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A great little set, even if it's not what you might expect – not the kind of cuts that heralded the early years of country soul – and instead an even cooler batch of tracks from those years when R&B and hillbilly records often crossed paths on the postwar scene! Many of the small indie labels of the 50s recorded both country and blues, sometimes even having different artists take on the same songs, but in different ways – which meant that there was often a lot of cross-pollination going on in the farther reaches of the music business! The cuts here definitely show that approach – as a good many of them were originally country hits for other singers, but sound great and very different in the hands of R&B artists – and are mixed with a few others that follow similar themes, and really fit into the set in a great way. As always with Bear Family, the whole thing is presented with great notes and details on the music – in a set list of 29 tracks that include "Steel Guitar Rag" by Earl Hooker, "Sixteen Tons" by BB King, "Lovesick Blues" by Sonny Knight, "Big Mamou" by Smiley Lewis, "Ghost Riders In The Sky" by Scatman Crothers, "It'd Surprise You" by The Griffin Brothers with Margie Day, "Indian Love Call" by Hal Singer, "No Help Wanted" by Bob Gaddy & His Alley cats, "Cherokee Boogie" by Moose Jackson, "It Makes No Difference Now" by Piano Red, and "You Can't Stay Here" by Pearl Reaves & The Concords. (Soul, Folk/Country) CD

One of two unique albums from Willie Nelson – recorded during a brief time when Atlantic Records was dabbling in country, and called on Willie and gave him the freedom to work in a way he wasn't able to do while at RCA! This material's almost a lost chapter in Willie's career – sandwiched between his long runs at RCA and Columbia, and representing a moment when Nelson was keenly in touch with all the new energy on the Austin scene – using it to infuse his already great songwriting with bolder energy in the vocals and instrumentation, and a more badass approach overall! Titles here include the classics "Whiskey River" and "Shotgun Willie" – plus "Slow Down Old World", "Devil In A Sleepin Bag", "You Look Like The Devil", "Bubbles In My Beer", "She's Not For You", "So Much To Do", and "Local Memory". CD

One of two unique albums from Willie Nelson – recorded during a brief time when Atlantic Records was dabbling in country, and called on Willie and gave him the freedom to work in a way he wasn't able to do while at RCA! This material's almost a lost chapter in Willie's career – sandwiched between his long runs at RCA and Columbia, and representing a moment when Nelson was keenly in touch with all the new energy on the Austin scene – using it to infuse his already great songwriting with bolder energy in the vocals and instrumentation, and a more badass approach overall! Titles here include the classics "Whiskey River" and "Shotgun Willie" – plus "Slow Down Old World", "Devil In A Sleepin Bag", "You Look Like The Devil", "Bubbles In My Beer", "She's Not For You", "So Much To Do", and "Local Memory". This version features a bonus LP of all sorts of rare tracks recorded during the same sessions – titles that include "Both Ends Of The Candle", "Under The Double Eagle", "I Gotta Have Something I Ain't Got", "I'm So Ashamed", "I Drank All Of Our Precious Love Away", "Save Your Tears", and two takes of "My Cricket & Me", plus alternates of titles on the album. LP, Vinyl record album

A great criss-crossing of modes at the end of the 60s – music that has roots in country, but which comes off with plenty of funk and soul as well – in styles that were burning strong from LA on eastward, all the way across the south at the time! Some of the grooves here might fall into the "swamp rock" mode of the time – while others showcase hip LA artists mixing rootsy elements with tighter studio production – and a few more have genre-crossing country artists trying on some more soulful modes for good measure. The range of work is really great – and quite surprising, too – and the whole thing's got a great look that really illuminates the music within. Titles include "Northeast Texas Women" by Willis Allan Ramsey, "Nobody" by Larry Williams & Johnny Watson, "Collection Box" by Thomas Jefferson Kaye, "Me & Mr Hohner" by Bobby Darin, "Hunger Child Blues" by Townes Van Zant, "California Women" by Hoyt Axton, "Pay Day Give Away" by Bill Wilson, "Shotgun Willie" by Willie Nelson, "Cajun Moon" by JJ Cale, "Sumpin Funky Going On" by Donnie Fritts, and "Don't Let Me Down" by Dillard & Clark. (Funky Compilations, Folk/Country) CD