Deep southern soul from the Sounds Of Memphis label – with some incredible stuff that for the most part never has seen official light of day before now – compiled by Dean Rudland for Kent UK! Kent has mined the vaults of Sounds Of Memphis for a series of solid compilations, and it's surprising how much more continues to be discovered considering the continual high quality! A solid majority of the tracks are prime 60s & 70s southern soul – with some early 80s records later on on the set that with a contemporary sound, though still committed to a true soul style! Includes "Pity A Fool" by Carl Sims, "I Don't Want No One Way Love" by Dan Greer, "Stop Boy" by Fran Farley, "So Cruel" by Barbara And The Browns, "Teardrops" by William Bollinger, "Play The Game (Pt 2)" by Version, "Make It Easy On Yourself" by Demetrius, "When I Look Inside" by Takelia Kelly, "It's Hard To Say No" by George Jackson & Linda Lucchesi, "Save My Love" by Billy Cee & The Freedom Express and more. CD

Rare and previously unreleased magic from the Memphis soul scene of the late 60s & early 70s – the third release in Kent's compilation series of gems from the Sounds Of Memphis and XL labels – possibly the rarest collection to date! The numbers here have a proudly southern soul groove at the core, but there's a breadth of styles and deep well of talent at play and this set really gets at the heart of it. Many of the tracks here are on par with the best known southern soul of the era and are as effective as the biggest hits – and we're hearing most of it for the first time! Soulful numbers from singers and groups alike – great stuff by The Minits, George Jackson, The Ovations, Erma Shaw, Willie Walker and many more. We keep thinking that the vaults will empty out, but Kent keeps digging more Sounds Of Memphis treasures – here's hoping it continues! 22 tracks in all: "If You Never See Me" and "Run Around" by Willie Walker, "Hook Line & Sinker" and "Lover Boy" by The Minits, "How Can I Get Next To You" (alternate vocal) and "Love Trying To Come" by George Jackson, "You're Slipping Away" and "Take A Look At Yourself" by Dan Greer, "Guessing Game" by Jimi Hall, "The Plumber" by The Ovations and more. CD

The later years of the Sound Of Memphis studio – cuts from a time when the legendary deep soul powerhouse was trying on some of the newer modes from the end of the 70s! The work here is a real lost slice of Memphis soul – music from a time when the heyday of Stax and Hi Records had long passed, but smaller indies like SOM were going strong – and able to capture the shifting sound in the great soul city – as singers worked in the sorts of funky club and boogie modes you'd more regularly associate with New York or Chicago! The quality level is surprisingly great – especially since there's a nicely indie vibe to these cuts – not polished disco rehash, but the sort of underground club material that we've always loved from reissues on labels like Numero or Soul Cal – coming here from the surprising source of Memphis. Even more importantly, almost all this material never saw the light of day at the time – since the SOM connections to bigger labels had faded – so the whole thing's like a time capsule, taking you back to some real under-exposed days on the Memphis scene! Titles include "Dream Girl" and "Groove With A Feeling" by Freedom Express, "You Can Bet I Can Get You Yet" and "What You Do For Love" by Lee Moore, "Ridin" and "Attraction" by Erma Shaw, "Cold Blooded Sally" by Fran Farley, "New Lang Syne" by Kannon, "I'll Be Around" by The Jacksonians, "Gone" by Vision, "We Need Love" by Donald O'Connor, "Tighter Tighter" by Demetrius & Takelia, and "Don't Fight It" by Louis Williams. CD

Deep deep work from an under-tapped reservoir of soul – the legendary Sounds Of Memphis label – a key contemporary of Stax Records, but one with a huge amount of material that never got issued at the time! This excellent set corrects that fact, by bringing forth a batch of material that's almost all fresh here for the first time ever – and mixed with just a few rare SOM singles that were issued in the early 70s – all cuts that really show the righteous power of this tiny little label! There's a fair bit of artists here who touched the scene with work in other ways, and others we're really hearing for the first time ever in their company – an amazing picture into the mighty Memphis scene at the time, in a treasure trove of southern soul, deep ballads, and even a few funky numbers too. 22 tracks in all – and titles include "You're Using Me" by Rudolph Taylor, "You Don't Love Me" by Tommy Raye, "A Great Big Thing" by Carroll Lloyd, "Tempted" by Marjorie Ingram, "Hold On Hold Out" by George Jackson, "That's Why I Keep Her" by William Bollinger, "Since My Baby Left Me" by Dan Greer, and "Lost In A Dream" by Vision. CD

