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Exact matches: 3
Exact matches1
CD, LP, Vinyl record album cover art
Third Ear BandAlchemy (180 gram brown vinyl pressing) ... LP
Harvest/Esoteric (UK), 1970. New Copy Gatefold ... $24.99
The amazing first album from Third Ear Band – a set that's maybe even more distinct than some of their later, better-known recordings! These guys emerged in the British scene at the end of the 60s – but they're not really psych, or prog – and although they have a love of ancient sounds, they're also not in any of the territory that was being explored by acid folk groups of the time! Instead, they've got this wonderful all-acoustic blend of reeds, stringed instruments, and percussion – all with a feel that seems to link together centuries with its own organic energy, but which also gives a bit of a nod to freer jazz elements of the time. At points, these guys almost sound like a looser, more-jamming version of Penguin Cafe Orchestra – but that's only part of the approach – as things are very unique throughout, in a blend of tablas, hand drums, oboe, recorder, viola, violin, cello, and slide pipes – served up on titles that include "Druid One", "Lark Rise", "Ghetto Raga" and "Stone Circle". LP, Vinyl record album

Exact matches2
CD, LP, Vinyl record album cover art
Third Ear BandThird Ear Band's Music From Macbeth ... LP
EMI, 1972. Near Mint- ... $43.99
Shakespeare never sounded so compelling before – given a very cool soundtrack by the Third Ear Band, who were moved to work on this project in collaboration with director Roman Polanski! The music is fantastic away from the film – very different than some of the group's earlier records, and a lot more eerie too – as some of their usual string and reed elements almost take on an electronic vibe in the process! Most tracks are very spacious and open, with the violin and oboe crafting some especially sharp, angular sounds – almost as if the group were let loose in some sort of analogue electronic studio. Titles include "The Beach", "The Banquet", "Dagger & Death", "Bear Baiting", "Groom's Dance", "Prophetics", and "Wicca Way". LP, Vinyl record album
(UK pressing in the textured cover, with light wear.)

Exact matches3
CD, LP, Vinyl record album cover art
✨✧ Third Ear BandThird Ear Band's Music From Macbeth (with bonus tracks) ... CD
EMI/Esoteric (UK), 1972. New Copy ... Out Of Stock
Shakespeare never sounded so compelling before – given a very cool soundtrack by the Third Ear Band, who were moved to work on this project in collaboration with director Roman Polanski! The music is fantastic away from the film – very different than some of the group's earlier records, and a lot more eerie too – as some of their usual string and reed elements almost take on an electronic vibe in the process! Most tracks are very spacious and open, with the violin and oboe crafting some especially sharp, angular sounds – almost as if the group were let loose in some sort of analogue electronic studio. Titles include "The Beach", "The Banquet", "Dagger & Death", "Bear Baiting", "Groom's Dance", "Prophetics", and "Wicca Way". CD features three bonus tracks from the group's initial foray into the studio for this music! CD
Also available Third Ear Band's Music From Macbeth ... LP 43.99
 
Possible matches: 1
Possible matches4
CD, LP, Vinyl record album cover art
VariousLullabies For Catatonics – A Journey Through The British Avant Pop/Art Rock Scene 1967 to 1974 (3CD set) ... CD
Grapefruit (UK), Late 60s/Early 70s. New Copy 3CD ... $24.99
A fantastic little collection – and one that's maybe a lot more fun than you might expect! There's little material that's actually avant, and just a few that might fall into the more boring sides of the art rock spectrum – and instead, the set brings together work from the psych and early prog years by a host of British acts who were really willing to take a chance with their music! There's more than a few big names here, and a few big hits too – but those cuts are mixed with overlooked gems and album tracks that really get at the amazing creative explosion that was happening in British music at the time – a moment when things were sounding so different than just a few years before – but results that were surprisingly groovy and catchy too. As with other box sets on the Grapefruit label, the track selection is superb – and the whole thing comes with song-by-song notes that get at the history and special quality of each number – amidst 79 titles by artists who include Deep Feeling, Open Road, 9:30 Fly, Gnome Street, Matching Mole, Nirvana, Comus, Matching Mole, The Coxhill/Bedford Duo, Spring, The Velvet Frogs, Bachenkel, Third Ear Band, Woody Kern, Genesis, The Riot Squad, Dantalian's Chariot, Mighty Baby, Cressida, Rustic Hinge, Eyes Of Blue, Fuschia, Blonde On Blonde, and Ron Geesin. CD
 
