... 7-inch, Vinyl record

... 7-inch, Vinyl record

... 7-inch, Vinyl record

One of the best versions of "Funky Four Corners" we've ever heard! The bass is rattling along at a level so loud and heavy that it's bound to pop the top off your speaker – while Jerry screams and shouts his way through the lyrics in a way that would make James Brown proud, a fact that he even acknowledges when he shouts "Sorry JB!" at one point in the cut! "Soul Lover" is fantastic too – a funky answer song to "Tramp", with a similar hard sock beat, and a hard break at the intro, which is augmented here by conga work! Both cuts are great – and one of the best singles ever by Jerry O! 7-inch, Vinyl record

Shouting storming uptempo funk from JB – and a track that really hints at his work at the end of the 70s! The cut screams dancefloor all over the place – and believe us, when James has bugs in his pants, he sure knows how to scream! Plus, this single also includes the oddly-numbered "parts 15 & 16" on the flipside! 7-inch, Vinyl record

One of James Brown's undisputed classics! "I Got You" begins with a very famous scream and an oof – and then rolls into a great little groove that's been used a gazillion times in ads, but which still sounds pretty darn great. The flip's a nice one too – a bit mellower, but still deeply soulful! 7-inch, Vinyl record

Although he doesn't always get the same sort of coverage as Otis Clay, Johnny Sayles was another one of the great underground deep soul singers of the Chicago scene of the 60's. This excellent single on Mar V Lus features two nice ones – the bluesy "You Told A Lie", with screaming that would put Screamin' Jay to shame; and the excellent uptempo "Don't Turn Your Back On Me", which has a good mid 60's James Brown sort of groove. 7-inch, Vinyl record

A great little soul number from James! "Don't Be A Drop Out" begins with these riffing horns, going high then dropping low, almost in a "Monkey Time" mode. James comes in with a great little vocal, a bit moralistic, perhaps, but also an admission of his own loss of a good chance earlier in life! "Tell Me" is a frenetic screamer – one that begins with a strange spoken introduction, crowd noise, then a rising volume on the band's instrumentation before they rip loose with James like they're the Dead Kennedys or something! The cut's totally insane – sounds as if it was dropped from space to drive the youth of America crazy – and really wild, even for James! 7-inch, Vinyl record