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Exact matches: 1
Exact matches1
CD, LP, Vinyl record album cover art
✨✧ Wayne DavisView From Another Place ... LP
Atlantic, 1973. Very Good+ ... Out Of Stock
An overlooked gem from early 70s Atlantic Records – a set from singer/pianist Wayne Davis – who was brought to the label by Roberta Flack, who also handled most of the arrangements! Davis is a lot like Flack at this early point in her career – a unique talent with a style that's all his own – somewhere in a space between soul and jazz, but deeply personal, and never content to just try to hang on anyone else's expectations! That individuality is what really makes the record great – and which also, since Davis never got the hit status as Flack, has also made it a bit hard to peg by the larger music market – who've maybe helped keep the set buried a bit over the course of time. Many of the tunes have this sort of gentle flow that's a bit like Robert's first two Atlantic albums – but a few more have some of the quirkier approach to arrangements that you'll find in Eugene McDaniel's work for the label – no surprise, maybe, as McDaniels helps out on one track. Flack also sings and plays a bit of keyboards – and titles include "Joel 2:28", "How's Mama's Baby", "I Like The Things About Me That I Once Despised", "I Love You So", and a cover of Sly Stone's "Somebody's Watching You". LP, Vinyl record album
(Cover has some edge wear, bumped corner, and an unglued top seam.)
 
Possible matches: 47
Possible matches2
CD, LP, Vinyl record album cover art
✨✧ Betty DavisColumbia Years – 1968/1969 ... CD
Light In The Attic/Columbia, Late 60s. Used ... $19.99
A soul and funk fan's dream come true – never-heard recordings by the legendary Betty Davis, done for Columbia Records a few years before her debut album! At the time, Betty was hanging with Miles Davis, and turning him onto the sounds of fuzzy funk – and Miles actually produced these recordings, and used instrumentation from key associates like Herbie Hancock on keyboards, Wayne Shorter on reeds, and John McLaughlin on guitar – plus the mighty Larry Young on keyboards! The whole thing's amazing – every bit as great as Betty's work for the Just Sunshine label, but maybe even grittier – and with this unbridled vibe that's totally wonderful – and we're stunned that this is the first we're hearing of this music – but are mighty happy it's finally seen the light of day. A few cuts also feature Davis with The Crusaders and Hugh Masekela – for a groovy Cali soul sort of vibe – and titles include "It's My Life", "Hangin Out", "Politician Man", "Down Home Girl", "I'm Ready Willing & Able", "Born On The Bayou", and "Live Love Learn". CD
(Out of print.)

Possible matches3
CD, LP, Vinyl record album cover art
Miles DavisBitches Brew ... CD
Columbia, 1969. Used 2 CDs ... $3.99
One of the few cases in jazz where an oft-played classic still resonates with power! The record itself is a key cap to Miles Davis' already-groundbreaking years of the 60s – a bold step forward, not just for his nascent electric sound, but also for jazz in general – and the benchmark by which so many other records would be judged (and fail) in years to come! The double-length set makes full use of all four sides of the record – expanding the flow (as well as the lineup) of the original Davis modal vision – and using all players to amazing effect, so much so that most players here turn out some of their best recorded work ever! The lineup is virtually a whose who for the sound of fusion in the 70s – including Wayne Shorter on soprano sax, Bennie Maupin on bass clarinet, Joe Zawinul and Chick Corea on keyboards, John McLaughlin on guitar, Dave Holland on bass, and Lenny White and Jack DeJohnette on drums – plus Jumma Santos and Don Alias on added percussion. Titles include "Pharaoh's Dance", "Spanish Key", "Sanctuary", "Bitches Brew", "John McLaughlin", and "Miles Runs the Voodoo Down". CD
(Columbia Jazz Masterpiece pressing.)
Also available Bitches Brew ... LP 34.99

Possible matches4
CD, LP, Vinyl record album cover art
Miles DavisBitches Brew ... LP
Columbia, 1969. Very Good+ 2LP Gatefold ... $34.99
One of the few cases in jazz where an oft-played classic still resonates with power! The record itself is a key cap to Miles Davis' already-groundbreaking years of the 60s – a bold step forward, not just for his nascent electric sound, but also for jazz in general – and the benchmark by which so many other records would be judged (and fail) in years to come! The double-length set makes full use of all four sides of the record – expanding the flow (as well as the lineup) of the original Davis modal vision – and using all players to amazing effect, so much so that most players here turn out some of their best recorded work ever! The lineup is virtually a whose who for the sound of fusion in the 70s – including Wayne Shorter on soprano sax, Bennie Maupin on bass clarinet, Joe Zawinul and Chick Corea on keyboards, John McLaughlin on guitar, Dave Holland on bass, and Lenny White and Jack DeJohnette on drums – plus Jumma Santos and Don Alias on added percussion. Titles include "Pharaoh's Dance", "Spanish Key", "Sanctuary", "Bitches Brew", "John McLaughlin", and "Miles Runs the Voodoo Down". LP, Vinyl record album
(70s pressing. Cover has some ring and edge wear.)
Also available Bitches Brew ... CD 3.99

Possible matches5
CD, LP, Vinyl record album cover art
Miles DavisESP ... LP
Columbia, 1965. Very Good ... $34.99
An album of dark and subtle beauty – and still one of our favorite Miles Davis albums of all time! The set's not as earth-shattering as some of Davis' other work of the 60s, but that's why we like it so much – because the emerging genius of the group with Wayne Shorter, Herbie Hancock, and Tony Williams is held in a really special place here – one that ruminates quietly on space and soul, while Davis majestically directs tones and colors that he'd never gotten in a small group format before! Titles include the amazing "Iris", one of Miles' most haunting themes – plus "Little One", "RJ", "ESP", "Mood", and "Agitation". LP, Vinyl record album
(Stereo 360 Sound pressing. Cover has a strip of clear tape on the spine and some discoloration from age.)

Possible matches6
CD, LP, Vinyl record album cover art
Miles DavisIn A Silent Way ... CD
Columbia/Legacy, 1969. Used ... $3.99
There's nothing "silent" here – as the album's a bold entry in the electric years of Miles Davis – one that still features contributions from Herbie Hancock, Wayne Shorter, and Tony Williams – but which also expands the lineup considerably – really reaching out towards the sound of Bitches Brew! Herbie's on electric keys here, working alongside Chick Corea and Joe Zawinul, who really help increase the flow of the tunes and enforce the "directions in music" stated on the cover of the set! Shorter's on soprano sax, playing in an even more angular way – and Dave Holland is on bass, replacing the sound of Ron Carter, getting some rhythmic assistance at times from John McLaughlin, whose sound really helps to shape the record! Titles include 2 side-long tracks – "Shhh/Peaceful" and "In A Silent Way/It's About Time" – both long, and both beautiful! CD

Possible matches7
CD, LP, Vinyl record album cover art
Miles DavisMiles Davis' Greatest Hits (Columbia) ... LP
Columbia, Early 60s. Very Good+ ... $11.99
A good collection of work from Miles' early days at Columbia working with Coltrane, up through the pre-Bitches Brew years with the classic Herbie Hancock, Wayne Shorter, Ron Carter, and Tony Williams lineup. Titles include "Walkin (live)", "All Blues (live)", "Someday My Prince Will Come", "So What (live)", "ESP", "Round Midnight", and "Seven Steps To Heaven". LP, Vinyl record album
(70s pressing. Cover has light wear.)

