Insanely great sounds from the legendary Tim Maia – easily the most soulful singer in 70s Brazil, and an artist with a heck of a strong ear for funk, too! The music here is an incredible hybrid of American soul and Brazilian elements – especially since some lyrics are in English – and the grooves are often mixed together in a sound that's nice and fuzzy around the edges, with some slight psychedelic elements that makes the cuts a perfect fit for this Luaka Bop series! Yet Tim Maia's hardly a guy who can easily fit into any easy slot or series – because as you'll hear on this set, he's got a vibe that's all his own – a really wonderful approach that's different even from some of his hippest contemporaries in Brazil – and which has gone onto have influence on countless other generations of singers and musicians – including his nephew Ed Motta. The package is great – a real visual tribute to the sounds within – and titles include "Que Beleza", "Ela Partiu", "Do Leme Ao Pontal", "Brother Father Mother Sister", "Quer Queira Quer Nao Queira", "Let's Have A Ball Tonight", "I Don't Care", "The Dance Is Over", "Rational Culture", "You Don't Know What I Know", and "Nobody Can Live Forever". LP, Vinyl record album

A classic batch of Bay Area Brazilian grooves – recorded in the sweet breezy electric style of the Fantasy studios, and featuring the vocals of the lovely Flora Purim in the lead! The session's got a great mix of Brazilian and American fusion players – including Airto (of course!), Ron Carter, George Duke, Egberto Gismonti, Alphonso Johnson, Robertinho Silva, Hermeto Pascoal, and Ndugu Leon Chancler. Pascoal's reed work is a very nice treat, especially over the warm keyboards of George Duke. Purim's voice is as wonderful as ever, and the album's got lots of nice numbers, like "Ina's Song", "Andei (I Walked)", "Time's Lie", and "Open Your Eyes You Can Fly". LP, Vinyl record album

Insanely great sounds from the legendary Tim Maia – easily the most soulful singer in 70s Brazil, and an artist with a heck of a strong ear for funk, too! The music here is an incredible hybrid of American soul and Brazilian elements – especially since some lyrics are in English – and the grooves are often mixed together in a sound that's nice and fuzzy around the edges, with some slight psychedelic elements that makes the cuts a perfect fit for this Luaka Bop series! Yet Tim Maia's hardly a guy who can easily fit into any easy slot or series – because as you'll hear on this set, he's got a vibe that's all his own – a really wonderful approach that's different even from some of his hippest contemporaries in Brazil – and which has gone onto have influence on countless other generations of singers and musicians – including his nephew Ed Motta. The package is great – a real visual tribute to the sounds within – and titles include "Que Beleza", "Ela Partiu", "Do Leme Ao Pontal", "Brother Father Mother Sister", "Quer Queira Quer Nao Queira", "Let's Have A Ball Tonight", "I Don't Care", "The Dance Is Over", "Rational Culture", "You Don't Know What I Know", and "Nobody Can Live Forever". CD

Insanely great sounds from the legendary Tim Maia – easily the most soulful singer in 70s Brazil, and an artist with a heck of a strong ear for funk, too! The music here is an incredible hybrid of American soul and Brazilian elements – especially since some lyrics are in English – and the grooves are often mixed together in a sound that's nice and fuzzy around the edges, with some slight psychedelic elements that makes the cuts a perfect fit for this Luaka Bop series! Yet Tim Maia's hardly a guy who can easily fit into any easy slot or series – because as you'll hear on this set, he's got a vibe that's all his own – a really wonderful approach that's different even from some of his hippest contemporaries in Brazil – and which has gone onto have influence on countless other generations of singers and musicians – including his nephew Ed Motta. The package is great – a real visual tribute to the sounds within – and titles include "Que Beleza", "Ela Partiu", "Do Leme Ao Pontal", "Brother Father Mother Sister", "Quer Queira Quer Nao Queira", "Let's Have A Ball Tonight", "I Don't Care", "The Dance Is Over", "Rational Culture", "You Don't Know What I Know", and "Nobody Can Live Forever". CD

Late 50s work from these two important Brazilian songwriters – served up here in a cool 70s package! The tracks have a nicely produced quality that makes them some of the most preferred recordings by the two artists – with strong arrangements that set off their voices nicely. There's no arranger listed that we can find, but the whole thing has a nice warm jazzy feel. Titles include "La Vem A Bahiana", "Inquietacao", "Maracangalha", "Risque", and "Dora". LP, Vinyl record album

A sublime little set – quite possibly the greatest album ever from Brazilian keyboardist Manfredo Fest! Manfredo first cut his teeth on the bossa scene of the 60s – but by the time of this rare indie session, he'd moved up to the US – and was working with sweet keyboards to really electrify his groove! The record's a wonderful blend of 70s Brazilian fusion modes and just a dash of American soul – and in addition to Manfredo's wonderful work on Fender Rhodes, the set also has these brilliant vocals from Roberta Davis – a singer who works wordlessly, using her voice as an instrument in this really cool way – sliding along with the grooves, and making the album sound unlike anything else we can think of. The overall feel is a bit like Joao Donato's excellent Quem E Quem album – and titles include "Jungle Cat", "Facing East", "Who Needs It", and "Brazilian Dorian Dream". LP, Vinyl record album

A hell of a record from Brazilian pianist Amaro Freitas – an artist we already loved before, but who's really stepping forth boldly with this release! Freitas has a way with the piano that's unlike anyone else we can think of – that freshness we maybe first felt when hearing a player like Robert Glasper many years back – and he works in a trio setting at a level that completely transforms the format – thanks in part to the very inventive assistance he gets from Jean Elton on bass and Hugo Medeiros on drums and percussion! If you think Freitas looks righteous on the cover, just wait until you hear his music – as he's definitely the real deal, and bound to be a big force in the jazz generation to come. Titles include "Malakoff", "Nascimento", "Sankofa", "Ayeye", "Vila Bela", "Baquaqua", and "Cazumba". (Jazz, Brazil) LP, Vinyl record album

Wonderful jazziness from Brazil! This group has a sound that's beyond compare – influenced clearly by the 70s work of Hermeto Pascoal, but much more tuneful, light, and dancing – vocals blending with piano, percussion, and a host of angular reed instruments! The sound is incredible – on a par with classic work by some of our favorites, like Pascoal, Edu Lobo, or Egberto Gismonti – that baroque brilliance and warmth that you can really only find on albums from Brazil. The set is quite long – with 2 CDs of work that include the titles "De Coracao Aberto", "Forro No Encontro Dos", "Curupira", "Arco Iris De Som", "Bota Para Quebrar", "Na Carioca", "Ao Pe Da Lareira", "De Repente", and "Doce". CD

Wonderful jazziness from Brazil! This group has a sound that's beyond compare – influenced clearly by the 70s work of Hermeto Pascoal, but much more tuneful, light, and dancing – vocals blending with piano, percussion, and a host of angular reed instruments! The sound is incredible – on a par with classic work by some of our favorites, like Pascoal, Edu Lobo, or Egberto Gismonti – that baroque brilliance and warmth that you can really only find on albums from Brazil. The set is quite long – with 2 CDs of work that include the titles "De Coracao Aberto", "Forro No Encontro Dos", "Curupira", "Arco Iris De Som", "Bota Para Quebrar", "Na Carioca", "Ao Pe Da Lareira", "De Repente", and "Doce". CD