Two wonderfully long-flowing tracks from this hip British group – very spiritual and slow-building, with energy that's very much in the best Alice Coltrane mode of the Impulse Records years! Tony Burkill is on tenor, and has this great mellow-burning approach – perfect for the slow-stepping modal groove that's delivered on piano, guitar, bass, and drums! Added horns, voice, harmonium, and other touches come in from time to time – but they never get in the way of the gentle majesty of the instrumentation at the core – the kind of music you'd want playing as you were going to meet the dawn at the start of a very righteous day. Titles include "Dawn" and "Dusk" – but both are very dawn-worthy! LP, Vinyl record album

Two wonderfully long-flowing tracks from this hip British group – very spiritual and slow-building, with energy that's very much in the best Alice Coltrane mode of the Impulse Records years! Tony Burkill is on tenor, and has this great mellow-burning approach – perfect for the slow-stepping modal groove that's delivered on piano, guitar, bass, and drums! Added horns, voice, harmonium, and other touches come in from time to time – but they never get in the way of the gentle majesty of the instrumentation at the core – the kind of music you'd want playing as you were going to meet the dawn at the start of a very righteous day. Titles include "Dawn" and "Dusk" – but both are very dawn-worthy! CD

Tony Burkill might be making a goofy face on the cover, but the album's a dead-serious effort from a saxophonist we hope to hear more from in years to come! The style here is a solid, soulful mode that really hearkens back to the best modal moments of the late 60s and early 70s – rhythms that seem to borrow an influence from African styles, but fused into a jazz mode that's got the soaring spirit of the post-Coltrane generation – very specifically like the hippest work on the Milestone or Black Jazz labels in the early 70s – work that would be a flawless match for Burkill's style here! Tony's got a really rich tone on the tenor – raspy and full at the same time, and really diving to the depths as he expresses himself on his solos – driven strongly by the bass of Neil Innes, who also co-wrote all the tunes with Burkill – with drums from Sam Hobbs, piano and organ from George Cooper, and percussion from Pete Williams. The whole thing's amazing – rock-solid, no-nonsense, and filled with soul and spirit. Titles include "At Odds With the World", "Out Of A Shooting Star", "Beginning & End", "Work Money Death", and "Third Of All Numbers". LP, Vinyl record album

A dead-serious effort from a saxophonist we hope to hear more from in years to come! The style here is a solid, soulful mode that really hearkens back to the best modal moments of the late 60s and early 70s – rhythms that seem to borrow an influence from African styles, but fused into a jazz mode that's got the soaring spirit of the post-Coltrane generation – very specifically like the hippest work on the Milestone or Black Jazz labels in the early 70s – work that would be a flawless match for Burkill's style here! Tony's got a really rich tone on the tenor – raspy and full at the same time, and really diving to the depths as he expresses himself on his solos – driven strongly by the bass of Neil Innes, who also co-wrote all the tunes with Burkill – with drums from Sam Hobbs, piano and organ from George Cooper, and percussion from Pete Williams. The whole thing's amazing – rock-solid, no-nonsense, and filled with soul and spirit. Titles include "At Odds With the World", "Out Of A Shooting Star", "Beginning & End", "Work Money Death", and "Third Of All Numbers". CD