Partial matches: 16
Partial matches5
CD, LP, Vinyl record album cover art
✨✧ Jim CapaldiOpen Your Heart – The Island Recordings 1972 to 1976 (Oh How We Danced/Whale Meat Again/Short Cut Draw Blood/bonus material) (3CD/DVD set) ... CD
Island/Esoteric (UK), Mid 70s. New Copy 3CD & DVD set ... Temporarily Out Of Stock
Three full albums from Jim Capaldi, plus lots of bonus work – and a DVD of live BBC performances too! First up is Oh How We Danced – the first solo album from Jim Capaldi – and a wicked little set that has Capaldi not only working with fellow bandmates from Traffic, but also with some of the best musicians on the Muscle Shoals scene! The combination of both unlock an even more soulful style than you'd expect from any Traffic side project – and provide a perfect focus for Capaldi's great vocals – already crossing over big to a soul scene with his Traffic recordings, but sparking even new interest here with Muscle Shoals rhythms. The sound is wonderful – quite different than Capaldi's bigger hits in later years, and with a rootsy, earnest feel that reminds us that at their roots, all these British acts really got things right at the start – with a freshness that needs to be remembered, even amidst their later cliches. Titles include "Eve", "Don't Be A Hero", "Last Day Of Dawn", "Oh How We Danced", "Open Your Heart", and "Love Is All You Can Try". Next is Whale Meat Again – a record with a beautiful mixing of modes – Jim Capaldi's Traffic-bred, London-styled vocals, and the sweet southern soul grooves of Muscle Shoals – all wrapped together with a sound that's even tighter than Capaldi's debut album! Jim's a big edgier here overall – both in the way he delivers the vocals, and in the lyrics of the tunes – and his singing's underscored perfectly by help from Jimmy Johnson on guitar, Barry Beckett on piano and organ, David Hood on bass, and Roger Hawkins on drums – all of whom create the right sort of warm Muscle Shoals vibe to make Capaldi's music sound wonderfully soulful. Steve Winwood plays a bit of guest organ on the set, and may well help with backing vocals – and titles include the funky "Low Rider" (different than the War tune) – plus "We'll Meet Again", "Summer Is Fading", "My Brother", "It's Alright", and "Yellow Sun". Short Cut Draw Blood is the third solo album from Traffic's Jim Capaldi, and maybe the most obscure of his early work – a set that was done after Traffic had broken up, but still with some strong help from Steve Winwood – working here in an all-star array of London and Muscle Shoals musicians, which includes Barry Beckett, Rebop Kwaku Baah, Pete Carr, Jess Roden, Chris Spedding, and others! Capaldi's easygoing groove and great way with a tune are fully intact – and titles include "Living On A Marble", "Johnny Too Bad", "Goodbye Love", "Seagull", "Keep On Trying", and "Love Hurts". Box set features bonus tracks "Going Down Slow All The Way", "Tricky Dick Rides Again", "Sugar Honey", "Still Talkin", and "Talkin About My Baby". DVD features a Old Grey Whistle Test performance from 1976, with the Jim Capaldi Band – and one more from 1976 with Jim Capaldi & The Space Cadets. CD

