A set that really gets at the full spectrum of the boogaloo groove – not just the Spanish Harlem sounds of the Latin Soul generation – but also the deeper roots of the style from across the USA! "Boogaloo" is a term that most folks use to refer to that New York uptown fusion of Latin rhythms and soulful vocals – and while the NYC styles were key to its fame, the music also burst forth from lots of points west, too – and came together in a flurry of fast rhythms, jazzy instrumentation, and hard-driving vocals that made for a completely infectious blend! This package is a fantastic testament to that mad musical moment – and is overflowing with a selection of gems that goes way past the obvious – not the Fania Records catalog that usually shows up on other boogaloo releases, but a huge batch of tracks from small labels and indie singles too. Titles include "Skate Boogaloo & Karate Too" by Lee Harris, "Block Party" by Jimmy Castor, "Boogaloo #3" by Roy Lee Johnson, "Do The Boo-Ga-Loo (part 1)" by Tom & Jerroo, "Playing It Cool" by Hector Rivera, "Ready Steady Go" by Prince & Princess, "Bar Kays Boogaloo" by The Bar-Kays, "What I Feel" by Richie & The PS 54 School Yard, "Have Some Boogaloo" by Timmy Thomas, "Bugalu" by Charlie Palmieri, "Boogaloo (part 1)" by The Bob & Earl Band, "Me & You Doing The Boogaloo" by Lou Courtney, "Boogaloo Zoo" by Shirley Butler, "Bugaloo Party" by Harold & Connie, "Boogaloo Investigator" by The Exotics, "Funky Funky Boogalo" by Jimmy Brown, and "Let's Do The Funky Boogaloo (part 1)" by Barry Jones. (Funky Compilations, Latin) CD

A killer collection of work from the legendary Pucho & The Latin Soul Brothers – one of the coolest, grooviest groups to record in the 60s – and one who equally touched the worlds of soul, jazz, and Latin at the time! The group have a really special blend here – a groundbreaking way of pulling together all the best sounds happening uptown – some of the soul jazz currents you'd expect from their placement on Prestige Records, some of the crossover soul influence that was taking place in Spanish Harlem, and even some of the funky currents that were showing up in the indie 45 underground of the late 60s. Many of these tracks emphasize that last side with work from the great Pazant Brothers – who were a key part of Pucho's group – as was Neal Creque, a killer pianist who'd later go onto make great records of his own. There's also some key use of electric bass, which kicks these tracks strongly from the bottom – and the 17 track CD is filled with gems that include "Shuckin N Jivin", "Swamp People", "Dateline", "Big Stick", "Swing Thing", "Soul Yamie", "Something Black", and "Strange Thing Mambo". CD