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Exact matches: 1
Exact matches1
CD, LP, Vinyl record album cover art
StudSeptember (Japanese paper sleeve edition) ... CD
BASF/Big Pink (South Korea), 1972. New Copy Gatefold ... $18.99 22.99
A record with a cartoony cover, but a surprisingly rock-solid set – put together by a quartet that features ex-members of Taste, Family, and Blossom Toes – all of whom really seem to bring the strength of their experience to bear on the album! The set's nicely understated, and these guys aren't out to challenge the bigger names of the progressive era – just deliver these well-crafted songs that really make the best of the lead vocals of Jim Cregan – with instrumentation that's confident enough to be laidback – a quality that's also echoed in the production. Titles include "Five To Mid-Day", "Bad Handlin", "Ocean Boogie", "Life Without Music", "Samurai", and "Good Knows". CD
 
Possible matches: 5
Possible matches2
CD, LP, Vinyl record album cover art
VariousThree Day Week – When The Lights Went Out 1972 to 1975 ... CD
Ace (UK), Early 70s. New Copy ... $12.99 18.98
A very different picture of the British scene than you might know from the worlds of classic rock and chart hits of the early 70s – as this collection focuses on a really special sort of sound that hints at the bleaker, less satisfying sides of English life – often with a slightly sinister quality that might come as a big surprise! The package is a follow-up to previous gems from compilers Bob Stanley and Pete Wiggs – like the compilations English Weather and State Of The Union – and like those, there's a wonderfully unified vision to the whole package – almost a mini-sociology statement, but one that's completely fun – given the fantastic range of music chosen for the album. Tracks are a non-stop surprise all the way through – as glammy bits mix with offbeat pop, catchy prog, and plenty of other tunes that maybe defy any sort of generic description altogether! Titles include "Rod" by Matchbox, "Kill" by Mike McGear, "Part Of The Union" by The Brothers, "The Hertfordshire Rock" by Ricky Wilde, "Sailing" by Sutherland Brothers Band, "And The Fun Goes On" by Lieutenant Pigeon, "War Against War" by Pheon Bear, "Roly Pin" by Roly, "Stardust" by David Essex, "What Ruthy Said" by Cockney Rebel, "Why Am I Waiting" by Robin Goodfellow, "Urban Guerilla" by Hawkwind, "Londonderry" by Phil Cordell, and "Cut Loose" by Stud Leather. CD

Possible matches3
CD, LP, Vinyl record album cover art
✨✧ Duke JordanFlight To Jordan (with bonus tracks) ... CD
Blue Note, 1960. Used ... Temporarily Out Of Stock
Quite possibly the greatest album ever cut by pianist Duke Jordan – a seminal force in bop, both for his writing and playing – but an artist who rarely ever got the chance to work as a leader! This session's a prime bit of lost Blue Note – with an unusual and edgey lineup that includes Dizzy Reece on trumpet, Stanley Turrentine on tenor, Reggie Workman on bass, and Art Taylor on drums – all coming together under Jordan's direction. The set's got a wonderfully classic feel – a mix of hardbop with slightly more lyrical leanings, and a few darker undercurrents – heard to best effect in Jordan's writing, which reminds us of some of his work on French soundtracks from the same time. Titles include "Deacon Joe", "Si-Joya", "Flight To Jordan", and "Squawkin" – plus bonus tracks "Diamond Stud" and "I Should Care". CD
(1995 pre-RVG pressing.)

Possible matches4
CD, LP, Vinyl record album cover art
✨✧ Johnny CashAmerican Recordings ... CD
American, 1994. Used ... Out Of Stock
Johnny Cash's first record for Rick Rubin's American Recordings label – and a late career reviving masterpiece for the great, distinctly American legend. Rubin's genius idea for Johnny Cash was to strip the sound to it's barest essence, and let Cash's deep, bass-vibrating baritone voice bring genuine, authoritative soul to a great batch of handpicked songs. Recorded for the most part in Cash's own Tennessee cabin, and backed by just acoustic guitar, Cash brings a soulful depth to seeming oddball covers and his own great songs alike. Titles include "The Man Who Couldn't Cry", "The Beast In Me", "Oh, Bury Me Not", "Bird On A Wire", "Tennessee Stud", "Like A Soldier", "Redemption", and "Delia's Gone". CD

Possible matches5
CD, LP, Vinyl record album cover art
✨✧ Jerry ReedExplores Guitar Country/Cookin/Georgia Sunshine/Me & Jerry ... CD
RCA/BGO (UK), Late 60s/Early 70s. Used 2 CDs ... Out Of Stock
A really wonderful collection of work from the great Jerry Reed – some more obscure albums than his bigger hits, which makes for a really fresh selection of music throughout! Explores Guitar Country is maybe one of the rootsier efforts during the early RCA years of Jerry Reed – a set that definitely lives up to the "guitar country" promised in the title, as his strong command of the instrument is right up front in the mix – often on these midtempo numbers that sound perfect with his style! Jerry sings a bit, but his guitar is almost the strongest voice on the record – nicely unadorned, especially for RCA at the time – on titles that include "Bluegrass With Guts", "Are You From Dixie", "Wayfarin Stranger", "Barbara Allen", "In The Pines", "Swarmin", and "A Worried Man". Cookin has Jerry Reed reaching for some of the groovier material that would bring him great fame – but the songs are also balanced with some slightly folksy currents, maybe a bit like the late 60s work of Waylon Jennings – with some surprising commentary from time to time, and a richness of feeling that wasn't always allowed Jerry in some of his more famous, joke-heavy moments. Titles include "Turn It Around In Your Mind", "How Many Tomorrows", "Sometimes Feelin", "Plastic Saddle", "Alabama Jubilee", and "My Next Impersonation". Georgia Sunshine is a record that has Jerry Reed really hitting that formula that would make for some big albums in the 70s – a mix of witty, upbeat numbers and some occasional deeper moments – many of which are featured here in songs penned by Jerry himself! The set features the big hit "Amos Moses" – plus "Good Friends & Neighbors", "Talk About The Good Times", "Preacher & The Bear", "Georgia Sunshine", "That's All Part Of Losing", and "Dream Sweet Dreams About Me". Me & Jerry is a great duet album with Chet Atkins – a set that showcases the super-strong guitar talents of both musicians – very different in sound and style, but perfectly matched on a strong set of instrumentals! The tunes are mostly familiar, but nicely fresh in this setting – with lots of creativity from both musicians – and titles include "Tennessee Stud", "Wreck Of The John B", "Nut Sundae", "Stump Water", "Cannonball Rag", and "The January February March". CD

Possible matches6
CD, LP, Vinyl record album cover art
✨✧ VariousBubblerock Is Here To Stay – The British Pop Explosion 1970 to 1973 (3CD set) ... CD
Grapefruit (UK), Early 70s. New Copy 3CD ... Out Of Stock
A fantastic collection of work from the UK scene at the start of the 70s – a treasure trove of pop cuts from the time, most of which never made it across the Atlantic to our neck of the woods – and which represent a whole different world of music than you'd know from the classic rock and prog albums that usually represent the period! Instead, these are cuts that were cooked up in the studio in search of a hit – some by names that worked strongly in the 60s, others by new groups – some of whom only existed as a name on a label – but all in search of fresh sounds, groovy lyrics, and a way of putting over a tune that spoke volumes about the studio changes and advances taking place around the UK scene at the time! A number of cuts here have production that might be vaguely in glam territory, while others change up the way that vocals and guitars work together, and others evolve past Brit pop modes of the 60s – embracing psych or hard rock elements, but in a subtle way. As with other Cherry Red/Grapefruit collections of this nature, the whole thing is a stunning journey through music that we'd never have heard otherwise, and never in this much detail – presented with a big booklet of notes on all the crazy cats within – to support 85 tracks by artists who include Paintbox, Simon Turner, Mr Bloe, The Weathermen, Fumble, Posse, Gingerbread, Majority One, Jonathan King, Marmalade, Clifford T Ward, Stud Leather, Paul Gabriel, Autumn, St Cecelia, Rick Price, The Piglets, Kincade, Sweet, The Sad, Gumm, The Angelette, Grumble, Jungle Jim, Shag, Bubblerock, Harmony Grass, Terry Dactyl & The Dinosaurs, Stardust, Bill Fay, Pete Dello, Buggy, David Essex, Peter Kellern, Fickle Pickle, Touchwood, and many others! CD
 
Partial matches: 500
Partial matches7
CD, LP, Vinyl record album cover art
John BarryMore Things Change – Film, TV, & Studio Work 1968 to 1972 ... CD
Ace (UK), Late 60s/Early 70s. New Copy ... $14.99 20.99
Our favorite chapter in the long and storied career of film score legend John Barry – music from a moment when he'd moved past the fame of his earlier James Bond soundtracks, and started hitting territory that was even more mindblowing overall! Barry was already great with Bond, and as those films moved on, he developed this amazing ear for more sophisticated, subtle elements – which unfold here at a level that easily puts the composer/arranger in territory of much more lauded studio and sound library talents! There's still some catchy vocal tunes in the mix – but what's even more striking is Barry's evolved sense of sound and timing – so that familiar instruments can sound all weird and unusual – yet still tuneful too – almost as if he were running over to the European avant garde to borrow a few sonic ideas, then fold them into the groovier numbers included within. The set features some of our favorite John Barry tracks ever, mixed with other more obscure numbers that are equally great – tunes that include "Follow Follow", "The Adventurer", "Highway 101", "The More Things Change", "Theme From The Appointment", "Fun City", "Midnight Cowboy", "Theme From Romance For Guitar & Orchestra", "We Have All The Time In The World", "Afternoon", "Theme From The Persuaders", "Lion In Winter", and "Who Will Buy My Yesterdays". CD

Partial matches8
CD, LP, Vinyl record album cover art
Berio/Carter/Dallapiccola/Petrassi/Rochberg/TartiniElogio Per Un Ombra – Due Pezzi/Riconoxcenza Per Goffredo Petrassi/Due Studi/Caprice Variations/Sonata No 7 – Michelle Makarski/Thomas Larcher ... CD
ECM, 2000. Used ... $9.99
... CD
(Includes slipcase.)

Partial matches9
CD, LP, Vinyl record album cover art
Ruud BosSecret All-Star Band – Studio Sessions 1964 to 1969 (with bonus tracks) ... CD
NJA (Netherlands), Mid 60s. New Copy ... $19.99 22.99
Hard-swinging work from the pen of Dutch arranger/conductor Ruud Bos – a large group talent whose music here reminds us a lot of the Quincy Jones albums for Mercury in the early 60s! As with Quincy, there's a great blend of sophistication and soul – charts that are fully aware of all the modern changes in tone and color, but which also never fail to groove – and which feature standout solo performances throughout – delivered by a host of top-shelf talents who include Harry Verbeke on tenor, Piet Noordijk on alto, Cees Smal on trumpet, Cees Slinger on piano, and Jacques Schols on bass – all artists who've given us some great albums of their own over the years. Bos himself plays piano and vibes – and the set even features some early work from pianist Misha Mengelberg – on a set of tracks that include "Three Seconds", "Lutuli", "Sad Model", "Harry's Prize", "Gitanes", "ID", "Summernight", "Surprise To Bob", "Monk's Dream", and "On Green Dolphin Street". CD

Partial matches10
CD, LP, Vinyl record album cover art
Clifford Brown & Max RoachStudy In Brown ... CD
EmArcy, 1955. Used ... $2.99
A study in brown, and a study in hardbop too – a seminal album of 50s jazz that forever went on to set the tone for the music! The album was one of a few that trumpeter Clifford Brown cut as his star was strongly rising, before a tragic early accident took his life – and it's a masterpiece of bop modernism, done with the co-leadership of drummer Max Roach – with an equally well-matched group that includes Harold Land on tenor, George Morrow on bass, and Bud Powell's brother Richie on piano. Tracks are short, and played with great boppish fire and fury – virtually the blueprint for the hardbop sound of the 50s, and one of the strongest expressions from this important, but short-lived group. Titles include "Gerkin For Perkin", "Sandu", "Jacqui", "Swingin", and the great "Land's End". CD

Partial matches11
CD, LP, Vinyl record album cover art
Clifford Brown & Max RoachStudy In Brown (180 gram pressing) ... LP
EmArcy/Verve, 1955. New Copy (reissue)... $36.99 38.99
A study in brown, and a study in hardbop too – a seminal album of 50s jazz that forever went on to set the tone for the music! The album was one of a few that trumpeter Clifford Brown cut as his star was strongly rising, before a tragic early accident took his life – and it's a masterpiece of bop modernism, done with the co-leadership of drummer Max Roach – with an equally well-matched group that includes Harold Land on tenor, George Morrow on bass, and Bud Powell's brother Richie on piano. Tracks are short, and played with great boppish fire and fury – virtually the blueprint for the hardbop sound of the 50s, and one of the strongest expressions from this important, but short-lived group. Titles include "Gerkin For Perkin", "Sandu", "Jacqui", "Swingin", and the great "Land's End". LP, Vinyl record album
(Part of the Verve Acoustic Sounds series! Heavy vinyl and gatefold cover!)