Partial matches6
CD, LP, Vinyl record album cover art
✨✧ Rain ParadeEmergency Third Rail Power Trip (red & yellow vinyl pressing) ... LP
Enigma/Real Gone, 1983. New Copy (reissue)... Out Of Stock
An undisputed treasure from the early 80s west coast scene – a trippy little record that was one of the shining jewels in the new psych underground – quite a shift from the LA hardcore sound of a few years before! Yet unlike some of their contemporaries, Rain Parade were hardly copping any sort of easy retro modes – as their approach here is leaner, maybe a bit colder, and almost influenced by post-punk styles in the same way that some of the better UK bands were at the time – almost as if there was a synchronous explosion of fuzzy energy between the group and the Creation Records generation to come. The whole thing holds up wonderfully over the years – maybe even more so, given the passage of time, and the legions of other groups who never made the music this well. Titles include "Talking In My Sleep", "I Look Around", "This Can't Be Today", "Look At Merri", "Saturday's Asylum", and "Kaleidoscope". LP, Vinyl record album
(Limited edition of 1000 – on red & yellow starburst vinyl!)

Partial matches7
CD, LP, Vinyl record album cover art
CJ & CoAin't It Amazing – The Unreleased Westbound Masters ... CD
Westbound/Ace (UK), Late 70s. New Copy ... $12.99 18.99
The lost third album from CJ & Co – that totally groovy, totally tight group who were one of the best things going on Westbound Records in the late 70s! CJ & Co had a groove that was just right for the new club world of the time – but they also had a sharp instrumental approach that was much more tied to the Detroit funk of early 70s Westbound – and their sound was given a fantastic push and polish by the production team of Mike Theodore and Dennis Coffey, who really keep things sounding strong throughout! These aren't leftover cuts, or the kind of material that was rejected at the time – and instead, the whole package has a quality level that really matches the classic Devil's Gun record by the group – a funky disco spectacular all the way through. Titles include "Is Your Love Life Better", "Ain't It Amazing", "Rainbow Music", "Brassband", "Get Lucky", "Rainmaker", "The Golden Touch", "Can't Believe You'd Break Your Promise", "Let Them Talk", "Boogie Love", and a rare "original mix" of "Devil's Gun". All tracks previously unreleased! CD

Partial matches8
CD, LP, Vinyl record album cover art
VariousAnn Arbor Blues Festival 1969 ... CD
Third Man, 1969. New Copy 2 CDs ... $18.99 19.98
A fantastic document of the first-ever Ann Arbor Blues Festival – the start of a great event that would blossom into other styles of music in the 70s, but which stood as a strong blues-based event in its initial year of 1969! In some ways, the three day series of concerts is a roots answer to Woodstock – which took place just a few weeks before – as the festival featured a great scope of blues talents, from the rootsier sort of artists who were recording for labels like Folkways or Arhoolie, to some of the sharper modern talents rising to the top on Chess or Delmark! The package alone is almost worth the price of admission – beautiful photographs of the event, detailed notes, and the first-ever release of this music – which has sat in the vaults for decades, finally to see the light of day. Titles include "Dirty Mother For You" by Roosevelt Sykes, "So Glad You're Mine" by Arthur Big Boy Crudup, "Everybody Must Suffer/Stone Crazy" by Luther Allison & The Blue Nebulae, "Help Me" by Junior Wells, "I Wonder Why" by Jimmy Dawkins, "Too Much Alcohol" by JB Hutto & His Hawks, "So Many Roads So Many Trains" by Otis Rush, "Long Distance Call" by Muddy Waters, "Off The Wall" by James Cotton Band, "Juanita" by Big Joe Williams, "Jelly Jelly Blues" by Shirley Griffin, "I Feel So Good" by Magic Sam, "Call It Stormy Monday" by T-Bone Walker, "Death Letter Blues" by Son House, "Key To The Highway" by Sam Lay, and "Mojo Hand" by Lightnin Hopkins. CD
Also available Ann Arbor Blues Festival 1969 – Vol 1 ... LP 22.99

