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Transatlantic Edit search

 
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Exact matches: 4
Exact matches1
CD, LP, Vinyl record album cover art
Ralph McTellAll Things Change – The Transatlantic Anthology 1967 to 1970 ... CD
Transatlantic/Cherry Tree (UK), Late 60s. New Copy 2 CDs ... $15.99
Beautiful work from Ralph McTell – a British singer with roots in folk music, but an artist who was already finding his own territory by the time of these albums! Unlike other British folkies of the time, who seemed to be heading towards more ancient territory, and were often trying to sound even more old school in their phrasing – McTell was always trying out something new, and moving more towards some of the singer/songwriter territory that a few key American contemporaries were trying at the time. The set brings together three full albums by Ralph for the Transatlantic label – Eight Frames A Second, Spiral Staircase, and My Side Of Your Window – plus the Ralph McTell Revisited album, which features reworked material, as well as some bonus tracks too – all a fantastic summation of Ralph's early years – a time when he was maybe at his best. 51 tracks in all – with titles that include "Nanna's Song", "The Fairground", "Last Train & Ride", "Michael In The Garden", "Clown", "Girl On A Bicycle", "Father Forgive Them", "Are You Receiving Me", "Bright & Beautiful Things", "Daddy's Here", "Terminus", "Suzanne", "Blues In More Than 12 Bars", and "Kew Gardens". CD

Exact matches2
CD, LP, Vinyl record album cover art
Gerry Rafferty/HumblebumsWho Knows What The Day Will Bring – The Complete Transatlantic Recordings 1969 to 1971 (New Humblebums/Open Up The Door/Can I Have My Money Back/bonus tracks) ... CD
Transatlantic/Grapefruit (UK), Late 60s/Early 70s. New Copy 2CD ... $15.99
Gerry Rafferty is best known on our shores for one big crossover AOR hit of the late 70s – but overseas in England, his career started much earlier – as you'll hear in this great set of material! The first CD in the set features two albums recorded under the name of The Humblebums – amazing early work from Gerry Rafferty – material that's completely different than his late 70s material that crossed the Atlantic in a bigger way – as the record's got this cool complexity that's not unlike some of the best folk rock experiments that were taking place at the time on Island Records! There's elements of guitar work and songphrasing that maybe also echo the generation of Bert Jansch, John Renbourn, and even John Martyn – but the songs also have some baroque orchestrations at some points, and fuller instrumentation at others – never fully commercial, and always with an acoustic core – and already-wonderful vocals from Raffterty. Titles include "Look Over The Hill & Far Away", "Steamboat Row", "Half A Mile", "My Singing Bird", "Patrick", and "Her Father Don't Lie". Next is the Gerry Rafferty album Can I Have My Money Back – a record that got circulated globally a lot more in the late 70s, to cash in on his rising fame – but which really takes off in a strong way that places him as a key talent in the folk/rock universe of the UK Transatlantic label at the start of the 70s! The songs are tighter and catchier than the acid folk generation – in part because Gerry's vocals are already completely charming, and produced with this compression that hints at Brit modes to come on mid 70s hits – but a lot more down to earth overall. Titles include "New Street Blues", "Mr Universe", "Mary Skeffington", "Make You Break You", "One Drink Down", and "Half A Chance". 2CD set features great notes, and 14 more bonus tracks! CD

Exact matches3
CD, LP, Vinyl record album cover art
✨✧ Territory Band (with Ken Vandermark)Transatlantic Bridge ... CD
Okka Disk, 2000. New Copy ... Out Of Stock
The fantastic first record from Chicago's Territory Band – a project headed up by saxophonist Ken Vandermark, and one that definitely builds the Transatlantic Bridge that's promised by the title! During the second half of the 90s, the Chicago avant scene really exploded with some great younger players – and also drew a lot of guests from other global scenes too – creating a lively cross-breeding of sounds, styles, and ideas – all of which are represented strongly by this group! The lineup features Jim Baker on piano, Jeb Bishop on trombone, Axel Dorner on trumpet, Dave Rempis on alto and tenor, Kent Kessler on bass, Fred Lonberg-Holm on cello, and both Paul Lytton and Tim Mulvenna play drums – which makes for a super heavy sense of energy throughout. Vandermark blows tenor, bass clarinet, and b flat clarinet – on titles that include "Collage (for Kurt Schwitters)", "RM (for Marcel Duchamp)", "Mobile (for Alexander Calder)", and "Stabile (for Hans Hoffmann)". CD

