Don't think "rock n roll", think pre-soul – as the set features excellent work from these four fantastic singers! (Soul, Blues) LP, Vinyl record album

Jimmy Rushing reprises a nice batch of blues classics from the 20s, all of which were sung by early recording artists like Bessie or Clara Smith. The group that backs him is a nice one, and features Buck Clayton on trumpet, Buster Bailey on clarinet, and Coleman Hawkins on tenor. As with many of Columbia's late 50's sessions in this style, the sound is excellent, and has an intimacy and warmth that works extremely well with the material – including titles like "Arkansas Blues", "Gulf Coast Blues", "Muddy Waters", "Squeeze Me", and "Crazy Blues". (Vocalists, Blues) LP, Vinyl record album

A great set of 50s recordings by gritty rhythm & blues singer Big Mama Thornton – whose most famous for grittier shouters – but there's some surprisingly easygoing numbers here, too! Her famous "Hound Dog" opens this set, and sets the pace strongly – for a batch of tunes that nicely feature big, forceful voice – with some great, top shelf 50s R&B with heavy horns, raw drums and unshakable rhythm – along with some straighter blues numbers that point the way towards Mama's work in the 60s. Other numbers include "I Smell A Rat", "They Call Me Big Mama", "Nightmare", Walking Blues", "Hard Times", "The Big Change", "The Fish", "I've Searched The Whole World Over", "Stop A-Hoppin' On Me", "Now Come", "Nightmare", "My Man Called Me" and more. CD

An album that brings together unissued tracks from the Arhoolie catalog by each of the three blues artists on the cover! CD

Raw early work from the great Luther Allison – with the man himself on guitar and vocals, plus a bit of extra guitar from Jimmy Dawkins – and tenor on two tracks from Jim Conley too! LP, Vinyl record album

A bit blues, a bit jazz – and a singer with a style unto her own – the amazing Big Maybelle, one of the greatest artists to record for Okeh Records in the 50s! This well-done collection pulls together every single Maybelle recorded for the R&B powerhouse back in the day – a motherlode of great work that easily puts her right up there with Lavern Baker or Ruth Brown as one of the great female singers of the 50s. The package features a whopping 26 tracks in all – including many bits that get lost between the tracks in some of the too-sifted collections of her work from the time. Titles include "Maybelle's Blues", "New Kind Of Mambo", "Hair Dressin Women", "My Big Mistake", "Ain't No Use", "One Monkey Don't Stop No Show", "So Good To My Baby", "Gabbin Blues", "You'll Never Know", "The Other Night", and "Such A Cutie". (Soul, Blues) CD

Four fantastic albums from Bobby Bland – all brought together in a single package for the first time! First up is Come Fly With Me – great work from Bobby Blue Bland – one of the few artists to rise up at the end of the 50s, and still find a way to chart their own path forward in soul with fresh material like this! Bobby's voice is still incredible here, and he works with production from Al Bell and Monk Higgins, the latter of whom arranged – in this cool style that's a bit like some of the territory that Tyrone Davis was taking on at Columbia Records during the second half of the 70s – fuller arrangements that bring some sophisticated soul touches to the music, but in ways that never lose the core of Bobby's genius! Titles include "Lady Lonely", "Night Games", "You Can Count On Me", "Love To See You Smile", "Come Fly With Me", and "To Be Friends". The next album is I Feel Good I Feel Fine – and Bobby Bland sounds pretty good too – thanks to arrangements from the great Monk Higgins, who does a perfect job of mixing Bland's trademark vocals with some sweet late 70s arrangements! The sound is upbeat, but never in a cliched disco mode – more in the territory that you'd hear Johnnie Taylor using over at Columbia Records – maybe a good comparison, given the Memphis roots that both artists shared – as both also evolved a lot to shift their sound with the changing modes of the time. And as with Johnnie, Bobby never loses the core that makes him great – as you'll hear on titles that include "Tit For Tat", "Soon As The Weather Breaks", "In His Eyes", "Someone To Belong To", "I Feel Good I Feel Fine", and "Little Mama". Sweet Vibrations is a real gem from the start of the 80s – arranged by Monk Higgins, who co-produced the set with Al Bell – a duo who'd already given Bobby some great records before, but who really knock it out of the park with this one. There's an extra-special quality going on here – maybe a slight reintroduction of blues roots, but still with a very contemporary spirit – set up to superb backings throughout. Titles include "Soul With A Flavor", "Hollywood Woman", "You'd Be A Millionaire", "Sweet Vibrator", "Special Kind Of Fool", and "A Real Woman Is What It Takes". Try Me I'm Real is record with a title that certainly fits the bill – as the amazing voice of Bobby Bland is as real here as it ever was, and blended with superbly soulful backings that take the singer's sound forward for a whole new generation! Some of Bobby's contemporaries were content to just stick in a straight blues mode – but Bland really grew and developed a lot as an artist, thanks in part to Monk Higgins and Al Bell – who are both at the production helm of the record, and balance the bluesy roots of Bobby with some richer soul backings that really knock the whole thing out of the park! We love Bobby Blue Bland during his early Duke Records years – but we love him equally as much for music like this, on titles that include "But I Do", "What A Difference A Day Makes", "Givin Up The Streets For Love", "A Song For You My Son", "Just You Just Me", and "Love Is Where It's At". CD