Beautiful female soul from The Minits – a three piece group that recorded just a few singles for the the Sounds Of Memphis label – with a dozen great songs pulled together for this excellent compilation from Kent UK, many of which were never issued before now! Ultimately, there were far too few female soul stars coming out of Memphis with popularity anywhere near the levels of the male stars, and fewer still on labels other than Stax or Hi – and the dozen tracks here make a very strong case for The Minits, who should have busted out hugely. The set is light on ballads and skews towards dancefloor ready rhythms and pop soul of the best kind, with genuine soul! It includes their great Sounds Of Memphis singles and several tracks that were left in the vaults and only recently discovered. Titles include "Lover Boy", "Still A Part Of Me", "Last Mile Of The Way", "Pullin'", "Natural Reaction", "If You Don't Like My Apples (Don't Shake The Tree)", "Follow Your Heart" and more. CD

A beautiful collection of work from the legendary James Carr – a singer that those in the know place at the same level as Otis Redding, Wilson Pickett, or any of the deep soul greats of the 60s! Like Otis, James recorded heavily on the Memphis scene at the time – not for Stax or Atlantic, but for the smaller Goldwax label – who really hit magic with the sounds you'll hear on this set – a perfect blend of the richness of James' voice with the kind of slow-burning soul sounds that the scene was really hitting during its golden years! The songwriters alone here are enough to sell the set to any fan of classic southern soul – as tunes include contributions from Chips Moman, Dan Penn, Quinton Claunch, William Bell, and Spooner Oldham – writers who maybe never had a better interpreter of their work than Carr – who knocks it out of the park here on tunes that include "Dark End Of The Street", "You've Got My Mind Messed Up", "I'm A Fool For You", "A Lucky Loser", "Let's Face Facts", "Your Love Made A U Turn", "Freedom Train", "Pouring Water On A Drowning Man", "You Hurt So Good", "Love Attack", and "A Man Needs A Woman". LP, Vinyl record album

Rare rock from the Japanese scene of the postwar years – but sounds that definitely have a universal appeal overall! Masaaki Hirao is way more than just a novelty remake of American rockers of the time – as he's got a sharp-edged sound that easily rivals the best we had to offer here in the US – the charm of Elvis, the propulsion of Johnny Burnette, and the offbeat appeal of Buddy Holly! Yet the sounds here are often quite their own thing, too – especially on the Japanese language numbers which make up most of the set, and which have Masaaki stepping away from straight American cover versions, and really doing some great things on his own. The guitar lines are especially great – recorded with brilliant twang and echo that really matches the power of the vocals – and the set features some mighty nice live tracks that are even more biting than the studio material! 10 cuts in all – including "Lawdy Miss Clawdy", "Hoshi Wa Nandemo Shitteiru", "Isuki No Komoriuta Rock", "Crazy Love", "Ooh My Soul", "Jenny Jenny", "Miyo Chan", and "Blue De Memphis". LP, Vinyl record album

Two beautiful albums by one of the greatest soul groups of all time! The Soul Children were a wonderful Memphis vocal group – with a two parts female/two parts male vocal style that just sounded incredible. All the members of the group were great singers, and the overall sound was a mixture of rootsy southern soul, and sweeter harmony sounds. There truly was no other group like them – and this CD brings together the band's first two, super-rare albums (which we almost never see on vinyl.) Titles include "I'll Understand", "Move Over", "The Hang Ups Of Holding On (parts 1 & 2)", "Don't Break Away", "Finish Me Off", "Doing Our Thang", "Take Up The Slack", and "Super Soul". Best Of Two Worlds is a beautiful album of Memphis soul by one of the sweetest vocal groups ever to come out of the south! The record's a bit more complicated than some of their earlier ones, and features some nice tracks with a more extended style, and more sophisticated arrangements that work great with the group's rich harmonies. Includes "The Hang Ups Of Holding On (parts 1 & 2)", "Wrap It Up", "Let's Make A Sweet Thing Sweeter", "Don't Break Away", and "Give Me One Good Reason Why". CD