Partial matches9
CD, LP, Vinyl record album cover art
VariousAnn Arbor Blues Festival 1969 – Vol 2 ... LP
Third Man, 1969. New Copy 2LP Gatefold ... $22.99 27.98
A fantastic document of the first-ever Ann Arbor Blues Festival – the start of a great event that would blossom into other styles of music in the 70s, but which stood as a strong blues-based event in its initial year of 1969! In some ways, the three day series of concerts is a roots answer to Woodstock – which took place just a few weeks before – as the festival featured a great scope of blues talents, from the rootsier sort of artists who were recording for labels like Folkways or Arhoolie, to some of the sharper modern talents rising to the top on Chess or Delmark! The package alone is almost worth the price of admission – beautiful photographs of the event, detailed notes, and the first-ever release of this music – which has sat in the vaults for decades, finally to see the light of day. Titles on this second volume include "Long Distance Call" by Muddy Waters, "Off The Wall" by James Cotton Band, "Juanita" by Big Joe Williams, "Jelly Jelly Blues" by Shirley Griffin, "I Feel So Good" by Magic Sam, "Call It Stormy Monday" by T-Bone Walker, "Death Letter Blues" by Son House, "Key To The Highway" by Sam Lay, and "Mojo Hand" by Lightnin Hopkins. LP, Vinyl record album

Partial matches10
CD, LP, Vinyl record album cover art
✨✧ VariousDisco Funk (with bonus tracks) ... CD
RCA/Playback, 1975. Used ... $7.99
Way more funk than disco – and a set that really shows the grittier groove that was going down in the clubs in the years before Studio 54! Think of this one more as in the mode of funky 45s from the mid 70s – as the album's a compilation of groups we've mostly never heard of – like Hudson County, The People, TCB, The Third Time Around, and Brothers Soul, plus a few very early tracks from Con-Funk-Shun – a wonderful blend of funky numbers that has about 80% of the funk promised in the title, and only 20% of the disco! Many numbers are instrumental, often with great effects on the bass, keyboards, or production – and although there was clearly a bit more money spent in the studio than on your usual funky 45 outing, the groove is still very much the same. Titles include the in-demand "Bim Sala Bim" by Hudson Country, "Cookies" by Brother Soul, "Rice & Beans" by Madeira, "Don't Boom Boom" by Lilian Hale, "Party Is A Groovy Thing" by The People, "Bumpsombody" by Con Funk Shun, "Get It Up" by TCB, and "Soon Everything Is Gonna Be Alright" by The Third Time Around. CD includes a few bonus tracks – "What About Love" by Marboo, "Tommy's Groove" by The Gap Band, "Lady Lady Lady" by Boogie Man Orchestra, and "Stay With Me" by Tasha Thomas. CD
(Still sealed.)

Partial matches11
CD, LP, Vinyl record album cover art
✨✧ Os MutantesDivina Comedia Ou Ando Meio Desligado (Omplatten pressing) ... CD
Omplatten, 1970. Used ... Out Of Stock
The third album from the legendary Os Mutantes – part of the essential trio of sides released during the Tropicalia years! The record's got a sound that's tighter and a bit more straightforward than their previous efforts – stricter song formats, and styles that lean heavily on rockish guitars and organ. But as the odd cover images on the front and back will attest, the band is still in a very creatively arty mode here – still working strongly with arranger Rogerio Duprat, in a wash of sounds and moods that fold contemporary music back upon itself with plenty of odd twists, turns, and surprises! Titles include "Desculpe Baby", "Oh Mulher Infiel", "Quem Tem Medo De Brincar De Amor", "Hey Boy", "Halleluia", "Ave, Lucifer", and "Meu Refrigerador Nao Funciona". CD
(Out of print.)