Possible matches8
CD, LP, Vinyl record album cover art
✨✧ Miles DavisMiles In The Sky ... LP
Columbia, 1968. Very Good ... $9.99
Miles Davis makes the electric transition – in this groundbreaking set from the late 60s! The classic mid 60s quintet is still in place here – Wayne Shorter on tenor, Herbie Hancock on piano, Ron Carter on bass, and Tony Williams on drums – but the sound is looser, freer, and more spacious – often echoing some of the rhythmic concerns that would dominate Miles' music in a few more years, but without as much of a bombastic sound. Williams' drums are amazing – fierce one minute, then fading the next – and Herbie Hancock's use of both electric and acoustic piano really points at his own directions in coming years. George Benson plays one one track – "Paraphernalia" – introducing electric guitar to the Miles Davis sound – and other long tracks on the set include "Stuff", "Black Comedy", and "Country Son". LP, Vinyl record album
(70s pressing. NOTE – Cover is stained and wrinkled on the the spine half, with a large delaminated and torn area on the bottom left.)
Also available Miles In The Sky (plus bonus tracks) ... CD 4.99

Possible matches9
CD, LP, Vinyl record album cover art
✨✧ Miles DavisMiles In The Sky (plus bonus tracks) ... CD
Columbia, 1968. New Copy ... $4.99 6.99
Miles Davis makes the electric transition – in this groundbreaking set from the late 60s! The classic mid 60s quintet is still in place here – Wayne Shorter on tenor, Herbie Hancock on piano, Ron Carter on bass, and Tony Williams on drums – but the sound is looser, freer, and more spacious – often echoing some of the rhythmic concerns that would dominate Miles' music in a few more years, but without as much of a bombastic sound. Williams' drums are amazing – fierce one minute, then fading the next – and Herbie Hancock's use of both electric and acoustic piano really points at his own directions in coming years. George Benson plays one one track – "Paraphernalia" – introducing electric guitar to the Miles Davis sound – and other long tracks on the set include "Stuff", "Black Comedy", and "Country Son". CD features 2 bonus alternate takes of "Black Comedy" and "Country Son". CD
Also available Miles In The Sky ... LP 9.99

Possible matches10
CD, LP, Vinyl record album cover art
Miles DavisMiles Smiles ... LP
Columbia, 1966. Very Good+ ... $24.99
Miles Smiles, but his grin is a wry one – given the angular energy of the set! The album's a landmark effort from the mid 60s quintet that includes Wayne Shorter, Herbie Hancock, Ron Carter, and Tony Williams – all of whom work without fail to capture Davis' newly emerging approach to jazz – a style that's touched with some of the light lyricism of the late 50s, but which has much sharper edges overall – and really approaches some of the best "new thing" modes that were going down at labels like Blue Note or Impulse! Many tunes have a subtly spare quality, but nonetheless work with a tremendous amount of power – and titles include a classic version of "Freedom Jazz Dance", a haunting take on Shorter's "Footprints", and the titles "Orbits", "Circle", "Dolores", and "Gingerbread Boy". LP, Vinyl record album
(70s pressing. Cover has light wear.)

Possible matches11
CD, LP, Vinyl record album cover art
Miles DavisMiles Smiles (Columbia Jazz Masters pressing) ... CD
Columbia, 1966. Used ... $2.99
Miles Smiles, but his grin is a wry one – given the angular energy of the set! The album's a landmark effort from the mid 60s quintet that includes Wayne Shorter, Herbie Hancock, Ron Carter, and Tony Williams – all of whom work without fail to capture Davis' newly emerging approach to jazz – a style that's touched with some of the light lyricism of the late 50s, but which has much sharper edges overall – and really approaches some of the best "new thing" modes that were going down at labels like Blue Note or Impulse! Many tunes have a subtly spare quality, but nonetheless work with a tremendous amount of power – and titles include a classic version of "Freedom Jazz Dance", a haunting take on Shorter's "Footprints", and the titles "Orbits", "Circle", "Dolores", and "Gingerbread Boy". CD
(Out of print.)

Possible matches12
CD, LP, Vinyl record album cover art
✨✧ Miles DavisSorcerer ... CD
Columbia/Legacy, 1967. New Copy ... $4.99 7.99
Another bold new direction for the legendary Miles Davis Quintet of the 60s – a set that has some of the angular styles of earlier albums, but also a bit more of the flowing grace to come in the electric years! A key illustration of this is the leadoff track "Prince Of Darkness" – which has a fluid sensibility that still never fails to floor us, even all these many decades later! The rest of the tracks are equally great – even when subtle – and by this point, the group of Davis, Wayne Shorter, Herbie Hancock, Ron Carter, and Tony Williams were well earning their acclaim as one of the most groundbreaking groups in jazz. Titles include "Prince Of Darkness", "Masqualero", "The Sorcerer", "Pee Wee", and "Vonetta" – plus the odd inclusion of a vocal version of "Nothing Like You" – recorded 5 years before with singer Bob Dorough and arranger Gil Evans! The tune's an odd cap to this otherwise cohesive set – but we love it plenty too, and it somehow oddly fits! CD reissue features alternate takes of the tracks "Masqualero" and "Limbo"! CD

Possible matches13
CD, LP, Vinyl record album cover art
Miles DavisWater Babies ... CD
Columbia, 1967. New Copy ... $4.99 6.99
A much different album than you might expect from the cover – hardly the funky 70s set implied by the Big Fun-styled cover – and instead a lost slice of work from his groundbreaking late 60s years! The set was recorded in 1967, but unissued until Miles late 70s time away from the studio – hence the cover, which attempts to contemporanize the record – and the music is very much in the dark moods and sharp tones of Filles De Kilimanjaro, and features a somewhat similar group! The core quintet of Wayne Shorter on tenor, Herbie Hancock on piano, Ron Carter on bass, and Tony Williams on drums handles the first half of the set – but the group's then expanded to include Chick Corea on electric piano along with Herbie on keys – and Ron Carter steps out so that Dave Holland can bring some more modern tones to the bass. Tracks are all somewhat long, and titles include "Capricorn", "Water Babies", "Sweet Pea", and "Two Faced". CD
Also available Water Babies ... LP 24.99