Deep soul from the glory days of the Memphis scene – not the better-known work recorded at Stax, but material from the smaller American Sound Studio – a new game in town during the late 60s, and a place that forged it's very own legacy in Memphis music! American recorded a variety of styles – a bit like Muscle Shoals – but this collection not only focuses most strongly on the soul music cut at the studios, but also work by "The Memphis Boys" – the superb in-house session group that included top-shelf talents like Reggie Young and Tommy Cogbill on guitar, Bobby Emmons on keyboards, and Chips Moman at the head of the group. The great Dan Penn and Spooner Oldham also did plenty of work for American – on material that was issued on a variety of labels – Atlantic, Cameo, Bell, Sound Stage 7, Smash, and others – all collected here with a deep set of notes that really gets at the special vibe going down at American. Titles include "Burning Fire" by Arthur Conley, "Someone To Take Your Place" by Bobby Marchan, "I Don't Want To Have To Wait" by James & Bobby Purify, "Ain't That True Love" by Oscar Toney Jr, "There's A Heartbreak Somewhere" by Roscoe Shelton, "Comin To Bring You Some Soul" by Sam Baker, "It Ain't Fair" by Ben E King, "Don't Take Your Love" by The Blossoms, "So Much Love" by Dusty Springfield, "Broadway Walk" by Bobby Womack, "Holdin On" by Jerry Lee Lewis, and "On The Other Side" by Lee Jones & The Sounds Of Soul. CD

Completely top-shelf work from the short-lived Top Deck label in Kingston – one of the great early imprints to really help get things going from the indie side of things in the 60s – run by Justin Yap, an entrepreneur with a great ear for the changing sides of the scene! This is badass early ska at its best – the Skatalites serving up plenty of jazzy instrumentation over hard-rocking rhythms – not the watered-down modes of the ska-revival years, but really sharp, short instrumentals that are to Jamaica what the Stax Records work of the MGs and Bar-Kays was to Memphis in the 60s! There's a starkness and darkness here that's wonderful – and titles include "Ghost Town", "China Clipper", "Lawless Street", "Chinatown", "Ska Ra Van", "Confucius", "Surftide Seven", "Skaravan", and "Ringo Rides". LP, Vinyl record album

Great sounds from one of the best years in Elvis' comeback career – 23 tracks, presented in a really great way – all from Memphis sessions produced by Chips Moman! CD

A groovy, far reaching blend of moddish funk rock, organ groovers, and sounds both spacey and laidback from the Shadows – a mix of rock & soul instrumental covers tight arrangements that leave just enough room for the players to bring just enough intensity to their parts! The instrumentation is very impressive, with the legendary Alan Hawkshaw lighting up his Hammond organ, but it's impressive stuff all the way, with some innovative production touches, too. Includes versions of "Proud Mary", "My Babe", "Lucille", "Paperback Writer", "(I Can't Get No) Satisfaction", "Get Back", "Memphis", "What I Say", "River Deep Mountain High" and more. LP, Vinyl record album

Fast and funky from Harvey! "Broadway Freeze" is a sock-soul number that begins with a rolling drum approach and Harvey stating that the band's from Milwaukee – then rolls into a storming groove that's pure Alvin Cash, with Harvey shouting "sockit sockit" along with the group! "Can't Cry" is more of a southern-tinged number – starts slow, then picks up the pace with a groove that's a bit Memphis-y, or almost in a Wicked Pickett mode! 7-inch, Vinyl record

A beautiful collection of work from the legendary James Carr – a singer that those in the know place at the same level as Otis Redding, Wilson Pickett, or any of the deep soul greats of the 60s! Like Otis, James recorded heavily on the Memphis scene at the time – not for Stax or Atlantic, but for the smaller Goldwax label – who really hit magic with the sounds you'll hear on this set – a perfect blend of the richness of James' voice with the kind of slow-burning soul sounds that the scene was really hitting during its golden years! The songwriters alone here are enough to sell the set to any fan of classic southern soul – as tunes include contributions from Chips Moman, Dan Penn, Quinton Claunch, William Bell, and Spooner Oldham – writers who maybe never had a better interpreter of their work than Carr – who knocks it out of the park here on tunes that include "Love Attack", "Dark End Of The Street", "Freedom Train", "Pouring Water On A Drowning Man", "You've Got My Mind Messed Up", "A Man Needs A Woman", "Let's Face Facts", "You Hurt So Good", "I Don't Want To Be Hurt Anymore", "I'm A Fool For You", "Your Love Made A U-Turn", and "Let It Happen". CD

