A really great dive into the city pop years of Japanese music – and a collection that's a bit different than some others, in that it not only presents gems from the 80s, but also follows the evolution of city pop modes into later decades as well! There's a nice variety of styles here – some in the smooth, soulful modes that originally helped set this moment in Japanese music – a growth that came out of earlier jazz fusion experiments with vocals, and which then moves into modes that were more tuneful and focused – but also maybe make more use of the Japanese language at the core. Things then evolve nicely as technologies change slightly and new elements come into the mix – really expanding out in sound over the 16 tracks in the set. Titles include "FWY" by Hiroshi Sato, "Nostalgic Spaceman" by Chikako Ueno, "Weekend Night" by Mitsuko Horie, "Harumi Futo" by Kyko Furuya, "Fly High" by Escalators, "Edo River" by Carnation, "Stardust Night" by Jadoes, "Don't Call Me On The Phone" by Keiko Kimura, "Samugari" by Tomoki Kikuchi, "Mayonaka No Denwa" by Yumi Seino, "Moonlight Starlight" by Namihiko Ohmura, and "Futari Bun No Atsui Yme" by Yashui Nakanishi. CD

A really great dive into the city pop years of Japanese music – and a collection that's a bit different than some others, in that it not only presents gems from the 80s, but also follows the evolution of city pop modes into later decades as well! There's a nice variety of styles here – some in the smooth, soulful modes that originally helped set this moment in Japanese music – a growth that came out of earlier jazz fusion experiments with vocals, and which then moves into modes that were more tuneful and focused – but also maybe make more use of the Japanese language at the core. Things then evolve nicely as technologies change slightly and new elements come into the mix – really expanding out in sound over the 16 tracks in the set. Titles include "FWY" by Hiroshi Sato, "Nostalgic Spaceman" by Chikako Ueno, "Weekend Night" by Mitsuko Horie, "Harumi Futo" by Kyko Furuya, "Fly High" by Escalators, "Edo River" by Carnation, "Stardust Night" by Jadoes, "Don't Call Me On The Phone" by Keiko Kimura, "Samugari" by Tomoki Kikuchi, "Mayonaka No Denwa" by Yumi Seino, "Moonlight Starlight" by Namihiko Ohmura, and "Futari Bun No Atsui Yme" by Yashui Nakanishi. LP, Vinyl record album

A really deep dig into the Japanese scene of the 90s – a unique discography that brings together key records in a variety of different styles – from tuneful to noisy, soulful to electronic! The book's a more contemporary variation of the sort of Japanese discographies we normally stock for jazz and soul music – and like those, it's got listings for titles with a full color reproduction of the cover, some details in English, and more text in Japanese. The feel is a bit like flipping through the record racks in Tokyo – where you can understand the context and the nature of the records, even if you can't understand the language. The book features sections on a wide range of styles – including Japanese house, Japanese hip hop, club jazz, Japanese dub, techno, Japanese lounge, J Rock, avant noise, alternative, and even sections on labels like Crue-L and Sokkyo. There's shorter features along the way – all in Japanese – and the book is softcover, full color, and almost 200 pages. (Books, Japanese) Book

A pivotal album in the career of Ryuichi Sakamoto – a set that got wide global circulation right at a time when he was a rising star on the screen as much as a surprising international music star as well – of the sort who became a key global representative for all the changes that had been taking place in Japanese music at the start of the 80s! Sakamoto's got an elegant look on the cover, and the music shares that approach too – jazzier than before, but still with that key knowledge of electronic elements that Ryuichi had in YMO – almost a blend of late 70s Japanese fusion with keyboards, samples, and other technology that Sakamoto helped bring into the mainstream at the time – but also with a quality that points the way to soundtrack shifts in the Ghibli generation! This package presents the original Japanese album – not the Illustrated Musical Encyclopedia set that was circulated globally – with tracks that include "May In The Backyard", "Paradise Lost", "Self Portrait", "Etude", "Tibetan Dance", "Tribute To NJP", and other titles in Japanese. Also includes bonus material from the 12" EP – "Replica", "Tibetan Dance (version)", and "Ma Mere L'Oye". CD

Really great later work from Japanese music legend Haruomi Hosono – a set that's got a leaner, more contemporary take on some of his modes from before – definitely using some of the best advances in 90s technology, yet always with that great ear for space and timing that makes his music so great! The set's got plenty of beats, samples, and sly sonic touches – almost as if Hosono were trying to show the emerging downtempo generation that he got there long before – while also working with contributions from a lineup that includes Bill Laswell, Francois Kevorkian, and Yasuaki Shimizu. Titles include "Higher Flyer", "Edge Of The End", "Aero", "Strange Attractor", "Teaching Of Sphinx", and "Navigations". LP, Vinyl record album

A pivotal album in the career of Ryuichi Sakamoto – a set that got wide global circulation right at a time when he was a rising star on the screen as much as a surprising international music star as well – of the sort who became a key global representative for all the changes that had been taking place in Japanese music at the start of the 80s! Sakamoto's got an elegant look on the cover, and the music shares that approach too – jazzier than before, but still with that key knowledge of electronic elements that Ryuichi had in YMO – almost a blend of late 70s Japanese fusion with keyboards, samples, and other technology that Sakamoto helped bring into the mainstream at the time – but also with a quality that points the way to soundtrack shifts in the Ghibli generation! This package presents the original Japanese album – not the Illustrated Musical Encyclopedia set that was circulated globally – with tracks that include "May In The Backyard", "Paradise Lost", "Self Portrait", "Etude", "Tibetan Dance", "Tribute To NJP", and other titles in Japanese. Also includes bonus material from the 12" EP – "Replica", "Tibetan Dance (version)", and "Ma Mere L'Oye". LP, Vinyl record album

A pivotal album in the career of Ryuichi Sakamoto – a set that got wide global circulation right at a time when he was a rising star on the screen as much as a surprising international music star as well – of the sort who became a key global representative for all the changes that had been taking place in Japanese music at the start of the 80s! Sakamoto's got an elegant look on the cover, and the music shares that approach too – jazzier than before, but still with that key knowledge of electronic elements that Ryuichi had in YMO – almost a blend of late 70s Japanese fusion with keyboards, samples, and other technology that Sakamoto helped bring into the mainstream at the time – but also with a quality that points the way to soundtrack shifts in the Ghibli generation! This package presents the original Japanese album – not the Illustrated Musical Encyclopedia set that was circulated globally – with tracks that include "May In The Backyard", "Paradise Lost", "Self Portrait", "Etude", "Tibetan Dance", "Tribute To NJP", and other titles in Japanese. Also includes bonus material from the 7" single – "Replica" and "Ma Mere L'Oye". LP, Vinyl record album

The second album from Harumi Hosono, Ryuichi Sakamoto and Yukihiro Takahashi, not as much of an electro groove filled affair as the first, but still a great batch of quirky techno-electro Asian pop with lots of great bubbling synth touches! 8 tracks in all including "Behind The Mask", "Day Tripper", "Technopolis", "Multiples", "Citizens Of Science" and "Solid State Survivor". (Rock, Japanese) LP, Vinyl record album