Jazz — In Stock — LPs  

Later work from Charlie Barnet, but a set that really cooks nicely overall – still with the strong sax tones of earlier years, but also with a groovier sort of sparkle that marks the 60s date of the session! The tunes are short, but Charlie gets plenty of space to do his thing –... read more

Bold work from Charlie Barnet – packaged in a cover with great graphics too!... read more

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Sweet electric keys from Kenny Barron – and one of our favorite 70s albums by him! The record has Kenny playing electric on most of the set – working with musicians that include Sonny Fortune, Buster Williams, Jimmy Owens, and Ben Riley to craft long tunes that are warmly spiritual and... read more

Quite an unusual record from New Orleans R&B legend Dave Bartholomew – arranger, producer, and trumpeter – coming off here with more of a jazz sound than on his usual records! Despite the "New Orleans" and "House Party" in the title, the album's actually set of... read more

A rare treat by Gary Bartz – and very different than most of his other work! The album's a small group session – with Charles Mims on piano, Curtis Robertson on bass, and Howard King on drums – recorded with the feel of a looser soul jazz set on Black Jazz or Strata East. Mims'... read more

A rare treat by Gary Bartz – and very different than most of his other work! The album's a small group session – with Charles Mims on piano, Curtis Robertson on bass, and Howard King on drums – recorded with the feel of a looser soul jazz set on Black Jazz or Strata East. Mims'... read more

Very righteous material from Gary Bartz – and one of his classic NTU Troop albums, with Andy Bey on vocals and electric piano, and the great Stafford James playing some mighty heavy bass! The tracks are nice and long, with a very soulful sound that mixes freer spiritual playing with a good... read more

A great 80s date – with Bartz on alto, Butch Lacy on piano, Clint Houston on bass, and Billy Hart on drums – a really great rhythm trio who help Gary soar on tunes that include "Samuel", "Never Never Land", "Monsoon", and "Uncle Bubba".... read more

A fantastic bit of jazz funk fusion – and one of the landmark 70s albums produced by Larry Mizell! This is Gary Bartz's second (and most amazing) collaboration with Larry Mizell – a studio genius who could focus on the best talent of a jazz artist, then expand it using additional... read more

One of Basie's biggest albums – but still a work of pure genius! "April In Paris" is one of the darkest jazz standards ever written, and it never sounded better than in this original version, which features that great ending in which Basie and the band stop, then start, then stop... read more

The genius of Basie meets the genius of Quincy Jones – a 60s pairing that's every bit as great as the 50s pairing of Basie and Neal Hefti! Jones and Basie worked together in a number of settings during the 60s – including a very successful album for Frank Sinatra on Reprise – but... read more

A really wonderful back to basics session for Basie – featuring arrangements by longtime band members Frank Foster, Erick Dixon, Bobby Plater, and Thad Jones! The set also features vocals on 2 tracks by bluesy vocalist Richard Boone – a singer with a really great scatting approach... read more

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A very handsome collection of Count Basie material for Roulette – easily some of our favorite Basie recordings ever!... read more

A great little gem from the Basie years on Verve – filled with short, uncomplicated tracks that have a surprisingly easy-going groove! The arrangements are swinging and tight, with that Heft-styled focus on a core element that really moves the tunes along – delivered by some great solo... read more

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Basie hits the hits of the 50s and early 60s – working here with some tight Billy Byers arrangements that really help transform the tunes! The groove is upbeat, bright, and brilliantly soulful – that punctuated Basie groove first formed when Neal Hefti was with the group, still carried... read more

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An excellent gimmick – and yet another way that United Artists was trying to push its "Bond" catalog in the 60s! Count Basie brings a soulful swing to the work of John Barry – hitting hard on the tracks with his own smoking piano, and an orchestra filled with some of his best... read more

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Count Basie plays the piano and Joe Williams sings in his bluesy way and they are backed by a slew of musicians who include Thad Jones on trumpet, Ben Powell on trombone, Frank Foster on tenor saxophone, Sonny Payne on drums and many, many others. Frank Foster did all of the arrangements and the... read more

