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Close matches: 13
Close matches1
CD, LP, Vinyl record album cover art
Manny AlbamSoul Of The City ... LP
Solid State, Mid 60s. Sealed Gatefold ... $9.99
A wonderful little session from Manny Albam – one that continues the strong tradition of larger group jazz arranging he began in the 60s, but which takes it to an even deeper level! Manny composed the entire set as kind of a "city suite" in jazz – one that paints the picture of many different shades of city life through jazzy solos and a range of deeper tones and colors from the larger ensemble. Players include Frank Wess, Phil Woods, JJ Johnson, Jerome Richardson, and Mike Manieri – all extremely well-suited to an outing like this – and titles include "The Game Of The Year", "Born On Arrival", "The View From The Inside", "El Barrio Latino", "Ground Floor Rear", and "Riverview". LP, Vinyl record album

Close matches2
CD, LP, Vinyl record album cover art
✨✧ Chick CoreaNow He Sings – Now He Sobs ... LP
Solid State, 1968. Very Good Gatefold ... $11.99
Amazing modern work from the young Chick Corea – a set that captures the pianist in much more avant territory than his famous 70s sets – at a time when he was just coming off some years working in a variety of modes on the New York scene! The group here is as revolutionary as Chick's own work on piano – a trio with Miroslav Vitous on bass and Roy Haynes on drums – generations coming together to really unlock the possibilities of a piano trio, with the same sort of freshness that you'd hear in the earliest work by Steve Kuhn or Keith Jarrett from the same time. By that, we mean that there's still elements here that tie the approach to older modes – but with a quality that's also instantly Chick's own – especially on the very compelling original material on the set. Titles include "Now He Sings – Now He Sobs", "Steps – What Was", "Matrix", and "The Law Of Falling & Catching Up". LP, Vinyl record album
(Cover has a split top seam held with clear tape, a cut corner, and surface wear.)

Close matches3
CD, LP, Vinyl record album cover art
Thad Jones & Mel LewisPresenting Thad Jones, Mel Lewis & The Jazz Orchestra (original cover) ... LP
Solid State, 1966. Very Good Gatefold ... $1.99
One of the hippest large American ensembles of the late 60s – almost a US equivalent to the groovy sound of the Clark Boland Big Band over in Europe! Trumpeter Thad Jones and drummer Mel Lewis had already made some great music together on their own – but once they came together in a record like this, they really found a great new direction for their energy – a bold musical force that's strong enough to also encompass the rich talents of players who include Pepper Adams on baritone sax, Joe Farrell on tenor, Jerome Richardson on soprano sax, Richard Williams on trumpet, Bob Brookmeyer and Tom McIntosh on trombones, Hank Jones on piano, and Richard Davis on bass! The sound is full, but never overwhelming – and like the Clark Boland group, this one has a great way of breaking open to allow key soloists to have some great space on their own – a modern approach, and one that still never has the band losing its groove. Titles include "ABC Blues", "Mean What You Say", "Three & One", and "Once Around". LP, Vinyl record album
(Cover has some wear.)

Close matches4
CD, LP, Vinyl record album cover art
Kokee BandExotica 1970 ... LP
Solid State, 1970. Very Good Gatefold ... $11.99
This is a massively overlooked album! Not only is it a great late-sixties take on Exotica, but it's also got some funky grooves and nice jazzy soloing, ala Sound Gallery or Sound Spectrum material. It's almost like the Chicharrones album, by the Latin Gents, if you know that one – and tracks include "Moon Of Manakoora", "Baia", "Misirlou", and "Tico Tico". Very nice! LP, Vinyl record album

Close matches5
CD, LP, Vinyl record album cover art
Johnny LytleSound Of Velvet Soul ... LP
Solid State, 1968. Very Good Gatefold ... $6.99
A great one from Johnny – slightly different than earlier work on Riverside or Tuba, but still with that tight stepping vibes sound that makes all his albums great! The album features arrangements by Manny Albam, many that have a slightly Latin feel, thanks to bongos and conga by Johnny Pacheco. The group includes a brace of saxes by players like Joe Farrell, Seldon Powell, Frank Wess, and Jerome Richardson – and tracks include "Suddenly You", "Up Up & Away", "The Thing To Do", "We're Blusein", "Live For Life", "LA Soul", and "Street Scene". LP, Vinyl record album