Partial matches12
CD, LP, Vinyl record album cover art
Alice ClarkAlice Clark – The Studio Recordings 1968 to 1972 ... CD
Mainstream/BGP (UK), Late 60s/Early 70s. New Copy ... $9.99 18.99
The great self-titled Alice Clark LP on Mainstream plus earlier singles for Warner Brothers and unreleased tracks – the complete studio recordings from '68-72 – in one great set! There weren't many vocal albums on the Mainstream label during the early 70s, and this rare soul side is a real overlooked gem! Alice Clark has a rich soulful voice, with a style that sounds a bit like Esther Marrow, mixed with some of the lead vocalists in Voices Of East Harlem – a really right-on sort of sound that's totally great, and way hipper than most 70s chart soul! Arrangements are by Ernie Wilkins, who brings in a touch of jazz – but again, with a much hipper feel than most of his other backings – and most of the tracks are quite obscure, well-written tunes – of the sort of material you might expect to hear sung by Gil Scott-Heron or Donny Hathaway. Includes "Don't You Care", "Charms Of The Arms Of Love", "Maybe This Time", "Looking At Life", "Hey Girl", "Don't Wonder Why", "It Takes Too Long To Learn To Live Alone", "Hard Hard Promises" and the rest from the classic and always sought self-titled album from 1972 – plus great earlier Warner Brothers singles "You Hit Me (Right Where It Hurts Me)" and "Heaven's Will (Must Be Obeyed)" from 1969, the previously unreleased "Before Her Time" and "You Hit Me (Right Where It Hurts Me)" instrumental, and more! 16 tracks in all. CD

Partial matches13
CD, LP, Vinyl record album cover art
Alice ClarkComplete Studio Recordings (180 gram pressing) ... LP
Mainstream/BGP (UK), Late 60s/Early 70s. New Copy ... $18.99 22.99
The great self-titled Alice Clark LP on Mainstream plus earlier singles for Warner Brothers and unreleased tracks – the complete studio recordings from '68-72 – in one great set! There weren't many vocal albums on the Mainstream label during the early 70s, and this rare soul side is a real overlooked gem! Alice Clark has a rich soulful voice, with a style that sounds a bit like Esther Marrow, mixed with some of the lead vocalists in Voices Of East Harlem – a really right-on sort of sound that's totally great, and way hipper than most 70s chart soul! Arrangements are by Ernie Wilkins, who brings in a touch of jazz – but again, with a much hipper feel than most of his other backings – and most of the tracks are quite obscure, well-written tunes – of the sort of material you might expect to hear sung by Gil Scott-Heron or Donny Hathaway. Includes "Don't You Care", "Charms Of The Arms Of Love", "Maybe This Time", "Looking At Life", "Hey Girl", "Don't Wonder Why", "It Takes Too Long To Learn To Live Alone", "Hard Hard Promises" and the rest from the classic and always sought self-titled album from 1972 – plus great earlier Warner Brothers singles "You Hit Me (Right Where It Hurts Me)" and "Heaven's Will (Must Be Obeyed)" from 1969, and the previously unreleased "Before Her Time". LP, Vinyl record album

Partial matches14
CD, LP, Vinyl record album cover art
John ColtraneClassic Quartet – Complete Impulse Studio Recordings (8CD set) ... CD
Impulse, Early/Mid 60s. Used 8CD Box ... $59.99
The classic quartet of John Coltrane, certainly the classic quartet of the 60s jazz scene and perhaps the classic jazz quartet of all time, compiled in one box set with all of their studio recordings! John Coltrane, McCoy Tyner, Jimmy Garrison and Elvin Jones set so many benchmarks for jazz with their envelope pushing style, recording and performances that it's impossible to overstate their importance in the modern musical oeuvre. This set features all of the LPs Coltrane, Ballads, Impressions, Live At Birdland, Crescent, A Love Supreme, The John Coltrane Quartet Plays, Kulu Se Mama, Transition, Sunship, Infinity and First Meditations, plus a number of tracks issued on compilations. 66 tracks in all, spread out over 8 CDs, in a beautiful bookbound package with a metal slipcase and extensive liner notes. The titles are too numerous to list here, but the set includes "Big Nick", "Soul Eyes", "Miles' Mode", "Tunji", "After The rain", "Lonnie's Lament", "The Drum Thing", "Wise One", "Crescent", "A Love Supreme", "Nature Boy", "Brasilia", "Song Of Praise", "Dear Lord", "The Last Blues", "Living Space", "Dusk Dawn", "Dearly Beloved", "Attaining", "Ascent", "Amen", "Love", "Compassion", "Joy", "Consequences", and "Serenity". CD
(Includes booklet and original metal slipcase – all in nice shape!)

Partial matches15
CD, LP, Vinyl record album cover art
Miles Davis & Gil EvansComplete Columbia Studio Recordings – Sampler ... CD
Columbia, Late 50s. Used ... $3.99
Heavenly sounds from these two musical masters – 13 tracks sampler from the box set. CD
(Promotional release.)

Partial matches16
CD, LP, Vinyl record album cover art
DoorsComplete Studio Recordings (7CD box set) ... CD
Elektra/Rhino, Late 60s/Early 70s. Used 7 CDs ... $33.99 44.99
Albums include "The Doors", "Strange Days", "Waiting For The Sun", "The Soft Parade", "Morrison Hotel/Hard Rock Cafe", "LA Woman" and the bonus disc "Essential Rarities, The Best Of The '97 Box Set". CD
(Out of print – and in great shape!)

Partial matches17
CD, LP, Vinyl record album cover art
Golden Echo QuartetStudy War No Mo'/Noah & The Ark ... 78 RPM
DeLuxe, 1945. Very Good ... $9.99 11.99
... 78 RPM, Vinyl record
(Label on Side A has a circle in grease pen.)

Partial matches18
CD, LP, Vinyl record album cover art
GrapefruitYesterday's Sunshine – The Complete 1967/1968 London Studio Sessions ... CD
RPM (UK), 1967/1968. New Copy ... $14.99 20.99
Incredible pop psych sounds from Grapefruit – a group who might be best known for their early inclusion in the Beatles' Apple Corps – but who can easily stand on their own with the strength of material like this! The production is superb, and the overall vision in the music is sublime – trippy touches, but never too many – and vocals that echo out with both a sense of harmony in the group, and some beautiful larger touches in the studio! The whole thing's got a subtle power that we'd rank right up there with The Zombies, just as they were starting to get great – and the collection finally gets these guys out from the shadows of The Beatles, to show the world how great they were on their own. CD features a number of unissued tracks, and titles taken from tapes and brilliantly remastered – and the set features 20 titles that include "Dead Boot", "Dear Delilah", "Breaking Up A Dream", "Elevator", "Another Game", "Yes", "Ain't It Good", "Sweet Little Miss No Name", "Theme For A Lonely Queen", "Round & Round", "One More Try", "Yesterday's Sunshine", and "Do What You Want To". CD

Partial matches19
CD, LP, Vinyl record album cover art
Great 3 (Masabumi Kikuchi/Gary Peacock/Masahiko Togashi)Straight No Chaser – Studio Session 1994 ... LP
Nadja (Japan), 1994. New Copy ... $64.99 69.99 About February 1, 2023 (delayed)
... LP, Vinyl record album

Partial matches20
CD, LP, Vinyl record album cover art
Eddie HarrisStudy In Jazz/Breakfast At Tiffany's ... CD
Vee Jay (Spain), 1961. Used ... $9.99
These 2 LPs on one CD show not only the brilliance of the young Eddie Harris (a brilliance that was not easily matched later in his career), but also the brilliant way that the Chicago jazz scene of the 60's could absorb so many different influences and styles, and mix them up into a fantastic sound that was totally unique. Take, for example, the cut "Oliphant Gesang", which has an exotic groove, and weird solos on the horns that sound like Elephant noises, and which are much more in the Sun Ra camp. Or the track "Dancing Bull", which uses electric guitar to create a cool Spanish sound. Or the whole album of Breakfast at Tiffany's, which has Eddie doing sort of a soul jazz reading of Mancini's score, with Charles Stepney on vibes and Willie Pickens on piano. The CD's got 18 tracks in all, with excellent remastering, and a very sharp package! CD

Partial matches21
CD, LP, Vinyl record album cover art
Tubby HayesGrits, Beans, & Greens – The Lost Fontana Studio Session 1969 ... CD
Fontana/Universal (UK), 1969. Used ... $11.99
A long-lost album from one of our favorite jazz talents of all time – British tenor legend Tubby Hayes, a player we'd easily place on a short list with giants like Dexter Gordon or Sonny Rollins! Like both of those players, Hayes has an incredible talent for longform solos that never lose their fire, direction, or imagination – a quality that emerges here maybe even more strongly than on some of the records that preceded it – as Hayes works with just a quartet, on long tracks that are really dominated by both his great sound, and the strong contributions of pianist Mike Pyne – an equal star on the set! At a time when British jazz was going for a lot of new recording modes, crossover styles, and other gimmicks, the whole thing is a back to basics record for Tubby – but also one that shows just how much he's grown as a soloist in just a few short years – really on fire, as the tenor is driven strongly by the efforts of Ron Mathewson on bass and Spike Wells on drums, completing a great quartet who really get the energy of their leader. Titles include a great version of the Duke Pearson tune "You Know I Care", a lovely take on "Where Am I Going", and the Hayes originals "For Members Only", "Rumpus", and "Grits Beans & Greens". Fantastic stuff – long overdue, and instantly a key addition to the Tubby Hayes Fontana catalog of the 60s! CD

Partial matches22
CD, LP, Vinyl record album cover art
Fletcher HendersonStudy In Frustration – The Fletcher Henderson Story (3CD set) ... CD
Columbia/Legacy, 1920s/1930s. Used 3 CDs ... $14.99 22.99
An incredible collection – the best document you'll ever find of the undeniable genius of Fletcher Henderson! CD
(Out of print, outer box has some edgewear including a cutout through the barcode – Noting major.)

Partial matches23
CD, LP, Vinyl record album cover art
Freddie HubbardBest Of Freddie Hubbard – Live & In Studio ... LP
Pablo, Early 80s. Sealed ... $7.99
Freddie Hubbard on trumpet, David Schnitter and Harold Land on tenor saxophone, Larry Klein on bass, Billy Childs on keyboards, Sinclair Lott and Steve Houghton on drums, and Buck Clark on percussion. LP, Vinyl record album
(Sealed copy! Shrink has vintage store stickers.)

Partial matches24
CD, LP, Vinyl record album cover art
Freddie HubbardComplete Freddie Hubbard Blue Note & Impulse 60s Studio Sessions (7CD set) ... CD
Blue Note/Mosaic, Early 60s. New Copy 7CD set ... $118.99 119.00
Pivotal work from trumpeter Freddie Hubbard – eleven full albums recorded by the young jazzman as a leader, together showing a really incredible scope of his talents in just a few short years in the studio! The Blue Note albums here already show an incredible evolution – from initial hardbop crackle at the best level of the label, to a slight shift into new thing territory that marks a more experimental side of Freddie's work that would take off later in the 60s. There's also two Impulse Records releases in the package – the completely sublime sextet outing of The Artistry Of Freddie Hubbard – a great date with Curtis Fuller on trombone, Tommy Flanagan on piano, and John Gilmore on tenor – making a rare appearance in the studio away from the Sun Ra Arkestra! The other Impulse album is titled Body & Soul – and has Hubbard amidst a larger group of modernists on most tracks, with these incredible Wayne Shorter arrangements – then in a small group with shorter on tenor and Eric Dolphy on alto and flute. Blue Note albums include Breaking Point, Blue Spirits, Open Sesame, Going Up, Hub Cap, Ready For Freddie, Hub Tones, and Here To Stay – with players who include Tina Brooks, Jimmy Heath, and Wayne Shorter on tenors; McCoy Tyner, Cedar Walton, and Herbie Hancock on pianos; Paul Chambers, Sam Jones, and Reggie Workman on basses; and James Spaulding making a key early appearance on alto and flute. 70 long tracks in all – and a very detailed booklet of notes with rare photos! CD
(Limited, numbered edition of 5000 copies.)