Possible matches14
CD, LP, Vinyl record album cover art
Miles DavisWater Babies ... LP
Columbia, 1967. Near Mint- ... $24.99
A much different album than you might expect from the cover – hardly the funky 70s set implied by the Big Fun-styled cover – and instead a lost slice of work from his groundbreaking late 60s years! The set was recorded in 1967, but unissued until Miles late 70s time away from the studio – hence the cover, which attempts to contemporanize the record – and the music is very much in the dark moods and sharp tones of Filles De Kilimanjaro, and features a somewhat similar group! The core quintet of Wayne Shorter on tenor, Herbie Hancock on piano, Ron Carter on bass, and Tony Williams on drums handles the first half of the set – but the group's then expanded to include Chick Corea on electric piano along with Herbie on keys – and Ron Carter steps out so that Dave Holland can bring some more modern tones to the bass. Tracks are all somewhat long, and titles include "Capricorn", "Water Babies", "Sweet Pea", and "Two Faced". LP, Vinyl record album
(Original 70s pressing. Cover has light wear and a promo stamp.)
Also available Water Babies ... CD 4.99

Possible matches15
CD, LP, Vinyl record album cover art
Miles DavisWater Babies (with bonus track) ... CD
Columbia, 1967. Used ... $3.99
A much different album than you might expect from the cover – hardly the funky 70s set implied by the Big Fun-styled cover – and instead a lost slice of work from his groundbreaking late 60s years! The set was recorded in 1967, but unissued until Miles late 70s time away from the studio – hence the cover, which attempts to contemporanize the record – and the music is very much in the dark moods and sharp tones of Filles De Kilimanjaro, and features a somewhat similar group! The core quintet of Wayne Shorter on tenor, Herbie Hancock on piano, Ron Carter on bass, and Tony Williams on drums handles the first half of the set – but the group's then expanded to include Chick Corea on electric piano along with Herbie on keys – and Ron Carter steps out so that Dave Holland can bring some more modern tones to the bass. Tracks are all somewhat long, and titles include "Capricorn", "Water Babies", "Sweet Pea", and "Two Faced". CD includes bonus track "Splash". CD
(Punch through barcode.)
Also available Water Babies ... LP 24.99

Possible matches16
CD, LP, Vinyl record album cover art
Steve DavisCorrelations ... CD
Smoke Sessions, 2019. Used ... $11.99
Trombonist Steve Davis blows here with the Correlations Sextet – a group we might be hearing for the first time, and who add just another mighty feather to Steve's already-stuffed cap! Davis has really taken off in the past decade or so – always a strong trombonist, but now and equally-wonderful leader – with a way of shaping sound and moving all the elements of a group that remind us a lot of the moment when JJ Johnson took off and really found a way to make small combos cook – or maybe even a bit like the way that the lesser-known Eje Thelin could spin things out without ever losing his groove! The lineup features Wayne Escoffery on tenor, Joshua Bruneau on trumpet, Xavier Davis on piano, Dezron Douglas on bass, and Jonathan Barber on drums – a number of whom are great leaders on their own – and Davis contributed a number of original titles to the set – including "Embarcadero", "Song For My Love", "Batista's Revenge", "Newbie", "Can't Complain", and "Blues For Owen". CD
Also available Correlations ... CD 15.99

Possible matches17
CD, LP, Vinyl record album cover art
Steve DavisCorrelations ... CD
Smoke Sessions, 2019. New Copy ... $15.99 17.98
Trombonist Steve Davis blows here with the Correlations Sextet – a group we might be hearing for the first time, and who add just another mighty feather to Steve's already-stuffed cap! Davis has really taken off in the past decade or so – always a strong trombonist, but now and equally-wonderful leader – with a way of shaping sound and moving all the elements of a group that remind us a lot of the moment when JJ Johnson took off and really found a way to make small combos cook – or maybe even a bit like the way that the lesser-known Eje Thelin could spin things out without ever losing his groove! The lineup features Wayne Escoffery on tenor, Joshua Bruneau on trumpet, Xavier Davis on piano, Dezron Douglas on bass, and Jonathan Barber on drums – a number of whom are great leaders on their own – and Davis contributed a number of original titles to the set – including "Embarcadero", "Song For My Love", "Batista's Revenge", "Newbie", "Can't Complain", and "Blues For Owen". CD
Also available Correlations ... CD 11.99

Possible matches18
CD, LP, Vinyl record album cover art
Wayne ShorterMoto Grosso Feio ... CD
Blue Note (Japan), 1970. New Copy ... $15.99
A perfect illustration of the rich new directions Wayne Shorter was taking at the start of the 70s – an amazing flurry of sounds and styles that's light years ahead of where he began in the 60s! Shorter's one of those players who was already great at the start – an amazing tenorist, both on his own and with the groups of Art Blakey and Miles Davis – yet by the time of this record, he'd absorbed a huge amount of influences from Brazilian music, modal jazz, the spiritual underground, and even the free European scene – all of which come to play on the long, complex tunes on the set! The record has Shorter working with some other key contemporaries of this new moment in jazz – John McLaughlin on 12 string guitar, Chick Corea on marimba and percussion, Dave Holland and Miroslav Vitous on bass, and Ron Carter on cello – all players who have the same open, exploratory vibe as Wayne's own lines on tenor and soprano sax. Titles include an excellent cover of Milton Nascimento's "Vera Cruz", plus the tracks "Antiqua", "Iska", and "Montezuma". CD
(Part of the Blue Note LA Revivals series!)

Possible matches19
CD, LP, Vinyl record album cover art
✨✧ Miles DavisBig Fun ... LP
Columbia, 1974. Near Mint- 2LP Gatefold ... Temporarily Out Of Stock
One of the great Miles 70s groove albums – an album that's often as funky as you might expect from the cover, with a sound that's gone onto become the stuff of legend over the years! The noise of previous electric sessions is nicely toned down a bit here – leaving lots more room for soulful grooving – and although the selections were recorded over different dates, there's a very unified feel to the record – as most tracks have a similar groove, away from other Davis electric work of the period. Players vary throughout – and include Wayne Shorter and Sonny Fortune on reeds, Lonnie Smith and Chick Corea on keyboards, Ron Carter and Dave Holland on basses, John McLaughlin on guitar, and Al Foster and Billy Cobham on drums. Titles include "Great Expectations", "Ife", "Go Ahead John", and "Lonely Fire" – and the whole thing kicks! LP, Vinyl record album
(Cover has light wear, unglued bottom seam, and tracklist stickers on front.)

