rawls for Capitol, but while at the label, he also got the chance to cut some incredibly mind-blowing albums on his own – and to work with some other artists who really benefited from his amazing touch in the studio. This set's a masterpiece – and it features 17 Axelrod numbers from the Capitol years – all hand-picked by Egon of Stones Throw (himself an Axelrod expert), and supported by comments from David himself! Titles include "House Of Mirrors" and "The Edge" by David McCallum, "Theme From The Fox" by Don Randi, "Tensity" by Cannonball Adderley, "Pula Yetla" by Letta Mbulu, "Lifetime Monologue" and "You've Made Me So Very Happy" by Lou Rawls, and "The Signs (part 1)", "Warning Talk (parts 1 & 3)", "The Smile", "The Mental Traveller", "The Fly", and "London" by David Axelrod himself. (Jazz, Now Sound)CD
(Sealed copy. Spine has a cutout notch.)
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