The first album from Steely Dan, and a really nice chapter in their career – one that's maybe a bit less iconic than the late 70s records, but in a way that really keeps things interesting! There's definitely less jazz and polish than on the later albums – but already, the group are writing the kinds of songs that nobody ever seemed to pen before, and which few other groups could match later – despite the countless legions who tried! The guitars are all nice and strong – that sharp Skunk Baxter edge that helped get the group firmly onto the charts right away – on titles that include their classic singles "Do It Again" and "Reelin In The Years", the oft-showcased "Dirty Work", and other cuts that include "Kings", "Midnite Cruiser", "Only A Fool Would Say That", "Fire In The Hole", "Brooklyn Owes The Charmer Under Me", "Change Of The Guard", and "Turn That Heartbeat Over Again". LP, Vinyl record album

Superb work from Steely Dan – and a record that really shows them hitting perfection in the studio! The core sound of this one's jazzier than before – with some great help on instrumentation from Victor Feldman, Lanny Morgan, Bill Perkins, and other west coast jazzers – all helping the group sound great on some of the tightest tracks ever written by the team of Becker and Fagan! Ecstasy is definitely in reach with the sound of this set – a sublime effort all the way through that really set a whole new standard in 70s rock! Includes classics like "Bodhisattva", "Your Gold Teeth", "My Old School", and "Show Biz Kids". LP, Vinyl record album

The last album in the classic run of Steely Dan – the final taste we'd have of the group until their surprising revival in the 90s! Gaucho picks up beautifully where Aja left off – warmly produced with a deep undercurrent of jazz, but perhaps a bit more down to earth feel at times too – not in the music, which is still up there in the heavens, but in some of the subject matter of the tunes, which almost takes us back to Royal Scam territory. Donald Fagan's vocals are wonderful throughout – a sound for which there's no referent or real description – and the balance in the instrumentation is near perfect on tunes that include "Babylon Sisters", "Hey Nineteen", "Time Out Of Mind", "My Rival", "Glamour Profession", and "Gaucho". LP, Vinyl record album

An undisputed masterpiece, and a record we never tire of hearing – unabashedly the inspiration for our years of jazzy exploration as adults, even though it was probably the closest thing we ever got to the genre as wee lads! Walter Becker & Donald Fagan raise their already-high bar to new heights here – creating one of those rare records that flows together so beautifully, it's hard to remember where some songs begin and others end. There's a sense of perfection in everything about the record – the sound, the songs, the instrumentation – all woven together beautifully without any sense of self-consciousness. One majestic flow that starts with "Black Cow", and runs through classics that include "Aja", "Deacon Blue", "Peg", "Home At Last", "I Got The News", and "Josie". CD

An undisputed masterpiece, and a record we never tire of hearing – unabashedly the inspiration for our years of jazzy exploration as adults, even though it was probably the closest thing we ever got to the genre as wee lads! Walter Becker & Donald Fagan raise their already-high bar to new heights here – creating one of those rare records that flows together so beautifully, it's hard to remember where some songs begin and others end. There's a sense of perfection in everything about the record – the sound, the songs, the instrumentation – all woven together beautifully without any sense of self-consciousness. One majestic flow that starts with "Black Cow", and runs through classics that include "Aja", "Deacon Blues", "Peg", "Home At Last", "I Got The News", and "Josie". LP, Vinyl record album

Superb work from Steely Dan – and a record that really shows them hitting perfection in the studio! The core sound of this one's jazzier than before – with some great help on instrumentation from Victor Feldman, Lanny Morgan, Bill Perkins, and other west coast jazzers – all helping the group sound great on some of the tightest tracks ever written by the team of Becker and Fagan! Ecstasy is definitely in reach with the sound of this set – a sublime effort all the way through that really set a whole new standard in 70s rock! Includes classics like "Bodhisattva", "Your Gold Teeth", "My Old School", and "Show Biz Kids". CD