Possible matches20
CD, LP, Vinyl record album cover art
✨✧ Miles DavisBitches Brew (with bonus track) ... CD
Columbia, 1969. Used 2 CDs ... Temporarily Out Of Stock
One of the few cases in jazz where an oft-played classic still resonates with power! The record itself is a key cap to Miles Davis' already-groundbreaking years of the 60s – a bold step forward, not just for his nascent electric sound, but also for jazz in general – and the benchmark by which so many other records would be judged (and fail) in years to come! The double-length set makes full use of all four sides of the record – expanding the flow (as well as the lineup) of the original Davis modal vision – and using all players to amazing effect, so much so that most players here turn out some of their best recorded work ever! The lineup is virtually a whose who for the sound of fusion in the 70s – including Wayne Shorter on soprano sax, Bennie Maupin on bass clarinet, Joe Zawinul and Chick Corea on keyboards, John McLaughlin on guitar, Dave Holland on bass, and Lenny White and Jack DeJohnette on drums – plus Jumma Santos and Don Alias on added percussion. Titles include "Pharaoh's Dance", "Spanish Key", "Sanctuary", "Bitches Brew", "John McLaughlin", and "Miles Runs the Voodoo Down". CD features one bonus track – "Feio" – nearly 12 more minutes of electric goodness! CD
Also available Bitches Brew ... LP 34.99

Possible matches21
CD, LP, Vinyl record album cover art
✨✧ Miles DavisESP ... CD
Columbia, 1965. New Copy ... Temporarily Out Of Stock
An album of dark and subtle beauty – and still one of our favorite Miles Davis albums of all time! The set's not as earth-shattering as some of Davis' other work of the 60s, but that's why we like it so much – because the emerging genius of the group with Wayne Shorter, Herbie Hancock, and Tony Williams is held in a really special place here – one that ruminates quietly on space and soul, while Davis majestically directs tones and colors that he'd never gotten in a small group format before! Titles include the amazing "Iris", one of Miles' most haunting themes – plus "Little One", "RJ", "ESP", "Mood", and "Agitation". CD
Also available ESP ... LP 34.99

Possible matches22
CD, LP, Vinyl record album cover art
✨✧ Miles DavisESP ... CD
Columbia, 1965. Used ... Temporarily Out Of Stock
An album of dark and subtle beauty – and still one of our favorite Miles Davis albums of all time! The set's not as earth-shattering as some of Davis' other work of the 60s, but that's why we like it so much – because the emerging genius of the group with Wayne Shorter, Herbie Hancock, and Tony Williams is held in a really special place here – one that ruminates quietly on space and soul, while Davis majestically directs tones and colors that he'd never gotten in a small group format before! Titles include the amazing "Iris", one of Miles' most haunting themes – plus "Little One", "RJ", "ESP", "Mood", and "Agitation". CD
(Out of print.)
Also available ESP ... LP 34.99

Possible matches23
CD, LP, Vinyl record album cover art
✨✧ Miles DavisFilles De Kilimanjaro ... LP
Columbia, 1969. Very Good+ ... Temporarily Out Of Stock
A dark blend of acoustic and electric modes from Miles Davis – a set that still has him working with elements of the classic 60s quintet, but which also brings in a stronger emphasis on electric piano too! The rhythms here are really fantastic – ready to burst forth into a whole new direction, yet still not hitting the Bitches Brew level of freedom – and drummer Tony Williams may well be the real star of the set for his tremendous work on the kit – even though, as stated, the album's got some heavy electric piano contributions both from Herbie Hancock and Chick Corea! All titles feature Miles on trumpet, Wayne Shorter on tenor, and Tony Williams on drums – and the titles with Herbie feature Ron Carter on bass, while the rest with Chick Corea feature Dave Holland. Titles include "Frelon Brun", "Tout De Suite", "Petits Machins", "Mademoiselle Mabry", and "Filles De Kilimanjaro". LP, Vinyl record album
(70s pressing. Cover has light wear.)

Possible matches24
CD, LP, Vinyl record album cover art
✨✧ Miles DavisFilles De Kilimanjaro (bonus track) ... CD
Columbia, 1969. New Copy ... Temporarily Out Of Stock
A dark blend of acoustic and electric modes from Miles Davis – a set that still has him working with elements of the classic 60s quintet, but which also brings in a stronger emphasis on electric piano too! The rhythms here are really fantastic – ready to burst forth into a whole new direction, yet still not hitting the Bitches Brew level of freedom – and drummer Tony Williams may well be the real star of the set for his tremendous work on the kit – even though, as stated, the album's got some heavy electric piano contributions both from Herbie Hancock and Chick Corea! All titles feature Miles on trumpet, Wayne Shorter on tenor, and Tony Williams on drums – and the titles with Herbie feature Ron Carter on bass, while the rest with Chick Corea feature Dave Holland. Titles include "Frelon Brun", "Tout De Suite", "Petits Machins", "Mademoiselle Mabry", and "Filles De Kilimanjaro". CD also features a bonus alternate take of "Tout De Suite CD

Possible matches25
CD, LP, Vinyl record album cover art
✨✧ Miles DavisIn A Silent Way ... LP
Columbia, 1969. Very Good ... Temporarily Out Of Stock
There's nothing "silent" here – as the album's a bold entry in the electric years of Miles Davis – one that still features contributions from Herbie Hancock, Wayne Shorter, and Tony Williams – but which also expands the lineup considerably – really reaching out towards the sound of Bitches Brew! Herbie's on electric keys here, working alongside Chick Corea and Joe Zawinul, who really help increase the flow of the tunes and enforce the "directions in music" stated on the cover of the set! Shorter's on soprano sax, playing in an even more angular way – and Dave Holland is on bass, replacing the sound of Ron Carter, getting some rhythmic assistance at times from John McLaughlin, whose sound really helps to shape the record! Titles include 2 side-long tracks – "Shhh/Peaceful" and "In A Silent Way/It's About Time" – both long, and both beautiful! LP, Vinyl record album
(Stereo 360 Sound pressing, matrirx ending 2D/1L. PLEASE NOTE – bottom half of cover is stained and mostly peeled off.)
Also available In A Silent Way ... CD 3.99

Possible matches26
CD, LP, Vinyl record album cover art
✨✧ Miles DavisMiles Davis In Europe ... CD
Columbia/Legacy, 1963. Used ... Temporarily Out Of Stock
A wonderful live set from the Seven Steps-era Miles group – with rhythm by Herbie Hancock, Ron Carter, and Tony Williams – and tunes that are all in that transformative mode that really showed Miles hitting a new voice at the time! Tenorist George Coleman's playing with the group on the set – proving again that he's got a depth that few people ever seem to give him credit for – and that it wasn't just Wayne Shorter who made the 60s Davis quintet so great. Titles include "Autumn Leaves", "All Of You", "Walkin", and "Joshua". CD features the bonus track "I Thought About You" – and new liner notes by Harvey Pekar! CD

Possible matches27
CD, LP, Vinyl record album cover art
✨✧ Miles DavisMiles Davis In Europe (Japanese pressing) ... CD
Sony (Japan), 1963. Used ... Temporarily Out Of Stock
A wonderful live set from the Seven Steps-era Miles group – with rhythm by Herbie Hancock, Ron Carter, and Tony Williams – and tunes that are all in that transformative mode that really showed Miles hitting a new voice at the time! Tenorist George Coleman's playing with the group on the set – proving again that he's got a depth that few people ever seem to give him credit for – and that it wasn't just Wayne Shorter who made the 60s Davis quintet so great. Titles include "Autumn Leaves", "All Of You", "Walkin", and "Joshua". CD
(Includes obi.)

