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Swingville Edit search

 
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Close matches: 4
Close matches1
CD, LP, Vinyl record album cover art
Buck Clayton & Buddy TateBuck & Buddy ... CD
Swingville/OJC, 1960. Used ... $4.99
Beautiful blowing from Buck Clayton and Buddy Tate – captured here in the relaxed, easy-going setting of the Swingville label! The album's got a lot more charm than some of Clayton's sides for Columbia – a bit more mellow, with the kind of after hours feel that lets players like these show their strongest suits on their instruments. Clayton plays trumpet, Tate tenor – and rhythm is from the trio of Sir Charles Thompson on piano, Gene Ramey on bass, and Mousie Alexander on drums. Titles include "High Life", "Birdland Betty", "Can't We Be Friends", and "Kansas City Nights". CD
(Out of print.)

Close matches2
CD, LP, Vinyl record album cover art
Bud FreemanBud Freeman All-Stars ... LP
Prestige/Swingville, Early 60s. Very Good+ ... $34.99
Great later work from Bud Freeman – blowing here in a comfortable and relaxed setting that really fits the mood of the Swingville imprint – and getting equally great help from a small combo of players that includes Shorty Baker on trumpet, Claude Hopkins on piano, George Duvivier on bass, and JC Heard on drums. The feel is traditional, but never hokey or out of date – and there's some surprising modern currents to the phrasing of Freeman and the rhythms of Heard, almost in the way that Coleman Hawkins and Pee Wee Russell were hipping things up a bit during the same stretch. Titles include "S'posin", "I Let A Song Go Out Of My Heart", "March On March On", "Hector's Dance", and "Something To Remember You By". LP, Vinyl record album
(Red label Swingville pressing with deep groove and RVG stamp – a nice copy! Spine of cover has one tiny mark, but rest is great.)

Close matches3
CD, LP, Vinyl record album cover art
Coleman HawkinsHawk Eyes ... LP
Prestige/Swingville, 1959. Very Good+ ... $16.99
Gritty grooves from Coleman Hawkins – a set that has the aging tenorist still working in swing-based formation, but with a much blusier tone than on his Verve albums of the decade! The group's a small one – with Hawkins on tenor and Charlie Shavers on trumpet – plus some especially nice guitar work from Tiny Grimes, who really underscores the soul of the session, and almost makes the whole thing feel a bit more laidback and open than usual. Rhythm is from the trio of Ray Bryant on piano, George Duvivier on bass, and Osie Johnson on drums – and the album features two very long tracks – "Hawk Eyes" and "C'Mon In" – which are more blowing session numbers – plus the shorter tunes "Stealin The Bean", "La Rosita", "I Neer Knew", and "Through For The Night". LP, Vinyl record album
(80s OJC yellow & black label pressing. Cover has some staining and waviness from moisture four inches wide down the spine.)

Close matches4
CD, LP, Vinyl record album cover art
Joe Newman with Frank FosterGood N Groovy ... CD
Prestige/Swingville/OJC, 1961. Used ... $6.99
Tight swing-based material from trumpeter Joe Newman, featuring Frank Foster as a very welcome bandmate in the frontline! The rest of the group includes Tommy Flanagan on piano, plus Eddie Jones on bass and Bill English on drums. The tracks have a nice open-ended quality, with good room for grooving and solos, and lots of nice tenor from Foster. Titles include "To Rigmor", "AM Romp", "Mo Lasses", and "Loop D Loop". CD
(Out of print.)
 
Possible matches: 5
Possible matches5
CD, LP, Vinyl record album cover art
Benny CarterFurther Definitions (plus Additions To Further Definitions) ... CD
Impulse, 1961. Used ... $5.99
A key later album from alto saxophonist Benny Carter – one that has him at the helm of a largeish group, but playing with a nicely focused sort of groove! In addition to Benny's alto, the record also features tenor sax from Charlie Rouse and Coleman Hawkins, plus one more alto from Phil Woods – supported by rhythm from John Collins on guitar, Dick Katz on piano, Jimmy Garrison on bass, and Jo Jones on drums. The tunes are traditional, but have some sharper-edged modern ideas on some of the solos – and there's a nicely echoey feel to the production, which further adds to the quality of the record. The album's a bit like a Swingville session for Prestige, but has a bit more going on – and titles include "Doozy", "Blue Star", "Midnight Sun Will Never Set", and "Crazy Rhythm". CD also features a full bonus album – the record Additions To Further Definitions! CD
(Out of print, digipack has some light wear, small tear on back cover)