Magical music from the team of Donald Fagan and Walter Becker – one of those records that seems to state its existence in simple, straightforward terms – but which is also filled with undeniably complex moments! There's a definite echo of older jazz here – heard famously in the Horace Silver riff stolen for "Rikki Don't Lose That Number", or the Duke Ellington cover of "East St Louis Toodle-oo" – as well as in the group's own "Parker's Band" – one of the strangest songs you'll ever hear about Bird! Yet there's also a lot more going on too – complicated changes and timings, oblique lyrics, and a warmly produced sound that really sparkles on tracks like "Any Major Dude Will Tell You", "Monkey In Your Soul", "With A Gun", "Pretzel Logic", "Night By Night", and "Charlie Freak". CD

A tremendous early chapter in the legacy of Steely Dan – a set that was never issued at the time, and which represents some key work by the team of Donald Fagan and Walter Becker! First off, let us say that singer Linda Hoover is pretty great herself, and contributes some good original material to the record – but the whole thing really soars with more original tunes from Becker & Fagan, who also did the arrangements and played on the record, which was produced by Gary Katz, who'd soon help the duo rise to fame as Steely Dan! Some moments of the record are more acoustic, but the songwriting is super-smart, warmed up with keyboards from Fagan, and peppered with early work on guitar from Skunk Baxter too. The great jazzman Jerome Richardson also plays a bit of tenor, too – and titles include a great version of "Roaring Of The Lamb", plus "In A Station", "Jones", "Mama Tears", "Roll Back The Meaning", "Turn My Friend Away", and "Autumns". LP, Vinyl record album

An undisputed masterpiece, and a record we never tire of hearing – unabashedly the inspiration for our years of jazzy exploration as adults, even though it was probably the closest thing we ever got to the genre as wee lads! Walter Becker & Donald Fagan raise their already-high bar to new heights here – creating one of those rare records that flows together so beautifully, it's hard to remember where some songs begin and others end. There's a sense of perfection in everything about the record – the sound, the songs, the instrumentation – all woven together beautifully without any sense of self-consciousness. One majestic flow that starts with "Black Cow", and runs through classics that include "Aja", "Deacon Blues", "Peg", "Home At Last", "I Got The News", and "Josie". LP, Vinyl record album

The first album from Steely Dan, and a really nice chapter in their career – one that's maybe a bit less iconic than the late 70s records, but in a way that really keeps things interesting! There's definitely less jazz and polish than on the later albums – but already, the group are writing the kinds of songs that nobody ever seemed to pen before, and which few other groups could match later – despite the countless legions who tried! The guitars are all nice and strong – that sharp Skunk Baxter edge that helped get the group firmly onto the charts right away – on titles that include their classic singles "Do It Again" and "Reelin In The Years", the oft-showcased "Dirty Work", and other cuts that include "Kings", "Midnite Cruiser", "Only A Fool Would Say That", "Fire In The Hole", "Brooklyn Owes The Charmer Under Me", "Change Of The Guard", and "Turn That Heartbeat Over Again". CD

Magical music from the team of Donald Fagan and Walter Becker – one of those records that seems to state its existence in simple, straightforward terms – but which is also filled with undeniably complex moments! There's a definite echo of older jazz here – heard famously in the Horace Silver riff stolen for "Rikki Don't Lose That Number", or the Duke Ellington cover of "East St Louis Toodle-oo" – as well as in the group's own "Parker's Band" – one of the strangest songs you'll ever hear about Bird! Yet there's also a lot more going on too – complicated changes and timings, oblique lyrics, and a warmly produced sound that really sparkles on tracks like "Any Major Dude Will Tell You", "Monkey In Your Soul", "With A Gun", "Pretzel Logic", "Night By Night", and "Charlie Freak". LP, Vinyl record album

A tremendous early chapter in the legacy of Steely Dan – a set that was never issued at the time, and which represents some key work by the team of Donald Fagan and Walter Becker! First off, let us say that singer Linda Hoover is pretty great herself, and contributes some good original material to the record – but the whole thing really soars with more original tunes from Becker & Fagan, who also did the arrangements and played on the record, which was produced by Gary Katz, who'd soon help the duo rise to fame as Steely Dan! Some moments of the record are more acoustic, but the songwriting is super-smart, warmed up with keyboards from Fagan, and peppered with early work on guitar from Skunk Baxter too. The great jazzman Jerome Richardson also plays a bit of tenor, too – and titles include a great version of "Roaring Of The Lamb", plus "In A Station", "Jones", "Mama Tears", "Roll Back The Meaning", "Turn My Friend Away", and "Autumns". CD