Possible matches28
CD, LP, Vinyl record album cover art
✨✧ Miles DavisMiles In Berlin ... CD
Columbia/Legacy, 1964. Used ... Temporarily Out Of Stock
A really great bit of live work from Miles Davis – and the first-ever recorded appearance of the quintet with Herbie Hancock, Wayne Shorter, Ron Carter, and Tony Williams – even though the album was never issued in the US at the time! The set follows very strongly in the mode of the group's work at the Plugged Nickel – with a pace that's faster than usual, and bristling with freely exploratory energy. Titles include "Milestones", "So What", "Walkin", and a nicely stepped-up version of "Autumn Leaves". Shorter's solos are worth the price of the record alone, but Williams' work on the kit never ceases to amaze! CD features a bonus track – "Stella By Starlight"! CD

Possible matches29
CD, LP, Vinyl record album cover art
✨✧ Miles DavisMiles Smiles ... CD
Columbia, 1966. New Copy ... Temporarily Out Of Stock
Miles Smiles, but his grin is a wry one – given the angular energy of the set! The album's a landmark effort from the mid 60s quintet that includes Wayne Shorter, Herbie Hancock, Ron Carter, and Tony Williams – all of whom work without fail to capture Davis' newly emerging approach to jazz – a style that's touched with some of the light lyricism of the late 50s, but which has much sharper edges overall – and really approaches some of the best "new thing" modes that were going down at labels like Blue Note or Impulse! Many tunes have a subtly spare quality, but nonetheless work with a tremendous amount of power – and titles include a classic version of "Freedom Jazz Dance", a haunting take on Shorter's "Footprints", and the titles "Orbits", "Circle", "Dolores", and "Gingerbread Boy". CD
Also available Miles Smiles ... LP 24.99

Possible matches30
CD, LP, Vinyl record album cover art
✨✧ Miles DavisNefertiti ... CD
Columbia, 1967. Used ... Temporarily Out Of Stock
Dark genius from the always-amazing Miles Davis Quintet of the 60s – a set that's a bit more subtle than some of the group's other efforts, but no less powerful – and virtually a blueprint for countless changes to come in jazz during the next few decades! The interplay of Davis' trumpet, Wayne Shorter's tenor, and Herbie Hancock's piano is worth the price of admission alone – a force that seems to flow of its own direction, pulled three ways equally, but always emerging as a sound greater than its parts. And adding in the subtle pulse of Ron Carter on bass and nearly melodic drums of Tony Williams, the sound is even more incredible – a well-crafted and evocative sound that's far more than jazz! Titles include versions of Herbie's "Riot" and "Madness", Shorter's "Nefertiti" and "Pinocchio", and Williams' "Hand Jive". Plus, the CD reissue features 4 bonus alternate takes from the original session! CD
(Columbia Jazz Masters pressing.)

Possible matches31
CD, LP, Vinyl record album cover art
✨✧ Miles DavisNefertiti ... LP
Columbia, 1967. Near Mint- ... Temporarily Out Of Stock
Dark genius from the always-amazing Miles Davis Quintet of the 60s – a set that's a bit more subtle than some of the group's other efforts, but no less powerful – and virtually a blueprint for countless changes to come in jazz during the next few decades! The interplay of Davis' trumpet, Wayne Shorter's tenor, and Herbie Hancock's piano is worth the price of admission alone – a force that seems to flow of its own direction, pulled three ways equally, but always emerging as a sound greater than its parts. And adding in the subtle pulse of Ron Carter on bass and nearly melodic drums of Tony Williams, the sound is even more incredible – a well-crafted and evocative sound that's far more than jazz! Titles include versions of Herbie's "Riot" and "Madness", Shorter's "Nefertiti" and "Pinocchio", and Williams' "Hand Jive". LP, Vinyl record album
(360 Sound stereo pressing. Cover has light wear.)

Possible matches32
CD, LP, Vinyl record album cover art
✨✧ Miles DavisSorcerer ... LP
Columbia, 1967. Near Mint- ... Temporarily Out Of Stock
Another bold new direction for the legendary Miles Davis Quintet of the 60s – a set that has some of the angular styles of earlier albums, but also a bit more of the flowing grace to come in the electric years! A key illustration of this is the leadoff track "Prince Of Darkness" – which has a fluid sensibility that still never fails to floor us, even all these many decades later! The rest of the tracks are equally great – even when subtle – and by this point, the group of Davis, Wayne Shorter, Herbie Hancock, Ron Carter, and Tony Williams were well earning their acclaim as one of the most groundbreaking groups in jazz. Titles include "Prince Of Darkness", "Masqualero", "The Sorcerer", "Pee Wee", and "Vonetta" – plus the odd inclusion of a vocal version of "Nothing Like You" – recorded 5 years before with singer Bob Dorough and arranger Gil Evans! The tune's an odd cap to this otherwise cohesive set – but we love it plenty too, and it somehow oddly fits! LP, Vinyl record album
(Stereo 360 Sound pressing.)
Also available Sorcerer ... CD 4.99

Possible matches33
CD, LP, Vinyl record album cover art
✨✧ Wayne ShorterSoothsayer ... CD
Blue Note, 1965. Used ... Temporarily Out Of Stock
A great Wayne Shorter session from the mid 60s – recorded then, but not issued until 1979, for some incredibly unexplained reason – especially given the strength of the set! The group is distinctly modern, and features Freddie Hubbard on trumpet, James Spaulding on alto, and McCoy Tyner on piano – all of who were committed to heavily pushing the boundaries of their playing at the time. Added to the mix is the youthful Tony Williams on drums, fresh from work with Miles Davis, and playing with an incredibly free hand on the kit – plus the great Ron Carter on bass. The resulting mix of tracks is a beautiful example of how these mid-60s Blue Note sessions could keep firmly in touch with modern developments in jazz, yet never lapse into the kind of sloppiness that could sometimes ruin sets like these on other labels – always with a keen sense of timing and rhythm, and a sharpness that made Blue Note's "new" newer-sounding than most. Titles include "Lost", "Angola", "The Big Push", and an amazing jazz take on Sibelius' "Valse Triste"! CD
(Out of print.)