Close matches6
CD, LP, Vinyl record album cover art
Mike MainieriJourney Thru An Electric Tube ... LP
Solid State, 1969. Near Mint- Gatefold ... $19.99
An excellent lost album of funky vibes! Mike Mainieri's not always the greatest player in the world, but he really shines on this set – a solid electric groover that feels like some of the work that Dave Pike cut for MPS. Mainieri's vibes are at the core of the group, but there's also some great funky flute by Jeremy Steig, bass by Chuck Rainey, and guitar by Joe Beck. The drummer really kicks it nicely, too – and the best cuts have a driving beat underneath that works well with the modal playing of the vibes and flute. There's also vocals on three cuts, but they're really pretty spare, and they give the record a nice groovy touch. Includes the cuts "The Bush", "It's All Becoming Clear Now", "The Wind", and "Allow Your Mind To Wander". LP, Vinyl record album
(Cover has a promo stamp and some wear.)

Close matches7
CD, LP, Vinyl record album cover art
Jimmy McGriffI Can't Get No Satisfaction/I Can't Give You Anything But Love, Baby ... 7-inch
Solid State, 1966. Near Mint- ... $7.99
... 7-inch, Vinyl record
(Label has a sticker.)

Close matches8
CD, LP, Vinyl record album cover art
Jimmy McGriffWorm ... CD
Solid State/Blue Note, 1968. Used ... $6.99
Heavy funk from Jimmy McGriff – a monster set of grooves that ranks with his best of the late 60s! The tracks are short and sock-hard – Jimmy wailing on Hammond, over rhythms that have plenty of sharp edges, and lots of nice drum work – all recorded in a mode that's a heck of a lot rawer than some of his other records! The album brings together all the rough power of Jimmy's years at Sue Records with the funkier grooves of his 70s work – and features a killer combo that includes tenor from Fats Theus, alto from Danny Turner, trumpet from Blue Mitchell, guitar from Thornel Schwartz, and drums from both Mel Lewis and Grady Tate. Titles include "The Worm", "Blue Juice", "Lock It Up", "Think", "Heavyweight", and "Girl Talk". CD
(Out of print Rare Groove pressing, spine has a small cutout notch.)

Close matches9
CD, LP, Vinyl record album cover art
✨✧ Dizzy GillespieLive At The Village Vanguard (aka Jazz For A Sunday Afternoon) ... LP
Solid State, 1967. Very Good+ Gatefold ... Temporarily Out Of Stock
An amazing jam session set – of the sort that was rarely issued in the 60s, and hardly ever on labels like Solid State Records! The album features a small group of all-star players recorded live at the Village Vanguard in 1967 – all blowing on long, unstructured tunes that offer amazing solo space, and the kind of spontaneity that's rarely captured so well in a live jazz setting. Players include Dizzy Gillespie on trumpet, Pepper Adams on baritone sax, Chick Corea on piano, Ray Nance on violin, Richard Davis on bass, and either Elvin Jones or Mel Lewis on bass – and the unusual mix of players really comes together beautifully for the record, in a rare spirit that recalls the best of the Norman Granz JATP sessions, but with a hipper sort of 60s feel. 3 numbers in all: "Dizzy's Blues", "Blues For Max", and "Tour De Force" – all presented in very long versions. LP, Vinyl record album

Close matches10
CD, LP, Vinyl record album cover art
✨✧ Dizzy Gillespie, Chick Corea, Pepper Adams et alJazz For A Sunday Afternoon Vol 1 ... LP
Solid State, 1967. Near Mint- Gatefold ... Out Of Stock
An amazing jam session set – of the sort that was rarely issued in the 60s, and hardly ever on labels like Solid State Records! The album features a small group of all-star players recorded live at the Village Vanguard in 1967 – all blowing on long, unstructured tunes that offer amazing solo space, and the kind of spontaneity that's rarely captured so well in a live jazz setting. Players include Dizzy Gillespie on trumpet, Pepper Adams on baritone sax, Chick Corea on piano, Ray Nance on violin, Richard Davis on bass, and either Elvin Jones or Mel Lewis on bass – and the unusual mix of players really comes together beautifully for the record, in a rare spirit that recalls the best of the Norman Granz JATP sessions, but with a hipper sort of 60s feel. Titles include "Blues For Max", "Lover Come Back To Me", and "Lullaby At The Leaves". LP, Vinyl record album
(70s Japanese King pressing, K23P 6713, with obi and insert.)

