An obscure small label set from Luther Allison – issued on a label out of Peoria! The set features Allison on guitar and vocals – with keyboards from Sid Wingfeld, alto from Mike Allen, and drums from Kenny Arnold. Titles include "Strokes", "You're Gonna Need Me", "Cat Blues", "Messin With The Kid", and "You Upset Me Baby". LP, Vinyl record album

Wow! We really grew to love southern soul singer Paul Kelly's sweet run of records for Warners in the 70s, but heard scant few of his earlier 45s – recorded for Lloyd, Dial, Phillips and the Happy Tiger label from the mid 60s into the early 70 – it's wonderful stuff! Hot Runnin' Soul collects each of these singles cuts, which run from swaggery soul with anthemic chorus and bursts of brass, to smoldering soul balladry, to some early Motown styled numbers that break the southern mode bit. Kelly wrote most of the songs, with rawly emotional and completely impressive vocals. We had no idea how strong this earlier material from Kelly is – thanks to Kent UK for the reveal! Includes "Chills And Fever", "It's My Baby", "Since I Found You", "The Upset", "Can't Help It", "Sweet Sweet Lovin'", "Glad To Be Sad", 'Sailing", "Sailing", "Hot Runnin' Soul", "Poor But Proud", "My Love Is Growing Stronger", "The Day After Forever", "Hangin On In Here" and more. CD

A tight date from 1977, and one that follows nicely in the spirit of King's later Stax sides, but with a slightly smoother groove. There's a bit of the Detroit 70s mode going on in the set – that rough-and-smooth quality that you'd find on a Don Davis production, which proves to be a wonderful blend for King's music, especially on some of the album's funkier numbers. Titles include "Chump Change", "You Upset Me Babe", "Let Me Rock You", "Boot Lace", "Love Mechanic", "Call My Job", and "Good Time Charlie". LP, Vinyl record album

An excellent set by BB King – one of his best from the 60s, and a smoking live set recorded at Chicago's legendary Regal Theatre! The enthusiasm at the venue shows that BB's Memphis-honed style is a perfect fit for the electrified Chicago sound of the 60s – and the recording really brings out some wonderful responses from the audience – making the record a blues equivalent of James Brown's famous Live At The Apollo set! The record features introductions by Chicago DJs Pervis Spann and E Rodney Jones – and tracks include "Every Day", "Please Love Me", "Worry Worry", "Woke Up This Morning", "Help The Poor", and "You Upset Me Baby". CD

The very first full length album from BB King – a killer collection of previous singles for the RPM Records label, served up as a bold statement of King's early genius! The record announces its presence right from the very first note – that brilliant blend of effortless electric guitar solo work and completely charismatic vocals that made BB such a star, right from the get-go – and which maybe comes through even more clearly here than in some of his overproduced material from later decades! Many tracks have nicely jumping backings by the great Maxwell Davis – and titles include "Please Love Me", "Bad Luck", "3 O'Clock Blues", "Ten Long Years", "Sweet Little Angel", "You Upset Me Baby", and a classic early take on "Every Day I Have The Blues". LP, Vinyl record album

Very early work from Joe Tex – recorded way before his boogie records of the 70s, and even his country soul classics of the 60s! Yet despite the age of these sides, the Joe Tex vocal approach is very firmly in place – that raspy mode that's undeniably human, and which might be rooted in blues and gospel, but which already takes a place here with a standout mode that's completely Joe's own! Musical modes move between R&B ballads and some bolder early soul styles – and titles include "She's Mine", "My Biggest Mistake", "Get Way Back", "Right Back To My Arms", "Come In This House", "I Had To Come Back To You", "Pneumonia", "Davy You Upset My Home", and "Another Woman's Man". LP, Vinyl record album