Partial matches25
CD, LP, Vinyl record album cover art
Freddie HubbardMusic Is Here – Live At Studio 104 Maison De La Radio (ORTF) Paris 1973 ... CD
We Want Sounds (UK), 1973. New Copy ... $16.99 18.99
Brilliant live work from trumpeter Freddie Hubbard – a set of well-recorded, long and open tracks that really lets him stretch out on his solos – and direct a majestic group of musicians as a leader! We already love Freddie Hubbard in the studio, but on a live record like this he always seems to find deeper, more powerful currents in his music – soaring out with a lineup that includes George Cables on Fender Rhodes, Junior Cook on tenor and flute, Kent Brinkley on bass, and Michael Carvin on drums – mostly playing tunes from the CTI years, but with a very different, more spontaneous vibe. Each track runs the length of the side of a record – and titles include long takes on "Sky Dive", "The Intrepid Fox", "Povo", and "First Light". CD

Partial matches26
CD, LP, Vinyl record album cover art
Junior ManceDeep – The Classic 1980 New York Studio Session – Remastered, Refreshed, & Reimagined ... CD
JSP (UK), 1980. New Copy ... $16.99 18.99
A great little record from Junior Mance – done at a time when the pianist had faded from the limelight a bit, after early 70s sessions for Atlantic – but playing here at a level that's maybe even more well-rounded and confident than on some of those albums! The date's just a trio setting – with Martin Rivera on bass and the great Walt Boden on drums – but there's definitely some special magic going on, and the whole thing grooves with a timeless vibe that's way more than you might expect for a small-label session. Junior's left hand is amazing, and his right is pretty damn great too – on titles that include "9:20 Special", "Small Fry", "Deep", "Smokey Blues", "In The Evening", and "Ease On Down The Road". CD features new mastering, and three bonus alternate takes! CD

Partial matches27
CD, LP, Vinyl record album cover art
Bob Marley & The WailersStudio Recordings Intro To The Matrix ... LP
P-Vine (Japan), New Copy 2LP ... $39.99 About June 7, 2023
... LP, Vinyl record album

Partial matches28
CD, LP, Vinyl record album cover art
✨✧ Brownie McGhee & Sonny TerryYou Hear Me Talkin (aka Ain't Gonna Study War) ... LP
Muse, 1961. Near Mint- ... $7.99
Some of the hippest work ever cut by this legendary blues team – an album that was originally issued on the Choice Records label! LP, Vinyl record album
(Late 70s white label promo. Cover has a promo stamp, some ring and edge wear, and aging.)

Partial matches29
CD, LP, Vinyl record album cover art
Sugar MinottSugar Minott At Studio One ... LP
Soul Jazz (UK), Late 70s. New Copy 2LP ... $34.99 36.99
Seminal sounds from the mighty Sugar Minott – a singer who's sweet-voiced style was perfect for the changes going on at Studio One in the late 70s! Sugar grew up on the soulful styles of the rocksteady years – and here, as Studio One begins to step into some dancehall modes, his vocals provide a perfect link with the past – which sometimes comes from the way the label was reworking older rhythms and melodies in a subtle way – often with new lyrics from Minott that really transform the tunes! Currents of early dancehall and versioning flow through the mix of work here – and the set is a great illustration of this key moment in the evolution of reggae. Titles include "Vanity", "Please Be True", "Hang On Natty", "Jahovia", "Try Love", "Give A Hand", "Is It True", "Love Gonna Pack Up", "Give Me Jah Jah", "Party Time", "Jah Almighty", "Jah Jah Children", and "Change Your Ways". LP, Vinyl record album
(Includes download!)

Partial matches30
CD, LP, Vinyl record album cover art
Wes MontgomeryNDR Hamburg Studio Recordings (with bonus Blu Ray) ... CD
Jazz Line (Germany), 1965. New Copy CD & Blu Ray ... $17.99 25.99
A tremendous lost chapter in the career of guitar genius Wes Montgomery – material recorded in Germany in the mid 60s – complete with backings by a large group who give the whole thing a vibe that's a bit like some of the charts that Oliver Nelson would score for Wes on Verve! The recording quality is great, and the tracks really stretch out beautifully – with some arrangements by Wes, and others by saxophonists Johnny Griffin and Ronnie Ross – who both play on the record as well! The setting is live, tracks are long, and Montgomery seems to have even more bite than on some of his studio recordings – on titles that include "Four On Six", "Last Of The Wine", "Leopard Walks", "Blue Grass", "Opening 2", and "West Coast Blues". Plus, the set also comes with a blu-ray video of rehearsals for the set – with work from Johnny Griffin and Ronnie Scott on tenor, Ronnie Ross on baritone, and Hans Koller on alto – really hard swinging in a Clarke Boland sort of way. And heck, even Martial Solal is in the group on piano too!' CD

Partial matches31
CD, LP, Vinyl record album cover art
Charlie ParkerBoss Bird – Studio Recordings 1944 to 1951 (4CD box set) ... CD
Proper (UK), Late 40s/Early 50s. Used 4 CDs ... $4.99 14.99
Features over 100 tracks including "Ah-Leu-Cha", "Perhaps", "Marmaduke", "Passport", "Donna Lee", "Bongo Bop", "Quasimodo", "Tiny's Tempo", "Loverman", "Star Eyes", "Yardbird Suite" and "Tico Tico". CD
(Out of print.)

Partial matches32
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Hermeto Pascoal & Grupo Vice VersaViajando Com O Som – The Lost 76 Vice Versa Studio Sessions ... LP
Far Out (UK), 1976. Near Mint- ... $24.99
A never-issued album by the great Hermeto Pascoal – recorded in the space between his 70s classics Slaves Mass and A Musica Livre – and every bit as amazing as those classics! The music here is fluid, open, and a fantastic mix of jazz and all of Hermeto's new ideas about musical structure – performed at a level that's highly organic, and with that completely individual vision that Pasocal brought to his sound from the start! This isn't typical Brazilian fusion of the time, but nor is it anything like the tighter sounds that Airto and Flora Purim were recording up in the US – instead, a musical mode that's completely in its own space, and which needs only one listen to convince you of the master's genius. The group here is overflowing with young talent – Lelo Nazario on keyboards, Nivaldo Ornelas and Mauro Senise on saxes and flute, Toninho Horta on guitar, Zeca Assumpcao on bass, and Ze Eduardo Nazario on drums – all important musical visionaries on their own, working together here to hit an even new level of creativity. Aleuda Chaves sings wordlessly on a bit of the record – and the whole thing has that blend of soaring sound and lyricism that marks Pascoal at his best. Titles include "Danca Do Paje", "Natal", "Casinha Pequinina", and "Mavumvavumpefoco". LP, Vinyl record album
(Black vinyl pressing from 2017.)
Also available Viajando Com O Som – The Lost 76 Vice Versa Studio Sessions (green vinyl pressing) ... LP 26.99

Partial matches33
CD, LP, Vinyl record album cover art
Hermeto Pascoal & Grupo Vice VersaViajando Com O Som – The Lost 76 Vice Versa Studio Sessions (green vinyl pressing) ... LP
Far Out (UK), 1976. New Copy ... $26.99 32.99
A never-issued album by the great Hermeto Pascoal – recorded in the space between his 70s classics Slaves Mass and A Musica Livre – and every bit as amazing as those classics! The music here is fluid, open, and a fantastic mix of jazz and all of Hermeto's new ideas about musical structure – performed at a level that's highly organic, and with that completely individual vision that Pasocal brought to his sound from the start! This isn't typical Brazilian fusion of the time, but nor is it anything like the tighter sounds that Airto and Flora Purim were recording up in the US – instead, a musical mode that's completely in its own space, and which needs only one listen to convince you of the master's genius. The group here is overflowing with young talent – Lelo Nazario on keyboards, Nivaldo Ornelas and Mauro Senise on saxes and flute, Toninho Horta on guitar, Zeca Assumpcao on bass, and Ze Eduardo Nazario on drums – all important musical visionaries on their own, working together here to hit an even new level of creativity. Aleuda Chaves sings wordlessly on a bit of the record – and the whole thing has that blend of soaring sound and lyricism that marks Pascoal at his best. Titles include "Danca Do Paje", "Natal", "Casinha Pequinina", and "Mavumvavumpefoco". LP, Vinyl record album
(Limited to 500 copies – on green vinyl!)
Also available Viajando Com O Som – The Lost 76 Vice Versa Studio Sessions ... LP 24.99

Partial matches34
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✨✧ Prefuse 73Vocal Studies & Uprock Narratives ... CD
Warp, 2003. Used ... $3.99
This album marks the start of a beautiful schism in hip hop production that die hard purists may or may not be so happy with. But, in no time at all, Scott Herren's debut on Warp paved a new original style of sample manipulation and composition that has awed critics and has been mimicked frequently. Seamlessly bouncing between beats from the depths and robotic floating melodies, you can hear heartbeats in the machines as your head sways to the rhythms. He gets help here by Sam Prekop from Sea & Cake, Freestyle Fellowship's Mikah 9, and MF Doom & Aesop Rock. Tracks include "Life/Death", "Five Minutes Away", "Last Light", "Blacklist", "Back In Time", "Hot Winter's Day", "Radio Attack", "Smile In Your Face", and more. CD

Partial matches35
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Paul QuinichetteJazz Studio 1 ... LP
Decca, Mid 50s. Near Mint- ... $9.99
The first and loosest of the Jazz Studio series from the 50s – an quite possibly the most Verve-like too. This set's got a very open-ended jam session feel – with a group that include Paul Quinichette and Frank Foster on tenor, Hank Jones on piano, Benny Green on trombone, Joe Newman on trumpet, Johnny Smith on guitar, and Kenny Clarke on drums – playing two long tracks, one on each side: "Let's Split" and "Tenderly" – taken in long versions that have plenty of room for solo space! LP, Vinyl record album
(UK Jasmine reissue.)

Partial matches36
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✨✧ Saka AcquayeVoices Of Africa – High-Life & Other Popular Music ... LP
Nonesuch, Mid 60s. Very Good+ ... $8.99
Although most Nonesuch Explorer sessions were ethnographic ones, recorded in the field by the label's engineers – this one's a studio session, recorded in New York by a group that's reputedly from Ghana, but which seems to be kind of a "fake" one from our perspective. Why? Well, because Charles Earland's playing tenor, for one – and although his native Philly was kind of far away from New York, we never heard it referred to as "Ghana"! Other players here are US-based jazz ones, too – like drummers Sonny Morgan and Robert Crowder, vibist Garvine Masseaux, and bassist George Brooks. The set's still got a strong High Life sound to it – but it also has jazz flourishes, too, in the way that was used some of the Art Blakey Afro-Drum experiments from the same time. Titles include "Ebony", "Bus Conductor", "Saturday Night", and "Sugar Soup". LP, Vinyl record album
(Late 60s blue label pressing. Vinyl is clean, but has a mark that clicks for a few spins during "Echoes Of The African Forest".)

Partial matches37
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Act One (Act 1)Act One (plus bonus tracks) ... CD
Spring/Southbound (UK), 1974. New Copy ... Just Sold Out!
An obscure soul group, but a great one – equally at home with a fragile harmony tune as they were with more uptempo groovers for the dancefloor! This one and only album from Act One is a perfect illustration of the best two sides of the east coast indie soul scene of the early 70s – because some tunes are spare, simple, and heartbreaking – really building off the best qualities of 60s harmony soul, but with a lot more sophistication – while others are bolder, more upbeat, and positive – really using the new studio modes of the time to send a few tunes really over the top! The mix is quite similar to Black Ivory at their best – although the album's more under-discovered treasure – and although it's the only record ever by the group, it's got a solidity that should have made them as big as any of the 70s stars on Atlantic or Philly International! Titles include "Goodbye Love", "Friends Or Lovers", "Tom the Peeper", "Party Hardy People", "I Don't Want To Know What You Do To Me", "Still Waters", "It's The Same Old Story", and "Love's Got Your Mind". CD also features the bonus tracks "I Never Had A Love Like Yours", "A Whole Love Of Love Makin", and "It Takes Both Of Us". CD

Partial matches38
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Johnny AdamsOnly Want To Be With You ... CD
Sunset Blvd, Late 70s. New Copy 2CDs ... $21.99 22.99
A huge collection of work from the second chapter in the career of long-running New Orleans soul singer Johnny Adams – work after his initial rise to fame on the SSS International label, from a time when he was working with producer Senator Jones, in a groove that nicely updated an older deep soul style! In later years, Adams would emerge as a more traditional artist, but here he's doing a great job of working with larger charts alongside his well-crafted vocals – in a style that's not unlike that used by Johnnie Taylor and Tyrone Davis in the late 70s too – a more sophisticated take on southern soul, and one that seems to push some of Adams' vocals even more than before! Most of the work was recorded at the Seasaint studios in the late 70s – and titles include "Nothing Takes The Place Of You", "After All The Good Is Gone", "Feel The Beat", "Chasing Rainbows", "It's Been So Long", "Think About You", "Your Love Is All I Need", "Baby Baby I Love You", "She's Only A Baby Herself", "Stay With Me & Stay In Love", "I Don't Want To Cry", and "Memories". 2CD set features 30 tracks in all – including the live cuts "Lost Mind", "Road Block", and "I Cover The Waterfront". CD

Partial matches39
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Cannonball AdderleyCannonball Adderley Sextet In New York ... CD
Riverside/OJC, 1962. Used ... $4.99
Rock-solid live material from the classic Cannonball Adderley Sextet – a combo who could usually groove even better on a concert date then they could in the studio! The album's one of a number of key live sides from Cannon in the 60s – and although it pre-dates his work on Capitol, it's done in a similar spacious mode – with plenty of longish tracks that build upon the core groove set down by Joe Zawinul's piano, Sam Jones' bass, and Louis Hayes' drums – a perfect backdrop for the creative and complicated solos of Cannon on alto, Nat Adderley on cornet, and Yusef Lateef on tenor, flute, and oboe! The date was recorded live at the Village Vanguard in 1962 – and titles include "Gemini", "Planet Earth", "Dizzy's Business", "Syn-anthesia", "Scotch & Water", and "Cannon's Theme". CD
(OJC pressing.)

