The last album that Tim Buckley
ever gave the world – and a great leaping-off point for speculation about what he might have done, had he not left the planet too soon! Tim
's actually beginning to explore a bit of funk in his music here – still using that amazing voice with all of its range from the early Elektra years – but often set to backings that feature heavy drums from Earl Palmer, tight bass from Chuck Rainey, and keyboards from Mike Melvoin – all cats who can be tight, but never slick – and whose groove is more than loose enough to let Buckley
direct the whole proceedings. Given that Tim
has an occasional raw rasp, and a very offbeat way with his lyrics, the mix of elements is actually not that far from the funk of Betty Davis on her first two albums – with a similar shrug towards any easy genre categorizations. Titles include "Freeway Blues", "Look At The Fool", "Tijuana Moon", "Mexicali Voodoo", "Down In The Street", "Wanda Lou", and "Bring It On Up".
(Cover has edge wear, surface wear, and some waviness on the opening.)