The birth of Miami soul, and a beautifully done document of the rare Deep City label – home to Willie Clarke, Clarence Reid, and Betty Wright in the years before Alston and TK Records! Way before Miami soul started cracking the charts at the start of the 70s, Deep City was already putting the best parts in place – working with a tight roster of artists and an equally tight in-house band that rose from the ranks of Florida A&M's Marching 100 band – razor-sharp instrumentalists who helped forge a groove worthy to rival the sounds of Memphis, Muscle Shoals, and even the best of Detroit at the time – given that some of the work here has a much sweeter soul sound than other 60s southern soul. As usual, the Numero team have done an incredible job with the package – pulling out rare photos, personal stories, and just the right amount of information to breathe new life into the Deep City label and help it live anew. CD features 17 tracks in all – including "Paralyzed" and "Good Lovin" by Betty Wright, "Am I A Good Man" by Them Two, "Someone To Fulfill My Needs" and "I Love You Baby" by The Moovers, "I Am Controlled By Your Love" and "Willing & Able" by Helene Smith, "Good Thing (part 1)" by Frank Williams & The Rocketeers, "It's My Baby" and "The Upset" by Paul Kelly, and "Stay Away From My Johnny" by Freda Gray & The Rocketeers. CD

A fantastic lost psych album – with a moody spacey sound augmented by lots of organ, harpsichord, and electric piano! The best cuts are short and echoey – with kind of a trippy pop feel that sounds like post-Brit invasion lyricism, mixed with LA stoner freedom, and a good dash of Love-esque soul. Titles include Tim Hardin's great "You Upset the Grace of Living", "Hang Onto A Dream", and "Never Too Far" – plus a very cool version of "Nature Boy", and the tracks "Tiffany Rings", "I Watch The Moon", and "Me About You". LP, Vinyl record album

The second fantastic album from Tim Hardin – a singer/songwriter classic that's gone on to have a tremendous amount of pull and power over the years – and for good reason too! With songs like these, Hardin set the stage for so many other singers to come – bringing in a lot of his own personal sense of history and failings, but never in a way that was wallowing in its own weakness – and instead used just the right balance in the lyrics to help these songs instantly transcend Tim's own handling of the words! And yet, despite so many versions of so many of these tunes by others, we still love Hardin's readings the best – augmented here by some light arrangements that set things up personally, yet still retain all the intimacy of the music – on tunes that include the classic "If I Were A Carpenter" , plus "Red Balloon", "Black Sheep Boy", "It's Hard To Believe", "Lady Came From Baltimore", and "You Upset The Grace Of Living When You Lie". CD

An excellent set by BB King – one of his best from the 60s, and a smoking live set recorded at Chicago's legendary Regal Theatre! The enthusiasm at the venue shows that BB's Memphis-honed style is a perfect fit for the electrified Chicago sound of the 60s – and the recording really brings out some wonderful responses from the audience – making the record a blues equivalent of James Brown's famous Live At The Apollo set! The record features introductions by Chicago DJs Pervis Spann and E Rodney Jones – and tracks include "Every Day", "Please Love Me", "Worry Worry", "Woke Up This Morning", "Help The Poor", and "You Upset Me Baby". LP, Vinyl record album

The second fantastic album from Tim Hardin – a singer/songwriter classic that's gone on to have a tremendous amount of pull and power over the years – and for good reason too! With songs like these, Hardin set the stage for so many other singers to come – bringing in a lot of his own personal sense of history and failings, but never in a way that was wallowing in its own weakness – and instead used just the right balance in the lyrics to help these songs instantly transcend Tim's own handling of the words! And yet, despite so many versions of so many of these tunes by others, we still love Hardin's readings the best – augmented here by some light arrangements that set things up personally, yet still retain all the intimacy of the music – on tunes that include the classic "If I Were A Carpenter" , plus "Red Balloon", "Black Sheep Boy", "It's Hard To Believe", "Lady Came From Baltimore", and "You Upset The Grace Of Living When You Lie". LP, Vinyl record album

An excellent set by BB King – one of his best from the 60s, and a smoking live set recorded at Chicago's legendary Regal Theatre! The enthusiasm at the venue shows that BB's Memphis-honed style is a perfect fit for the electrified Chicago sound of the 60s – and the recording really brings out some wonderful responses from the audience – making the record a blues equivalent of James Brown's famous Live At The Apollo set! The record features introductions by Chicago DJs Pervis Spann and E Rodney Jones – and tracks include "Every Day", "Please Love Me", "Worry Worry", "Woke Up This Morning", "Help The Poor", and "You Upset Me Baby". CD