Exact matches4
CD, LP, Vinyl record album cover art
✨✧ GryphonRaindances – The Transatlantic Recordings 1973 to 1975 ... CD
Transatlantic/Esoteric (UK), Early 70s. New Copy 2CD ... Out Of Stock
Gryphon look like real Renaissance men on the cover – and they often sound that way, too – given that some of their instrumentation includes older woodwind instruments like the bassoon and crumhorn! Yet as the group grew, they also quickly picked up more electric elements too – yet still found a way to use these in modes that evoked a much more ancient face of England – in a style that was quite different from the straighter folk of the generation that included Pentangle or Fairport Convention, with a flavor that's maybe a bit like that of the great Jethro Tull album Songs From The Wood – although some of the later work also brings in some surprisingly strong progressive elements. This 2CD set covers the best period of the group's career – early 70s records for Transatlantic, including work from the albums Raindance, Red Queen To Gryphon Three, Gryphon, and Midnight Mushrumps – 30 track that include "Lament", "Second Spasm", "The Astrologer", "Tea Wrecks", "Juniper Suite", "Kemp's Jig", "Touch & Go", "Pastime With Good Company", "The Devil & The Farmer's Wife", "Don't Say Go", "Wallbanger", and "Down The Dog". CD
 
Close matches: 1
Close matches5
CD, LP, Vinyl record album cover art
John RenbournUnpentangled – The Sixties Albums (There You Go/John Renbourn/Bert & John/Another Monday/Watch The Stars/Sir John A Lot Of/bonus tracks) (6CD set) ... CD
Transatlantic/Cherry Tree (UK), Late 60s. New Copy 6CD ... $32.99
A treasure trove of greatness from British folk rock legend John Renbourn – all of his late 60s solo work, done before moving on to greater fame in Pentangle! First up is There You Go – a rare one from singer Dorris Henderson and future Pentangle founder John Rensbourn! Florida born, LA raised singer Dorris Henderson moved to London in 1965 and was soon singing London's folk clubs, where she met Rensbourn. A solid mix of traditionals and then contemporary folk songs – stripped down and honest takes on "Saly Free And Easy", "Cotton Eyed Joe", "Mr Tamborine Man", "Going To Memphis", Something Lonesome", "Mist On The Mountain" and more. This edition includes bonus tracks from a rare 45 – "Hangman" and "Leaves That Are Green". Next is the self-titled John Renbourn from 1965 – a set that would not only establish John's legacy for years to come, but also have a very strong impact upon the role of the guitar on the British scene too! The album's definitely in a mode that owes something to an American folk legacy – but it also really breaks from the past with unusual phrasings and colorings in Renbourn's guitar – certainly with an ear towards ancient English modes, but also at once very fresh and contemporary – a strong precursor to the waves of new acoustic talents that would flow from the UK a few years later, but maybe even more revolutionary – given that John's mostly just working here with his guitar and voice. Bert Jansch adds guitar to a few tracks – and titles include "Song", "Down On The Barge", "Plainsong", "Judy", "Beth's Blues", "Blue Bones", "Train Tune", "Winter Is Gone", and "Noah & Rabbit". Bert & John is a hell of a collaboration between British legends Bert Jansch and John Renbourn – both working here together to completely redefine the sound of their music for the generation to come! This one album may well hold all the sense of subtle power and possibility that was about to flower in the Brit movement often known as "acid folk" – that reworking of older aesthetics with modern conceptions, and doing so mostly with their work on acoustic guitar – quite a feat, given the stripped-down instrumentation of the set! Bert sings a bit – in that incredible style of his – but the real attraction here is the guitar interplay, which is always fresh, never hokey, neither familiar American folk nor forced singer-songwriter backup material. Titles include a wonderful reworking of Charles Mingus' "Goodbye