A wonderful record – one that takes off from the spare sound of earlier albums by guitarist Fabiano Do Nascimento, and adds in some smaller group instrumentation that really sends things over the top! Fabiano's still got all the amazing touches on his instrument – played at a level that's in a legacy of Brazilian acoustic right up there with Baden Powell or Luiz Bonfa – mixed this time around with a shifting palette of instrumentation that includes percussion, flutes, violin, cello, and tenor – all elements used in ways that are still spare, yet shade the music in wonderfully! While we've loved Fabiano's airy explorations in the past, we love him even more here – as the album's as full of color and scope as you'd guess from the image on the cover, or its evocative reference to Rio Bonito – on titles that include "Strings For My Guitar", "Coletivo Universal", "Kaleidoscope", "Retratos", "Theme In C", and "Emotivo". CD

A contemporary record, but one that's got an amazingly timeless feel – like the best early 70s material from Brazilian artists like Airto, Hermeto Pascoal, or Egberto Gismonti! The music of Fabiano Do Nascimento has a similar genre-breaking quality to these giants – not straight jazz, but very jazzy in parts – not traditional Brazilian roots, either – but very schooled in the strongest elements from decades of creativity on that scene – all wrapped up in this fresh, new blend that's completely mesmerizing right from the start! Most instrumentation is acoustic, and relatively simple – guitar, percussion, drums, and vocals – but the arrangements are wonderful, and fold these familiar elements together in ways that are completely unique. The legendary Airto guests on the record – but the vision here is clearly that of Fabiano Do Nascimento – as he mixes together works by Hermeto Pascoal, Baden Powell, and other Brazilian composers with some bold new ideas of his own. Titles include "Forro Brasil", "Minha Ciranda", "Etude", "Primeira Estrella", "Tupi", "Se Ela Preguntar", "Tocatta Em Ritmo De Samba", and "Nana". CD

A really beautiful second album from Fabiano Do Nascimento – and a set that really blows away his debut! This record's got an "instant classic" vibe right from the start – the kind of set that you could easily listen next to 70s gems by artists like Lo Borges, Milton Nascimento, or Edu Lobo – with a sound that hangs between the complexity and soul of all three of those artists – but a presentation that's also very personal and unique! Fabiano plays acoustic guitar throughout, with a cascading vibe that's incredibly compelling – and often offset by light flute and percussion, which skitter alongside his beautiful vocals – in ways that are always upbeat, but never too polished – really preserving this organic core in his music! The sound is sublime – sophisticated, but very organic – and if you know us at all, we're not ones to throw around the term "classic" lightly when it comes to Brazilian music. Titles include "Planalto", "Baiao", "Brasilerinho", "Ja Que Tu", "Oye Nana", "O Tempo", "Canto De Xango", and "Louva A Deus Mantis". CD

The return of a legend – and a tremendously groovy little record! Brazilian keyboardist/composer Antonio Adolfo's been making records for years – but easily his greatest albums were those cut at the end of the 60s with his Brazuka group – a cool combination of funky rhythms, electric keyboards, spacious production, and female vocals – all wrapped up with that glorious Blue Brazil sound of the EMI/Odeon label. Here, Adolfo recaptures that sound beautifully – returning to modes he hasn't touched in decades – and getting tremendous treatment from the Far Out label, who really help him hit that classic sound right. The record's an instantly timeless set that rivals all of Antonio's wonderful work from many years back – recorded with Adolfo on keyboards, live jazzy rhythms, a bit of strings, and twin harmony vocals from daughters Carol Saboya and Luisa Saboia – soaring out beautifully with a really groovy sound. The whole thing's wonderful – even better than you might expect – and titles include "Bola Da Vez", "Papo Furado", "Luizao", "Eu E Voce", "Tudo E Brasil", "Domingo Azul", "Tao Iguais", "SOS Amazonas", "Sonho Estelar", and "Dono Do Mundo". CD

Amazing early work from Azymuth – rare demo recordings done at the home studio of keyboardist Jose Roberto Bertrami, in the short space before the group issued their legendary debut! The tracks here are as much jazz funk as they are the later modes that Azymuth would put forth – killer instrumentals that are really driven by great keyboard lines from Bertrami, who'd already been making music in other formats for years – and who works here on Fender Rhodes, Arp, Clavinet, Hammond, and a range of other keyboards too! The drums are fantastic, too – handled by a young Ivan Conti, who gets help on percussion from an early fourth member of the group, Ariovaldo Contesini – and as you might guess, the incredible basslines of Ivan Mamao Conti really help the whole thing groove. All material is very well-recorded – these aren't rough or unfinished tracks at all – and the whole thing should just be thought of as a first chapter for the group, right before they started putting out their famous records. Titles include "Prefacio", "Castelo", "Melo Do Cuica", "Xingo", "Laranjeiras", "Eqiupe 68", "Unknown Song For Mario Telles", "Manha", "Duro De Roer", "Quem Tem Medo", "Juntos Mais Uma Vez", and "Bateria Do Mamao". CD