Titles include "Sweet Sixteen", "Rock Me Baby", "Woke Up This Morning", "You Upset Me Baby", "Sneakin Around", "Sweet Little Angel", "Bad Case Of Love", and "Ten Long Years". LP, Vinyl record album

A great document of the early genius of BB King – a set that brings together material recorded just over the space of a decade for the RPM/Kent label in LA – the company who gave BB a wonderful showcase in the years before he hopped over to a larger label and bigger fame! The material here is fantastic – and often has that light touch of jazz that would come when BB was working with like-minded players – mixing his own raw touches on guitar with sweet piano and tenor lines, the topping the whole thing with that vocal approach that really helped blues evolve more than a few notches, thanks to material like this! The set features 16 tracks in all – and titles include "Woke Up This Morning", "My Own Fault", "Whole Lotta Love", "You Upset Me Baby", "The Jungle", "Your Fool", "You're Breaking My Heart", "3 O'Clock Blues", "My Sometime Baby", and "Sweet Little Angel". CD

The birth of Miami soul, and a beautifully done document of the rare Deep City label – home to Willie Clarke, Clarence Reid, and Betty Wright in the years before Alston and TK Records! Way before Miami soul started cracking the charts at the start of the 70s, Deep City was already putting the best parts in place – working with a tight roster of artists and an equally tight in-house band that rose from the ranks of Florida A&M's Marching 100 band – razor-sharp instrumentalists who helped forge a groove worthy to rival the sounds of Memphis, Muscle Shoals, and even the best of Detroit at the time – given that some of the work here has a much sweeter soul sound than other 60s southern soul. As usual, the Numero team have done an incredible job with the package – pulling out rare photos, personal stories, and just the right amount of information to breathe new life into the Deep City label and help it live anew. CD features 17 tracks in all – including "Paralyzed" and "Good Lovin" by Betty Wright, "Am I A Good Man" by Them Two, "Someone To Fulfill My Needs" and "I Love You Baby" by The Moovers, "I Am Controlled By Your Love" and "Willing & Able" by Helene Smith, "Good Thing (part 1)" by Frank Williams & The Rocketeers, "It's My Baby" and "The Upset" by Paul Kelly, and "Stay Away From My Johnny" by Freda Gray & The Rocketeers. CD

Lee Scratch Perry's funky reggae party, put together at the Black Ark, with Boris Gardner, Mickey Boo, Sly Dunbar & Winston Wright. A nice batch of crackling Jamaican funk, with the requisite Black Ark smoke blowing throughout. Includes a bunch of classic Perry-isms, with Scratch dropping verses with his own unique perspective, like "Yu Squeeze My Panhandle", "Roast Fish & Cornbread", "Soul Fire" & "Free Up The Weed" LP, Vinyl record album

Groundbreaking 70s work from Lee Scratch Perry – served up here with both work from The Upsetters, and a long list of "friends" – different singers who take the lead on some of the productions, which are then presented back to back with dub versions of the tracks that overflow with great contributions from a top-shelf lineup of musicians! Players on the cuts include Willie Lindo and Ernest Ranglin on guitars, Winston Wright on organ, Vin Gordon on trombone, and Richard Dirty Harry Hall on tenor – but the real talent here is clearly that of Perry, who's able to move between soulful vocal leads and some deeper, darker Black Ark sounds on the rhythms. Titles include "Mr Money Man" by Danny Hensworth, "Brother Noah" by The Shadows, "Traveling" by Debra Keese, "Ethiopian Land" by Peter & Paul Lewis, "Land Of Love" by Sons Of Light, "Peace & Love" by Shaumark & Robinson, "Freedom Street" by Eric Donaldson, "My Little Sandra" by Leo Graham, "Long Long Time" by Winston Heywood, "White Belly Rat" by Lee Perry, "A Wah Dat" by Junior Dread, and "Feelings" by Sharon Isaacs – and the set features dub versions of every cut by The Upsetters too! LP, Vinyl record album