An undisputed masterpiece, and a record we never tire of hearing – unabashedly the inspiration for our years of jazzy exploration as adults, even though it was probably the closest thing we ever got to the genre as wee lads! Walter Becker & Donald Fagan raise their already-high bar to new heights here – creating one of those rare records that flows together so beautifully, it's hard to remember where some songs begin and others end. There's a sense of perfection in everything about the record – the sound, the songs, the instrumentation – all woven together beautifully without any sense of self-consciousness. One majestic flow that starts with "Black Cow", and runs through classics that include "Aja", "Deacon Blue", "Peg", "Home At Last", "I Got The News", and "Josie". CD

An undisputed masterpiece, and a record we never tire of hearing – unabashedly the inspiration for our years of jazzy exploration as adults, even though it was probably the closest thing we ever got to the genre as wee lads! Walter Becker & Donald Fagan raise their already-high bar to new heights here – creating one of those rare records that flows together so beautifully, it's hard to remember where some songs begin and others end. There's a sense of perfection in everything about the record – the sound, the songs, the instrumentation – all woven together beautifully without any sense of self-consciousness. One majestic flow that starts with "Black Cow", and runs through classics that include "Aja", "Deacon Blue", "Peg", "Home At Last", "I Got The News", and "Josie". CD

The first album from Steely Dan, and a really nice chapter in their career – one that's maybe a bit less iconic than the late 70s records, but in a way that really keeps things interesting! There's definitely less jazz and polish than on the later albums – but already, the group are writing the kinds of songs that nobody ever seemed to pen before, and which few other groups could match later – despite the countless legions who tried! The guitars are all nice and strong – that sharp Skunk Baxter edge that helped get the group firmly onto the charts right away – on titles that include their classic singles "Do It Again" and "Reelin In The Years", the oft-showcased "Dirty Work", and other cuts that include "Kings", "Midnite Cruiser", "Only A Fool Would Say That", "Fire In The Hole", "Brooklyn Owes The Charmer Under Me", "Change Of The Guard", and "Turn That Heartbeat Over Again". CD

The first album from Steely Dan, and a really nice chapter in their career – one that's maybe a bit less iconic than the late 70s records, but in a way that really keeps things interesting! There's definitely less jazz and polish than on the later albums – but already, the group are writing the kinds of songs that nobody ever seemed to pen before, and which few other groups could match later – despite the countless legions who tried! The guitars are all nice and strong – that sharp Skunk Baxter edge that helped get the group firmly onto the charts right away – on titles that include their classic singles "Do It Again" and "Reelin In The Years", the oft-showcased "Dirty Work", and other cuts that include "Kings", "Midnite Cruiser", "Only A Fool Would Say That", "Fire In The Hole", "Brooklyn Owes The Charmer Under Me", "Change Of The Guard", and "Turn That Heartbeat Over Again". LP, Vinyl record album

The first album from Steely Dan, and a really nice chapter in their career – one that's maybe a bit less iconic than the late 70s records, but in a way that really keeps things interesting! There's definitely less jazz and polish than on the later albums – but already, the group are writing the kinds of songs that nobody ever seemed to pen before, and which few other groups could match later – despite the countless legions who tried! The guitars are all nice and strong – that sharp Skunk Baxter edge that helped get the group firmly onto the charts right away – on titles that include their classic singles "Do It Again" and "Reelin In The Years", the oft-showcased "Dirty Work", and other cuts that include "Kings", "Midnite Cruiser", "Only A Fool Would Say That", "Fire In The Hole", "Brooklyn Owes The Charmer Under Me", "Change Of The Guard", and "Turn That Heartbeat Over Again". CD

The complete initial run of Steely Dan – every single early album – plus "FM" too – a song that was not on any of their records. CD