Partial matches12
CD, LP, Vinyl record album cover art
✨✧ BandMoondog Matinee ... LP
Capitol, 1973. New Copy (reissue)... Just Sold Out!
The Band's surprising step back to their roadhouse roots – paying homage to early rock and rhythm & blues the grew up on, and honed their chops on when in their years as The Hawks! Moondog Matinee features a few great covers that split the difference between the raucous energy of their inspirations, from Chuck Berry to Clarence Frogman Henry to Fats Domino to Junior Parker – and the well-oiled, multi-voice Band groove at near-peak form. Titles include "I Ain't Got No Home", "Holy Cow", "Share Your Thoughts", "Mystery Train", "Third Man Theme", "Promised Land", "The Great Pretender", "I'm Ready", "Saved" and "A Change Is Gonna Come". LP, Vinyl record album

Partial matches13
CD, LP, Vinyl record album cover art
Tangerine DreamPink Years Albums (Electronic Meditation/Alpha Centauri/Zeit/Atem) (4CD set) ... CD
Ohr/Reactive (UK), Early 70s. New Copy 4CD ... $32.99
For great albums from Tangerine Dream – each packaged here in tiny LP sleeves, with a small poster too! Electronic Meditation has a title that's a perfect summation of the way that Tangerine Dream approached their music – and it also really describes what made them so unique at the time! Rather than try to push the boundaries of electronics with a sense of force or urgency, the trio of Edgar Froese, Klaus Schulze, and Conrad Schnitzler really take their time – working inside an abandoned factory to create the sounds for this initial debut – acting as their own producers, too – really starting the strong legacy of German experimental recordings of the 70s, in which the studio was as important as the instruments themselves! Given that Schulze would later work in Ash Ra Tempel and on his own famous records – and Schnitzler soon formed Kluster – there's a lot of genesis going on here. But the whole thing's also pretty darn great on its own, even without the history – and has a much darker edge than some later work by Tangerine Dream. Titles include "Genesis", "Journey Through A Burning Brain", "Resurrection", "Ashes To Ashes", and "Cold Smoke". Alpha Centauri is pure genius from Tangerine Dream – a record that came out right at the start of the 70s, and immediately cemented the group's reputation as one of the most inventive electronic acts of the decade! The tracks are long and spacious here – very much in the territory of some of the group's Krautrock contemporaries, but with more of a sense of openness, and patience – as they never rush things at all, while layering together their unique blends of guitar, organ, percussion, flute, and anything else they can think of – even a coffee machine! Chris Franke handles the electronics, but Steve Schroyder abstracts them with "several echo machines" – while Edgar Froese helps them all remember to keep things tuneful at times. Tracks include "Sunrise In The Third System", "Fly & Collision Off Comas Sola", and the side-long "Alpha Centauri". Zeit is one of the moodiest early albums from Tangerine Dream – a record that really lives up to the eclipse on the cover! There's maybe more "bottom" here than some of their other work – swirling shadows that resonate with some of the more isolated sounds – almost as if the group is trying to invent the 4AD production style, years ahead of its time! Titles include "Birth Of The Liquide Plejades", "Nebulous Dawn", "Origin Of Supernatural Probabilities", and "Zeit". Atem has long tracks that maybe bring a stronger current of noise to the music of Tangerine Dream – a set that follows the longer abstractions of the Zeit album, but with even weirder elements too! The sound isn't exactly pre-industrial, but also isn't far off either – and titles include "Atem", "Fauna Geni", "Circulation Of Events", and "Wahn". CD

Partial matches14
CD, LP, Vinyl record album cover art
✨✧ BandMoondog Matinee ... LP
Capitol, 1973. Very Good ... Out Of Stock
The Band's surprising step back to their roadhouse roots – paying homage to early rock and rhythm & blues the grew up on, and honed their chops on when in their years as The Hawks! Moondog Matinee features a few great covers that split the difference between the raucous energy of their inspirations, from Chuck Berry to Clarence Frogman Henry to Fats Domino to Junior Parker – and the well-oiled, multi-voice Band groove at near-peak form. Titles include "I Ain't Got No Home", "Holy Cow", "Share Your Thoughts", "Mystery Train", "Third Man Theme", "Promised Land", "The Great Pretender", "I'm Ready", "Saved" and "A Change Is Gonna Come". LP, Vinyl record album
(Green label reissue pressing.)