Possible matches34
CD, LP, Vinyl record album cover art
✨✧ Miles DavisMiles Davis Live In Europe 1967 – The Bootleg Series Vol 1 (3CDs/DVD) ... CD
Columbia, 1967. Used 3CDs/DVD ... Out Of Stock
Amazing live documents of Miles Davis and his incredible mid-to-late 60s quintet – Wayne Shorter on tenor, Herbie Hancock on piano, Ron Carter on bass, and Tony Williams on drums – complete concert recordings from Antwerp, Copenhagen and Paris on 3CDs seeing release for the first time ever, plus a DVD featuring the only known video footage of this group from the period! CD 1 features material from 10/28/68 in Antwerp, CD 2 on 11/2/67 in Copenhagen and 11/6/67 in Paris, with the latter concert continued on CD 3. This is landmark stuff here – a surprisingly rare opportunity to hear first rate live recordings of legendary material from the ESP, Miles Smiles, Sorcerer and Nefertiti albums – as well as brilliant revisits of vital earlier material. Includes live takes on "Agitation", "Foot Prints", "No Blues", "Gingerbread Boy", "On Green Dolphin Street", "The Theme", "Footprints", "Masqualero", "I Fall In Love Too Easily", "Walkin'" and more. The DVD starts with five numbers recorded on 11/7/67 in Karlzruhe, Germany: "Agitation", "Footprints", "I Fall In Love Too Easily", "Gingerbread Boy" and "The Theme". It concludes with material in Stockholm on 10/31/67: "Agitation", "Footprints", "'Round Midnight", "Gingerbread Boy" and "The Theme". CD

Possible matches35
CD, LP, Vinyl record album cover art
✨✧ Miles DavisMiles Smiles (180 gram pressing) ... LP
Columbia, 1966. New Copy (reissue)... Out Of Stock
Miles Smiles, but his grin is a wry one – given the angular energy of the set! The album's a landmark effort from the mid 60s quintet that includes Wayne Shorter, Herbie Hancock, Ron Carter, and Tony Williams – all of whom work without fail to capture Davis' newly emerging approach to jazz – a style that's touched with some of the light lyricism of the late 50s, but which has much sharper edges overall – and really approaches some of the best "new thing" modes that were going down at labels like Blue Note or Impulse! Many tunes have a subtly spare quality, but nonetheless work with a tremendous amount of power – and titles include a classic version of "Freedom Jazz Dance", a haunting take on Shorter's "Footprints", and the titles "Orbits", "Circle", "Dolores", and "Gingerbread Boy". LP, Vinyl record album
Also available Miles Smiles ... LP 24.99

Possible matches36
CD, LP, Vinyl record album cover art
✨✧ Miles DavisMiles In Berlin (with bonus track) ... CD
Columbia/Legacy, 1964. New Copy ... Out Of Stock
A really great bit of live work from Miles Davis – and the first-ever recorded appearance of the quintet with Herbie Hancock, Wayne Shorter, Ron Carter, and Tony Williams – even though the album was never issued in the US at the time! The set follows very strongly in the mode of the group's work at the Plugged Nickel – with a pace that's faster than usual, and bristling with freely exploratory energy. Titles include "Milestones", "So What", "Walkin", and a nicely stepped-up version of "Autumn Leaves". Shorter's solos are worth the price of the record alone, but Williams' work on the kit never ceases to amaze! CD features a bonus track – "Stella By Starlight"! CD

Possible matches37
CD, LP, Vinyl record album cover art
✨✧ Miles DavisComplete Live At The Plugged Nickel 1965 (8CD boxset) ... CD
Columbia/Legacy, 1965. Used 8 CDs ... Out Of Stock
This stunning live set has been hailed by many as one of the finest moments of Miles' mid 60s career – music played with a frenetic energy that even blows away the famous studio sessions of the time! The group here is a landmark lineup – young modernists Wayne Shorter on tenor, Herbie Hancock on piano, and Tony Williams on drums – all reaching out to really increase their craft, and work through new ideas alongside Miles' trumpet. CD
(Out of print.)

Possible matches38
CD, LP, Vinyl record album cover art
Black Art Jazz CollectiveBlack Art Jazz Collective – Presented By The Side Door Jazz Club ... CD
Sunnyside, 2016. Used ... $11.99
A totally great group – all hip leaders who've given us great records on their own in recent years, working together here as a combo with a really fresh sound of its own! The music draws on the strengths of the individual members, but also really pushes forward, too – as their unified voices create moments of pride and power that are maybe even brighter than recent records on own – a truly artful collective expression of the talents of Wayne Escoffery on tenor, Jeremy Pelt on trumpet, James Burton on trombone, Xavier Davis on piano, Vincente Archer on bass, and Johnathan Blake on drums. There's maybe more angular lines than we might have expected, but still a deep sense of warmth as well – on titles that include "Essence Of Beauty", "Double Consciousness", "Going Somewhere", "Salvador Da Bahia", "Devil Eyes", and "Awaiting Change". CD

Possible matches39
CD, LP, Vinyl record album cover art
John Coltrane & Lee MorganBest Of Birdland Vol 1 ... LP
Roulette, Early 60s. Near Mint- ... $29.99
Incredible material from both John Coltrane and Lee Morgan – some of their best of the early 60s, and a record that always gets shamefully overlooked! The record features a side apiece of work by Morgan and Coltrane, each acting as the leader for a small group in perfect format. Coltrane is playing with an unusual quartet that includes McCoy Tyner, plus bassist Steven Davis and drummer Billy Higgins. Higgins' gives Coltrane a modal groove that's incredible, and Trane hits these riffs that are almost Nathan Davis-ish on tracks like "Exotica" and "One & Four". The Morgan material is a bit more straight ahead hardbop – but equally excellent – and he's got a tight tight group that features Wayne Shorter, Bobby Timmons, Jimmy Rowser, and Art Taylor. Shorter is incredible, and tracks include "Minor Strain", "Bid For Sid", and "Suspended Sentence". Killer work all-around – and a must-have LP for fans of either player! LP, Vinyl record album
(Orange label stereo pressing. Cover has light aging.)