Superb work from Steely Dan – and a record that really shows them hitting perfection in the studio! The core sound of this one's jazzier than before – with some great help on instrumentation from Victor Feldman, Lanny Morgan, Bill Perkins, and other west coast jazzers – all helping the group sound great on some of the tightest tracks ever written by the team of Becker and Fagan! Ecstasy is definitely in reach with the sound of this set – a sublime effort all the way through that really set a whole new standard in 70s rock! Includes classics like "Bodhisattva", "Your Gold Teeth", "My Old School", and "Show Biz Kids". LP, Vinyl record album

... LP, Vinyl record album

A rare French album of funky fusion from drummer Daniel Bechet – dedicated to his father, the famous saxophonist Sidney Bechet – yet served up in a style that's nothing at all like the elder's musical legacy! Instead, Daniel works here in a warm blend of guitars and keyboards, especially the latter – as the set rolls along with a warm soulful vibe throughout, so that even the drums, while grooving, are wrapped up strongly as part of the overall sound! There's almost a Steely Dan level of perfection to the record – recalling the sound of the Hoops McCann project in the 80s – and titles include "Sweet Stuff", "Night Clouds", "Brother Jacques", "Saturday Night Flavour", "Don't Be Shy", "Astral Dance", and "Jacqueline's Mood". LP, Vinyl record album

The Crusaders are really going strong at this point – in near-hit status, almost acting as the Steely Dan of LA jazz. The sound is certainly slicker than before, but in a way that's actually pretty darn nice – as Joe Sample, Wilton Felder, Stix Hooper, and Larry Carlton come together with effortless ease – dipping, turning, twisting, and still hitting a nice groove on the best tunes. Tracks include "Nite Crawler", "Feel It", "River Rat", "Free As The Wind", and "Sweet N Sour". LP, Vinyl record album

One of our favorite albums ever from The Crusaders – a set that really sums up all the tightness they'd forged in the 70s, while still showing a new sense of soul and funk as well – expertly balanced with flawless LA production! The album may well be the group's equivalent of a Steely Dan album – no surprise, given the work they'd done on sessions for that group – and the title cut is the massive extended version of "Street Life", with killer vocals from Randy Crawford – and other titles include "My Lady", "Night Faces", "The Hustler", and "Rodeo Drive". LP, Vinyl record album

Early stuff from Dalton & Dubarri, back when they were more of a west coast rock combo than a harder club act. This album's a mix of Steve Miller, Steely Dan, and other crossover rock acts – and the best moments have a sound that's got a bit of funk in it. Tracks include "Mama You're Sure Looking Fine", "So Easy", "Take It If It Comes To You", and "Jack In The Bottle". LP, Vinyl record album

Sweet keyboard soul from Deodato – a set that steps off nicely from the strengths of his big hits on CTI, hitting a similarly flowing groove that's really great! The instrumentation here is a bit more expanded than before, but never in a way that buries the keyboards – and Deodato's right out front on a range of electric keys that get some great support from John Tropea's finely-honed work on guitar! Titles include "Havana Strut", "Whirlwinds", "West 42nd Street", and a nice cover of Steely Dan's "Do It Again". And heck, even the album's version of Glen Miller's "Moonlight Serenade" manages to come off like a funk tune! LP, Vinyl record album

A record with a gimmicky title and cover, but a real overlooked gem from mid 70s ABC Records – handled with sublime care in the studio from producer Gary Katz, engineer Roger Nichols, and a host of session players who worked on some of the Steely Dan records of the time! Yet Dirk Hamilton's approach here is quite different than some of the smoother projects of the period – as the singer's got a nice sort of rasp to his style that would have been right at home in a redneck rock mode, but which really sounds even better, and a lot more unique here – alongside these perfect instrumental flourishes that underscore his vocals in just the right way – never overwhelming them, but giving them the sort of direction that really knocks the record out of the park. All tunes are originals, and really beautifully penned in this sophisticated, post-Dylan mode – on titles that include "She Don't Squash Bugs", "Little Big Time Man", "Wasn't That One Night Good", "The Sweet Forever", "Waterfall", and "When She Kiss Ya Like She Love". LP, Vinyl record album