Four fantastic albums from Bobby Bland – all brought together in a single package for the first time! First up is Come Fly With Me – great work from Bobby Blue Bland – one of the few artists to rise up at the end of the 50s, and still find a way to chart their own path forward in soul with fresh material like this! Bobby's voice is still incredible here, and he works with production from Al Bell and Monk Higgins, the latter of whom arranged – in this cool style that's a bit like some of the territory that Tyrone Davis was taking on at Columbia Records during the second half of the 70s – fuller arrangements that bring some sophisticated soul touches to the music, but in ways that never lose the core of Bobby's genius! Titles include "Lady Lonely", "Night Games", "You Can Count On Me", "Love To See You Smile", "Come Fly With Me", and "To Be Friends". The next album is I Feel Good I Feel Fine – and Bobby Bland sounds pretty good too – thanks to arrangements from the great Monk Higgins, who does a perfect job of mixing Bland's trademark vocals with some sweet late 70s arrangements! The sound is upbeat, but never in a cliched disco mode – more in the territory that you'd hear Johnnie Taylor using over at Columbia Records – maybe a good comparison, given the Memphis roots that both artists shared – as both also evolved a lot to shift their sound with the changing modes of the time. And as with Johnnie, Bobby never loses the core that makes him great – as you'll hear on titles that include "Tit For Tat", "Soon As The Weather Breaks", "In His Eyes", "Someone To Belong To", "I Feel Good I Feel Fine", and "Little Mama". Sweet Vibrations is a real gem from the start of the 80s – arranged by Monk Higgins, who co-produced the set with Al Bell – a duo who'd already given Bobby some great records before, but who really knock it out of the park with this one. There's an extra-special quality going on here – maybe a slight reintroduction of blues roots, but still with a very contemporary spirit – set up to superb backings throughout. Titles include "Soul With A Flavor", "Hollywood Woman", "You'd Be A Millionaire", "Sweet Vibrator", "Special Kind Of Fool", and "A Real Woman Is What It Takes". Try Me I'm Real is record with a title that certainly fits the bill – as the amazing voice of Bobby Bland is as real here as it ever was, and blended with superbly soulful backings that take the singer's sound forward for a whole new generation! Some of Bobby's contemporaries were content to just stick in a straight blues mode – but Bland really grew and developed a lot as an artist, thanks in part to Monk Higgins and Al Bell – who are both at the production helm of the record, and balance the bluesy roots of Bobby with some richer soul backings that really knock the whole thing out of the park! We love Bobby Blue Bland during his early Duke Records years – but we love him equally as much for music like this, on titles that include "But I Do", "What A Difference A Day Makes", "Givin Up The Streets For Love", "A Song For You My Son", "Just You Just Me", and "Love Is Where It's At". CD

Two rare instrumental albums from Lloyd Charmers – both from that early moment when he was moving from work as a singer, to a strong role as a producer and keyboardist! Reggae Is Tight is a set that seems to answer both the Tennessee instrumental sounds of Booker T & The MGs in Memphis, and Floyd Cramer in Nashville – as the rhythms have all the soulful romp that might be inspired by late 60s soul, while Lloyd plays both organ and piano, the latter often in a way that has all this cool echo! Titles include "5 to 5", "Summer Face", "Crimson & Clover", "Rat Trap", "Safari", "Reggae Is Tight", "Psychedelic Reggae", and "Golden Moon". Reggae Charm is a really great record from Lloyd Charmers – one of his instrumental sets, and an album that has Byron Lee & The Dragonaires providing some mighty nice rhythms behind his keyboards! The vibe is plenty soulful – almost a Kingston take on Stax Records instrumental modes – with organ vamping alongside piano, in a great mix of cuts that includes "Dr No Go", "Tribute To The Dragon", "Mama Look", "If I Only Had Time"- "Honey", "Last Date", and "Israelite". 2CD set features 31 more bonus tracks – for a total of 55 titles in all, including 23 that appear here on CD for the first time ever! CD