Possible matches40
CD, LP, Vinyl record album cover art
VariousMartin Freeman & Eddie Piller Present Soul On The Corner ... LP
Acid Jazz (UK), Late 60s/Early 70s. New Copy 2LP Gatefold ... $26.99
Two dapper British gents on the cover, but the album's filled with classic American soul – really great cuts from back in the day, served up in an array of well-chosen tracks that really go past the obvious! Both Martin Freeman and Eddie Piller (of Acid Jazz fame) put the set together – but the real stars here are the classic singers and groups who make the music so great – and who together represent a much hipper, more sophisticated version of classic soul than the usual hits or oldies collection! A number of cuts here are quite rare, and others are a mix of unusual songs by bigger names – mixed with just a few tracks from leftfield to keep things interesting. Titles include "Just To Be With You" by Bobby Dukes, "Finally Made It Home" by Arnold Blair, "You & I" by Goodie, "How Could You Break My Heart" by Bobby Womack, "Lucky To Be Loved By You" by Willie Hutch, "Now That I Have You" by Tommy McGee, "Thirty One" by Laville, "Oooh Baby" by Pamoja, "I'm Goin Left" by Syreeta, "Shoes" by Brook Benton, "I Like The Things About Me That I Once Despised" by Wayne Davis, "Lucky" by Lewis Taylor, "Fan The Fire" by Earth Wind & Fire, "Daylight" by Georgie Fame, "A Raggedy Ride" by Barbara Acklin, and "Hit & Run Love" by Tommie Young. LP, Vinyl record album

Possible matches41
CD, LP, Vinyl record album cover art
VariousOption 1 ... CD
Corbett vs. Dempsey, 2019. New Copy 2CD ... $18.99 20.00
A brilliant series of creative performances pulled from Option – a weekly music salon hosted organized by Chicago avant jazz talents Ken Vandermark, Tim Daisy, and Andrew Clinkman – featuring contributions from some of their greatest contemporaries, and a few older legends too! Most of the material here is free improvisation, but the scope is also nicely wide – with a mix of elements that really keeps things interesting, and which also makes for a hell of a double-length record, even if you don't care at all about the weekly event! The set features performances by Susan Alcorn on steel guitar, Wayne Horvitz on piano with Sara Schoenbeck on bassoon, Ladonna Smith on violin and vocals, Havard Wilk on piano, Gerry Hemingway on percussion and electronics, Lou Mallozzi on electronics and turntables with Douglas Ewart on reeds and percussion, Greg Kelly on trumpet, Bonnie Jones on electronics, Ingrid Laubrock on tenor, Kris Davis on piano, Sandy Ewen on guitar, Louise Dam Eckerdt Jensen on alto and Kent Kessler on bass, and the trio of Booker Stardrum on percussion, Beth McDonald on tuba, and Dave Rempis on alto. CD

Possible matches42
CD, LP, Vinyl record album cover art
VariousSpiritual Jazz 9 – Blue Notes – Part 1 – Modal, Esoteric & Deep Jazz From The Vaults Of Blue Note Records 1962 to 1976 ... LP
Jazzman (UK), 1960s/1970s. New Copy 2LP Gatefold ... $24.99 28.98
A great look at a sometimes-forgotten side of the legendary Blue Note Records label – the company's strong wave of spiritual jazz material recorded during the 60s and early 70s – extremely fine music that's often eclipsed next to the company's better-known hardbop and funky jazz! As the 60s moved on, Blue Note became an even more open-minded label than before – and not only gave some of its key players the chance to stretch out and really spread their wings – but also brought some younger talents into the mix, who really expanded the vision of the Blue Note sound. Some of the tracks here are from the middle of the decade – and reflect more of the growing interest in modal jazz spurred on by Coltrane, Miles Davis, and others – while some of the later tracks are surprisingly righteous, sometimes political moments from players who would have sounded very different just a few years before. The package is done with the same amazing care and fantastic set list as previous Spiritual Jazz collections from Jazzman – and titles on this first volume include "Verse" by Bobby Hutcherson, "Footprints" by Wayne Shorter, "At This Point In Time" by Elvin Jones, "The Rain" by Eddie Gale, "Poinsettia" by Andrew Hill, "Searchin The Trane" by Bobby Hutcherson, "The Phantom" by Duke Pearson, and "Assunta" by Freddie Hubbard. LP, Vinyl record album

Possible matches43
CD, LP, Vinyl record album cover art
✨✧ Gil EvansIndividualism of Gil Evans ... LP
Verve, 1964. Near Mint- Gatefold ... Temporarily Out Of Stock
Although Gil Evans is probably best remembered for his work behind Miles Davis, the albums he cut on his own are actually even more interesting, and feature a far-reaching conception of modern jazz, executed by Evans, and some of the top players of his day. This great album from 1964 features a host of wonderful musicians – including Steve Lacy, Eric Dolphy, Johnny Coles, and Wayne Shorter. The set includes mostly original compositions by Evans, like "Las Vegas Tango", "El Toreador", "Flute Song", and "Hotel Me" – all of them a shimmering blend of free solos and tightly composed orchestral passages, filled with rich colors and shades of warm imagination! LP, Vinyl record album
(MGM pressing with Van Gelder stamp.)

Possible matches44
CD, LP, Vinyl record album cover art
✨✧ VariousSpiritual Jazz 9 – Blue Notes – Modal, Esoteric & Deep Jazz From The Vaults Of Blue Note Records 1962 to 1976 ... CD
Blue Note/Jazzman (UK), Late 60s/Early 70s. New Copy 2CD ... Temporarily Out Of Stock
A great look at a sometimes-forgotten side of the legendary Blue Note Records label – the company's strong wave of spiritual jazz material recorded during the 60s and early 70s – extremely fine music that's often eclipsed next to the company's better-known hardbop and funky jazz! As the 60s moved on, Blue Note became an even more open-minded label than before – and not only gave some of its key players the chance to stretch out and really spread their wings – but also brought some younger talents into the mix, who really expanded the vision of the Blue Note sound. Some of the tracks here are from the middle of the decade – and reflect more of the growing interest in modal jazz spurred on by Coltrane, Miles Davis, and others – while some of the later tracks are surprisingly righteous, sometimes political moments from players who would have sounded very different just a few years before. The package is done with the same amazing care and fantastic set list as previous Spiritual Jazz collections from Jazzman – and titles include "Verse" by Bobby Hutcherson, "Footprints" by Wayne Shorter, "At This Point In Time" by Elvin Jones, "The Rain" by Eddie Gale, "Poinsettia" by Andrew Hill, "Searchin The Trane" by Bobby Hutcherson, "The Phantom" by Duke Pearson, "Assunta" by Freddie Hubbard, "El Barrio" by Joe Henderson, "Plight" by Jackie McLean, "Gichi" by Booker Ervin, "Igbesi Aiye" by Solomon Ilori, "Blue Spirits" by Freddie Hubbard, "Cristo Redentor" by Duke Pearson, "The Morning After" by Hank Mobley, "Indian Song" by Wayne Shorter, and "Malaguena" by Pete LaRoca. CD
Also available Spiritual Jazz 9 – Blue Notes – Part 1 – Modal, Esoteric & Deep Jazz From The Vaults Of Blue Note Records 1962 to 1976 ... LP 24.99