The rare second album from Clydie King – recorded at a time when she was lending her backing vocals to artists like The Rolling Stones, Steely Dan, and Humble Pie – but a set that firmly puts Clydie in the lead! King's got an amazing style of singing – deep and raspy at one moment, with key southern soul roots – yet also totally tight and together, too – with a focus that really shines on the album's more upbeat tracks – groovers that almost have an east coast club vibe at times, quite similar to material that Clydie recorded with the group Brown Sugar! Titles include "Rushing To Meet You", "Loving You Is So Easy", "Steal Your Love Away", "Punish Me", "Our Love Is Special", and "Morning Sun". CD

Sweet jazzy keys from Mike Mandel – grooving here in a fuller jazz funk mode that's a bit like the best work of the 70s on Kudu Records! The approach is quite nice – with Mike handling all the electrics, and getting solo support from and array of jazzy players who include David Sanborn on alto, Gary Anderson on tenor, Darryl Thompson on guitar, and Wilbur Bascomb and John Lee on bass! The sound's a nice blend of funky and slick – and the album sports a great instrumental cover of Steely Dan's "Peg", as well as the original tunes "As Fine As You Are", "Pyramids", "Elephant & Castle", "Another Kind Of Spring", and "Jupiter Finger". LP, Vinyl record album

A really standout bit of blue-eyed soul from Gino Vannelli – the kind of record that shouldn't be so great, but really holds up well over the years! The style is tight and studio-oriented – somewhere in the mode of Bobby Caldwell and some of Gino's other cross-over contemporaries – but the album avoids most adult contemporary cliches, and keeps things sounding pretty real overall with some good studio backing, and a sense of jazz amidst the tightness – a bit like Steely Dan, but more poppish. Titles include "The River Must Flow", "I Just Wanna Stop", "Love & Emotion", "Feel Like Flying", "Brother To Brother", "Wheels Of Life", "The Evil Eye", and "People I Belong To". LP, Vinyl record album

An excellent little live set from Deodato – hard to believe because the sound's just as tight and funky as his studio albums, and possibly even more interesting because he manages to pull it off equally well in a live setting! The record features percussion by Airto, guitar by John Tropea, and vocals by Flora Purim – and those are just the marquee names of a large and amazing grew of great musicians! All tracks are long and complicated, for very hynotic feel throughout. The funkiest number is "Tropea", which has a nice long 8 minute groove – and the set also features a cover of Steely Dan's "Do It Again", plus the tracks "Parana", "Branches", "Baubles, Bangles And Beads" and "Skyscraper". Amazing! LP, Vinyl record album

Late work by Thin Lizzy – but one of our favorite albums by the group! Somehow, this set manages to capture all the great magic that made us love Jailbreak so much – still hard rocking, but with a deft sense of time and chord change that also reminds us a lot of Steely Dan at their best. Phil Lynott's vocals are as great and smoky as ever, and tracks include "Renegade", "Mexican Blood", "Fats", "Leave This Town", "It's Getting Dangerous", and "The Pressure Will Blow". LP, Vinyl record album

Maybe one of THE greatest classic rock soundtracks of all time – originally put together for a film that flew the flag of FM radio during the glory days of AOR! The movie isn't as much of a classic as this record – given that the album's stuffed with key cuts from some of the greatest acts of the4 time, and acts as a culmination of all the strengths of major label pop at the time! The set's especially noteworthy for the original title tune "FM" – one of the greatest Steely Dan songs ever, and not on any of the group's other albums – and other tracks include "We Will Rock You" by Queen, "Fly Like An Eagle" by Steve Miller, "Just The Way You Are" by Billy Joel, "It Keeps You Runnin" by Doobie Brothers, "More Than A Feeling" by Boston, "Life In The Fast Lane" by The Eagles, "Do It Again" by Steely Dan, "Life's Been Good" by Joe Walsh, and "Night Moves" by Bob Seeger. LP, Vinyl record album