Partial matches15
CD, LP, Vinyl record album cover art
Deke LeonardIceberg/Kamikaze (with bonus tracks) ... CD
United Artists/BGO (UK), 1974. New Copy 2CD ... $8.99 16.99
Two solo albums from Deke Leonard – back to back in a single set, with bonus tracks too! First up is Iceberg – an overlooked solo set from Deke Leonard – once a member of the group Man, out here on his own in a very unusual, very specific sort of style! The guitar work is every bit as sharp as Leonard's work with Man, but the music moves through a range of older influences and more personal moments – almost pub rock with glam production – although again, that's maybe too general to get at the really specific spirit of the record! Leonard's a surprisingly strong talent – and the record's one of the many that fell through the cracks back in the day, but which clearly gets great handling by a big label, with well-deserved hope for a superstar. Titles include "Razor Blade & Rattlesnake", "Jesse", "Broken Ovation", "A Hard Way To Live", "Looking For A Man", "The Ghost Of Musket Flat", and "Crosby". On Kamikaze, Deke Leonard's really finding himself as a solo artist – so much so, he begins the album with an instrumental, then continues to push his strengths on that instrument every bit as much as his edgey vocals! As with his previous record, there's some great help here from old bandmates in Man – rock-solid rhythms that feature lots of strong work on bass from Martin Ace, whose strengths also really help keep things focused. Titles include "Cool Summer Rain", "Sharpened Claws", "In Search Of Sarah & Twenty Six Horses", "April The Third", and "The Black Gates Of Death". 2CD set also features bonus tracks – "She's A Cow", "Diamond Road", "Turning In Circles", and "The Aching Is So Sweet". CD