Bruno Berle's titled this album in a way that's similar to his debut – but it's way more than just a "part 2", as the Brazilian singer has really grown a lot since that release! There's a rock-solid sound to the record that takes us back to some of our favorite MPB work of the past – not just the 70s, but also that late 90s/early 00s period when it seemed like all these new ideas were coming together in Brazilian music, with a way of pushing the best bits of the past forward into a restyled vision for the future! The instrumentation here mixes lots of acoustic touches on percussion and guitar with just the right use of electronics – delivered on a number of cuts by Batata Boy, who co-produced and arranged the album with Bruno. There's a few other singers along the way, too – and titles include a beautiful remake of Arthur Russell's "Love Comes Back", plus "Sonho", "Margem Do Ceu", "E So Voce Chegar", "Dizer Adeus", "New Hit", and "Te Amar Eterno". CD

A contemporary set, but one that's unlike any other recent Brazilian recording we can think of – given the very unique vibe that Mauricio Maestro is going for! You might know Mauricio from his mid 70s work with Joyce on Visions Of Dawn – and although this set is a recent recording, it has a same sort of classic feel overall. The sound here has deep rhythms and folksy touches – a warm acoustic mode, but topped with some slight electricity and larger arrangements – a bit like some of the more creative sounds in the Brazilian underground during the post-Tropicalia years – yet with a richness that takes it much farther too! Maestro handled the arrangements, and he brings in a jazz-tinged quality that's not unlike the Milton Nascimento generation – yet the overall approach is earthier too, and vocals are handled by Mauricio, percussionist Nana Vasconcelos, and Kay Lyra – swirled up with a bit of light string backings that really help the record soar to the skies! We'd rank this one right up there with classics from the 70s by Joyce or Edu Lobo – but we also recognize that it's very much it's own record too. Titles include "Jungle Bells", "Agua Clara", "Canto Do Paje", "Todos Os Santos", "Ciclo Da Vida", "Ouvindo Estrelas", "Upside Down", and "Horizonte". CD

Contemporary work from Brazil, but a set that recalls some of our favorite soulful sounds from that scene in the 80s – particularly that moment when influences from American R&B and Cali styles were brought back to Brazil, and served up with all sorts of sweet homegrown touches! Quinhones has a nice rasp in his vocals – a quality that furthers the charm of the vocals, and helps them transcend the boundaries of language – as do the well-crafted keyboards on the set, which always seem to find the right sort of vibe to support the lyrics. Titles include "Sweet Narciso", "Seus Olhos Vidrados", "Cidade Narciso", "O Rio Continua Rindo", "Agua Salgada", and "Mentira Anestesia". Japanese CD features four bonus tracks – "Gota", "Garota Manga", "Parafuso", and "Toda Manha". CD

A tremendous debut from Tunico – a record that seems certain to begin an amazing legacy in Brazilian music – at a level that has this young musician easily rivaling some of our favorites from the past! The set's got this way of mixing earthy roots with very modern arrangements – all set to warmly jazzy instrumentation, at a level that recalls some of our favorite early 70s experiments by artists like Edu Lobo, Hermeto Pascoal, or Airto – especially the latter two right after they'd left the group Quarteto Novo! Tunico himself plays guitar, and both alto and soprano sax – and the tunes have this way of soaring and gliding wonderfully – rhythms that are very organic, but inflected with all sorts of other unusual phrasing on instruments by the leader and other members of the group – more guitar, plus keyboards, flute, bass, and plenty of percussion. The whole thing's extremely beautiful, with a quality that's hard to put into words – and titles include "Decolagem", "Sambola", "Solar Das Hortencias", "Saudade Do Sucupira", "Galope", and "O Que Vira". CD

A fantastic combination of funky grooves – the studio talents of Adrian Younge & Ali Shaheed Muhammad, and the Brazilian-tinged fusion of the legendary Azymuth! The jazzy trio are in great form here – tunes that are lean, and which really offer up all the best aspects that the group brought to their music back in the late 70s and early 80s – spun with a slightly different format by the lineup of Alex Malheiros on bass, Ivan Mamao Conti on drums, and Linklon Kiko Contentino on Fender Rhodes and keyboards – but handled perfectly by Adrian and Ali in the studio – with just the right sort of sound to avoid some of the slicker production that the group had on some of their other American recordings from years back. All tunes are new originals – and titles include "Pulando Corda", "Friendship Samba", "Apocolyptico", "Cat Jump", "Fall Afternoon", "Ao Redor Do Samba", and "Sumare". (Deep Funk, Brazil) CD