CTI Records meets that Brazilian fusion sound of the 70s – served up here on two classic albums! Fingers is one of Airto's greatest records ever – a really hard hitting batch of tracks that mix sharp-edged fusion lines with some earthier Brazilian percussion touches – all in a way that nicely steps off of Airto's first few American releases, and warms the groove up with a nice dose of California soul! Flora Purim joins in here on both vocals and percussion – and the rest of the group features Hugo Fattoruso on keyboards and harmonica, Jorgte Fattoruso on drums, and David Amaro on both electric and acoustic guitars – shifting nicely between both instruments in a way that further underscores the blended vibe of the record! Most of these tracks are Airto classics – like "Tombo in 7/4", "San Francisco River", "Romance Of Death", "Ringers", and "Wind Chant" – and the record has a very sweet CTI production style, but is still rough enough around the edges to keep things nice and real! Deodato In Concert is an excellent little live set from Deodato – hard to believe because the sound's just as tight and funky as his studio albums, and possibly even more interesting because he manages to pull it off equally well in a live setting! The record features percussion by Airto, guitar by John Tropea, and vocals by Flora Purim – and those are just the marquee names of a large and amazing grew of great musicians! All tracks are long and complicated, for very hynotic feel throughout. The funkiest number is "Tropea", which has a nice long 8 minute groove – and the set also features a cover of Steely Dan's "Do It Again", plus the tracks "Parana", "Branches", "Baubles, Bangles And Beads" and "Skyscraper". Amazing! CD

Our favorite Elektra album by Terry – different than his earlier work for Cadet, with a smoother jazz-based style of backing. The change works surprisingly well for Terry, pushing him into a new sound that still preserves his honest soulful vocals. The album includes nice remakes of "Ordinary Joe" and "Occasional Rain", both from his days on Cadet, plus the great track "Turn You To Love". Also includes a groovy cover of Steely Dan's "Do It Again". LP, Vinyl record album

One of our favorite albums ever from The Crusaders – a set that really sums up all the tightness they'd forged in the 70s, while still showing a new sense of soul and funk as well – expertly balanced with flawless LA production! The album may well be the group's equivalent of a Steely Dan album – no surprise, given the work they'd done on sessions for that group – and the title cut is the massive extended version of "Street Life", with killer vocals from Randy Crawford – and other titles include "My Lady", "Night Faces", "The Hustler", and "Rodeo Drive". CD

Two post-CTI gems from Deodato – back to back on a single CD! Whirlwinds is sweet keyboard soul from Deodato – a set that steps off nicely from the strengths of his big hits on CTI, hitting a similarly flowing groove that's really great! The instrumentation here is a bit more expanded than before, but never in a way that buries the keyboards – and Deodato's right out front on a range of electric keys that get some great support from John Tropea's finely-honed work on guitar! Titles include "Havana Strut", "Whirlwinds", "West 42nd Street", and a nice cover of Steely Dan's "Do It Again". And heck, even the album's version of Glen Miller's "Moonlight Serenade" manages to come off like a funk tune! Artistry is a live set from Deodato – but one that's very much in the mode of his best CTI studio sessions – with soaring, over the top keyboard work that's totally great – backed by some tightly compressed guitar, bass, and drums, with just enough funk in the mix to keep things interesting! As with other Deodato records from the time, there's a mix of moods here that comes together nicely – a range that goes past his easy hits, and shows Deodato to be one of the hippest, most soulful keyboard talents of his generation. Titles include a great version of "Super Strut" that grooves for over 8 minutes, and which has some firey guitar that really competes with Deodato's work on the keys – and other tracks include "Farewell To A Friend", "Pavane For A Dead Princess", "Rio Sangre", and "Jivin". CD

Lordy – what a great album! This is the kind of record that only comes down the pike once in a rare while – a completely solid, totally great, exemplary "take it to the next level" sort of album that you'll be playing for years! Nathan Haines already had our attention with his tremendous first album Sound Travels – one of the best full sets to come out of London in the past decade – but this second set is even more majestic than that one, with a fully-formed approach to the music that's simply stunning! Nathan throws out half of his broken beat chops, and digs even deeper into his soulful inspirations from earlier years – working with producer Phil Asher to craft one of the best soul jazz albums of the 21st century! Nathan wrote, arranged, and plays saxes on the set – and the album features guest vocals from Marlena Shaw, Vanessa Freeman, Rich Medina, and Marcus Begg – all of whom fit in perfectly with the cosmic soul jazz approach of the tunes! Imagine if Compost Records went into the past and merged with the Black Jazz label, and you've only got part of the picture of this one – as the set both pushes past expectations from other records, and redefines the standards all together! Includes a surprisingly great cover of Steely Dan's "FM", plus the cuts "Folk Jazz", "Oblivion", "Nothing New", "Springtime Rain", "O Misterio", "U See That", "Right By Your Side", and "Let It Go". CD