Partial matches16
CD, LP, Vinyl record album cover art
Mitch RyderSocking It To You – The Complete Dynovoice/New Voice Recordings (Take A Ride/Breakout/Sock It To Me/Sings The Hits/What Now My Love/45s) (3CD set) ... CD
New Voice/RPM (UK), Late 60s. New Copy 3CD ... $24.99
Five full albums of work from the mighty Mitch Ryder – plus a fair bit of rare singles as well – all brought together in a package that features the first full look at his years at the New Voice label! First up is Take A Ride – a classic set from the mighty Mitch Ryder and his smoking Detroit Wheels combo! These guys might have been a garage band in another side of the universe – and you can definitely hear that style on some of the guitars and keyboards in the set – but they also drunk deep of the Motown sound of their hometown, and listened to plenty of soul from Chicago and Memphis too – which they draw on to great extent for the grooves in this classic set! Years before so many other groups would cop 60s soul style and hit it big on the charts, Mitch and the boys made their move – much closer to the ground at the time, and with a lot more grit in their grooves too – so much so that we've always been unsure as to whether to file this record in the rock section or in soul. The whole thing's great – and titles titles that include "Jenny Take A Ride", "Shake A Tail Feather", "Come See About Me", and "I Hope" – plus three James Brown songs – "I'll Go Crazy", "Please Please Please", and "I Got You". Next is Breakout – a record that's steeped in styles borrowed from Memphis and Muscle Shoals, and given a bit of a color-blind twist on the Detroit scene of the late 60s! Mitch clearly loves the motor city sound of the 60s, but also takes things to farther points south, too – using elements that would be right at home on Stax or Atlantic Records, and coming up with a crossover sound that had his recorded almost ending up in more soul collections over the years than rock ones! Production is by pop maestro Bob Crewe, but it's surprisingly unadorned compared to some of Crewe's other work of the time – and the album bristles with sock-soul instrumentation from the Detroit Wheels, and loud, proud vocals from Mitch. There's a bit of garaey guitars in the mix, too – making for a mighty nice hybrid of styles – and titles include "Shakin With Linda", "You Get Your Kicks", "Any Day Now", "I Need Help", "Little Latin Lupe Lu", "Walkin The Dog", "I Had It Made", and the classic "Breakout". Sock It To Me is a smoking third set has the group breaking out with a fierce and funky sort of style! Most songs are by producer Bob Crewe – but Mitch and the group deliver the goods with a strong dose of Detroit soul influence – mixing Motown inspirations with lots of rougher garagey touches on the instrument – all with nonstop energy that makes the record a cooker all the way through! Titles include "I Can't Hide It", "Sock It To Me", "Shakedown", "I Never Had It Better", "Slow Fizz", "A Face In The Crowd", and "Wild Child". Sings The Hits is a record that has Mitch Ryder singing the hits of other big soul and rock artists of his generation – but with that crackling Detroit Wheels blend of fuzzy rock and funky soul! Arrangements are by Hutch Davie, and Bob Crewe produces the group to perfection – but it's really Mitch and the group that make the real magic – with titles that include "Come See About Me", "Walk The Dog", "Sticks & Stones", "I Got You", "Let Your Lovelight Shine/Turn On Your Lovelight", "Stubborn Kind Of Fellow", and "Please Please Please". On What Now My Love, Mitch Ryder takes a bit of a turn from the garagey funk and Detroit soul of previous records – and works in territory that's maybe a bit more familiar for longtime producer Bob Crewe – Mitch in the lead, ala solo Frankie Vallie – working through tunes made popular by other artists, but with all these unusual inflections in both the arrangements and vocals! The vibe isn't the same rollicking party as early records by Ryder, but the album has all these sublime elements that make the whole thing stand up there with some of the best on Dyno Voice – a list that would also include the Barbarella soundtrack – almost like Mitch is trying to go into solo Scott Walker territory. Titles include "Born To Lose", "If You Go Away", "Let It Be Me", "Sally Go Round The Roses", "Brown Eyed Handsome Man", "I Need Lovin You", and "That's It I Quit I'm Moving On". CD also features loads of rare tracks from 45s – including "Joy", "Ring Your Bell", "One Grain Of Sand", "Personality/Chantilly Lace", "Lights Of Night", "Blessing In Disguise", and a special "Radio Promo". CD

Partial matches17
CD, LP, Vinyl record album cover art
✨✧ Velvet UndergroundVelvet Underground (3rd LP) ... LP
MGM, 1969. Near Mint- ... Temporarily Out Of Stock
The incredible third album from The Velvet Underground – and maybe our favorite of all their albums together – even though this one is far less weird or experimental than the rest! After their initial foray with Nico, and their bombastic sonic experiments on White Light/White Heat, the VU hit this wonderfully subtle territory here – these really personal, moody songs that still have all the knowledge of the wilder sounds of previous records, but which take those farther reaches and bring them back to more focused songwriting – with results that are completely sublime! There's no side-long jams, nor any fuzzy freakouts – but instead, the album's filled with these wonderful songs that really show Lou Reed really honing his craft – able to touch on all the seamy edges of late 60s counterculture, without ever having to hit you over the head – and likewise, the band's instrumentation has this way of using all their wider knowledge of noise and sound in these really refined ways – at a level that opened the door for so many other generations to come. The result is a masterpiece all the way through – and every track is a landmark of dark genius – on titles that include "Pale Blue Eyes", "After Hours", "I'm Set Free", "That's The Story Of My Life", "Candy Says", "What Goes On", and "Jesus". LP, Vinyl record album
(Blue & gold label stereo pressing, with FIN REV/REV FINAL etches, with MGM inner sleeve. Cover has some light wear, but vinyl is beautiful.)