The secular sounds of the great Spencer Wiggins – fantastic material cut for Fame and Sounds Of Memphis in the late 60s & early 70s – rawly emotional southern soul that sounds incredible to this day! Some tunes have a more keyboards and rhythm backed sound, others have a punchier, grittier, top shelf southern soul sound – all with Wiggins in great form vocally! From emotionally resonant intimacy to a gritty howl, his voice is a mighty instrument, and it's given a range of great songs to work with here – rare singles and previously unreleased gems alike! "I'm At The Breaking Point", "We Gotta Make Up Baby", "I Can't Be Satisfied", "Double Loving", "Soul Machine". "Love Attack","Cry To Me", "Hit And Run", "Water", "Love Works That Way", "Feed The Flame" and more. 22 tracks in all. CD

The birth of Miami soul, and a beautifully done document of the rare Deep City label – home to Willie Clarke, Clarence Reid, and Betty Wright in the years before Alston and TK Records! Way before Miami soul started cracking the charts at the start of the 70s, Deep City was already putting the best parts in place – working with a tight roster of artists and an equally tight in-house band that rose from the ranks of Florida A&M's Marching 100 band – razor-sharp instrumentalists who helped forge a groove worthy to rival the sounds of Memphis, Muscle Shoals, and even the best of Detroit at the time – given that some of the work here has a much sweeter soul sound than other 60s southern soul. As usual, the Numero team have done an incredible job with the package – pulling out rare photos, personal stories, and just the right amount of information to breathe new life into the Deep City label and help it live anew. CD features 17 tracks in all – including "Paralyzed" and "Good Lovin" by Betty Wright, "Am I A Good Man" by Them Two, "Someone To Fulfill My Needs" and "I Love You Baby" by The Moovers, "I Am Controlled By Your Love" and "Willing & Able" by Helene Smith, "Good Thing (part 1)" by Frank Williams & The Rocketeers, "It's My Baby" and "The Upset" by Paul Kelly, and "Stay Away From My Johnny" by Freda Gray & The Rocketeers. CD

A glorious batch of unearthed soul and funk from the early 70s central Ohio scene – the storming singles of Prix label – culled from ultra rare 45s plus previous unreleased gems! Prix was the imprint started to release work captured at Columbus's Harmonic Sounds studios commercially – pummeling funk, uptempo harmony soul, some heavy organ groovers and beyond – work by the Royal Esquires, Eddie Ray, Joe King, Marion Black and others. Most of the tracks were cut in the first few years of the 70s – at a time when when central Ohio was producing soul and funk as mighty as the bigger midwestern cities of Detroit, Memphis and Chicago – standing just as tall even if it didn't get over as well in the marketplace! 19 tracks in all – 11 of which were issued as Prix 45s in the early 70s, plus 8 more tracks that were never officially released – culled from finished masters, demos and other studio material that was only recently discovered! Titles include "Wait A Minute", "You Got Me" and more by Eddie Ray, "Mystic" and "Mister Kidneys" by OFS Unlimited, "Speak On Up" and "Your My Everything" by Joe King, "Ain't Gonna Run" by Royal Esquires, "Listen Black Brother" by Marion Black, "Melon Jelly" by Soul Ensemble, "I'm Gonna Gitcha" by Chip Willis & Double Exposure and more, plus 4 "extended play" bonus tracks by Eddie Ray, Harmonic Sounds Band and Penny & The Quarters. CD

A heavenly set of southern soul – a package that pulls together a wealth of rare and unreleased singles from the Malaco label – that important Jackson, Mississippi imprint that took on the deeper sounds of the 70s – after the Memphis and Muscle Shoals scenes were losing steam! Some of the artists here are ones who would have ended up on Stax or Volt, had the labels still been going at the time – and instead found a great home on Malaco, a company who also had a great legacy of work in southern blues, and really knew how to bring out the best in a strong-voiced singer! Yet despite that side of the label, the music here is all-soul all the way through – not some of the soul/blues hybrids that Malaco could do well, and instead amazing deep soul, handled with a new sort of sophistication for the 70s! The sound is wonderful throughout – and the set features loads of cuts we'd never heard before – 18 titles that include "Overflowing" by Jewel Bass, "Ain't No Love For Sale" by Tommy Tate, "Sour Love Bitter Sweet" by Joe Wilson, "Lovin On Borrowed Time" by Anita Mitchell, "Got To Find The Nerve" by Hank Sample, "Two Of A Kind" by Dorothy Moore, "Once Upon A Love Affair" by Chuck Brooks, "That's How Much I Love You" by Eddie Houston, and "Talkin About Love" by George Soule. CD