A tremendous take on the music of Steely Dan – one that doesn't just serve up instrumental versions of these classics, but instead creates whole new themes and sounds based on the originals! All tracks here are penned by the legendary team of Donald Fagan and Walter Becker – but Mark Masters' arrangements really take them to rich new places – almost working like mini-soundtracks for each number – using these complex horn passages and bold tones to transform the songs, almost with a narrative-like power! Of course, it also helps that the group features some excellent players – including Billy Harper on tenor, Tim Hagans on trumpet, Oliver Lake on alto, and Sonny Simmons on English horn – all of whom help shape things strongly. Anna Mjoll sings a bit on the record, but the overall feel is really instrumental – and titles include "Boshisattva", "Show Biz Kids", "Charlie Freak", "Black Cow", "Aja", "Fire In The Hole", "Josie", and "Chain Lightning". CD

Beautiful work from Makoto Matsushita – and one of those Japanese city pop records that slides right into the best sort of jazzy soul from the US during the late 70s! Makoto sings in English and Japanese, and the backings are wonderfully jazzy – lots of fusion at the core, which keeps things warm and soulful throughout – better than mainstream AOR, but with equally superb sorts of production! There's a perfection here that rivals the strength of Steely Dan at their late 70s best – with just the right balance of vocals and instrumentation. Titles include "First Light", "One Hot Love", "Lazy Night", "I Know", "Love Was Really Gone", "This Is All I Have For You", and both English and Japanese versions of "September Rain". LP, Vinyl record album

Recent work by Mark Murphy – but as sublime as most of his best stuff from the 70s! The set was recorded in Europe, with the kind of respectful backing you'd expect from a scene that's loved Murphy's work for years – and which have done quite a bit to keep his unique style of jazz vocals alive over the past 30 years. Murphy's lost none of his magic – and the set swings with the best quality of any male jazz vocal set we've heard over the past decade. A few tracks have keyboards that are a bit tinny, but they're well offset by the warm quality of Murphy's vocals. Titles include "Sugar", "Lament", "Song For The Geese", "I Wish You Love", "We Two", "You Go To My Head", "Baltimore Oriole", and a nice little cover of Steely Dan's "Do It Again". CD

Soul Jazz brilliantly bridges pioneering Jamaican digital dancehall to contemporary and future funk practitioners schooled in the style – the epic Invasion Of The Killer Mysteron Sounds compiled by The Bug and Stuart Baker! Mysteron Killer Sounds comes a with loose, comic book theme – "Alien Sound Lord Abductors" come to capture souls while the "Digital Defenders" have arrived to protect them – and it's fitting! The material here cherishes the hertiage of Jamaican and other points tropical dance music with sweaty, feverish rhythms – be they first wave Jamaican dancehall revolutionaries or next phase innovators. Fantastic material on Soul Jazz – work that will stand the test of time! CD 1 is compiled by Kevin Martin (The Bug) and includes "Streetsweeper" by Steely & Clevie, "Now Thing" by Lenky & Sly, "The Return" by Dave Kelly, "Suymmerbounce" by Annex Crew, "Yoga Riddim" by Team Shadatek, "Hummer Version" by Fira, "Diplo Rhythm" by Diplo, "Aktion Dub" by The Bug and more. CD 2 is compiled by Stuart Baker of Soul Jazz Records and includes "Clothes Pin Rhythm" by Fat Eyes, "Corners Boy" by Sly Dunbar and Christopher Birch, "Steel Plate" by Fat Eyes, "No False Hair" by Firehouse Crew, "Great Stone Version" by Prince Jazzbo, "What You Gonna Do" by Kickin' Productions, "In My Heart Version" by Wiz Kidz Team, "Peenie Peenie" by Jammys "Jam 2" James and more. 19 tracks in all. CD