Partial matches40
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Cannonball AdderleyPhenix ... LP
Fantasy, 1975. Very Good+ 2LP Gatefold ... $14.99
Sweet funky 70s work from Cannonball Adderley – a record that has him revisiting older tunes from his early soul jazz years – but in ways that give them a whole new electric vibe overall! The album's actually Cannonball's last full studio set, but it's also one of his greatest too – a very hip little record that features arrangements that are slightly bigger than before – almost a CTI sort of mode, with a similar CTI sense of space, sound, and timing! There's some great keyboards on the set – courtesy of George Duke and Mike Wolff – and other players include Nat Adderley on cornet, Airto on percussion, Sam Jones and Walter Booker on bass, and Louis Hayes and Roy McCurdy on drums. The keyboards lead off most numbers, but they're followed strongly by Cannon and Nat – both of whom open up wonderfully in the magical setting of the record! Titles include great new takes on "Sack O Woe", "Work Song", "Jive Samba", "74 Miles Away", "Walk Tall/Mercy Mercy Mercy", "Country Preacher", "Domination", and "This Here" – plus "Hi Fly" and "Hamba Nami". LP, Vinyl record album
(Cover has minimal wear.)

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Toshiko Akioshi & Charlie MarianoToshiko Mariano Quartet Live At Birdland ... CD
Studio Songs (Japan), 1960/1961. New Copy ... $20.99 24.99 About January 25, 2023 (delayed)
Early genius from Toshiko Akioshi – a set of live recordings with the early quartet formed with her (then) husband and reedman Charlie Mariano! Mariano's a real treat to our ears in just about any setting – but we're especially fond of his alto work during these under-recorded years – a time when Charlie was really stretching out past the sound of his more familiar 50s sides, yet still with that amazing sense of tone, space, and timing he had at the start! The recordings are relatively laidback – a nice change from the tightness that both Toshiko and Charlie might show in the studio – with a roughness at points that only seems to deepen the soul of their playing. Titles include "Elegy", "Deep River", "Song Of The Farm", "Blues For Father", and "When You Meet Her". CD

Partial matches42
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Toshiko Akiyoshi-Lew Tabackin Big BandToshiko Akiyoshi-Lew Tabackin Big Band ... CD
RCA/Novus, Mid 70s. Used ... $4.99
A great introduction to one of the hippest big bands of the 70s – a duo who did for the jazz ensemble mode in their decade what Kenny Clarke and Francy Boland did in the 60s! Tracks include "Studio J", "Quadrille, Anyone", "Kogun", "First Night", and "Road Time Shuffle". CD
(Out of print.)

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✨✧ Dennis BrownAfrica ... CD
Trojan/Brook (Germany), Early 70s. New Copy ... $3.99 14.99
A wealth of early work from one of the most important voices in reggae during the 70s – the mighty Dennis Brown, working here with help from producers Derrick Harriott and Niney The Observer, in the years after he left Studio One! There's also work that Dennis did with The Now Generation here – and the set features 15 tracks in all, with titles that include "Open The Gate", "How Could I Let You Get Away", "Africa", "Cassandra", "Black Magic Woman", "He Can't Spell", "Go Now", "No More Will I Roam", "Only A Smile", "Hot Like A Melting Pot", and "Let Me Down Easy". CD

Partial matches44
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✨✧ Alegre All StarsAlegre All Stars Vol 1 ... LP
Alegre/Honey Pie, Early 60s. New Copy (reissue)... $27.99 29.99
A landmark album that shaped Latin jazz for years to come! The format of the set borrows heavily from the previous Cuban Jam Session LPs, but gives it a real New York twist that made the Alegre albums much stronger overall – and much more influential in a wider spectrum. A core group fo well-known players – Charlie Palmieri, Johnny Pacheco, Kako, Jose Chombo Silva, and others – come together in the studio magically – setting egos aside, and bringing their best work to the table in a hard-jamming style that defined the crackling jazz-based "descarga" style of the time. In addition to that, the production style has lots of conversation and hanging out sounds between the tracks, really setting the feel for the album with a great spirit that goes on to touch the music as well! A treasure that's still one of the best examples of the jam session at work – and with titles that include "Soy Feliz, "Ay Camino Y Ven", "Almendra", "Para Ti", and "Estoy Buscando a Kako". LP, Vinyl record album

Partial matches45
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Monty Alexander/Ray Brown/Herb EllisStraight Ahead – Trio/Overseas Special ... CD
Concord, 1981/1984. Used 2 CDs ... $6.99
A two album set – an early 80s studio session and a live date recorded in Tokyo – with Alexander on piano, Herb Ellis on guitar, and Ray Brown on bass. Tracks include "Captain Bill", "Blues For Junior", "Sweet Georgia Brown", "Sister Sadie", and "For All We Know". CD

Partial matches46
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✨✧ Geri Allen, Charlie Haden, & Paul MotianLive At The Village Vanguard – Unissued Tracks ... CD
DIW/Somethin Cool (Japan), 1990. New Copy ... $29.99
Really wonderful work from a perfectly-matched trio – an all-star lineup, even though pianist Geri Allen was just at the start of her career – and a group who'd already given the world a few different studio albums on other labels! The set follows up with more material from the group's sessions for DIW at the Village Vanguard – and trust us, the material here is every bit as great as the work that was first issued decades back – a perfect balance between the lyrical flights of Geri Allen on the piano, the warmly round basslines of Charlie Haden, and the measured drum work of Paul Motian – a set that's free of ego, and which really has all three players working in wonderfully sympathetic company. Titles include "Fiasco", "In Walked Bud", "Obtuse Angles", "Two Women From Padua", "Mambo Jumbo", "Song For The Whales", "Dance Of Infidels", "Dancing In The Dark", and "I Didn't Know What Time It Was". CD

Partial matches47
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Gene AmmonsHi Fidelity Jam Session (aka Happy Blues) ... LP
Prestige, Late 50s. Very Good ... $39.99
Gene Ammons in a mighty nice setting – working here in an open-ended jam session style that brings all his best live energy into play at the studio of Rudy Van Gelder! The set's got a crackle that really goes beyond the earlier, shorter bop recordings from Ammons – and a bit more darkness than some of his 60s sessions too – a really wonderful balance of open and tight playing, not just from Jug's tenor, but also from Art Farmer on trumpet, Jackie McLean on alto, and Duke Jordan on piano! Rhythm's handled by Addison Farmer on bass and Art Taylor on drums – and the mighty Candido also adds in some congas, to really give things a kick. The set list includes four long tracks – "Happy Blues", "The Great Lie", "Madhouse", and "Can't We Be Friends". LP, Vinyl record album
(Mono yellow and black NJ label pressing with deep groove, in the blue cover, with center splits on the top seam & spine, light surface wear, aging. The back paste-on has a small torn off upper corner, name in pen.)

Partial matches48
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Gene Ammons & Sonny StittBoss Tenors In Orbit!/Soul Summit ... CD
Fresh Sound New Talent (Spain), 1962. Used ... $12.99
Boss Tenors In Orbit is a studio album, but one that really has Gene Ammons and Sonny Stitt recreating some of the bold energy of their live shows – coming across with a vibe that's much more Prestige Records than Verve, thanks to the presence of the Don Patterson trio on the set! Backing is by Don on Hammond, Paul Weeden on guitar, and Billy James on drums – a nicely loose combo that really lets the tenorists stretch out and show their stuff. The cuts are mostly standard material – "John Brown's Body", "Walkin", "Long Ago And Far Away" – but the twin-tenor sound is great, and Patterson's free organ lines riff away nicely! Soul Summit is a definite soul summit for the time – with 3 top-shelf players in the lead, all getting plenty of room to do their thing! Both Gene Ammons and Sonny Stitt are on tenor in the front, working with the respect and confidence they'd forged together on other co-led sessions from the time – and Jack McDuff's a great addition to the set, playing Hammond with his newly-lean tone, and really helping things move along nicely. Drummer Charlie Persip has a nicely booming style here – one that gets the group out of the box from the get-go, and McDuff's handling all the bass work on the organ, which always makes for a tight rhythmic romp! Most tunes are in that great raw Prestige mode from the old days, as you'd guess by titles like "Tubby", "Dumplin", and "Shuffle Twist" – alongside other numbers that include "Sleeping Susan" and "Out In The Cold Again". CD

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Ana Y JaimeDire A Mi Gente ... LP
Munster (Spain), 1969. New Copy (reissue)... $29.99 33.99
Ana and Jaime may look like post-punk artists on the front cover, but they've got a style here that's perfect for the 1969 date of the recording – a really cool mode that mixes mainstream Latin pop with some killer psychedelic touches – served up with lots of echo in the production, swirling moody strings, and some great touches on organ and guitar! There's more rough edges on the vocals than you'd get from a sweeter pop duo – and that also makes for part of the charm of the record, as it almost feels like the teens wandered into a studio down a dark hallway, then got the chance to record some tunes with a very spontaneous vibe and mighty nice edge. Titles include "Es Largo El Camino", "Dispersos", "Soy Rebelde", "Nina Nana", "Ricardo Semillas", "A Veces Quisiera Ser Ciego", and even a very cool moody take on "Love Story". LP, Vinyl record album

Partial matches50
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✨✧ Fred Anderson QuartetBirdhouse ... CD
Okka Disk, 1996. Used ... Just Sold Out!
The first new studio recording by tenorist Fred Anderson since 1980 – and a set that shows just how much he'd grown in the intervening years! Here, Fred's newly alive with a younger Chicago group – a great quartet with Jim Baker on piano, Harrison Baker on bass, and Hamid Drake on drums – all players openly fluid to move with Anderson from swinging passages to freer ones – a beautiful balance of soul and experimentation, captured in a way that maybe links Fred more closely to Von Freeman than any other record in his career – yet which still captures all the AACM vitality in his music too. Titles include "Birdhouse", "Bernice", "Like Sonny", and "Waiting For Me". CD
Also available Birdhouse ... CD 9.99

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✨✧ Fred Anderson QuartetBirdhouse ... CD
Okka Disk, 1996. New Copy ... $9.99 14.99
The first new studio recording by tenorist Fred Anderson since 1980 – and a set that shows just how much he'd grown in the intervening years! Here, Fred's newly alive with a younger Chicago group – a great quartet with Jim Baker on piano, Harrison Baker on bass, and Hamid Drake on drums – all players openly fluid to move with Anderson from swinging passages to freer ones – a beautiful balance of soul and experimentation, captured in a way that maybe links Fred more closely to Von Freeman than any other record in his career – yet which still captures all the AACM vitality in his music too. Titles include "Birdhouse", "Bernice", "Like Sonny", and "Waiting For Me". CD

Partial matches52
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Miller AndersonBright City (with bonus tracks) ... CD
Deram/Esoteric (UK), 1972. New Copy ... $14.99 22.99 About March 3, 2023
Miller Anderson's a singer you might know from work in the Keef Harley Band – but here, he's a very different voice entirely – using his really unique sense of phrasing in a way that's nicely personal and surprisingly soulful at points – all with a quality that makes the record another one of those lost gems on Deram/Decca from the start of the 70s! It's always such a great surprise when we find a record like this – a moment when someone got a chance to really give things their all, and definitely did so – and even if the label never promoted the set, they certainly did the work to allow it to exist – setting Anderson up with help in the studio from Harry Beckett on flugelhorn, Mick Weaver and Peter Dines on organ, and Lyn Dobson on flute. Anderson handles most of the guitar and wrote all the tunes – and titles include "Grey Broken Morning", "Bright City", "Alice Mercy", "Shadows Cross My Wall", and "Nothing In This World". Features bonus tracks – the single b-side "Another Time Another Place" – and BBC Sounds Of The 70s recordings of "High Tide High Water", "Shadows Cross My Wall", "On A Ship To Nowhere", "Alice Mercy", and "To Whom It May Concern". CD

