We've really loved the music of pianist Amaro Freitas in the past, but this time around he's got a special sort of something extra in his music – both in the way he approaches the sound, and the way he works with other players! The first half of the set is an exploration of landscape, both in sound and spirit – which then opens up to tracks that have Freitas coming into contact with other important musicians as well – flute from Shabaka Hutchings on two tracks, one of which also has drums from Hamid Drake – harp from Brandee Younger on another, and guitar from Jeff Parker on one more – all musicians we really love for their own work, and who we're delighted to hear interacting with Amaro, who has maybe been a more underground artist in recent years. Titles include "Mar De Cirandeiras", "Gloriosa", "Encantados", "Viva Nana", "Sonho Ancestral", and "Danca Dos Martelos". LP, Vinyl record album

Adam Rudolph works here with a whole host of instruments of his own, then opens the door for a huge amount of guests – all of whom help the proceedings come across with an organic, earthy blend of both acoustic and electric instrumental elements! Rudolph himself handles kalimba, keyboards, and a global mix of reeds and percussion instruments – and the set features guitar from Eivin Aarset, Fender Rhodes and organ from Alexis Marcelo, and drums from Hamid Drake – plus more contributions on sitar, tablas, wood flute, and other instruments that really echo the post-jazz, pan-global approach that Rudolph has brought to his work, both as Hu Vibrational and in other settings too. Titles include "Psychic", "Hittin", "Space", "Timeless", "Honey Honey", and "Proto Zoa Gogo". (New Grooves, Jazz) LP, Vinyl record album

A very unusual album for Yusef Lateef – and that's saying quite a lot, given how quirky most of his work can be! The session has Lateef exploring both rootsy and modern modes – working in a unique quartet that features George Arvanitas on piano, Reggie Workman on bass, and legendary New Orleans musician James Black on drums and assorted percussion. Arvanitas has an excellent style with a very dark edge, and his playing is augmented strongly here by Workman's exploratory basslines, and Black's creatively rhythmic way of approaching the percussion. The whole thing's a very moody session, with a subdued sound, and a nice edgy approach to the material that differs nicely from some of Lateef's other recordings – an earthy feel that grabs the listener from the very first track. Yusef plays flute, tenor, and other wind instruments – and tracks include "Psychicetmotus", "Medula Sonata", "Semiocto", and a version of Satie's "First Gymnopedie". LP, Vinyl record album