An excellent album by one of the greatest Brazilian funk bands ever – a wonderful blend of funk, jazz, and soul – and a set that rivals any of the best work coming from the US at the time! These guys are right on the money right from the start – moving through sharp changes with effortless ease, yet never in a way that's too slick or commercial – kind of like that perfect balance that Kool & The Gang hit for just a few records in the mid 70s – but with more of a Brazilian feel overall. Jazzy licks abound – and the keyboards, guitar, and horns are just great – but the set's also got some more regional percussion, too – which really rounds out the record wonderfully. The grooves all have a really universal appeal – essential for any fan of funky sounds – and titles include "Mr Funky Samba", "Junia", "Casa Forte", "Na Baixa Do Sapateiro", "Lelbon Via Vaz Lobo", "Baia", "Maria Fumaca", and "Metalurgia". CD

Two post-CTI gems from Deodato – back to back on a single CD! Whirlwinds is sweet keyboard soul from Deodato – a set that steps off nicely from the strengths of his big hits on CTI, hitting a similarly flowing groove that's really great! The instrumentation here is a bit more expanded than before, but never in a way that buries the keyboards – and Deodato's right out front on a range of electric keys that get some great support from John Tropea's finely-honed work on guitar! Titles include "Havana Strut", "Whirlwinds", "West 42nd Street", and a nice cover of Steely Dan's "Do It Again". And heck, even the album's version of Glen Miller's "Moonlight Serenade" manages to come off like a funk tune! Artistry is a live set from Deodato – but one that's very much in the mode of his best CTI studio sessions – with soaring, over the top keyboard work that's totally great – backed by some tightly compressed guitar, bass, and drums, with just enough funk in the mix to keep things interesting! As with other Deodato records from the time, there's a mix of moods here that comes together nicely – a range that goes past his easy hits, and shows Deodato to be one of the hippest, most soulful keyboard talents of his generation. Titles include a great version of "Super Strut" that grooves for over 8 minutes, and which has some firey guitar that really competes with Deodato's work on the keys – and other tracks include "Farewell To A Friend", "Pavane For A Dead Princess", "Rio Sangre", and "Jivin". (Jazz, Brazil) CD

Brilliant 70s material by Antonio Carlos Jobim – one of his key sets from the middle part of the decade that had the composer really deepening his approach to both singing and songwriting – moving past some of the more instrumental modes that he was using at the start of the decade! There's a richness to the songs that goes way past simple bossa styles – and the lyrical brilliance shows that Jobim hardly ever needed a poet or co-writer to help him hit the heights – as he really wins us over with his words as much as his music. Claus Ogerman produced, and gives things the right balance between fullness and space in the charts – which allows both a great focus on Antonio's vocal style – expressive, but very down to earth – and a few nice solos on Fender Rhodes too! Titles include "Saudade Do Brasil", "Correnteza", "Boto", "Ligia", "Valse", "Arquitetura De Morar", and "O Homem". CD

Strictly Samba, and strictly great stuff – a mix of contemporary work from the Far Out label and a host of other artists too – almost all of whom work here in a relatively classic mode! Although most of the tunes are recent, they'd fit right next to some of your classic samba sides from years past – thanks to an adherence to rootsy percussion, acoustic instrumentation, and recording techniques that really let the vocals come through strongly – adding a bold sense of soul to the music that really makes it groove. The package is really well done – and the non Far Out tracks make it way more than a straight label sampler – with work that includes "Beleza Beleza Beleza" by Trio Mocoto, "Era Bom" by The Ipanemas, "Maria Jose" by Nereu Mocoto & Swing, "Swingue Do Samba" by Roge, "Foi Um Rio Que Passou Em Minha Vida" by Tereza Cristina E Grupo Semente, "Sorri Pra Nos" by Armando Marcal, "Na Cadencia Do Samba" by Grupo Batuque, "Tudo De Bom" by Arthur Verocai, "Jongo Jade" by Aparecindinha, "Casamento Na Favela" by Zaira, and "Samba De Silvia" by Joyce. CD