Close matches11
CD, LP, Vinyl record album cover art
✨✧ Thad Jones & Mel LewisCentral Park North ... LP
Solid State, 1969. Very Good+ Gatefold ... Out Of Stock
Excellent work from the team of Thad Jones and Mel Lewis – arguably one of their best albums from the late 60s, and a set that's got some really great funky big band numbers! There's a nice bouncing groove to the group that they normally don't have – possibly because Richard Davis is playing some Fender bass on the set, which brings in a nice focus on the bottom end – and the best numbers have a sock-soul feel that's in the best late 60s large group soul jazz mode! Titles include "Tow Away Zone", "Jive Samba", "The Groove Merchant", and "Central Park North". LP, Vinyl record album
(Cover has light wear and splitting.)

Close matches12
CD, LP, Vinyl record album cover art
✨✧ Ray NanceBody & Soul ... LP
Solid State, Late 60s. Very Good Gatefold ... Out Of Stock
Ray grooves it nicely past his Ellington roots here – still using jazz violin, but working in a small combo mode, with some nice groovy tunes, in a style that makes for a pretty unique album! Some tracks have Ray bringing a new sound to 60s cuts like "Sunny", "Oh Happy Day", and "Hard Day's Night" – playing them in small combo mode, and mixing his violin with the tenor of Brew Moore, guitar of Tiny Grimes, and piano of Jaki Byard or Roland Hanna (who also plays a bit of organ on the set.) Other tracks are more traditional, but done in a lightly swinging way that almost has the "everything old is modern again" sort of mode of some of Byard's nods to trad in his own recordings. Nance also sings a bit on the set – in a nice, almost tired voice that we really like – and other titles include "Guitar Amour", "Tranquility", "Mimi", "Get Happy", and "Jolie Janice". LP, Vinyl record album

Close matches13
CD, LP, Vinyl record album cover art
✨✧ Thad Jones & Mel Lewis OrchestraMonday Night/Central Park North ... CD
Solid State/BGO (UK), 1969. New Copy 2CD ... Out Of Stock
Two early albums from this hip late 60s ensemble! Monday Night is genius work from the Jones & Lewis group – easily one of their best albums! If you've ever wondered why these guys got the chance to make so many records, check out this excellent early set and hear them at their finest. The group's a kick-ass one – with a host of all-star players like Jerome Richardson, Jerry Dodgion, Eddy Daniels, Seldon Powell, Roland Hanna, Richard Davis, and of course Jones and Lewis themselves – and the overall groove is similar to the Clarke-Boland Big Band at their best. Lots of rolling riffing rhythms, and breakout solos that really respect the members of the group – and which light a fuse under nearly every track. Features the funky groover "Mornin Reverend", plus "The Waltz You Swang For Me", "Say It Softly", "The Second Race", and "Kids Are Pretty People". Central Park North is excellent work from the team of Thad Jones and Mel Lewis – arguably one of their best albums from the late 60s, and a set that's got some really great funky big band numbers! There's a nice bouncing groove to the group that they normally don't have – possibly because Richard Davis is playing some Fender bass on the set, which brings in a nice focus on the bottom end – and the best numbers have a sock-soul feel that's in the best late 60s large group soul jazz mode! Titles include "Tow Away Zone", "Jive Samba", "The Groove Merchant", and "Central Park North". CD
 
Possible matches: 2
Possible matches14
CD, LP, Vinyl record album cover art
Jimmy McGriffStump Juice ... CD
Groove Merchant/Ultra Vybe (Japan), 1975. New Copy ... $16.99
Massively funky – and one of Jimmy McGriff's best albums for the Groove Merchant label! The album's follows strongly on the mode of Jimmy's classic Worm album – also produced by Sonny Lester, issued slightly before on the Solid State label. The set's got that stripped-down, hard-n-funky sound that Jimmy used on his best albums from the time – rhythm crackling at the bottom with a really sharp edge, and a lean, clean keyboards soaring over the top in some really mighty solo work – somewhere between James Brown funk and early 70s soundtracks! The drums are great, the tunes are tasty, and Jimmy plays both keyboards and Hammond – with a groove that's always outta site! Titles include the funky "Stump Juice", plus "TNT", "Stretch Me Out", "Pisces", "Cumayon", and "Purple Onion". CD
(Part of the Groove Merchant Mo' Groovy Collection!)