Sleepy John Estes was rediscovered in 1962, and made a key journey to Europe a few years later – captured here with a lean sound that's maybe even more haunting than some of his famous early records! The set just features Estes on guitar and vocals, with Hammie Nixon on harmonica and jug – and the sound of Nixon's harmonica is completely fantastic – very eerie and spooky, as if the wind is howling through the backdrop behind Estes while he performs – furthering the edge of the whole thing with a really wonderful sound! A tremendous example of 60s rural blues revival work at its best – on titles that include "Airplane Blues", "Who's Been Tellin You", "Denmark Blues", "I'm A Tearing Little Daddy", "Drop Down Mama", "Easin Back To Tennessee", and "Needmore Blues". CD features two bonus tracks – "Blues For JFK", and an alternate of "I'm A Tearing Little Daddy" CD

Raw genius from Smokey Hogg – a set of recordings originally issued as singles for the Modern/RPM label, brought together here to make one of the few full length documents of Hogg's talents from the time! Smokey sings here with spare acoustic guitar on most tracks, and a bit of piano added in on some others – but all with a very lean, very rootsy vibe that reflects his rural roots, and which is especially resonant with Lightning Hopkins on the piano-less tunes! Titles include "I Got Your Picture", "Goin Back To Chicago", "Coming Back Home To You Again", "You Can't Keep Your Business Straight", "Look In Your Eyes Pretty Mama", and "It's Raining Here". LP, Vinyl record album

There's no suffering here – as the record's a real delight, and one of the more unique sessions in the career of the great John Lee Hooker! The record was done for Impulse Records, mostly known for its jazz recordings at the time – and the session has the vocals and guitar of John Lee next to a trio of more jazz-based players, one that features Barry Galbraith on guitar, Milt Hinton on bass, and Panama Francis on drums – who somehow do a fantastic job of backing Hooker up! The set has a beautiful recording quality – very crisp and clear, yet never polished – and the work of the other players is incredible, as they really move into John Lee's mode, and somehow have him shining even more strongly than on some of his other albums from the time. This isn't a folk blues set done by a jazz label – and instead, the best of Impulse is used to give Hooker a fantastic showcase – on titles that include "Bottle Up & Go", "Sugar Mama", "Decoration Day", "You're Wrong", and a good cover of "Money". LP, Vinyl record album

The complete work from a short but wonderful stretch of recording – a series of sides done for the Fire/Fury record label – which match the genius talents of Lightnin Hopkins and the soulful production of Harlem's great Bobby Robinson! The mix of modes is great – and rather than go for an uptown version of Hopkins' music, Bobby seems to understand it even more than most producers – and really allow the strings of the guitar to resonate with this chromatic, almost sparkling sort of quality – sounding fantastic next to the raw growl of the man himself! The record is still as classic as can be for Lightnin – no added instrumentation or arrangements – and titles include "Coffee For Mama", "Black Mare Trot", "Glory Bee", "Shine On Moon", "Santa", and "Have You Ever Loved A Woman". CD features 18 tracks in all – the full Mojo Hand album, plus material from singles too! CD

A really well done collection of work recorded by Howlin Wolf for Chess – put together in the early 70s, but featuring sides from the 50s and 60s. The album's got a good set of notes by Pete Welding, and tracks that include "Down In The Bottom", "Forty Four', "My Country Sugar Mama", "Spoonful", "Red Rooster", "Moanin For My Baby", "I Asked For Water", "Wang Dang Doodle", "Who's Been Talkin", "Built For Comfort", "Ooh Baby Hold Me", "Baby How Long", "Three Hundred Pounds Of Joy", and "Killing Floor". LP, Vinyl record album

A classic bit of indie blues from the Chicago scene – featuring some great players from the second generation after Chess Records stopped picking up the younger local talents! Magic Sam leads the group on vocals and guitar, and he's working here with Mighty Joe Young on guitar, Odie Payne on drums, and Mack Thompson on bass – all to craft a set of rough and ready blues tunes that would have played well on both sides of the tracks at the time. Titles include "That's All I Need", "All Of Your Love", "I Don't Want No Woman", "Mama Mama Talk To Your Daughter", and "Lookin Good", a nice instrumental! CD