Rare and unreleased Lee Perry dubplate mixes – brilliant productions from the creatively fruitful, boundary busting 70s years – with the mighty Upsetters and numbers featuring Junior Murvin, Candy Mackenzie, Leo Graham, Jimmy Riley, George Faith, Jack Lord and The Silvertones! This is the second Sound System Scratch compilation from the deep treasure diggers at Pressure Sounds – who have again assembled staggeringly adventurous and hard to find Scratch productions from an amazing period at Black Ark. A number of the tracks are previously unreleased, others are exclusive dubplate mixes, all incredible – be it smoked out, hazy dubs and surprisingly accessible and soulful reggae. Includes "Righteous Rocking" by The Upsetters, "Get Ready (Bongo Mix) by Junior Murvin & The Upsetters, "Kis Me Mix" by The Upsetters, "I've Got The Dub" by George Faith & The Upsetters, "Enter The Upsetter" by Lee Perry & The Upsetters, "Darkness In The City" by Jimmy Riley & The Upsetters, "Rejoice Jah Jah Children" by The Silvertones and more. LP, Vinyl record album

Pivotal Black Ark material from Lee Perry – with brilliantly tripped out echoey dub production – and scorching instrumentation laid down by the mighty Upsetters! Split roughly in half between Perry's nicely gritty instrumental moodcraft and hazy vocals, this collection features some uber prime Upsetters material. It's all hear – heavily rumbling bass grooves, tripped out, though spiritually resonant vocals and just enough of smoky haze without getting too thick to breathe. Amazing stuff! Includes "Scratch The Dub Organizer", "Bush Weed Corn Trash", "When Jah Come", "Curley Dub", "Serious Joke", "Who You Gonna Run To" and "Tighten Up". CD

Nice! There's been a couple of different versions of the seminal Blackboard Jungle dub LP floating around, now the fine folks at Auralux have unearthed and reissued the original version, with the wild stereo mix and original track order! This is one mighty set of Perryisms, wrought in the pre-Black Ark era, and though he's uncredited on the sleeve, we've read that King Tubby was responsible for the wonderful reverb and mixing console action taking these tracks to the next level. Essential! 18 tracks: "Black Panta", "V/S Black Panta", "Khasha Macka", "Elephant Rock", "African Skank", "Dreamland Skank", "Jungle Jim", "Drum Rock", "Dub Organizer", "Lover's Skank", "Moving Skank", "Apeman Skank", "Jungle Skank", "Kaya Skank", "Upsetting Rhythm 1", "Upsetting Rhythm 2", "Upsetting Rhythm 3" and "Happy Roots" CD

You could go 'round and 'round with music historians arguing whether or not this album, or Java Java Java or Aquarius Dub was the first full length dub LP, but it makes no difference to us, this is one mighty set of Perryisms, wrought in the pre-Black Ark era. There's a dozen of the Upsetter's finest rhythms rendered in dub versions here, and though he's uncredited on the sleeve, we've read that King Tubby was responsible for the wonderful reverb and mixing console action taking these tracks to the next level. Essential! Includes "Blackboard Jungle Dub (version 1)", "Rubba, Rubba Words", "Cloak A Dagger (version 3)", "Dreamland Dub", "Fever Grass Dub", "Sinsemilla Kaya Dub", "Moving Forward", "Kasha Macka Dub" and "Setta Iration Dub". LP, Vinyl record album

Brilliant early work from Lee Perry & The Upsetters – and an album that already shows that Perry's got a fantastic production style firmly in place! The rhythms are great – the kind of laidback, bad-stepping grooves you'd expect from The Upsetters – but there's also a special finish to the album, as Lee works the studio knobs with some subtle tricks to make the tunes explode with strange sonic elements – never in a way that gets in the way of the vocals, when they're important – but always enough to augment the record in really thrilling ways. Titles include "Kentucky Shank", "In The Iaah", "Jungle Lion", "Hail Stones", "Ironside", "Soul Man", and "Cold Weather" by The Upsetters – plus "Stick Together" and "Double Six" by U Roy, "We Are Neighbours" and "Just Enough" by David Isaacs, and "High Fashion" by I Roy. LP, Vinyl record album