Partial matches53
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Eric Burdon & The AnimalsWhen I Was Young – The MGM Recordings 1967/1968 (Winds Of Change/Twain Shall Meet/Everyone Of Us/Love Is/bonus tracks) (5CD set) ... CD
MGM/Esoteric (UK), Late 60s. New Copy 5CD ... $39.99 55.99
A fantastic package of work from The Animals – all their great second chapter albums for MGM, offered up here with bonus tracks too! First up is Winds Of Change, presented in both stereo and mono mixes – one of The Animals' most psychedelic outings ever – and also a bit funky at times too! Production by Tom Wilson is really great – echoey at most moments, with a kind of "flash" and shimmer around the drums that really spaces things out, and almost gives a Velvets sort of feel to the proceedings. The group's bluesier roots are still in place at times – but these have also been tripped-out and abstracted too, in modes that are a few years ahead of other blues rock combos on the rise. Titles include "It's All Meat", "Winds Of Change", "Poem By The Sea", "Yes I Am Experienced", "Hotel Hell", "San Franciscan Nights", and "Man Woman". Next is Twain Shall Meet – a set that's not as tripped-out as some of their other late 60s work, and which almost starts to show Eric Burdon's rising love of soul and funk! The sound is still pretty rockish overall – but there's some great use of bass rumbling at the bottom – bringing up a rumbling quality that fits nicely with Burdon's somewhat bleak presentation of the lyrics at various points. Production by Tom Wilson almost has a raspy, lo-fi sort of feel – different than the bluesier roots of the group, and almost a precursor of indie work in decades to come! Titles include the classic "Sky Pilot", plus "Monterey", "Just The Thought", "Closer To The Truth", "No Self Pity", "Orange & Red Beams", and "We Love You Lil". Every One Of Us is a real gem from The Animals' overlooked late 60s years on MGM – a time when the group were easily making some of the most inventive music on the label! The styles here are even wider than before – definitely an attempt to showcase "every one of us" that made up the group – in a blend of spacey sounds, gentle folksy moments, and some of the rougher tones of previous MGM records. Many titles were written only by Burdon – a bit of a change from before – and showcase an increased use of acoustic guitar alongside his bleak vocals. Titles include "The Immigrant Lad", "Year Of The Guru", "Serenade To A Sweet Lady", "White Houses", "New York 1963/America 1968", and "Uppers & Downers". Next is Love Is – a fantastic double-length set from The Animals – recorded in LA in the late 60s, and with plenty of great Sunset Strip influences in the mix! The band here is different than before – with Zoot Money handling both organ and piano, plus a bit of vocals, and Andy Summers joining in on guitar – and production is by the group itself, who shake off some of the trippier styles of previous records, and almost go for a "live in studio" sort of sound! There's a confluence of styles here that's really great – some of the blues of the group's roots, bits of Eric Burdon's growing love of soul, and some fuzzier touches as well. Some tracks are quite long jams, and titles include "Gemini", "Madman", "As The Years Go Passing By", "To Love Somebody", and "I'm An Animal". Bonus tracks include "Monterey (mono single)", "White Houses (single stereo)", "Anything (single)", "Gratefully Dead", "Ain't That So", "When I was Young", "A Girl Named Sandoz", "River Deep Mountain High (single stereo)", and "Sky Pilot (parts 1 & 2)", CD

Partial matches54
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Ano Nobo QuartetStrings Of Sao Domingos ... CD
Ostinato (UK), 2022. New Copy ... $16.99 19.99
Beautiful sounds from Cabo Verde – served up by a group named after a famous composer on the island, and featuring three of his children working under the leadership of older guitarist/singer Pascoal, who'd studied with Ano Nobo before he passed away! The style of the music is wonderful – a woven tapestry of acoustic guitar lines with vocals, in a mode that has echoes of older Cuban music, but a style that's very much its own – recorded beautifully by the Ostinato label, an imprint we've really come to trust for faithful presentation of material like this. The package features very detailed notes on both Pascoal and the history of the music – and titles include "Mulatinha Vai", "Tio Bernar", "Lolinha", "Sociedad Di Mocindadi", "Badia Di Fora", and "Elefantes". CD

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AntoiniqueIntroducing Antoinique ... CD
X Records/Malaco, 2004. Used ... $6.99
An incredible debut from Antoinique – one of the freshest voices we've heard from the south in years! Of course, there's good reason for that – as Antoinique recorded the album at Larry Gold's studio in Philly, with some totally sweet production work from Nate Smith that really makes the set! Antoinique herself has a deeply soulful style of singing, and a very fresh and personal approach to songwriting – and Nate's production really pushes the whole album over the top – in a mellow blend of beats, keys, and strings – all handled at a level that we haven't heard since Jill Scott's first LP! The whole thing's great – an instant classic that will soon need no "introducing" – with titles that include "Blackwater", "Fell In Love", "Krazy", "Someday", "Blue", "Good Love", "Sweeter", "Firstname", and "Phenomenon". CD

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Neil Ardley, Norma Winstone, Ian Carr, & OthersMike Taylor Remembered (limited 180 gram vinyl) ... LP
Lantern Editions (Italy), 1973. New Copy ... $29.99 34.99
A beautiful tribute to the legendary British pianist Mike Taylor – recorded at the equally legendary Landsdowne studios in the early 70s, with contributions from some of Taylor's key contemporaries – and released here for the first time ever! Taylor was a rising star in the London scene of the 60s, but sadly passed away right at the end of the decade – leaving a great sense of loss and unfulfilled promise – part of which is addressed by the work on the set. All tracks are original compositions by Taylor – music penned back in the 60s, and given a more ambitious performance here by a large ensemble directed by Neil Ardley – and featuring Henry Lowther and Ian Carr on trumpets, Barbara Thompson and Ray Warleigh on reeds, Peter Lemer on piano and electric piano, Alan Branscombe on vibes, and Norma Winstone on vocals. There's strands here of some of the other high-concept large ensemble work from the UK in the same generation – echoes of Mike Westbrook or Mike Gibbs – but the style's also more personal too, with more of the spirit of some of Taylor's own small group recordings from his all-too-short career. Titles include "Summer Sounds Summer Sights", "Half Blue/Pendulum", "I See You", "Song Of Love", "Folk Dance No 2", "Jumping Off The Sun", "Black & White Raga", and "Timewind". LP, Vinyl record album

Partial matches57
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Cesar AscarrunzCesar 830 ... CD
Flying Dutchman/BGP (UK), 1975. New Copy ... $7.99 14.99
Lost Latin funk from the Bay Area scene of the 70s – and an album that may well blow away better-known work by groups like Malo, Azteca, or El Chicano! The album's near-perfect right from the start – and brings in plenty of New York elements to the groove, thanks to the inclusion of a heady amount of jazz alongside the soul, Latin, and funk elements in the grooves! The legendary Teo Macero produced and arranged – and really takes a lot of care in the studio to focus the overall energy of the tremendous talents on the record – players who include Hadley Caliman on flute and tenor, Steve Marcus on soprano sax, Benny Velarde on timbales, and Francisco Aguabella on congas – plus the trio of Cesar, Mark Levine, and Merl Sanders on keyboards. Most numbers have this really full, flowing groove – jazzy, but with a strong emphasis on the rhythms – and often touched with some great work on guitar that echoes the Santana-inspired sound of the generation, yet never in a rock way at all. Linda Tillery sings vocals on a few numbers, but the main focus is definitely instrumental – and the whole album's great – with cuts that include "See Saw Affair", "Azucar", "Descarga", "The Devil & Montezuma", "Gotta Get Away", and "Bridges". CD

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✨✧ Ashford & SimpsonPerformance ... LP
Warner, 1981. Very Good+ 2LP Gatefold ... Just Sold Out!
An expanded double-length set from Ashford & Simpson – one that features three sides of live material, plus some great studio work as well! The concert material makes up the core of the album – a really wonderful demonstration of the genius of Nick and Valerie away from the studio – still every bit as tight as on previous Warner albums, with perhaps an even more jaw-dropping appreciation of their talents – given the way they put things together on a stage! Things are nicely changed up – some cuts extended, some shortened, and the duo are clearly as great of live entertainers as they are in the studio – if we can judge from the crowd response. Live cuts include "Don't Cost You Nothing", "Landlord/Clouds/The Boss/Is It Still Good To Ya", "Love Don't Make It Right", "Bourgie Bourgie (inst)", "Nobody Knows", "You're All I Need/Ain't Nothing Like The Real Thing/Ain't No Mountain High Enough", and "It Seems To Hang On". Studio cuts are great too – and include "It Shows In The Eyes", "It's The Long Run", and "Come On Pretty Baby". LP, Vinyl record album
(Includes the printed inner sleeves. Cover has light wear.)

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AssociationComplete Warner Bros & Valiant Singles Collection ... CD
Warner/Now Sounds (UK), Late 60s/Early 70s. New Copy 2 CDs ... $16.99 24.99
Mindblowing music from The Association – a heady double-length package that features every single the group ever cut for the Valiant and Warner Brothers label – which together make for an amazing evolution in sound! Although best remembered for their few soft rock hits, The Association were a hell of a group who never stopped growing back in the 60s – from sublime folksy harmonies at the start, to more complicated baroque pop as years went on, to some psych elements, and even a return to rootsier sounds they never had in the first place – always delivered with qualities that were head and shoulders above most of their contemporaries – and perfectly put together in the best LA studio styles, with help from giants like Curt Boettcher, Gary Paxton, Bones Howe, and others. The group also became quite skilled in the studio themselves – as you'll hear in the book's copious notes and comments from members themselves – all a perfect package for a set that features 37 mighty tunes that include "Six Man Band", "Goodbye Columbus", "Like Always", "No Fair At All", "Standing Still", "Pandora's Golden Heebie Jeebies", "Looking Glass", "Birthday Morning", "Makes Me Cry", "PF Sloan", "Just About The Same", "Traveler's Guide", "I Am Up For Europe", "Hear In Here",a nd "Forty Times" – not to mention some bigger hits! CD

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Harvey Averne DozenViva Soul ... LP
Atlantic, 1968. Sealed ... $24.99
A wicked album of Latin Soul tunes – recorded by Harvey Averne, one of the heaviest hitting producers of the New York scene of the late 60s! The album's one of the few that Harvey issued under his own name, and it features him on piano and vibes, working with arrangements by Marty Sheller, and a tight batch of studio players who cook up the grooves in a classic Fania/Tico style! The album's got some very groovy originals – like "The Micro Mini", "You're No Good", "My Dream", and "You Mess My Mind Up" – plus some sweet little covers, like "The Think Drink Theme", "The Word", and "Wishing & Hoping" – all of which come off like some of Willie Bobo's best work of the time! LP, Vinyl record album
(Recent reissue pressing, still sealed. Shrinkwrap has a small hole in front.)

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✨✧ David AxelrodSeriously Deep ... CD
Polygram/Dusty Groove, 1975. Used ... $3.99
An amazing slice of music from the legendary David Axelrod – quite different than his better-known sides for Capitol and Reprise Records – and plenty darn funky overall! Axelrod is at his studio best here – stepping off the funky jazz modes he produced for Cannonball Adderley, and taking a shot at that territory on his own! In a reversal of modes, Cannonball actually handles the production – with help from Jimmy Bowen – which leaves Axelrod alone to compose, arrange, and direct the group on the set. The album's got a fair bit of electricity in the mix – heavy keyboards from Joe Sample, and some really fuzzy guitars – plus lots of choppy reed work from Joe Sample and Ernie Watts, all wrapped up with some monstrously funky drums from Ndugu Chancler. There's a very bottom-heavy groove to the record – one that makes for a few completely amazing breaks, and a very funky sound overall – and Axelrod does an amazing job of controlling the players here – so that nobody jams too much, and the grooves are always right on the money! The whole thing's great – a sublime symphony of instrumental funk all the way through – and titles include "Reverie", "Miles Away", "Go For It", "Ken Russell", "1000 Rads", and "One". First time ever on CD – a seminal reissue from Dusty Groove! CD
(Out of print.)

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Albert AylerCopenhagen Tapes ... CD
Ayler (Sweden), 1964. Used ... $14.99
Early material by Albert Ayler – from the all-important year of 1964, recorded in Denmark with a quartet that includes Don Cherry on trumpet, Gary Peacock on bass, and Sunny Murray on drums. The tunes were recorded live at Club Montmartre and in the studio for Danish Radio – and they've got a bracing feel that's in keeping with the best of Ayler's pre-ESP work – particularly that on the Spirits album. Titles include "Children", "Mothers", "Saints", "Vibrations" – and in typical Ayler fashion from the time, there's more than a few tunes on the album titled the same! CD

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Alice BabsAlice Babs Meets Erwin Lehn ... CD
Jazz Haus (Germany), Early 50s. Used ... $9.99
Early work from Swedish jazz singer Alice Babs – and a set of recordings that feature the vocalist in the wonderful company of leader/arranger Erwin Lehn! Lehn's got a really fantastic sense of color – which we know most famously from his album on MPS – and that approach works great magic here with Alice, who's in a very jazz-based approach (unlike some of her more pop recordings of the 50s), and who brings in these great inflections that really match the spirit of the larger ensemble! The set brings together rare recordings from the years 1952, 1953, and 1955 – all studio recordings done with Lehn's group – on titles that include the great "Opus In Scat", plus "Tack Tack Tack", "Bluer Than Blue", "No Words Blues", "Rainbow Street", "Regutunga Skyar", "Zing A Little Zong", and "Un Petit Air Un Peau Faux". CD
(Still sealed.)