Live material recorded in Germany in the early 70s – also featuring Eddie Lockjaw Davis on tenor and Al Grey on trombone!... read more

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Features solos from Moe Koffman on soprano sax and flute, Guido Basso on trumpet, Rob McConnell on trombone, Peter Appleyard on vibes, and Phil Nimmons on clarinet.... read more

Nice bit of funky fusion with production by Wayne Henderson. Roland Bautista plays electric guitar, and does a bit of singing, but a number of tracks also feature vocals by Side Effect, who were also recording with Wayne Henderson at the time. The LP includes the excellent Latin groover "Vida... read more

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A super huge hit for George – the record that took him from being a funky jazz guitarist into an R&B superstar! The album features George playing and singing over arrangements by Claus Ogerman – some of Ogerman's best of the 70s, ones that mix together his trademark pillow of sound... read more

Sweet 70s funk from George Benson – an album that's a bit smoother than some of his earlier work, but still free from the commercial polish of his later hits! Maestro David Matthews is at the helm for this session – and most numbers have a full backing from players who include some of... read more

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Elmer Bernstein serves up some of his most famous soundtrack themes – but in a style that's even more jazz-based than the original! The group here is a large one, filled with great west coast players – and Bernstein's tunes sparkle even more in this rich setting than they did in their... read more

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A later MPS session that features some incredibly mellow guitar/bass duets between Gene Bertoncini and Michael Moore. Bertoncini's guitar is at the forefront, and Moore's playing is mostly to back him up as he solos virtuostically on titles like "Pavane", "Pensativa", "Elea... read more

A dream band indeed – as the set features a cast of excellent players who manage to come together tightly as a unit, then break out in really strong and hard-blown solos! Even by a "pulled together for this jam session by the record label"-type group there's a swinging style firmly... read more

An album on Muse, but one with the same hip grooves as Walter Bishop's excellent work on the Black Jazz label! Like those gems, this set features Bishop working on Fender Rhodes – hitting a groove we never would have expected in the old days, and really going for a style that's at the... read more

A fantastic album from this legendary jazz funk combo – a bit smoother than their first, but that's the great thing about it! The record has the band getting even tighter than before – coming up with an amazing jazz-inflected funk groove that still leaves us breathless after all these... read more

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Nicely-structured performances between pianist Ran Blake and guitarist David Knife Fabris – done with plenty of free-thinking elements, including those bold-ringing tones that we've always loved in Blake's recordings – yet still based around some relatively tight song structures overall!... read more

One of Art Blakey's first true moments of genius! This transitional version of the Jazz Messengers included two parts – Lee Morgan and Bobby Timmons – of the holy Morgan/Shorter/Timmons trilogy, and it's also got the added bonus of Benny Golson on tenor, who was at the height of his... read more

An obscure Jazz Messengers session – but a great one! The album is ostensibly a set of jazz versions of tunes from the musical Golden Boy, and the group this time is a larger one than usual – a total of 10 players, led by Blakey – and playing beautifully over arrangements from... read more

With Donald Brown on piano, Branford Marsalis on alto, Bill Pierce on tenor, and Wynton Marsalis on trumpet. Titles include "Fuller Love", "In Walked Bud", "Waterfalls", and "A La Mode".... read more

A true orgy in rhythm from Art Blakey – a set that not only features his drums next to the kit of Art Taylor, but which also adds in a bevy of other percussionists – including Sabu Martinez, Patato Valdez, and Jose Valentine! Joe Jones and Specs Wright also bring in additional jazz... read more

One of the best Art Blakey albums ever! This masterful session was one of two legendary ones that were recorded in 1961, but not released until the end of the 60s. The record features the incredible Morgan/Timmons/Shorter lineup, and it's filled with fantastic material that never saw the light of... read more

An amazing album that has Art Blakey completely reinventing himself for the 70s! Blakey shifts from straight hardbop to kind of a modal soul jazz groove, touched with some of the electric playing of the younger jazz generation, but not enough to qualify as fusion or funk. Instead, he's working... read more

