A sleazy film, but one with some really great music from Francis Lai – the composer better known for his mainstream contributions to classics like A Man & A Woman and Live For Life! In any setting, Lai displays an amazing genius for spare tunes that hit a lyrical chord and a warmly sentimental mode – never one that's sleepy or drippy, but just the right balance of sounds and rhythms to convey a tremendous amount with very little. Lai plays a fair bit of keyboards here, lightly electric, and relatively spare – but not as much so as on some of his other 70s soundtracks. Titles include "Une Soiree Orientale", "La Vierge Anna Marie", "Emmanuelle Au Hong Kong", "Le Theme D'Emmanuelle", and "La Maison De Rendez-Vous". (Soundtracks, French)LP, Vinyl record album
A sleazy film, but one with some really great music from Francis Lai – the composer better known for his mainstream contributions to classics like A Man & A Woman and Live For Life! In any setting, Lai displays an amazing genius for spare tunes that hit a lyrical chord and a warmly sentimental mode – never one that's sleepy or drippy, but just the right balance of sounds and rhythms to convey a tremendous amount with very little. Lai plays a fair bit of keyboards here, lightly electric, and relatively spare – but not as much so as on some of his other 70s soundtracks – and titles include "Emmanuelle 2", LA Seduction De L'Ile De Bali", "Emmanuelle Au Hong Kong", "Le Plaisir D'Amour", "La Maison De Rendez-Vous", and "L'Amour D'Aimer" – which has vocals from Sylvia Kristel. (Soundtracks, French)LP, Vinyl record album
Early 70s recordings of some of Brel's greatest classics – done in versions that update the sound and enliven the spirit! The session dates from 1972, and features arrangements and orchestrations by longtime Brel collaborator Francois Rauber – plus beautifully somber piano by Gerard Jouannest, who'd been Brel's accompanist for over a decade by the time of the set. The tunes sound tremendous in these new arrangements – somehow even more classic, as they're stripped of any of the pop trappings of their initial recordings, and made even more "Brel-like"! Titles include "Ne Me Quitte Pas", "On N'Oublie Rien", "Les Flamandes", "Les Prenoms De Paris", "Je Ne Sais Pas", "Le Moribond", "La Valse A Mille Temps", and "Le Prochain Amour". LP, Vinyl record album
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