Pork Pie Hat" – plus "Red's Favourite", "Orlando", "Soho", "Piano Tune", "East Wind", "After The Dance", and "The Time Has Come". Another Monday is maybe the most obscure album in the collection – a set that is mostly instrumental, with some completely fantastic work by Renbourn on guitar – but which also features a bit of guest vocals from singer Jacqui McShee – whose warmer presence next to John really makes for a nice pairing. The album's as powerful as it is subtle, really beautiful in its sense of variety – with titles that include "Buffalo", "One For William", "Lost Lover Blues", "Another Monday", "Day At The Seaside", "Nobody's Fault But Mine", and "Waltz". Watch The Stars is another great collaboration with Dorris Henderson – an American singer, but one who moved to London in the 60s – where she cut this rare gem with guitarist John Renbourn! The album's got a righteous vibe that's hipper than the usual folk set – with some traditional tunes and some contemporary material – recorded with that amazing phrasing that made Renbourn's guitar so distinct right from the start, with lots of those jazzy currents we love so much – and which really fit the creative vocal approach of Henderson! Dorris also plays some autoharp, and there's a bit of bass in the backings – although overall the main focus here is on Renbourn's guitar and Henderson's vocals. Titles include "Come Up Horsey", "God Bless The Child", "Watch The Stars", "30 Days In Jail", "Mosaic Patterns", "Tomorrow Is A Long Time", and "There's Anger In This Land". Sir John A Lot Of is perhaps one of the best-known albums from British guitar legend John Renbourn – as it was issued widely in the US, and kept in print for a surprisingly long time over the years! The approach here is slightly different than Renbourn's previous records – a bit in the image presented by the cover, although with maybe not as slavish a sound – as John just uses the whole thing to go a bit more ancient than before, in ways that echo the time travel that the whole British folk scene was taking as the 70s approached. The tunes are done in ways that are really beautiful – still lots of the incredible guitar work that made Renbourn such a standout on the scene – plus flute from jazzman Ray Warleigh, who's very different here than usual – and spare use of finger cymbals, African drums, and glockenspiel by Terry Cox. Titles include "Morgana", "Transfusion", "The Trees They Do Grow High", "Sweet Potato", "Seven Up", and "White Fishes". 6CD box features all records in original artwork sleeves, with a booklet of notes – and bonus tracks that include "Message To Pretty", "The Waggoner's Lad", "Lucky Thirteen", "Blues Run The Game", "The Wildest Pig In Captivity (alt)", "Can't Keep From Crying", "Transfusion (alt)", and "The Leaves Are Green". CD
 
Possible matches: 6
Possible matches6
CD, LP, Vinyl record album cover art
Aaly/DKV Double TrioDouble Or Nothing ... CD
Okka Disk, 2002. New Copy ... $9.99 13.99
Two important improvising trios come together head to head in the transatlantic brilliance of Okka Disk Records in the 90s – recorded in a very unusual way that lets you clearly hear all the contributions of the members of the group! In the left channel stands AALY – a searing lineup of Mats Gustafsson on alto and tenor, Ingebrigt Haker Flaten on bass, and Kjell Nordeson on drums – and in the right channel stands DKV, with Ken Vandermark on tenor and bass clarinet, Kent Kessler on bass, and Hamid Drake on drums – a mighty meeting of musicians who are really at the top of their improvising game! Rather than come on head-to-head, it's amazing to hear the way that these well-matched trios open up to each other – especially the bassists and drummers, who are maybe less familiar in this setting than Vandermark and Gustafsson, who were an instantly amazing musical pair. The set begins with the original "Left To Right", then the group makes real magic over the course of 51 minutes, in a piece that offers variations on Albert Ayler's "Angels" and Don Cherry's "Awake Nu". CD