Partial matches18
CD, LP, Vinyl record album cover art
✨✧ Geoff MuldaurIs Having A Wonderful Time/Motion ... CD
Reprise/BGO (UK), 1975/1976. New Copy ... Out Of Stock
Two solo albums from Geoff Muldaur – recorded long after his jug band years, and his earlier sets with wife Maria! First up is Geoff Muldaur Is Having A Wonderful Time – a striking solo album from Geoff Muldaur – a record that draws on all the many different sounds and styles he brought to records through the 60s and early 70s, but which also adds in a stronger jazz impulse overall! Each track on the record has a slightly different spirit, which makes the whole thing feel more like a continuation of the experimental, open style of putting albums together that Warner/Reprise was so great at a few years before – as Muldaur sings with backings from a jazz group on one track, a string orchestra on another, a funk group on a third, and a roots rock combo on another – with players as diverse as Merle Saunders on electric piano, Doc Cheatham on trumpet, Bernard Purdie on drums, and Harold Vick on tenor. Joe Boyd produced – one of the few folks who might be able to successfully handle such a range – and titles include "Higher & Higher", "99 1/2", "Livin In The Sunlight", "I Want To Be A Sailor", "Tennessee Blues", "High Blood Pressure", and "Wondering Why". Motion is a set that's a bit tighter than some of the earlier work of Geoff Muldaur – a set that maybe has the well-trained singer moving into territory that's almost verging on AOR, yet which still hangs on to some of the wit of his earlier records as well! There's still some key traces of 70s Warner going on here – including a few songs by Allen Toussaint, and one with Martin Mull – which help balance out some of the more direct, tuneful numbers, and continue to provide some of the more offbeat qualities that made Geoff such an interesting sideways talent in the mainstream music world. Tracks include "Motion", "Let It Out", "I Don't Want To Talk About It", "When You Touch Me This Way", "Why Don't We Live Together", and a version of "Southern Nights". CD

Partial matches19
CD, LP, Vinyl record album cover art
✨✧ VariousGarland Records – Pacific Northwest Fuzz Box (blue vinyl pressing) ... LP
Garland/Beat Rocket, Late 60s. New Copy ... Out Of Stock
A lost legacy in the always-hip Pacific Northwest scene of the 60s – rare psych and garage tracks from the tiny Garland Records – an Oregon imprint who only issued a small amount of singles, but also recorded some really excellent music back in the day! All the tracks here are pretty darn rare, and the package also features some unissued music too – work that shows a great evolution of northwest sounds since the bigger guitar bands of the early 60s – with some trippier, headier elements showing up in the instrumentation, lyrical modes, and even the production – which is often pretty darn hip for a small label like Garland. The package is one of the best discoveries we've heard from Sundazed/Beat Rocket in recent years – and titles include "Hip Girl" by Stop, "Night Life" by The Heard, "Take It As It Comes" by The Third Stone, "It'll Come Easy" by The Other Side, "Your Mind Was Never Free" by The Zero End, "Suzie Q" by Smack, "Love Is Such A Game" by Grant's Blue Boys, "True Justice" by The Third Stone, "Transparent Soul" by White Feather, and "Blow Your Mind" by The Zero End. LP, Vinyl record album

Partial matches20
CD, LP, Vinyl record album cover art
✨✧ Modern Jazz Society/John LewisModern Jazz Society Presents A Concert Of Contemporary Music (Verve pressing) ... LP
Verve, Mid 50s. Very Good ... Out Of Stock
A mixture of Verve regulars and early third streamers join together in this one-off session designed as a focus on the writing talents of John Lewis. Most of the material takes off from Lewis' work with the MJQ, and the band includes two of his bandmates from that group, Connie Kay & Percy Heath – as well as soloists Stan Getz, JJ Johnson, Aaron Sachs, and Lucky Thompson. Titles include "Little David's Fugue", "Sun Dance", "Django", and "Midsommer". LP, Vinyl record album
(Flat edge Verve Records Inc pressing with trumpeter logo and deep groove. Cover has some wear and aging, aged tape on the top seam and corners, and some correction fluid on front at the top.)
 
 
 



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