A nice, moody hip hop/funk album from one of the deepest talents on the Stones Throw roster! Dudley came to underground hip hop fame as Declaime, but really stepped forward as a durable, innovative artist with the Dudley Perkins singles that have dropped thus far – and A Lil Light soundly delivers on that promise. It's all about mood – this may be the murkiest, most muddily funky thing Madlib has ever produced, with crackly, hissing beats, bass and samples. Dudley's vocals are about as far from the crooning NuSoul sound as you can get. He's grooves along with an improvised feel to the lyrics, loosely scatting in both a rolling deep bass and a soulful, nearly crying falsetto. The sound falls somewhere between the denser parts of D'Angelo's Voodoo and the spacier aspects of 70s soul and funk. Totally unique and satisfying – would you expect any less of Stones Throw? Tracks include "Money", the Sun Ra-inspired "Gotta Go", "You Really Know Me?", "Washedbrainsyndrome", "Flowers", "Just Think", "Yo' Soul", "Momma", "Lil' Black Boy" and more. CD

A stunning surprise from Andre 3000 – at least if you only know him as part of Outkast – and a record that finally gives us an audio document of the sounds that Andre has really been involved with in recent years – a beautiful blend of spiritual jazz with mellower currents, aided here by some members of the contemporary LA scene! There's a resonance here with some of the more laidback projects on the International Anthem label, and with the work of Carlos Nino – and no surprise, Nino is on board to deliver great production work throughout, and co-produced the album with Andre too. Andre delivers a lot of work on flute, as hinted at by the cover – and also serves up beautiful sounds on wind controller too – as the set moves between contributions from other artists who include Nate Mercereau on guitars, and Diego Gaeta and Surya Botofasina on keyboards – as well as guest vocals from Mia Doi Todd on two tracks, and shakuhachi from Shabaka Hutchings on one more. Titles include "That Night In Hawaii When I Turned Into A Panther & Started Making These Low Register Purring Tones That I Couldn't Control", "Ninety Three Til Infinity & Beyonce", "Dreams Once Buried Beneath The Dungeon Floor Slowly Sprout Into Undying Gardens", "Ants To You Gods To Who", and "I Swear I Really Wanted To Make A Rap Album But This Is Literally The Way The Wind Blew Me". (Jazz, Hip Hop) CD

The legendary debut of Black Moon – one of those records that was slept on by the mainstream at the time, but which has gone on to be an undeniable part of hip hop history as the years moved on! The group are part of that great second wave of young east coast talent who really set this edge, and managed to rival some of the attitude of the west, but without falling into cliches and overplayed gimmicks. Part of the record's strength is its excellent Beatminerz production – very standard-setting work – and the set also features guest appearances from scenemates Smif N Wessun and Havoc – on cuts that include the singles "Who Got Da Props" and "I Got Cha Opin" – plus "Powaful Impak", "Ack Like U Want It", "Sh** Iz Real", "Slave", "Make Munne", "How Many MCs", "U Da Man", "Enta Da Stage", "Buck Em Down", and "Make Munne". CD features bonus tracks – "I Got Cha Opin (voc)" and "Buck Em Down (Beatminerz rmx)". CD