An incredible early experimental album from Art Blakey – one of the first to feature him in expanded percussion format! Side one of the album features the extended "Drum Suite" – a set of 3 tracks ("The Sacrifice", "Cubano Chant", and "Oscalypso")... read more

Other players include Roswell Rudd on trombone, Carlos Ward on alto and tenor, Michael Mantler on trumpet, Eric Gale and Cornell Dupree on guitars, and Richard Tee on piano and electric piano.... read more

Some nice surprises here – including "Do It Any Way You Wanna (parts 1 & 2)", "Soleful Moments", "Bossa Fuego", "Shake Your Bootie", "Low Down", and "Foxy Funk".... read more

Early work from easy maestro Phil Bodner – with titles that include "Farewell Blues", "Ol Man River", "Misty", "Sposin", "Lover Come Back To Me", and "In Other Words".... read more

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Not really a set of funky 45s – despite the title – but a good selection of instrumental numbers with a hard New Orleans groove. The style of most of this stuff predates the funk era by a few years, but Booker's touch on the organ is very tasty – and the cuts have a nice feel... read more

Soaring work from guitarist Michael Boothman – a record that's probably more in a soul instrumental mode than a jazz one – but which is plenty darn great, thanks to help from a variety of top-shelf talents! Boothman's working here with Leon Pendarvis – who plays keyboards on the... read more

Reedman Thomas Borgman's in some really great company here – bassist Wilber Morris and drummer Reggie Nicholson – both of whom really open up on the album's very long tracks! The set was recorded live at the end of the 90s, but may not have been issued until now – and it features... read more

A wonderfully edgey album – and a lost classic of South American jazz! The album's a rare 1966 set cut by Argentinian tenorist Chivo Borraro and his quartet – done in a style that uses some fantastic influences from American modal and soul jazz of the 60s, filtered through some of the... read more

One of the hippest records ever to come out of Chicago – the sole recording by Boscoe, a group who was even more obscure and experimental than contemporaries like The Pharoahs or Artistic Heritage Ensemble! Like those groups, Boscoe has a very unique, very visionary approach – one that'... read more

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The only album we've ever seen from organist Willie Bovain – a hip little player from the So-Cal scene of the 60s, playing with a clean and groovy sort of style – ala Trudy Pitts on her best Prestige recordings, or like Jimmy McGriff, on his tightest 60s sides. The album's got a really... read more

One of the greatest albums so far from mighty Chicago reedman David Boykin – and easily a set that lives up to the rich legacy of avant jazz in the Windy City! There's a depth to the record that comes through right from the very first note – a sense of history and feeling that shows... read more

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One of the most wonderful albums by one of our favorite jazz artists of all time! For this unique session, George Braith offers up "two souls in one" – by playing both soprano sax and "stritch" simultaneously – in a two-reed mode that recalls the work of Roland Kirk... read more

A landmark New York session from Dollar Brand – recorded in the late 70s, with a larger group than usual! Brand spins out some really magical African-tinged jazz grooves – stretching forth in his usual modal mode, but augmented by a great set of horn parts that includes work by Don... read more

One of the few albums ever cut as a leader by pianist Ronnell Bright – a player best known for his accompaniment behind famous vocalists, like Sarah Vaughan and Nancy Wilson! This rare date was cut in Paris – at a time when Bright was visiting the city with Vaughan – and it's a... read more

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A really cool little album – recorded by Detroit vibist Jack Brokensha at the end of the 60s, working with a combo called the Baroqe-Adelics, whose instrumentation includes electric harpsichord and fuzzy guitar! The album's the kind of small label jazz side we treasure – and includes a... read more

Maybe the greatest album we've ever heard from trumpeter Till Bronner – a beautiful tribute to the 70s sound of Freddie Hubbard – recorded with instrumentation that's heavy on Fender Rhodes, and these soaring solos that are simply the greatest we've ever heard Bronner play! There's a... read more

Funky trumpet galore – and a lost break classic! At the time of this 1974 LP, Billy Brooks was an obscure LA trumpeter working in the Ray Charles band – and although this record didn't bring him instant fame when it was released, it's grown to become a groove classic over time –... read more