The King Kong of dub albums, a real standard-setting record that put both the movement and Lee Perry forever on the musical map! The whole thing is classic Lee Perry and an essential dub album – one that mixes Scratch's dense, multi-layered Black Ark rhythms in all their raw glory, with toasts and vocal snippets darting in and out of the dubs – courtesy of a lineup that includes Prince Jazzbo, the Heptones, Dillinger and Scratch himself! With 10 essential tracks from the original release: "Zion's Blood", "Croaking Lizard", "Dread Lion", "Patience", "Dub Along", "Black Vest", "Underground", "Curly Dub" "Three In One" and "Super Ape". LP, Vinyl record album

A stone 70s classic in the Island Records catalog – proof that although the label was scoring big with some of their superstar acts, they still had a great ear out for groundbreaking reggae material! The mighty Max Romeo works here with Lee Scratch Perry in the studio – who gives him fantastic support, at a level that opens up really righteous currents in his music – a fantastic blend of the roots reggae spirit of Romeo and the studio genius of Perry! Romeo's soulful inflections matched perfectly to the dark, swampy Black Ark grooves – on titles that include "War Ina Babylon", "Chase The Devil", "Stealin'", "One Step Forward", "Smile Out Of Style", "Uptown Babies", "Tan And See", "Smokey Room", and "Norman". LP, Vinyl record album

If there's anyone who could make the idea of Italian westerns and Jamaican grooves come together, it's the young Lee Scratch Perry – the mad musician who always had a great talent for mixing it up! Eastwood Rides Again follows the theme of The Upsetters previous classic, Return Of Django – and like that one, the groove isn't just the rocksteady rhythms you'd expect – but also maybe this more spacious version of the style, with a bit more space between the notes than some of their Kingston contemporaries – almost a mode that could be inspired by the spacious soundtrack scoring of the Italian scene, then delivered with a much grittier vibe. Most tunes are instrumentals, and titles include "Eastwood Rides Again", "Salt & Pepper", "Red Hot", "Tight Spot", "Catch This", "Popcorn", and "You Are Adorable". LP, Vinyl record album

A mighty tribute to the genius of one of the greatest producers of all time – a figure who helped not only shape the sound of Jamaican music from the late 60s onwards, but also influence a fair bit of the rest of the world as well! The set's a well-chosen collection of material from a range of different segments of Perry's career – impossible to sum up perfectly in a short space, but very well-conveyed here! Titles include "Tighten Up" by The Inspiration, "Return Of Django" by The Upsetters, "Words Of My Mouth" by The Gatherers, "Beat Down Babylon" by Junior Byles, "Do It Baby (7" mix)" by Susan Cadogan, "Three Blind Mice" by Max Romeo, "Bushweek Corntrash" by Bunny & Ricky, "Sufferer's Time" by The Heptones, and "Natty Pass Through Rome" by Prince Jazzbo – plus Perry tracks that include "Roast Fish & Corn Bread (Jamaican mix)", "Bucky Skank", "Stay Dread", "People Funny Boy", and "Jungle Lion (7" mix)". LP, Vinyl record album

We never get tired of these Lee Perry reissues! The first of several compilations put together by the fine folks at Pressure Sounds documenting Perry's tremendous output from his Black Ark studio, at the peak of his powers in the mid 70s. Mostly drawn from 45s of cuts that attained legendary status because of their small press runs, this superb collection brings together the vocal and dub versions of tracks originally released on the Black Art & Upsetter labels. 13 tracks in all including "Psalms 20" by James Boom, "African Style" by the Black Notes, "Wolf Out Deh" by Lloyd & Devon, "Voodooism" by Leo Graham & "Better Future" by Errol Walker, along with their dubs by the Upsetters. LP, Vinyl record album

A host of rare gems from the early years of Lee Perry's legendary Black Ark studios – material recorded by Scratch himself, on some cuts featuring The Upsetters, others some close contemporaries – but all nicely unified here by contributions from Lee at just about every level! As with other Pressure Sounds collections, the approach here is wonderful – way past the entry-level reggae collections you might get elswhere, but also not overwhelmed with trainspotter attention to rareness over quality – as the cuts here are all pretty darn great, and feature many gems from the early reggae years that really show Perry's diversity past his own recordings. The set includes a number of Upsetters version recordings of vocal tunes – and titles include "Set Yourself Up" by The Upsetters, "Brotherly Love" by Henrick Nicholson, "Roots Train (previously unreleased dub plate mix)" by Junior Murvin, "Woman Gotta Have Love (previously unreleased dub plate mix)", "Say A Little Prayer (12" mix)" by Eric Donaldson, "Mr Cravin" by Junior Murvin, "Such Is Life (version)" by The Upsetters, "Nu Fi Run It Down" by Danny Clarke, "Ska Baby" by Bobby Ellis, and "Such Is Life" by Lord Creator. LP, Vinyl record album

