... LP, Vinyl record album

A trio treasure from the incredible Sonny Clark – a rare non-Blue Note date from the late 50s, and a wonderful illustration of his powers on the piano! The setting is spare, but the sound is never sleepy – as Sonny's working here with Max Roach on drums and George Duvivier on bass – both of whom make for very lively compatriots in the trio – and help Sonny hit some fiercely flowing lines on piano! And apart from Sonny's great playing, the album's also a great showcase for his writing skills too, as nearly never tune's an original – with titles that include "Nica", "Sonia", "My Conception", "Minor Meeting", and "Blues Mambo". Also features a version of "Sonny's Crib" – mis-labeled here as "Sonny's Crip"! Special 2CD set features 12 more rare alternate takes – t more than the LP version – plus a new essay by Ben Ratliff, and unseen photos too. CD

A brilliant slice of early work from guitarist Duck Baker – an artist who's blossomed strongly in the jazz world in recent decades, but who here is maybe closer to the roots of earlier music – and works with this fantastic interweaving of blues, folk, swing, and early jazz modes! The style's very fitting for the overdue-issue of these early tapes on Tompkins Square – and might have even gotten Duck Baker a record on Takoma back in the 70s – and it's no surprise that the second half of the material was recorded by Stefan Grossman in the late 70s, as it shares some resonance with his own work of the time. The first 6 tracks are from demo recordings that Baker made in Richmond, the remaining are handled by Grossman – and apart from guest violin and bass on one track, all others are guitar instrumentals by Duck – and include "Homage To Leadbelly", "Doing the Raccoon", "Allah, Perhaps" "Wolverine Blues", "Les Blues De Richmond", "Fire Down There", "That Rhythm Man", "Little Boy", "The Humors of Whisky", "Sandy River Belle", and "Swedish Jig". CD

A pretty beautiful live recording of the great Tim Buckley – recorded at the Folk Center, NYC in March of 1967 – captured between the releases of his first and second albums for Elektra, and making the hairs on our arm stand up all these years later with just his voice and hard-strummed acoustic guitar! This is Buckley at his most direct and emotionally resonant, which we can only imagine must have been electrifying to the handful of folks at the Folk Center that day, but who knows, maybe they were mostly just looking for books or records. The sound is surprisingly excellent for a vintage instore style appearance, a happy accident if there ever was one! Wonderful stuff, and a worthy addition to any Buckley fan's collection – with a few tracks that to date had not ever appeared on any studio or live album – but this is good stuff for anyone who loves passionately sung acoustic folk music. Includes "Song For Jainie", "I Never Asked To Be Your Mountain", "Wings", "Phantasmagoria In Two", "Just Please Leave Me", "I Can't See You", "Aren't You The Girl", "Carnival Song", "Cripples Cry", "Country Boy", "No Man Can Find The War", "I Can't Leave You Loving Me". "Troubador" and more. CD

Beautiful sounds from the Entourage ensemble – a group who were years ahead of their time, but hardly got recognized in the 70s – because all of their work was issued on the Folkways label! In some ways, the group grew out of two different strands – both the acoustic underground of the Takoma scene, and some of the spiritual changes in jazz in the post-Coltrane Years. Their music is a really meditative blend of acoustic elements with a few electric touches – used in ways that start in jazz, then move way beyond! Instrumentation includes guitar, flute, keyboards, violin, and mbira – coming together with really unusual inflections that are partly borrowed from Eastern sources – like Noh theater, or Balinese music – but which unfurl with a more freewheeling, American underground vibe as well! No sounds are ever too sharp, and there's almost a hint of the instrumental experiments in the 80s underground – such as work by Penguin Cafe Orchestra or Soft Verdict – but with an earthier feel overall. This great collection features lots of unissued work by the group – with titles that include "Journey By Water", "Days (early version)", "Millbrook (original version)", "Tarbox Poltergeist (alt take)", "E Minor Piano", "Soft Fist", "Euphoric Bells (fragment)", "Military Music 1", and "Sleazy Sue". LP, Vinyl record album

Beautiful sounds from the Entourage ensemble – a group who were years ahead of their time, but hardly got recognized in the 70s – because all of their work was issued on the Folkways label! In some ways, the group grew out of two different strands – both the acoustic underground of the Takoma scene, and some of the spiritual changes in jazz in the post-Coltrane Years. Their music is a really meditative blend of acoustic elements with a few electric touches – used in ways that start in jazz, then move way beyond! Instrumentation includes guitar, flute, keyboards, violin, and mbira – coming together with really unusual inflections that are partly borrowed from Eastern sources – like Noh theater, or Balinese music – but which unfurl with a more freewheeling, American underground vibe as well! No sounds are ever too sharp, and there's almost a hint of the instrumental experiments in the 80s underground – such as work by Penguin Cafe Orchestra or Soft Verdict – but with an earthier feel overall. This great collection features lots of unissued work by the group – with titles that include "Journey By Water", "Days (early version)", "Millbrook (original version)", "Tarbox Poltergeist (alt take)", "E Minor Piano", "Soft Fist", "Euphoric Bells (fragment)", "Military Music 1", and "Sleazy Sue" – and the 3CD set includes loads of extra material, including a full disc of outttakes from the Neptune Collection & Cleopatra and collected wokds from '72-'76. 30 tracks on 3CDs! CD