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✨✧ Erykah BaduBut You Caint Use My Phone ... LP
Motown, 2016. Near Mint- ... Just Sold Out!
A really great project from Erykah Badu – a set that's quite spare compared to the fuller sound and energy of her New Amerykah records – done in a bedroom studio in Dallas with producer Zach Witness! The music is lean and stripped-down – hip hop-influenced soul, but almost at a level that has Badu playing with more popular modes of the time – showing that she can do them better than most, but always with this sense of sophistication that draws on all the other sounds she's given us over the years! Badu released the set direct to digital as a mixtape, but it's a fantastic standalone album project on its own – with titles that include "U Use To Call Me", "Cel U Lar Device", "Hi", "Phone Down", "What's Yo Phone Number", "I'll Call U Back", and "Mr Telephone Man". LP, Vinyl record album
(Clear vinyl pressing. Includes the printed inner sleeve.)

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Chet BakerChet Baker Sings ... CD
Pacific Jazz, 1954. Used ... $5.99
Maybe one of the greatest albums of Chet Baker vocal material you could ever hope to buy – a fantastic testament of the young talent at the top of his game – effortlessly moving between well-conceived trumpet solos and those fantastic vocals that were unlike any other singer at the time! Half the album was recorded live, the other half in the studio, but there's a very unified vibe to the whole thing – and the great Russ Freeman plays piano on both tracks, and a bit of celeste at a few points too. Titles include "That Old Feeling", "Look For The Silver Lining", "There Will Be Another You", "I Fall In Love Too Easily", "My Buddy", "My Funny Valentine", and "I Get Along Without You Very Well". Every track is great, and these are the original vocal recordings that put Chet on the map! CD

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Chet BakerChet Baker Sings Italian Songs EP ... LP
RCA/Mono Jazz (Italy), 1962. New Copy Gatefold ... $29.99 34.99
A really unique package – one that offers up a full 12" presentation of four tracks that Chet Baker originally released in Italy as 7" singles – very obscure material done at a time when Baker had fled the west coast scene in which he started! The material is equally interesting for the presence of Ennio Morricone – working here a few years before his soundtrack fame, but already a master in the studio – blending light orchestrations and very light voices in a way that still has Baker upfront in the mix throughout – standing unadorned, and a level that's surprisingly powerful, given the Italian language of the songs. Chet's voice is wonderful – more mature than on his 50s sides, and not yet with the broken-down quality of later years – completely sublime on the cuts "Il Mio Domani", "Chetty's Lullaby", "So Che Ti Perdero", and "Motivo Su Raggio Di Luna". LP, Vinyl record album
(Hand-numbered limited edition of 500 copies!)

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BandRock Of Ages – The Band In Concert ... LP
Capitol, 1972. Near Mint- 2LP Gatefold ... Just Sold Out!
The Band's epic double live album from '72, when they were at their peak – arguably a more exciting listening experience than even their best studio albums, which they always (wisely) considered a different universe then the live stage. Ever ambitious, The Band commissioned Allen Toussaint, one of their heroes to compose some horn arrangements, which indeed sound great – and the band is in such great form here – they're an unbelievably tight unit, but it never sounds slick or manicured. Perfection! Includes "Don't Do It", "King Harvest", "Caledonia Mission", "Get Up Jake", "Stage Fright", "The Night They Drove Old Dixie Down", "This Wheel's On Fire", "The Weight", "Life Is A Carnival" and more. LP, Vinyl record album
(Original red label pressing with Sterling stamp/RL etch in the tri-fold cover, with minimal surface wear and light edge wear.)

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✨✧ Darrell BanksI'm The One Who Loves You – The Complete Volt Recordings (Here To Stay/bonus tracks) ... CD
Volt/Kent (UK), Late 60s. New Copy ... $9.99 18.99
An incredible package from the great Darrell Banks – a set that brings together his sublime Stax Records album, plus lots of rare bonus tracks too! The core record – Here To Stay – is incredible work from the great Banks – one of the few albums this genius Detroit soul singer cut before his untimely early death! Darrell's got a raw sound and a way with a groove that makes him a perfect choice for late 60s Stax/Volt Records – and he works here with Detroit studio genius Don Davis – who really knows how to mix the rough and the smooth in a perfect way – very different than both the usual Memphis or Detroit soul of the time! Tracks are very well-written – each one's a total lost nugget – and the arrangements have this punch that works perfectly with Banks' tremendous vocals. Titles include "I Could Never Hate Her", "My Love is Reserved", "No One Blinder", "Just Because Your Love Is Gone", and "We'll Get Over". CD then includes a wealth of bonus tracks – some previously unissued – including "Love Is Not An Easy Thing (demo)", "Mama Give Me Some Water (demo)", "Love Why Have You Forsaken Me (demo)", "Just Because Your Love Is Gone (single version)", "No One Blinder (single version)", and "Beautiful Feeling (single version)". CD

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Joe BataanCall My Name (180 gram pressing) ... LP
Vampi Soul (Spain), 2005. New Copy ... $26.99 27.99
Joe Bataan is alive and well – and to our ears, the king of Latin Soul is sounding better than he has in decades! This tasty little set really takes us back to Joe's classic work for Fania – but it's also got a slightly different twist – one that shows a new younger appreciation of the funk side of Joe's work that wasn't always able to come to the forefront in earlier years. Joe recorded the album at the Daptone Studios in New York – so the sound of the set is spot-on all the way through – perfectly recorded to bring out the soul in Joe's music, and handled with some great touches that make the instrumentation as wonderful as Joe's classic-styled vocals! And even more than that, there's also a heck of great new songs on the set – tunes that follow very strongly in the spirit of Joe's older classics, but which have a freshness that makes the album a totally essential part of Joe's catalog. Titles include "Chevere Que Chevere", "Keep The Change", "Call My Name", "Chick A Boom", "I'm The Fool (parts 1 & 2)", "Cycles Of You", "Secret Girl My Superfraud", and "Ernestine". LP, Vinyl record album

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✨✧ Beach BoysBeach Boys' Party ... LP
Capitol, 1965. Very Good+ Gatefold ... $7.99
A really cool little album from the Beach Boys – a set that definitely takes its "party" title seriously, in a way that has the group singing in a somewhat live and spontaneous manner! There's sort of a "live in studio" feel here – with production that's less polished than on other records, and instrumentation that's heavy on acoustic guitar and percussion – almost like the group are hanging out at the beach, riffing on some of their favorite tunes. The album features the group's famous take on "Barbara Ann" – plus versions of a number of other 60s classics, like "The Times They Are A Changin", "Papa Oom Mow Mow", "Mountain Of Love", "You've Got To Hide Your Love Away", "Devoted To You", "Alley Oop", and "I Should Have Known Better". LP, Vinyl record album
(Rainbow label mono pressing. Cover has light wear.)

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BeatlesAnthology 1 ... CD
Apple, Late 50s/Early 60s. Used 2CD ... $3.99
A crucial collection that came out in the 90s, to reveal some great overlooked snippets from the early years of The Beatles! Includes the previously-unreleased "Free As A Bird" – plus 57 more tracks from the early years, including some unusual demos, alternates, and even some spoken bits in the studio! CD

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BeatlesNot Guilty ... CD
Condor, Mid/Late 60s. Used ... $14.99
Another great set of studio outtakes and alternate versions of tracks that include "Norwegian Wood", "Hello, Goodbye", "A Day In The Life", "Lady Madonna", three takes including an instrumental version of "Paperback Writer", "Penny Lane", and "If You've Got Trouble". CD

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George BensonSpace ... LP
CTI, 1978. Near Mint- Gatefold ... $6.99
An unusual assortment of work from the great George Benson – pulled together from other sessions for CTI Records – featuring one studio track, and four more live numbers! The studio tune is George's take on the Stax Records classic "Hold On I'm Coming" – which Benson sings with almost as much vocal intensity on his own as Sam & Dave brought to the original – followed by a tight solo that really matches the funky 70s vibe of the arrangements. Next are four more tracks from the Carnegie Hall sessions – one of his hardest-hitting albums of the time! In a way, the record returns George to his early years at CTI – particularly the album Beyond The Blue Horizon – as the set's got a stripped down smaller group, working in a tight blend of electric jazzy bits that's very nice! Ronnie Foster lays down some great keyboards on the set, Hubert Laws is on flute, and George himself plays a hollow body with a nice soulful tone – stretching out on some straight jazz on most cuts, but also hitting a few of his smoother notes from the mid 70s. Titles include "Sky Dive", "Octane", "Summertime", and "Gone". LP, Vinyl record album
(Cover has light wear, but looks great overall.)

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Doris Berger & Rhea L Combs, edsRegeneration – Black Cinema 1895 to 1971 (hardcover) ... Book
Delmonico, 2022. New Copy ... $39.99 49.95
An incredible book put together with the Academy of Motion Pictures film museum – and one that's much richer than anything you'd expect to find in the gift shop! The book is a beautiful balance of academic writing, history, and countless images – with an initial set of essays on black cinema, done by the editors – followed by specific case studies on black home movies, Hattie McDaniel, Josephine Baker, Spectatorship & The Black Press, James Baldwin, and William Greaves – and all sections are lavishly illustrated with posters, photographs, film stills, and other items that we'd never see otherwise. The book continues with interviews with directors who include Julie Dash, Barry Jenkins, and Charles Burnett; includes a long filmography of black independent films, a chronology of key moments in black cinema from 1895 to 1971; and has a selection of portraits of famous stars as well. The hardcover book is full color throughout, very heavy, oversized, and over 300 pages. Book

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✨✧ Karl BergerMusic Mind Experience ... Book
Wolke Verlag (Germany), 2022. New Copy ... $32.99 39.99
Most folks know Karl Berger as a key figure in avant jazz – a pianist, vibist, composer, and key part of the Creative Music Studio – all aspects of his life he's approached with a strongly spiritual sensibility – one that gets much more deeply extracted here in this book! Berger uses the volume as a mix of musical and personal philosophy – partly through his own writings, partly through conversations with improvising trombonist Rick Maurer – who acts as something of a guide to the process, bringing up new topics, or urging Berger to go deeper at certain points that require a bit of explanation. Throughout, Berger's a surprisingly thoughtful figure – as is Maurer – and together, they really illuminate the special role that music can have in everyday life – one that's perhaps known to most of us, but never as well articulated as within. Softcover edition is 168 pages, with some black and white images. Book

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Andy BeyTuesdays In Chinatown ... CD
12th Street/Warlock, 2001. Used ... $4.99
One of our favorite moments from that great Andy Bey comeback in his later years – a time when the singer returned to recording after too much time away from the studio – and with a rich quality that offers a maturing version of the music he gave us in the 60s and 70s! At some level, Bey is a straighter jazz singer here – but he's also blessed with one of the most distinct vocal styles of anyone we can think of, and flows over the tunes with a majesty that's maybe only rivaled by Jon Lucien on his seminal recordings for RCA. The group is full of excellent players – Steve Turren on trombone, Marty Erlich on flute and bass clarinet, Peter Washington on bass, and Victor Lewis on drums – plus piano from Andy himself. Titles include a great version of the Milton Nascimento tune "Bridges" – plus "Fragile", "I'll Remember April", "Tuesdays In Chinatown", "Feelin Low Down", "In A Mist", and "Saidas E Bandeiras". CD
(Out of print.)

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✨✧ Big MaybelleSaga Of The Good Life & Hard Times (LP sleeve edition) ... CD
Rojac/Traffic, 1967. New Copy ... $7.99 16.98
A great set that may well be Big Maybelle's best record ever – really rare work that's quite different than her famous work of the 50s! The set was recorded in the Criteria studios in Miami – and it's got a cool southern soul sound that's part Bobby Blue Bland bluesy soul, and part Muscle Shoals funk – fused together wonderfully by arranger Eric Knight – who really has a great ear for giving Maybelle a wicked new groove! Maybelle's vocals are a bit deeper than usual – much more soul than the blues of a decade before – and tracks include "This Bitter Earth", "How It Lies", "Old Love Never Dies", "My Mother's Eyes", and "Love Careless Love". CD
(In a very cool Japanese-styled, LP-like cardboard sleeve cover!)