A really striking mid 80s effort from the legendary Lee Scratch Perry – done at a time when his name and reputation had risen strongly on the global scene – which also seems to come through in the music as well! There's a wider range of styles going on here than before – and Scratch is more upfront, less hidden behind his own production – feeling that sense of mission as a messenger for madness that he seemed to take up at the time – a quality that comes through both in his lyrics and vocals, and in the nicely mish-mashed production as well! The set is credited to The Upsetters, but not the classic lineup – more a cast of characters behind much of the classic Black Ark material, though in good command of Scratch's brand of funky reggae. Titles include "Introducing Myself", "Time Marches On", "The Joker", "All Things Are Possible", "Grooving", "Drum Song", "I Am A Madman", "Show Me That River", and "Sexy Lady". Plus, 2CD set features all sorts of bonus tracks – 12 of which show up on CD for the first time ever – including "Time Marches On (take 1)", "Time Marches On Dubwise", "Rain Day In London", "The Perry Christmas Dub", "Madman Dubwise", "All Things Are Possible (12" mix)", "I Am A Madman (12" mix)", "I Am The Upsetter (1985)", and a number of different takes and mixes of "Merry Christmas Happy New Year". CD

Quite possibly one of the greatest funk compilations ever – and we're not just saying that because we're from the Midwest! The genius compilers at Jazzman spent years scouring the smaller cities of the American hinterlands – tracking down obscure musicians, long-lost labels, and nearly-gone master tapes – all to bring together 23 bits of rare funk that bristle with the same energy and excitement as the day they were first recorded! The package is incredible – not only filled with incredible tunes that somehow manage to push the boundaries and redefine our understanding of classic funk from the time, but also doing so in a package that's filled with liner notes that offer more information on the artists than probably their own mothers know! Plus, the set's also got some previously unissued numbers as well – making it a must-have for any funk fan, even if you've somehow managed to track down original copies of some of these choice bits! Titles include "Whip It" by The New Establishment In Soul, "Let's Do It Today (full version)" by The Us, "Pushin To The Top" by Markus Kelly & The Impassions, "Sissy Walk" by Billy Ball & The Upsetters, "Tell Her" by Fred Williams & The Jewels Band, "The Hatch" by The TMGs, "Boots Groove" by The Soul Tornados, "Po Boy's Dream" by Illinois Connection, "It's Not You For Me (live)" by Billy Joe Holloman, "Funky In Here" by Dayton Sidewinders, "Master Groove" by Henry Peters & The Imperials, and "A Day In The Life" by Chocolate Snow. CD

A second great set of tunes from the Chicago scene of the early soul years – one that features a number of alternate takes and previously unissued tunes, including a few great numbers by unknown groups! The set was put together by Chicago soul expert Bob Miner – and has a real focus on group obscurities from the end of the doo wop era to the earliest years of Chicago soul. Miner's got a keen eye for the uncommon, and has pulled together a number of tracks from rare singles, acetates, and audition discs. The fidelity is surprisingly good, given the source of many of the materials – and the package is a refreshing change from the oft-compiled bigger hits of the Chicago scene. Titles include "No Greater Thing" and "My Love" by Twilites, "Wait A Minute" by The Kittens, "Honey Hush" and "Money Honey" by The Eagleaires, "Our Love" and "Stormy Weather" by Four Gents, "We Belong Together" by Upsetters, "Chaney" by The Cardinals, "Moments Of Infatuation" by Jackie Bee, "African Twist" by Harold Curington, "This Angel Of Mine" by The Amps, "In The Still Of The Night" by Larry & DuDrops, "Do Do De Dop" and "Can You Explain It" by The Devotions, and "Makin Eyes" by Cookie & The Dedications. 29 tracks in all! CD