Possible matches45
CD, LP, Vinyl record album cover art
✨✧ VariousSpiritual Jazz 9 – Blue Notes – Part 2 – Modal, Esoteric & Deep Jazz From The Vaults Of Blue Note Records 1962 to 1976 ... LP
Jazzman (UK), 1960s/1970s. New Copy 2LP Gatefold ... Temporarily Out Of Stock
A great look at a sometimes-forgotten side of the legendary Blue Note Records label – the company's strong wave of spiritual jazz material recorded during the 60s and early 70s – extremely fine music that's often eclipsed next to the company's better-known hardbop and funky jazz! As the 60s moved on, Blue Note became an even more open-minded label than before – and not only gave some of its key players the chance to stretch out and really spread their wings – but also brought some younger talents into the mix, who really expanded the vision of the Blue Note sound. Some of the tracks here are from the middle of the decade – and reflect more of the growing interest in modal jazz spurred on by Coltrane, Miles Davis, and others – while some of the later tracks are surprisingly righteous, sometimes political moments from players who would have sounded very different just a few years before. The package is done with the same amazing care and fantastic set list as previous Spiritual Jazz collections from Jazzman – and titles on this second volume include "El Barrio" by Joe Henderson, "Plight" by Jackie McLean, "Gichi" by Booker Ervin, "Igbesi Aiye" by Solomon Ilori, "Blue Spirits" by Freddie Hubbard, "Cristo Redentor" by Duke Pearson, "The Morning After" by Hank Mobley, "Indian Song" by Wayne Shorter, and "Malaguena" by Pete LaRoca. LP, Vinyl record album

Possible matches46
CD, LP, Vinyl record album cover art
✨✧ Tony WilliamsSpring ... LP
Blue Note, 1965. Very Good+ ... Out Of Stock
Startling! This album is one of two that a young Tony Williams cut for Blue Note, back when he was just hitting the age of 20, and when he was already blowing the minds of masters like Jackie McLean (who first hired him) and Miles Davis (who stole him from Jackie for his own group!) with an approach to drumming that was freed from usual time constraints. Williams conception was so unique, other young modernists – like the album's Wayne Shorter and Sam Rivers on tenor, Herbie Hancock on piano, and Gary Peacock on bass – quickly benefited from his presence, as you'll hear in this amazing session that sounds very little like any other Blue Note release. Williams wrote all of the tracks, but the style is much freer than any sense of composition might imply – and the group is shaken up differently from track to track. Titles include "From Before", "Echo", and "Extras". LP, Vinyl record album
(Stereo New York pressing with Van Gelder stamp and ear, including the Blue Note inner sleeve. Cover has some surface wear, aging, and a small light stain at the bottom.)

Possible matches47
CD, LP, Vinyl record album cover art
✨✧ Jimmy McGriffGroove Grease ... CD
Groove Merchant/Ultra Vybe (Japan), 1971. New Copy ... Out Of Stock
A nice bit of funky organ work from Jimmy McGriff – a set that's got his famous talents on the Hammond out front of a larger ensemble – but in a way that's very different than some of his albums of that type from the 70s! There's lots of electricity in the mix – electric piano from Horace Ott, bass from Richard Evans, and guitar from Wayne Bennett – mixed with sharp work on horns from Cliff Davis on tenor and flute, Murray Watson on trumpet, and Johnny Beard on baritone – three players who really flesh out the sound! The album's got some excellent stone funky classics – like "The Bird", "Groove Grease", and "Plain Brown Bag" – plus some surprisingly funky readings of standards like "Canadian Sunset" and "Mr Lucky", both made to sound super-nice, thanks to excellent work on bass and drums! CD
(Part of the Groove Merchant Mo' Groovy Collection!)

Possible matches48
CD, LP, Vinyl record album cover art
✨✧ VariousMartin Freeman & Eddie Piller Present Soul On The Corner ... CD
Acid Jazz (UK), Late 60s/Early 70s. New Copy 2CD ... Out Of Stock
Two dapper British gents on the cover, but the album's filled with classic American soul – really great cuts from back in the day, served up in an array of well-chosen tracks that really go past the obvious! Both Martin Freeman and Eddie Piller (of Acid Jazz fame) put the set together – but the real stars here are the classic singers and groups who make the music so great – and who together represent a much hipper, more sophisticated version of classic soul than the usual hits or oldies collection! A number of cuts here are quite rare, and others are a mix of unusual songs by bigger names – mixed with just a few tracks from leftfield to keep things interesting. Titles include "Just To Be With You" by Bobby Dukes, "Finally Made It Home" by Arnold Blair, "You & I" by Goodie, "How Could You Break My Heart" by Bobby Womack, "Lucky To Be Loved By You" by Willie Hutch, "Now That I Have You" by Tommy McGee, "Thirty One" by Laville, "Oooh Baby" by Pamoja, "I'm Goin Left" by Syreeta, "Shoes" by Brook Benton, "I Like The Things About Me That I Once Despised" by Wayne Davis, "Lucky" by Lewis Taylor, "Fan The Fire" by Earth Wind & Fire, "Daylight" by Georgie Fame, "A Raggedy Ride" by Barbara Acklin, and "Hit & Run Love" by Tommie Young. CD
Also available Martin Freeman & Eddie Piller Present Soul On The Corner ... LP 26.99
 
Partial matches: 1
Partial matches49
CD, LP, Vinyl record album cover art
✨✧ Joe ChambersJoe Chambers Moving Picture Orchestra – Live At Dizzy's Club Coca Cola ... CD
Savant, 2012. Used ... Temporarily Out Of Stock
The genius of Joe Chambers knows no bounds – and record after record, his recent stretch has really continued to blow our mind! Chambers was always a hell of a talent back in the day – even at his start as a 60s Blue Note sideman – but in the past decade or so, he's really found his voice – and shows a talent for larger-concept projects that's really amazing – such as this project with his Moving Pictures Orchestra! The group's a largeish jazz ensemble with some top-shelf players – and they work together on Chambers arrangements that definitely have a cinematic feel – but there's also a richer jazz-based approach too – one that almost reminds us of classic charts from Gil Evans or Ralph Burns. Players include Craig Handy on tenor and soprano sax, David Weiss and Frank Greene on trumpets, Conrad Herwig and Steve Davis on trombones, Xavier Davis on piano, Steve Berrios on percussion, Dwayne Burno on bass, and Joe Chambers on drums and vibes. Titles include the "Moving Pictures Suite", plus "Lonesome Lover", "Power To The People", "Theme From M Squad", and "Mendacity" – which features vocals from Nicole Guiland. CD
(Punch through barcode.)
 
 
 



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