Possible matches7
CD, LP, Vinyl record album cover art
Sidiku BuariFeelings In Africa/Sidiku Buari & His Jam Busters ... CD
Precious/BBE (UK), Early 80s. New Copy ... $13.99 16.99
A pair of rare records by Sidiku Buari – issued back to back on a single CD! Feelings is a record that was issued on the tiny Precious label – home to only two Buari albums in its tiny catalog – and the set follows strongly on the work that Sidiku recorded in New York during the 70s, records that were initially issued just under his last name! The groove on some tracks is full of early 80s NYC touches – sweet electro keyboards that provide some great middle-ground shocks to the tunes – while beats crackle crispy at the bottom, and Buari sings these slinky soul vocals that are a lot more American than you'd guess from the Ghanaian recording of the album. But other numbers have more of a West Africa vibe – that updating of older modes that was taking place in Nigeria too. Titles include "Music", "Feelings", "Anowar", and "Yayo Papa". Sidiku Buari & His Jam Busters has a groove that definitely lives up to its name – a sweet 80s crackle with lots of tunes that jam in an old school funk style – keyboards, basslines, and rhythms right on the money – in a great Transatlantic bridge between Ghana and New York City! The set begins with the super-funky "Let's Go To Funky Town" – a tune with a break on the intro to rival some of the best funky club work of the time – and the vibe continues strongly through the rest of the set, on titles that include "Sophisticated Jammer", "Power To My People", "Rhythm Of Africa", "Minsumobo", and "Karambani". CD
Also available Feelings In Africa/Sidiku Buari & His Jam Busters ... LP 24.99

Possible matches8
CD, LP, Vinyl record album cover art
Sidiku BuariFeelings In Africa/Sidiku Buari & His Jam Busters ... LP
Precious/BBE (UK), Early 80s. New Copy 2LP Gatefold ... $24.99 29.99
A pair of rare records by Sidiku Buari – issued back to back on a single CD! Feelings is a record that was issued on the tiny Precious label – home to only two Buari albums in its tiny catalog – and the set follows strongly on the work that Sidiku recorded in New York during the 70s, records that were initially issued just under his last name! The groove on some tracks is full of early 80s NYC touches – sweet electro keyboards that provide some great middle-ground shocks to the tunes – while beats crackle crispy at the bottom, and Buari sings these slinky soul vocals that are a lot more American than you'd guess from the Ghanaian recording of the album. But other numbers have more of a West Africa vibe – that updating of older modes that was taking place in Nigeria too. Titles include "Music", "Feelings", "Anowar", and "Yayo Papa". Sidiku Buari & His Jam Busters has a groove that definitely lives up to its name – a sweet 80s crackle with lots of tunes that jam in an old school funk style – keyboards, basslines, and rhythms right on the money – in a great Transatlantic bridge between Ghana and New York City! The set begins with the super-funky "Let's Go To Funky Town" – a tune with a break on the intro to rival some of the best funky club work of the time – and the vibe continues strongly through the rest of the set, on titles that include "Sophisticated Jammer", "Power To My People", "Rhythm Of Africa", "Minsumobo", and "Karambani". LP, Vinyl record album
Also available Feelings In Africa/Sidiku Buari & His Jam Busters ... CD 13.99