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✨✧ BlackbyrdsWalking In Rhythm – The Essential Selection 1973 to 1980 ... CD
Fantasy/Decision, 1970s. New Copy 2 CDs ... $6.99 17.98
Some of the sharpest, jazziest funk you'll ever hope to hear – a smoking collection of the legendary 70s work by The Blackbyrds on Fantasy Records! The group started as a jazz combo under Donald Byrd's supervision – right at a time when Byrd was making his own fantastic funky records in the 70s – but working for the Bay Area Fantasy label, they really took off into an amazing groove that was all their own – still informed by jazz, but free to open up to lots of funk and soul elements too – sometimes with vocals in the lead, sometimes more focus on the kinds of solos that always set them apart from all their contemporaries! The cuts have some wonderful keyboard work from a young Kevin Toney – who's gone onto a lot of fame over the years – and production on all cuts is either by Larry Mizell, Donald Byrd, or George Duke – key 70s jazz funk forces who keep things mighty tight in the studio! The package features work from all Blackbyrds albums of the 70s – including the Cornbread Earl & Me soundtrack, and the Night Grooves remix set – and the package features 25 titles that include "Enter In", "Party Land", "Do It Fluid", "Gut Level", "Summer Love", "I Need You", "The Baby", "Blackbyrds' Theme", "City Life", "Rock Creek Park", "Walking In Rhythm", "A Hot Day Today", "Wilford's Gone", "One Gun Salute", "Supernatural Feeling", "Mysterious Vibes", and "Soft & Easy". CD

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Tia BlakeFolk Songs & Ballads ... LP
Ici Bientot (France), 1971. New Copy (reissue)... $28.99 32.99
A rare treasure from the French scene of the early 70s – the debut of young singer Tia Blake – an Amercian artist who was living in Paris at the time of the record, and got a chance to cut this beautiful set in the legendary Saravah Studios! The sound is very lean and stripped-down – and although the record's got "folk" in the title, the approach here is much more modern – informed by the new experiments of artists like Joni Mitchell, Vashti Bunyan, and some of the hipper talents of the British scene – so that Tia's got a lot of jazz-influenced phrasing in her vocals – which are completely fantastic, and grip the listener right from the very first note. There's a darkness to Tia's approach – almost the moodiness of Nico at times – and even the familiar tunes are transformed, in part because of the added guitars and flute that join Blake on different tracks. Titles include "Turtle Dove", "Rising Of The Moon", "Hangman", "Jane Jane", "Single Girl", "Black Is The Color", and "Jesus". LP, Vinyl record album

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Mary J BligeWhat's The 411? ... CD
Uptown/MCA, 1992. Used ... $4.99
The landmark debut of Mary J Blige – a record that not only did a great job of blending underground hip hop and mainstream soul sensibilities – but maybe also opened the door for the Neo Soul revolution to come! Mary comes on here with a fresh new vision in female soul – one that's informed by the youth and upfront energy of the hip hop female MCs that preceded her – but with a depth that also makes Blige sort of the new Aretha Franklin for the end of the century – a deep soul singer, but one who's equally at home in the streets and the studio. Important production is by a young Sean Combs – some of his first great work on record – and the set also features guest appearances from Busta Rhymes, Little Shawn, Grand Puba, Erick Sermon, and CL Smooth. Titles include "Real Love", "Sweet Thing", "Love No Limit", "You Remind Me", "Reminisce", "What's The 411", "I Don't Want To Do Anything", "Changes I've Been Going Through", "Slow Down", and "My Love". CD
(BMG Direct pressing.)

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BloodstoneTrain Ride To Hollywood – Original Soundtrack ... LP
London, 1975. Near Mint- Gatefold ... $9.99
Bloodstone's augmented here by a heck of a lot of studio players – more than enough to fill out the needs of the soundtrack to this so-so film from the mid 70s. A few cuts still have the group singing in their better harmony style, but more than a few numbers are remakes of 50s vocal group classics or older standards – in a mode that clearly shows that Bloodstone's control over the score was maybe not as strong as that of other groups working on soundtracks at the time. Titles include "Yakety Yak", "Hooray For Romance", "Go To Sleep", "I'm In Shape", and "Money". LP, Vinyl record album
(Includes the printed inner sleeve. Cover has a cutout hole, light wear, and a promo sticker.)

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Blue Reality Quartet (McPhee/Marcus/Rosen/Smith)Ella's Island ... CD
Mahakala, 2022. New Copy ... $11.99 15.99
The second meeting of this great combo in the studio – an open, thoughtful performance from a group that features Warren Smith on vibes, Joe McPhee on tenor, Jay Rosen on drums, and Michael Marcus on a variety of reeds! The set often seems perfectly balanced between the personalities of the members of the quartet – but somehow, Smith's vibes really seem to have this sense of place and importance on the record – tonally subtle when things are quiet, and surprisingly powerful when the reeds take off! Titles include "Buttercup", "This Here Ain't Nothin But The Blues", "Wis Vibrations", "Ella's Island", "Never Ending Worlds", "Mindfields In Opulence", and "Ethereal Spirits Divine". CD

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Hamiet BluiettBearer Of The Holy Flame ... CD
Black Fire/Strut, 1983. New Copy ... $15.99 16.99
A great set from saxophonist Hamiet Bluiett – almost back to his roots in the St Louis underground scene, as the album's a live recording of long spiritual jazz tracks, arguably a lot more compelling than most of Bluiett's studio work from the time! The album was recorded at Sweet Basil in 1983 – with a group that features John Hicks on piano, Fred Hopkins on bass, Marvin Smitty Smith on drums, and Chief Bey playing some extra African percussion. Bluiett's tone is wonderful – deep and round, but also raspy, almost in the manner of Pharoah Sanders – and the group plays an incredible version of Wayne Shorter's "Footprints", a nice take on Curtis Lundy's "Gumbo", and the cuts "Song Song", "Ebu", and "Headless Blues". CD

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BlundettoGood Good Things ... CD
Heavenly Sweetness (France), 2020. Used ... $4.99 8.99
The title might seem familiar – given that Blundetto's first album was called Bad Bad Things – but this record really shows a strong evolution of his sound over the ten years since that release – the shifting sense of sound between hip hop, global roots, and more dynamic elements – sounding even better here than on any previous records! Blundetto works with production help from Blackjoy – in a mode that might have been born in hip hop studio techniques, but which here has much more of a French post-colonial vibe – wrapping together different global elements, soulful expressions, and jazzy flourishes with effortless ease – into a style that's completely his own overall. Titles include "Fly High", "Pais Azucar", "Barcelona", "Sunday In The Club", "Feel The Cold", "Bingi", "Menina Mulher Da Pele Preta", "Antiguas", and "Mo'Dinero". CD

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Bob & GeneIf This World Were Mine ... CD
Modo/Daptone, Late 60s. Used ... $8.99
A previously-unreleased sweet soul treasure – now finally getting its due! Bob & Gene were an obscure duo from Buffalo at the end of the 60s – recording briefly together under the guidance of Bob's father, who recorded the young pair in his home studio with the help of some great funk and soul musicians from the local scene – with a sound that's fresh, fragile, and deeply personal. Many numbers have a slow, sad quality that's right up there with some of the best harmony soul of the time – a wispy late nite kind of sound that's captured perfectly here, with just the right balance of roughness and sweet. Other numbers get a bit more upbeat, and almost a bit funky – showing the pair to have a bit more punch than some of their contemporaries, and a sometimes sunny sound that really sparkles amidst the darkness. Most of the work here was recorded in the late 60s, but never released – making this the first-ever album by the group. And as a bonus note of trivia, Bob here is none other than Bobby Nunn – who went onto record under his own name, and did a lot of great work in the LA scene of the 70s! Titles include "Gotta Find A Way", "Your Name", "It Won't Go", "I Can Be Cool", "Sailboat", "Interlude", "Which Love", "Don't Leave Me Girl", "You Gave Me Love", and a great cover of "If This World Were Mine". CD

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Booker T & The MGsGreen Onions ... CD
Stax, 1962. New Copy ... $13.99 14.99 On February 24, 2023
A legendary album of Memphis soul – and a full length set that helped redefine the sound of instrumental music in the 60s! The record's a monumental follow-up to Booker T & The MGs' huge hit single "Green Onions" – an extremely seductive organ-based instrumental that the band cooked up while just messing around in the studio – and it's filled with other organ-heavy grooves played by this tight Memphis quartet – a group who were just starting out at this point, but already had a sound that's unlike anyone else! The work of Booker T is especially nice – Hammond with a bit more punch than other combos of this nature – backed by some wicked guitar from Steve Cropper, bass from Lewis Steinberg, and drums from Al Jackson. The set features a nice mix of covers and original tunes – with titles that include "Green Onions", "I Got A Woman", "Twist & Shout", "Lonely Avenue", "Comin Home Baby", "Mo Onions", "Behave Yourself", and "Rinky Dink". CD
This item will not be delivered to you before Friday, February 24.

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Booker T & The MGsGreen Onions ... LP
Stax, 1962. New Copy (reissue)... $24.99 On February 24, 2023
A legendary album of Memphis soul – and a full length set that helped redefine the sound of instrumental music in the 60s! The record's a monumental follow-up to Booker T & The MGs' huge hit single "Green Onions" – an extremely seductive organ-based instrumental that the band cooked up while just messing around in the studio – and it's filled with other organ-heavy grooves played by this tight Memphis quartet – a group who were just starting out at this point, but already had a sound that's unlike anyone else! The work of Booker T is especially nice – Hammond with a bit more punch than other combos of this nature – backed by some wicked guitar from Steve Cropper, bass from Lewis Steinberg, and drums from Al Jackson. The set features a nice mix of covers and original tunes – with titles that include "Green Onions", "I Got A Woman", "Twist & Shout", "Lonely Avenue", "Comin Home Baby", "Mo Onions", "Behave Yourself", and "Rinky Dink". LP, Vinyl record album
This item will not be delivered to you before Friday, February 24.

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Ken BootheCrying Over You – Anthology 1963 to 1978 ... CD
Trojan (UK), 1960s/1970s. Used 2 CDs ... $14.99
Like many other great Jamaican vocalists, Ken Boothe got his start with Coxsonne Dodd, then went on and continued his success under a number of other producers. Boothe's career was long and had him working with a variety of great producers, like Sonia Pottinger & Lloyd Charmers, and this 2CD set covers a nice chunk, starting when he left Studio One. There's some awesome rocksteady an early reggae as well some heavier cuts from a little later in the 70s, all with Boothe's magnificent soulful inflection throughout. Check for "The One I Love", "Why Baby Why", "Tears From Your Eyes", "Look What You've Done", "Is It Because I'm Black", "Everything I Own", "Crying Over You" & "Who Gets Your Love". 49 cuts in all! CD

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CD, LP, Vinyl record album cover art
✨✧ David BowieYoung Americans ... LP
RCA, 1975. Very Good+ ... $29.99
A brilliant soul album! That's right, we said SOUL album! Bowie was at the height of his Ziggy Stardust fame when this one was recorded – a drastic left-turn in styles, forged during a point in his American tour when he could take a break, head to Philly, plug in at the Sigma Sound Studios, and come up with some fantastic little soul tunes, thanks to help from Luther Vandross! The album sparkles with the best sound of Luther's early work – and you'll hear more than a bit of Luther's work on his own, and his tunes with Gregg Diamond on the set. Features the sublime tracks "Win", "Fascination", "Right", "Somebody Up There Likes Me", and "Can You Hear Me" – as well as the hits "Young Americans" and "Fame". LP, Vinyl record album
(Orange label pressing in the textured cover. Includes the printed inner sleeve. Cover has light edge wear.)

Partial matches90
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Box TopsLetter/Cry Like A Baby/Non Stop/Dimensions (plus bonus tracks) ... CD
Bell/BGO (UK), Late 60s. New Copy 2CD ... $14.99 19.99
Four full albums from the Box Tops, plus bonus tracks too! First up is The Letter/Neon Rainbow – a powerhouse set from The Box Tops – a 60s group who showed the world that the Memphis scene had as much to offer the world of rock as it did the worlds of blues and soul – thanks to the all-great pedigree of this album! Not only does the group feature a very young Alex Chilton on lead vocals, the set was also recorded at the new American Recording Studios headed up by Chips Moman – with tracks on the record from the classic soul songwriting team of Dan Penn and Spooner Oldham, not to mention a few by the young Bobby Womack too! The bit hit "The Letter" leads off the set, but the album's way more than just that it – filled with great tunes that include "I Pray For Rain", "I'm Your Puppet", "Happy Times", "Neon Rainbow", "Break My Mind", "She Knows How", and "Everything I Am". Cry Like A Baby is a fantastic album from The Box Tops – the kind of all-great, no-filler record that really set them apart from some of their 60s contemporaries! At this point, Alex Chilton's still not a songwriter, but he sounds tremendous in the lead on vocals – working with superb Memphis production, amidst a host of great tunes from the team of Dan Penn and Spooner Oldham, plus a few other key songwriters too! Penn produced the record, and really gives it a fantastic sound – the kind of special touches and genre-bending elements of his own later records – on titles that include "Deep In Kentucky", "Cry Like A Baby", "Trouble With Sam", "The Door You Closed To Me", "Lost", "Fields Of Clover", and "Every Time". Non Stop is beautiful work from The Box Tops – a set that has the group moving way past their early hits, and finding this really sort of special place in the world of up-and-coming artists in the 60s! The Box Tops were maybe one of the first Memphis rock groups to really put together all the great elements that were bubbling in that city's scene during the 60s – the unique hybrid of soul, country, R&B, and other influences that were filtering into groups via the cross-cultural vibe of the city. That quality really comes through here – partly in the group's performance and the lead vocals of Alex Chilton, partly in the great production by Dann Penn, who also wrote a number of tracks with Spooner Oldham, and partly in the way that fuller arrangements are used to underscore some more soulful touches in the music. Titles include "Sandman", "Choo Choo Train", "I'm Movin On", "People Gonna Talk", "She Shot A Hole In My Soul", "I Met Her In Church", "I Can Dig It", and "If I Had Let You In". Dimensions is maybe one of the most soulful albums by The Box Tops – and that's saying a heck of a lot, as there's plenty of other soul elements moving through the other records! Alex Chilton's really finding his own here, and contributes a number of his own songs to the record, as a harbinger of his great legacy to come – and the production is slightly shifted, with Tommy Cogbill and Chips Moman taking over from Dan Penn, and maybe bringing in even more elements from the wide crossover between rock and soul on the Memphis scene. Titles include "I See Only Sunshine", "Together", "The Happy Song", "Rock Me Baby", "Sweet Cream Ladies", "I Must Be The Devil", "Midnight Angel", and "Soul Deep". Bonus cuts include "Since I Been Gone", "Lay Your Smile On Me", "King's Highway", "Take Me To Your Heart", "Georgia Farm Boy", "Come On Honey", and "You Keep Tightening Up On Me". CD