Two post-CTI gems from Deodato – back to back on a single CD! Whirlwinds is sweet keyboard soul from Deodato – a set that steps off nicely from the strengths of his big hits on CTI, hitting a similarly flowing groove that's really great! The instrumentation here is a bit more expanded than before, but never in a way that buries the keyboards – and Deodato's right out front on a range of electric keys that get some great support from John Tropea's finely-honed work on guitar! Titles include "Havana Strut", "Whirlwinds", "West 42nd Street", and a nice cover of Steely Dan's "Do It Again". And heck, even the album's version of Glen Miller's "Moonlight Serenade" manages to come off like a funk tune! Artistry is a live set from Deodato – but one that's very much in the mode of his best CTI studio sessions – with soaring, over the top keyboard work that's totally great – backed by some tightly compressed guitar, bass, and drums, with just enough funk in the mix to keep things interesting! As with other Deodato records from the time, there's a mix of moods here that comes together nicely – a range that goes past his easy hits, and shows Deodato to be one of the hippest, most soulful keyboard talents of his generation. Titles include a great version of "Super Strut" that grooves for over 8 minutes, and which has some firey guitar that really competes with Deodato's work on the keys – and other tracks include "Farewell To A Friend", "Pavane For A Dead Princess", "Rio Sangre", and "Jivin". (Jazz, Brazil) CD

An amazing little record – a 70s session that we'd easily rank right up there with the best recordings ever from Joyce, but one that's only being issued here for the first time ever! The sound is brilliant – that beautiful mix of strong and sweet that you'll always find when Joyce is at her best – and the set features equally wonderful contributions from Nana Vasconcelos on percussion, and Mauricio Maestro on bass, vocals, and guitar! All sounds are acoustic, but have this otherworldly feel – that buoyant, sparkling sort of quality on Joyce classics like Feminina or Agua E Luz – the there's a driving sense of rhythm that really moves the whole album – taking it far past what you might expect from the spare instrumentation. Tremendous stuff throughout, and a musical discovery that has us falling in love with the music of Joyce all over again! Titles include "Clareana", "Metralhadeira", "Nacional Kid", "Tudo Bonito", "Memorias Do Porvir", "Visoes Do Amanhecer", "Chegada", and "Banana". CD

Gal Costa gets some great help here from Celso Fonseca – who produced the album, and gives Costa a fresh sound that makes the album one of her best from the 90s! The music's a bit in Fonseca's own mode on his recordings – currents of bossa that bring a classic feel at times, but also modernized a bit in the arrangements, and creative use of contemporary instrumentation – at levels that keep the whole thing from just being a back-to-bossa session! Gal's voice is wonderful – able to turn a line with such subtle power, she grabs us even when we can't understand the lyrics – and the instrumentation is right in there to underscore all the best elements, with the right touches on piano or guitar. Titles include "A Voz Do Tambor", "Imunizacao Racional", "Qui Nem Gilo", "Sertao", "Calling You", "Habib", and "Aguarte Agora". CD

A slightly traditional set from Brazilian vocalist Gal Costa – but a great one too, and record that demonstrates a new sense of poise and grace in her vocals in recent years! The material here is mostly bossa – work that pre-dates Gal's initial time on record, but which is delivered here with a sensitivity that's wonderful – never too "easy", despite the familiarity of the tunes, and handled with just that right sense of contemplation and expression with which Jobim and others first penned the tunes. Backing is small combo jazz by a quartet with flute, guitar, bass, and drums – and although live, the sound is nicely close up and intimate – really fitting the mood of the songs. Titles include "Fotografia", "Nada Alem", "Corcovado", "Garota De Ipanema", "Wave", "Samba Do Aviao", "A Felicidade", "Triste", and "Ave Maria No Morro". CD

A killer set that really lives up to the Samba Soul promised in the title – recorded recently by Marcio Local, but done with a solid 70s groove that takes us back to the Jorge Ben generation! The production here is perfect – never too polished, and always with a bit of grit in the grooves – so that the record feels more old-school funky than a current album trying to be retro – lots of great drums underneath keyboards, riffing guitar, and Local's raspily soulful vocals! The whole thing's pretty darn great – easily the best Luaka Bop album we've heard in ages – and it's a modern bit of samba soul we'd rank right up there with Seu Jorge's Carolina album. Titles include "Samba Sem Nenhum Problema", "Preta Luxo", "Minha Rosa", "Resgate", "Quem Pode Pode", "Sentimento Rei", "Happy Endings" by Soul Do Samba, and "Represento". CD

An album that marked a huge return to form for the legendary Tom Ze – brought back to all the power and creativity of his groundbreaking work of the 70s! The set was given huge global circulation by the folks at Luaka Bop – who were key in introducing most of the world to Tom's music – which although groundbreaking, barely made it outside of Brazil in the 70s – and every aspect of the record is done just the right way to showcase the mania that Ze always brought to his music. Some tracks are quite spare, and have the poetic structure of some of Tom's classics – while others have more of a tuneful approach, but with an offbeat vibe that really sets them apart from most Brazilian music of the period. The set marked a huge interest in Tom's music for a new generation – and for good reason too. Titles include "Dancar", "Juventude Javali", "Valsar", "Xiquexique", "Olho Do Lago", and "Politicar". CD