A classic bit of indie blues from the Chicago scene – featuring some great players from the second generation after Chess Records stopped picking up the younger local talents! Magic Sam leads the group on vocals and guitar, and he's working here with Mighty Joe Young on guitar, Odie Payne on drums, and Mack Thompson on bass – all to craft a set of rough and ready blues tunes that would have played well on both sides of the tracks at the time. Titles include "That's All I Need", "All Of Your Love", "I Don't Want No Woman", "Mama Mama Talk To Your Daughter", and "Lookin Good", a nice instrumental! CD features a bonus alternate of "I Don't Want No Woman". CD

Two cool UK albums from Otis Spann – back to back on a single set! First up is the album Blues Of Otis Spann – a rare UK session, and one that's sometimes got even more grit than some of his hometown recordings back in Chicago! The vibe is very lean and laidback – an early Mike Vernon production, with work from Muddy Waters on guitar – working here under the nom-du-date of "Brother" – in a quartet that just has Ransom Knowling on bass and Little Willie Smith on guitar, and plenty of killer piano and vocals from Otis! Spann seems to have even more bite here than usual – and titles include "Sarah Street", "T 99", "I Came From Clarksdale", "Rock Me Mama", "Natural Days", and "Jangleboogie". Cracked Spanner Head is a record that builds on the sound of the obscure Blues Of Otis Spann album from 1964 – using the performances from that record, but mixed differently, with different songs at times, and added work on tenor, baritone, and trumpet brought into the lineup! The vibe is great – Otis Spann with a bit more punch than usual, and maybe some slight currents of funk – on titles that include "Crack Your Head", "Iced Nehi", "Lucky So & So", "Dollar Twenty Five", "Sometimes I Wonder", and "Mr Highway Man". CD features four bonus tracks – "Pretty Girls Everywhere", "Country Boy", "My Home In The Delta", and "You're Gonna Need My Help". CD

Junior Wells was already a rising star when he cut this album for Delmark in the mid 70s – but the session's got a great back to basics vibe, one that's dedicated to Junior's home turf at Theresa's Tavern on the south side! The groove is great – with twin guitar work, by Sammy Lawhorn in one channel, and Phillip Guy in another – creating this feel as if you're sitting in the small club, hearing the guitarists trade licks back and forth while Junior sings and really wails on harmonica! Other players are great Chicago talents too – and include AC Reed on tenor, Charles Miles on alto, and Johnny Walker on organ and piano. Titles include "The Train I Ride", "What My Mama Told Me", "Key To The Highway", "Watch Me Move", "Someday Baby", "You Gotta Love Her With Feeling", and "Junior's Thing". CD features the unissued bonus track "Goin Down Slow". CD

Features "Suitcase Blues" by Sippie Wallace, "Trouble In Mind" by Jimmy Witherspoon, "Make Me A Pallet On The Floor" by Mama Yancey, "St Louis Blues" by Big Joe Turner, "Every Time" by Lil Green, "Destination Love" by Wynonie Harris, "Rain Is A Bringdown" by Ruth Brown, "I Don't Want To Be President" by Percy Mayfield and much more. LP, Vinyl record album

A great collection – mostly 60s work by artists who include Big Mama Thornton, Lowell Fulson, Fred McDowell, Jesse Fuller, Earl Hooker, Mercy Dee, Big Walter, Mance Lipscomb, George Coleman, Bukka White, Black Ace, and others – with lots of Arhoolie tracks! LP, Vinyl record album

Music from Big Mama Thornton, Marie Adams, Johnny Ace, Big Walter, Junior Parker, Bobby Bland, Norman Fox and the Rob Roys, the Original Casuals, the El Torros, James Booker, Joe Hinton, and more – 16 tracks total. (Soul, Blues) CD

One of the most important indie labels of the postwar years – heard here in a flurry of great tracks that really show them at their finest! This excellent double-length set brings together magical moments from a time when the Flair imprint was really hitting on all burners – recording key vocal, instrumental, blues, and doo wop tracks that would go onto have a huge impact on generations to come – mixed here with a host of titles that haven't been on CD before! The package digs deeper than any look at Flair we've ever seen – and that's saying a lot, given that Ace Records was already giving the label their due a few decades before – and all the new material sits strongly next to classics that make the 50 track collection one of the best R&B collections from the 78rpm era that we've heard in a long long time. Titles include "She Wants To Rock" and "Getting High" by The Flairs, "Loosely" and "Cuban Get Away" by Ike Turner, "Chop House" by Blinky Allen, "Quit Hangin Around Me" by Saunders King, "Early In The Morning" and "Can't Stop Lovin" by Elmore James, "Hello Baby" and "Baby Beat It" by Big Duke, "Midnight Hours Journey" by Johnny Ace, "Night Howler" by Billy Gale, "You Better Hold Me" by James Reed, "I've Got The Feeling" by Baby Parham, "This Time It's Real" by Ricky & Jennell, "Send Him Back" by Shirley Gunter, "An Angel Cried" by Anna Marie, "Blue Mambo" by Bobby Rey, and "Love Me Love Me Love Me" by The Chimes. (Soul, Blues) CD