Partial matches91
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David Boykin & Expanse All StarsExpanse All Stars – Solar Suite At 63rd Street Beach ... CD
Sonic Healing Ministries, 2020. New Copy ... $6.99 8.99
A great reworking of the extended Solar Suite by Chicago saxophonist David Boykin – issued many years back in a studio version, and presented here in a bold new take done at the same 63rd Street Beach House that used to host performances by Phil Cohran & The Artistic Heritage Ensemble! Boykin is tremendous here as a key soloist – and the group is led by Renee Baker as part of the Chicago Modern Orchestra Project – although the ensemble here is just a septet, with work from Joshua Abrams on bass, Jim Baker on keyboards, Alex Wing on guitar, Tony Herrera on trombone, Quentin Coaxum on trumpet, and Marcus Evans on drums! The set's worth it alone for Boykin's wonderful tenor work, but the whole group is fantastic as well – soaring up with a mighty spirit that lives up the legacy of the storied space of the recording – on titles that include "Midnight & Sunrise", "Midday", "Sunset", and "Enocturnal Sun". CD
(CDR release – direct from the artist!)

Partial matches92
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BreadBaby I'm A-Want You/Guitar Man ... CD
Elektra/Wounded Bird, 1972. New Copy ... $11.99 14.99
A pair of classics from Bread – both pulled from a stretch that was a mighty big time for the group! First up is Baby I'm A Want You – a soft rock masterpiece from Bread – the kind of standard-setting album that made them one of the real giants of pop music at the start of the 70s! The title cut here is a perennial favorite that's had a surprisingly long run over the years – a heartfelt ode to male desire – balanced out here by some equally well-crafted tunes by David Gates and the rest of the group. Gates trades lead vocals with James Griffin from track to track – and as usual, the real charms of the group come when the pair are harmonizing together – set to these really lovely arrangements that definitely bring the soft into soft rock. Larry Knechtel adds in a few of the stronger studio instrumental touches – and titles include "Baby I'm A Want You", "Mother Freedom", "This Isn't What The Government", "Dream Lady", "Games Of Magic", and "Everything I Own". On the cover of Guitar Man, Bread have a somewhat fuzzy look – but that approach is a perfect indication of the warmer, softer sound that makes Bread such soft rock giants from the time! Case in point is the beautiful "Guitar Man" title track of the set – a record that definitely has some nice guitar lines, but all a bit back in the mix, so that the warm lead vocals drift in amidst these easygoing arrangements that fit perfectly with the groove – as do most of the other elements in the set – furthering the genius arranger/producer talents of the mighty David Gates! Other titles include "Make It By Yourself", "Picture In Your Mind", "Don't Tell Me No", "Didn't Even Know Her Name", "Welcome To The Music", and "Fancy Dancer". CD

Partial matches93
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✨✧ Bob BrookmeyerBob Brookmeyer & Friends ... LP
Columbia, 1965. Near Mint- ... Just Sold Out!
Sound, space, tone, and color – a tremendous effort from trombonist Bob Brookmeyer, and a record with a really unique feel! The album features a wonderful group that includes Brookmeyer on valve trombone, Stan Getz on tenor, Gary Burton on vibes, Herbie Hancock on piano, Ron Carter on bass, and Elvin Jones on drums – all coming together in a way that's extremely equally-weighted – with less of Brookmeyer as the leader, than as a warm friend, gathering together a few key players in the studio. Given that Getz worked with Brookmeyer back in the early 50s, and had Burton in his group at the time, the album's always a link between both sides of a decade in Stan's career – but with the presence of the modernists on the rhythm team, there's a sound here that's much more unique – one that has a place for Stan's wonderful tone, and Brookmeyer's airy phrasing – but which also drives along in a rhythmically pulsing mode that almost puts Burton's vibes at the top of the set on some numbers. There's a change in mood from tune to tune that gives the record a remarkable depth, but without sounding schizophrenic – and titles include "Bracket", " Wrinkle Time", "Jive Hoot", "Skylark", "Sometime Ago", and "Who Cares". LP, Vinyl record album
(Japanese pressing, with obi, still in shrink – 20AP 1440.)
Also available Bob Brookmeyer & Friends (expanded edition) ... CD 6.99

Partial matches94
CD, LP, Vinyl record album cover art
Bob BrookmeyerBob Brookmeyer & Friends (expanded edition) ... CD
Columbia/Legacy, 1965. Used ... $6.99
Sound, space, tone, and color – a tremendous effort from trombonist Bob Brookmeyer, and a record with a really unique feel! The album features a wonderful group that includes Brookmeyer on valve trombone, Stan Getz on tenor, Gary Burton on vibes, Herbie Hancock on piano, Ron Carter on bass, and Elvin Jones on drums – all coming together in a way that's extremely equally-weighted – with less of Brookmeyer as the leader, than as a warm friend, gathering together a few key players in the studio. Given that Getz worked with Brookmeyer back in the early 50s, and had Burton in his group at the time, the album's always a link between both sides of a decade in Stan's career – but with the presence of the modernists on the rhythm team, there's a sound here that's much more unique – one that has a place for Stan's wonderful tone, and Brookmeyer's airy phrasing – but which also drives along in a rhythmically pulsing mode that almost puts Burton's vibes at the top of the set on some numbers. There's a change in mood from tune to tune that gives the record a remarkable depth, but without sounding schizophrenic – and titles include "Bracket", "The Wrinkle", "Jive Hoot", "Skylark", "Sometime Ago", and "Who Cares". CD also features 3 previously unissued bonus tunes from the sessions – "Time For Two", "Pretty Girl", and "Day Dream" – the last of which features vocals by Tony Bennett! CD
(2005 CD pressing.)

Partial matches95
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Peter Brotzmann Chicago TentetAmerican Landscape 1 ... CD
Okka Disk, 2006. New Copy ... $9.99 13.99
Peter Brotzmann's on clarinet this time around, and working here in an extended studio piece with his Chicago Tentet combo – one of his greatest groups of later years, featuring both Mats Gustafsson and Ken Vandermark on reeds, as well as Joe McPhee on both trumpet and alto sax! The work builds slowly, almost tentatively – the fills in strongly as the piece goes on – with a sound that's almost like the Jazz Composers Orchestra style at the end of the 60s, but not as dynamic overall. The reeds are almost strongest in shaping the tune – although other contributions include trombone from Hannes Bauer, tuba from Per Ake Holmlander, and cello from Fred Lonberg-Holm. CD 1 features the first part of the work – which is quite long, and stands strongly as an album on its own! CD

Partial matches96
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Peter Brotzmann Chicago TentetAmerican Landscape 2 ... CD
Okka Disk, 2006. New Copy ... $9.99 13.99
Peter Brotzmann's on clarinet this time around, and working here in an extended studio piece with his Chicago Tentet combo – one of his greatest groups of later years, featuring both Mats Gustafsson and Ken Vandermark on reeds, as well as Joe McPhee on both trumpet and alto sax! The work builds slowly, almost tentatively – the fills in strongly as the piece goes on – with a sound that's almost like the Jazz Composers Orchestra style at the end of the 60s, but not as dynamic overall. The reeds are almost strongest in shaping the tune – although other contributions include trombone from Hannes Bauer, tuba from Per Ake Holmlander, and cello from Fred Lonberg-Holm. CD 2 features the second half of the work – returned to a tentative beginning, then stepping out more strongly as things move on! CD

Partial matches97
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✨✧ Clifford BrownClifford Brown All-Stars (aka Caravan) ... CD
EmArcy, 1954. Used ... Just Sold Out!
A key slice of Clifford Brown from the 50s – two long tracks both recorded in an open-ended jam session format, showing a side of Brown's powers that's even bolder and more inventive than some of his previous studio work! The album soars along beautifully – with Brownie in the lead amongst an unusual, but well-chosen batch of players that includes Herb Geller and Joe Maini on alto saxes, Walter Benton on tenor, Kenny Drew on piano, Curtis Counce on bass, and Max Roach on drums – all grooving alongside Clifford on the album's nicely extended tracks. The album was released after Brown's death in 1956, features the side-long tracks "Caravan" and "Autumn In New York". CD also features a bonus alternate take of "Caravan" too! CD
(Out of print.)

Partial matches98
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Errol Brown & The RevolutionariesTip Top Dub ... CD
Doctor Bird (UK), Late 70s. New Copy 2CD ... $14.99 24.99
A stunning double-length collection of work from dub producer Errol Brown – a massive 42 tracks in all, each of which definitely live up to the "tip top" promised in the title! The work here is from the years 1977 and 1978 – all originally issued on the High Note or Sky Note labels, at a time when Brown's talents in the studio were able to completely transform elements from contemporary tunes, and take them into all sorts of wonderful new directions with instrumentation help from The Revolutionaries! There's plenty of echo throughout, but most tunes also have a very straightforward vibe too – lean and forward-moving, without getting too bogged down in the production – just using the right elements to make everything sound super-cool throughout. The set features 25 tracks that have never been on CD amidst the total of 42 – and tracks include "Phase One Special", "Roots Man Dub", "Dancing Dub", "Wooga Man", "King Ruler", "Ital Dub", "Dub Walla", "Chapter 15", "Know Your Friend Version", "Strictly Roots"- "Lizard Version", and "Dub In Dreamland". CD

Partial matches99
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✨✧ James BrownJames Brown – Live At Home With His Bad Self ... CD
Polydor, 1969. Used ... $9.99
A rare lost treasure from James Brown – the full, unedited version of a live concert that was cut up and butchered for the Sex Machine album – presented here for the first time ever, with a huge amount of never-issued tunes! Sex Machine was one of those "fake" concert albums from James – some original live recordings, other studio tracks tricked out – and put together in a way that never really made much sense. This set is something completely different altogether – a James Brown concert from start to finish, complete with some wickedly sharp patter from the stage – and long tunes that really show his group hitting on all burners! The lineup of musicians include three drummers at once – Clyde Stubblefield, Jabo Stars, and Melvin Parker – alongside Fred Wesley on trombone, Maceo Parker on alto, Jimmy Nolen on guitar, and Charles Sherrell on bass. James himself plays a bit of organ at instrumental moments – and tracks include the never-released "Lowdown Popcorn", "World", "Spinning Wheel", "Try Me", "I Got The Feelin/Lickin Stick Lickin Stick", and "Give It Up Or Turnit A Loose" – next to versions of "There Was A Time", "Say It Loud", "I Don't Want Nobody To Give Me Nothing", "Mother Popcorn", and "I Can't Stand Myself". CD
Also available James Brown – Live At Home With His Bad Self ... CD 13.99

Partial matches100
CD, LP, Vinyl record album cover art
James BrownJames Brown – Live At Home With His Bad Self ... CD
Polydor, 1969. New Copy ... $13.99 14.99
A rare lost treasure from James Brown – the full, unedited version of a live concert that was cut up and butchered for the Sex Machine album – presented here for the first time ever, with a huge amount of never-issued tunes! Sex Machine was one of those "fake" concert albums from James – some original live recordings, other studio tracks tricked out – and put together in a way that never really made much sense. This set is something completely different altogether – a James Brown concert from start to finish, complete with some wickedly sharp patter from the stage – and long tunes that really show his group hitting on all burners! The lineup of musicians include three drummers at once – Clyde Stubblefield, Jabo Stars, and Melvin Parker – alongside Fred Wesley on trombone, Maceo Parker on alto, Jimmy Nolen on guitar, and Charles Sherrell on bass. James himself plays a bit of organ at instrumental moments – and tracks include the never-released "Lowdown Popcorn", "World", "Spinning Wheel", "Try Me", "I Got The Feelin/Lickin Stick Lickin Stick", and "Give It Up Or Turnit A Loose" – next to versions of "There Was A Time", "Say It Loud", "I Don't Want Nobody To Give Me Nothing", "Mother Popcorn", and "I Can't Stand Myself". CD
Also available James Brown – Live At Home With His Bad Self ... CD 9.99
 
 
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