One of Freddie Hubbard's wildest records ever – a really unique experiment with electronics, and a set that sounds way different than his other albums for Atlantic, Blue Note, or CTI! The key factor here is experimentalist Ilhan Mimaroglu – who adds lots of electronics and processed sounds to the set – blended with Freddie's more soulful lines on trumpet – to create a style that's almost a jazz version of musique concrete! In fact, at times, you forget that Hubbard's playing at all, as the wash of noise overtakes the force of some of his solos – and titles include "Threnody For Sharon Tate", "The Crowd", and "What A Good Time For Kent State". LP, Vinyl record album