Possible matches6
CD, LP, Vinyl record album cover art
Barney Kessel/Shelly Manne/Ray BrownPoll Winners Ride Again! (Japanese pressing) ... CD
Contemporary/OJC (Japan), 1958. Used ... $11.99
A nice follow-up to the original Poll Winners set on Contemporary – one that features the trio of Barney Kessel, Shelly Manne, and Ray Brown – all working in a relatively relaxed setting, and hitting a vibe that's a bit more easygoing than you'd expect to catch for Contemporary at the time! The groove's surprisingly open and soulful, making the record feel a bit like a Prestige Swingville or Moodsville set – and it's especially nice to hear Kessel in such an unfettered set. Titles include "Foreign Intrigue", "Custard Puff", "Be Deedle Dee Do", "Volare", and "The Merry Go Round Broke Down". CD
(1986 Japanese pressing.)

Possible matches7
CD, LP, Vinyl record album cover art
Paul Quinichette, Buck Clayton, Nat Pierce, et alBasie Reunions (2LP pressing – Basie Reunion/For Basie) ... LP
Prestige, Late 50s. Very Good+ 2LP Gatefold ... $5.99 7.99
The title tells the tale on this one – as the session's a studio meeting of players all associated with Count Basie over the years – captured here in a style that's much more laidback and relaxed than the usual Basie set! Originally issued as 2 separate LPs a year apart, and both have the feel of Prestige's best work in the Swingville series. The set has an approach more in the blowing session mode, with long tracks on the album that really let each player step out in their own voice. Players include Paul Quinichette, Shad Collins, Buck Clayton, Jack Washington, Nat Pierce, Freddie Greene, Walter Page, Eddie Jones and Jo Jones. 10 numbers in all including "Rock-A-Bye Basie", "Texas Shuffle", "Out The Window", "Jive At Five", "Diggin' For Dex", "Blues I Love To Hear", "Love Jumped Out", "John's Idea", "Roseland Shuffle" and "Baby Don't Tell On Me". LP, Vinyl record album
(80s issue. Cover has some ring and edge wear.)

Possible matches8
CD, LP, Vinyl record album cover art
Hal Singer with Charlie ShaversBlue Stompin ... LP
Prestige, 1959. Very Good+ ... $44.99
A killer lost session on Prestige – one that takes the two players in the lead into some sweetly soul jazz territory! Hal Singer plays tenor, and really gets room to wail here in one of his strongest American jazz-based sessions of the 60s – and Charlie Shaver's also pretty great too, with a bit less of the sweet, tight sound of other records – and a bit more open groove! Thanks should probably go to the rhythm section – which features some especially nice piano from Ray Bryant, plus bass from Wendell Marshall and drums from Osie Johnson. Tracks are all longish, and titles include "Wendy", "Midnight", "Fancy Pants", "Blue Stompin", and "The Blast Off". LP, Vinyl record album
(Red label Swingville pressing, with RVG stamp – a great copy!)

Possible matches9
CD, LP, Vinyl record album cover art
✨✧ Ben WebsterWarm Moods/Benny, Ben, & Barney – BBB & Co ... CD
American Jazz Classics (Spain), 1961/1962. Used ... $11.99
Warm Moods is one of the all-time great ones by Ben Webster! The album was recorded near the end of Webster's all-too-short time on this planet – at a point when he had really perfected a sorrowful tone on tenor, and a strangely sinister approach to ballads – one that gave even familiar tunes an unusual edge. The great Johnny Richards handled backings for the set – in a mode that uses light strings in the background, and which lets the solos step right out front – in a style that rivals the great work of Ralph Burns for Verve's classic "with strings" albums. But the real strength here is Webster's tone, which is fantastic – as you'll hear on titles like "Stella By Starlight", "Nancy", "It's Easy To Remember", and "Accent On Youth". Benny, Ben, & Barney – BBB & Co is a great example of why the Swingville label was such a great idea – a perfect setting for older players to have a chance to relax in the studio and really do their thing – hitting the sort of notes they might reach in a late-nite set at a club, without all the pressures to try for a crossover hit or short takes on overdone standards! The tracks here are all quite long – surpassing even Verve material of this nature – and Carter plays both alto and trumpet, Webster his classic tenor, and Bigard clarinet – in a group that also includes Shorty Sherock on trumpet, Jimmy Rowles on piano, and Dave Barbour on guitar. Rhythm's from Leroy Vinnegar on bass and Mel Lewis on drums – so that part of the equation is rock-solid too – and titles include "Opening Blues", "Lula", "When Lights Are Low", and "You Can't Tell The Difference When The Sun Goes Down Blues". CD
 
 
 



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