An amazing album – and one of the underground soul jazz classics of the 70s! The album's also one of the few ever cut as a leader by drummer Roy Brooks – one of the hippest players on the Detroit scene back in the day, working here with a great lineup that includes Woody Shaw, George... read more

One of the greatest albums ever for Blue Note – and the only album recorded by tenor player Tina Brooks that was issued during his lifetime! The album's nearly perfect – and features Brooks' edgey tenor set in an all star group that includes Duke Jordan on piano, Freddie Hubbard on... read more

The title sounds like an old R&B song from the 50s, but the album's a searing collaboration between three of the boldest improvisers in 70s European jazz – Peter Brotzmann on reeds, Harry Miller on bass, and Louis Moholo on drums! Although Miller and Moholo can have warmer moments when... read more

70s album that compiles some of Clifford Brown's best moments for Blue Note – including sides that were recorded under the leadership of JJ Johnson and Lou Donaldson, plus a few from sessions under Brown's own name. Titles include "Wail Bait", "Hymn Of The Orient", "E... read more

A key slice of Clifford Brown from the 50s – two long tracks both recorded in an open-ended jam session format, showing a side of Brown's powers that's even bolder and more inventive than some of his previous studio work! The album soars along beautifully – with Brownie in the lead... read more

Early 50s material recorded by the late Clifford Brown – issued here in a classic "memorial" package slightly after his death in 1956! And while Brown never recorded much for Prestige – and never really as a leader – these sides are still a great example of his... read more

A classic "with strings" session from Clifford Brown – nearly as well-done and perfect as some of Charlie Parker's sides for Verve, handled here with perhaps a slightly sweeter touch, as Neal Hefti's the man on arrangements. The core group's the Brown/Roach combo, augmented by a... read more

Not west coast, but "best coast" jazz – a prime example of the way the Clifford Brown/Max Roach team helped to cook up the intensity of the LA scene of the 50s by infusing it with a bit of New York fire! The album takes off in the extended mode of Clifford's All Stars album –... read more

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After starting his career out with his funky group The Organizers, Odell Brown moved into a phase where he would act as the lead soloist in front of larger funky groups – like the one that appears on this record. The band was put together by Gene Barge, and they have a great soulful Cadet... read more

The first LP by this stormin' organ jazz combo from Chicago, featuring the great Odell Brown on organ, Artee (Duke) Payne on alto, and Thomas Purvis on tenor. Includes loads of great tracks, like their originals "Enchilada Joe", "Raising the Roof", and "A Cool... read more

With Ron Eschete on guitar, Al Grey on trombone, and Gene Harris on piano and Fender Rhodes!... read more

A key bit of jazz funk from trumpeter Tom Browne – still grooving strong here, with a sublime mix of modern soul, funky jazz, and some of the 80s groove touches that showed up on the best GRP titles from the time! The album's got a smooth compressed groove – kind of post-Donald Byrd,... read more

A sweet live set from Dave Brubeck's early years on Columbia Records – recorded in New York, but with all the calculated cool and modern tones Brubeck first forged in the San Francisco scene of the 50s! Paul Desmond's on board on alto sax – really getting a lot of space to stretch out... read more

The Dave Brubeck Quartet goes to college – a pretty good place for the combo, considering how many fans they had on campus in the 50s! The sound here is never too academic for the setting, though – just the same sort of Brubeck groove first forged in the small clubs in San Francisco... read more

Like Dave Brubeck's legendary Time Out set? Try this one – a great record that takes off from the concept of the first, but which goes in some very fresh new directions – using the same great group with Paul Desmond on alto, Eugene Wright on bass, and Joe Morello on drums! Dave's... read more

Excellent mid 70s duet jazz from pianist Dave Brubeck & alto Paul Desmond! Duets 1975 is a nicely laidback work from the duo – playing here with no other accompaniment, in a spare set of material that's incredibly fragile and intimate – and all the better for that. The move is a... read more

Includes tracks by Philippe Brun with his swing band and orchestra, Arthur Briggs & his orchestra, and Alix Combelle with his swing band, orchestra, and Le Jazz De Paris.... read more

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