Possible matches9
CD, LP, Vinyl record album cover art
✨✧ Peter Brotzmann Chicago TentetImages ... CD
Okka Disk, 2004. New Copy ... Temporarily Out Of Stock
A fantastic testament to the genius of the transatlantic meeting that is the Peter Brotzmann Chicago Tentet – a group that manages to bridge the sometimes-unwieldy modes of the improvising orchestra, and the energy of a smaller free jazz combo! All the players seem tied together perfectly – both at an emotional level, and a musical one – so that the combination of energy is way more than the sum of its mighty parts – a real accomplishment, given that the "parts" include Ken Vandermark, Peter Brotzmann, Marts Gustafsson, and Mars Williams on reeds – plus Joe McPhee on trumpet, Jeb Bishop on trombone, Fred Lonberg-Holm on cello, Kent Kessler on bass, and both Michael Zerang and Hamid Drake on drums. The set begins with a searing 37 minute piece dedicated to Robert Rauschenberg – Vandermark's "All Things Being Equal", which almost has a Mingus-like combination of structure and solo. "Images" follows, and is a more freewheeling piece – but completely wonderful too! CD

Possible matches10
CD, LP, Vinyl record album cover art
✨✧ Dandy (Dandy Livingstone)Dandy Returns (orange vinyl pressing) ... LP
Trojan/Real Gone, 1968. New Copy (reissue)... Temporarily Out Of Stock
Dandy Livingstone steps off the plane on the cover – but the music inside is a key example of the work he was doing overseas – as Dandy produced the whole set of recordings in the late 60s London scene, where he was serving as a key bridge between that city and Kingston – as part of a huge transatlantic wave of Jamaican musical growth! Dandy's vocals are laidback, and kind of slide into the mix – almost letting the rhythms really set the tone, with less of the American soul styles of some of his contemporaries. Titles include "Your Daddy Is Home", "Doctor Sure Shot", "It's A Sad World", "My Nights Are So Lonely", "Put On Your Dancing Shoes", "You're Not The Same Girl", and "Run Come Have Fun". LP, Vinyl record album
(Limited edition of 1000 – on orange vinyl!)

Possible matches11
CD, LP, Vinyl record album cover art
✨✧ Edward VesalaHeavy Life ... LP
Leo (Finland), 1980. Near Mint- ... Temporarily Out Of Stock
A hip transatlantic session – with Vesala's drums leading a group that also includes Tomasz Stanko on trumpet, JD Parran on alto and soprano, Howard Johnson on baritone, Chico Freeman on tenor, James Spaulding on alto, Reggie Workman on bass, and Joe Daley on tuba! LP, Vinyl record album
(Cover has some light wear, but is nice overall.)
 
Partial matches: 1
Partial matches12
CD, LP, Vinyl record album cover art
VariousColombian Soul – Compiled By Bagar aka Tricky D ... CD
BBE (UK), 2019. New Copy ... $14.99 18.98
A completely different side of Colombian music than you'd know from Discos Fuentes and some of the other mainstream outlets from that scene – as the tracks here are all from the contemporary underground, and represent a really rich flowering of creative grooves and soulful modes! In truth, most of this work might hail from any hip spot in the global underground – save for the fact that the lyrics are often in Spanish, and many tunes have some slight reference to older musical modes – sometimes an acoustic element mixed in with more electronic instrumentation, sometimes a more direct reference! The quality of the tracks is wonderful – a really strong surprise to our ears, as we never would have discovered this music otherwise – and it represents a really great alternative so some of the more staid, often boring attempts to create a global fusion of elements in the mainstream. Titles include "Cada Paso" by Liannia, "Cumbia Lobina (ext mix)" by Dragao featuring Nidia Gongora, "Aquazero" by Systema Solar featuring Pedro Ramaya, "Oyele" by Jimena Angel, "Cuando Canto Grito" by Cerrero featuring Lucia Pulido, "El Leopardo" by El Leopardo, "Mujer Divina" by Salsangroove, "Gualayo" by Radio Rebelde Soundsystem, "La Negra Y El Fantasma" by Bareto, "Nunca Termina" by David Caneva Akle, "Manana Sera" by Ruzto, and "De Donde Vengo Yo" by Los Transatlanticos featuring Pilar Matarola. CD
 
 
 



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