An incredible collection – four albums that feature this amazing singer at her height, along with bonus tracks too! First up is Feminina – one of Joyce's greatest albums – and maybe the first record we'd point to for anyone interested in her music! The set's an incredible blend of vocals, acoustic guitar, and these lightly gentle arrangements – all at this new level of expression that still recognizes Joyce's bossa roots, but really moves beyond with all the sophistication of MPB in the 70s! The sound of the whole thing is wonderful – completely transcendent and mesmerizing right from the start – and Joyce penned most of the tunes and handled the arrangements – with help from Gilson Peranzzetta on a few tracks. Titles include the classic "Feminina", plus "Essa Mulher", "Coracao De Crianca", "Aldeia De Ogum", "Compor", and "Misterios". Next is Agua E Luz – an amazing mix of jazzy vocals, sparkling production, and beautiful light guitar – the younger Joyce at her best – in a wonderfully uncluttered style that makes the record a treasure all the way through! Joyce sings and plays acoustic guitar – and gets these lightly jazzy backings that often feature a bit of electricity, but never too much to dampen the acoustic heart of the record – that great sense of personality that's always made Joyce unlike any other Brazilian artist we can think of – even though so many others have tried to copy her style over the years! Joyce did all the arrangements herself, Sivuca guests on one track – and titles include "Muito Prazer", "Samba De Gago", "Agua E Luz", "Mais Uma Vez, Mais Uma Voiz", "Banho Maria", and "Meio A Meio". Tardes Cariocas is a set recorded during the same key stretch as her early 80s albums for EMI – yet much more obscure! The album's got the same brilliant blend of jazz and bossa phrasing as her classics Agua E Luz and Feminina – and really brings Joyce's beautiful vocals to the forefront, with a strong focus on that fluid, jazzy style we totally love! Acoustic guitar is key to the instrumentation, yet there's also a few electric touches on keyboards – yet used quite softly, so that the presence of Joyce really dominates the record – but with a power that's greater than some of her more solo sets. Wonderful throughout –a nd with cuts that include "Nacional Kid", "Curioso", "Baracumbarra", "Tardes Cariocas", "Luz Do Chao", and "Ela". Saudade Do Futuro is a totally hard to find Joyce album from the mid 80's. Recorded for the obscure Pointer label in Brazil, this set has more of a modern fusion feel than some of her classic recordings that we stock, but Joyce's voice is still sweet and lovely, and her songwriting's as strong as always. The set includes her classic cut "Fa Da Bahia", plus other nice tracks like "Peixe Estrela", "Sonor
a Garoa", "Quadrantes", "Minha Gata Rita Lee", "Stone Washed, and "Tema Para Jobim", which has a guest performance by Milton Nascimento! Set features 7 bonus tracks – recordings done with Viva Voz, Antonio Adolfo, Mario Adnet, and others – with titles that include "Acalanto", "Terra", "Pega Leve", "Canconeta", "Revendo Amigos", "Diga Ai Companheiro", and "Planeta Azul".