Count Basie plays the piano and Joe Williams sings in his bluesy way and they are backed by a slew of musicians who include Thad Jones on trumpet, Ben Powell on trombone, Frank Foster on tenor saxophone, Sonny Payne on drums and many, many others. Frank Foster did all of the arrangements and the tracks include Williams' "My Baby Upsets Me", "Ev'ry Day", and "Please Send Me Someone To Love". CD

Soul Jazz have done it again! As with their classic NuYorica, Strata East, and Black Jazz comps, this one's a definitive sampling of rare funky stuff that you'll never find otherwise. The set brings together 14 classic Jamaican tracks from the 60's and 70's – and unlike a lot of the other weak-ass reggae comps out there, every cut on here is a winner (or if you prefer, 100% Dynamite!) Great cuts include "Armageddon Time" by Willie Williams, "Stereo Freeze" by Jackie Mittoo, "Granny Scratch Scratch" by Sound Dimension, "Popcorn" by The Upsetters, and lots more! There's also some great Jamaican covers of American funky soul classics – like The Marvels' version of "Rock Steady", and Phyllis Dillon's great remake of Marlena Shaw's "Woman of the Ghetto". Lots more goodies, and the usual Soul Jazz high standard – which is 100% Dynamite! LP, Vinyl record album

There's been plenty of great reggae collections issued over the years, but this excellent series seems to do a better job than most – in part because it bypasses the hits, and ends up pulling together some wonderful work from the wider world of the Jamaican 7" single! The tracks on here were originally issued on a variety of labels that now live under the Trojan umbrella – imprints that include Randy's, Amalgamated, Grape, Treasure Isle, and Duke – and with that variety of sources, there's also a great variety of sounds too – nicely gritty work that booms out of the speakers nice and loud – as you'll hear on cuts that include "Soup (version)" by JJ All Stars, "La La" by The Inspirations, "Arabian Dub" by Tommy McCook & The Supersonics, "Red Ash" by Carl Bryan, "Lottery Spin" by Zap Pow, "Warricka Hill" by The Love Generation, "Reggae Dance" by Owen Gray, "Feel All Right" by The Cables, and "A Testimony" by Upsetter Pilgrims. LP, Vinyl record album

Three dub classics, two of them impossible to get for years, except for the occasional "unofficial" LP repressing. On the first LP of the set, Scratch teams up with the great Tommy McCook for one of his hardest to find gems, recorded in the late 70s, when his wigged out follies at the Black Ark had reached their peak, and though there's a bit of debate over whether these tracks were actually recorded at the Black Ark, this was originally one of the first LPs issued after the studio burned to the ground. In any case, you can't argue with the tracks on this one: spare instrumentals with jaunty guitar, loping syncopated drums and bouncing bass, a baker's dozen tracks, including "Cloak & Dagger", "Musical Transplant", "Liquid Serenade", "Iron Claw", "Rude Walking", "Caveman Skank" and "Pee-Wee Special". Blackboard Jungle Dub, the second album of the triptych, is widely cited as the first full length dub LP, though we'd rather not get too academic about it. Besides, this is one mighty set of Perryisms, wrought in the pre-Black Ark era, with a dozen of the Upsetter's finest rhythms rendered in dub versions here, and with King Tubby reportedly responsible for the wonderful reverb and mixing console action taking these tracks to the next level. An essential dub masterpiece, with 14 tracks on this version of the LP, including "Black Panta", "Khasha Macka", "African Skank", "Dreamland Skank", "Jungle Jim", "Dub Organizer", "Apeman Skank" and "Jungle Fever". The third album included is another tough one to get, originally issued in a tiny, tiny batch, though it's been bootlegged more than a few times over the years. 10 tracks in all, a tasty stew with that Black Ark groove running through it pretty heavily, with some nice guitar and a really spare approach to the often murky Perry tone poetry. Includes "Dub Revelations", "Womans Dub", "Kojak", "Doctor On The Go", "Bush Weed", "Dreadlock Talking", "Own Man", "Dub The Rhythm", "Black Hand" and "Rain Drops". CD