Amazing work from the new version of The Bar-Kays – a group who reformed to become a combo as heavy as any of the best funky groups from Detroit, LA, or New York at the time! There's a style here that's a sweet Memphis distillation of ideas bubbling under in music by Sly Stone, Funkadelic, and others – taken to new territory here by a group that was already steeped in 60s soul instrumental sounds! The cuts show a great ear for simple hooks and playful instrumental twists and turns – still with a bit of the trumpet used on Bar-Kays work of the past, but more in a groove that lets the guitar step out nicely with psychedelic soul undercurrents! Tracks include "In The Hole", "Funky Thang", "Grab This Thing", "Street Walker", "Humpin", and "Don't Stop Dancing To The Music (parts 1 & 2)". LP, Vinyl record album

A funky classic from Albert King's great years on Stax – a time when he was forging his bluesy roots with all the sharp sounds the Memphis label had to provide! The album's got production and some great songs from Don Nix – who certainly makes his presence known here, by slanting the groove a bit more towards that rockish mode that was working so well with electric blues in the early 70s – a mode that was more of an evolution than the commercialization that would come a few years later – and which here, in the hands of Stax, just adds a bit of funk to the rhythms, while still letting King shine right out on top. Titles include "For The Love Of A Woman", "Lovejoy IL", "Going Back To Luka", "Like A Road Leading Home", "Everybody Wants To Go To Heaven", and "Bay Area Blues". LP, Vinyl record album

Tasty batch of funky blues tracks from Sonny – an artist who we normally don't like that much, but who sounds very sweet here, thanks to tight arrangements by The Bar-Kays, who back him up on the session! The record is a great mix of funky blues and Memphis soul – and includes the massive funky breakbeat track "Memphis B-K", plus "You Got A Good Thing", "They Want Money", and "Hung Up". LP, Vinyl record album

A rare late LP Sam & Dave cut for United Artists in the mid 70s – with raw & gritty soul vocals and rough hewn, yet soulfully resonant production by Steve Cropper, and backing by a slew of Memphis sessions specialists! Back At Cha is a coulda-shoulda-woulda been great comeback effort, and if failed to chart them for renaissance revival, it sounds pretty sharp all these years later. Sam & Dave's vocals go more for raw emotional grittiness, well matched by heavier Memphis soul backdrops for the most parts, and a touch of string accented sweetness in a spot or two. Titles include "When My Love Comes Down", "There's A Party In My Heart", "Blinded By Love", "Under The Boardwalk", "Come Into My Life", "Queen Of The Ghetto", "Give It What You Can" and more. LP, Vinyl record album

Funky funky Philly! Not only is this single one of the most obscure on Philadelphia International, it's also one of the hardest – as Johnny sounds more like a Memphis or Macon soul singer than anyone who ever recorded in the city of Brotherly Love. "Slow Motion" begins with pounding tribal drums, and Johnny shouting out in kind of an Otis Redding mode – before organ and horns come in and make the whole groove nice and funky. Really nice stuff – and we wish we knew more about him! 7-inch, Vinyl record

Second volume in this very cool series of lost grooves – and one that has a distinct Latin/Brazilian influence! The tunes are all nicely uptempo, and are a well-picked selection of rare jazzy grooves from obscure overseas and American sources. Titles include "Upa Neguinho" by Trio Camara, "One For Carter" by Johnny Lytle, "Night In Tunisia" by Buck Clarke Sound, "Taoma" by Guru Guru, "Niara" by Doug Lucas, "Ursula" by Michael Garrick Septet, "Bluesology" by Zumbo Cinco, "Memphis Underground" by Paul Kuhn, "Amalgam" by Duley Moore Trio, and "Babo" by Johnny Lytle. LP, Vinyl record album