Possible matches15
CD, LP, Vinyl record album cover art
✨✧ Scott Faragher/AL KooperHammond Organ – An Introduction To The Instrument & The Players Who Mad It Famous ... Book
Hal Leonard, 2011. New Copy ... Out Of Stock
A heavy-duty look at one of our favorite instruments of all time – the mighty Hammond Organ, a keyboard that forever changed the sound of jazz, soul, and even rock and roll on the US scene of the 50s, 60s, and 70s! The book is huge – a fully-illustrated history of the electric organ in all its many forms produced by Hammond – and it's got a hell of a lot of text alongside the smaller photos – rundowns of different models, the evolution of the instrument, all the varieties of speakers that made it sound great, and even key performers over the years! The chapter titles should give you a great idea of the scope – "Marketing The Hammond Organ", "The Various Models", "The Leslie Speaker", "The Hammond Tone Cabinets", "The Solid State Organs", "Hammond Reborn", and the super-long "The Players" – which features almost 200 pages on dozens of key Hammond players over the years – all with bios, recordings, and other information. The softcover book is 389 pages, with images in both color and black and white – and an essential resource for any fan of the electric organ! Book
 
Partial matches: 14
Partial matches16
CD, LP, Vinyl record album cover art
Chris Orrick (Red Pill)Portraits (colored vinyl pressing) ... LP
Mello Music Group, 2018. New Copy ... $13.99 24.99
Unfiltered portraits of the artist formerly known as Red Pill – delivering the goods under his own name on a solid set for the Mello Music Group! Real life, self searching and personal statement making hip hop from a voice rooted in classic 90s school craft – not so much with a neo-classic sound as much as a strong commitment to beats, rhymes and life experience. Good stuff! Includes production by Nolan The Ninja, Apollo Brown, L'Orange, Onra and Exile – and given the self-protrait mission the guest rhymes kept to a minimum, with just a couple worthy appearances, courtesy Verbal Kent and Fashawn. Titles include "Self Portrait", "Stories", "Design Flaw", "Lazy Buddies", "Escape Plan", "Bottom Feeders" w/ Fashawn, "Barfly", "What Happens Next", "Mom" and more. LP, Vinyl record album

Partial matches17
CD, LP, Vinyl record album cover art
NasLost Tapes 2 ... CD
Mass Appeal, 2019. New Copy ... $14.99 15.99
A sequel to Nas's legendary Lost Tapes with beats by a who's who of post-millennium hip hop production heavyweights and versatile rhymes by one of best ever! The original Lost Tapes was a game changer, a raw showcase for his rhymes style at it's core essence that followed a hit and miss creative and commercial run. Nas has been comfortable in his legacy and doing pretty solid work in the years leading up to Lost Tapes 2, so this one on more of a worthwhile bonus batch of worthy for his later career rather than a restatement of core strength. Tracks produced by Swizz Beatz, Statik Selektah, RZA, Kanye, No ID, Pharrell and others. Titles include "No Bad Energy", "Vernon Family", "Jarreau Of Rap" with...yep, Al Jarreau, "Tanasia", "Adult Film" with Swizz Beats, "War Against Love", "Highly Favored", "Queens Wolf, "It Never Ends", "Queensbridge Politics" and more. CD
Also available Lost Tapes 2 ... LP 24.99

Partial matches18
CD, LP, Vinyl record album cover art
NasLost Tapes 2 ... LP
Mass Appeal, 2019. New Copy 2LP Gatefold ... $24.99 29.99
A sequel to Nas's legendary Lost Tapes with beats by a who's who of post-millennium hip hop production heavyweights and versatile rhymes by one of best ever! The original Lost Tapes was a game changer, a raw showcase for his rhymes style at it's core essence that followed a hit and miss creative and commercial run. Nas has been comfortable in his legacy and doing pretty solid work in the years leading up to Lost Tapes 2, so this one on more of a worthwhile bonus batch of worthy for his later career rather than a restatement of core strength. Tracks produced by Swizz Beatz, Statik Selektah, RZA, Kanye, No ID, Pharrell and others. Titles include "No Bad Energy", "Vernon Family", "Jarreau Of Rap" with...yep, Al Jarreau, "Tanasia", "Adult Film" with Swizz Beats, "War Against Love", "Highly Favored", "Queens Wolf, "It Never Ends", "Queensbridge Politics" and more. LP, Vinyl record album
Also available Lost Tapes 2 ... CD 14.99

Partial matches19
CD, LP, Vinyl record album cover art
Art PepperPromise Kept – The Complete Artist House Recordings (So In Love/Artworks/New York Album/Stardust/bonus tracks) (5CD set) ... CD
Artists House/Omnivore, Late 70s/Early 80s. New Copy 5CD ... $49.99 55.98
Five tremendous albums from saxophone genius Art Pepper – presented here with a lot of bonus tracks too! First up is So In Love – beautiful late work from Art Pepper – one of his albums recorded for the well-done Artist House label, and a set that's maybe got a different vibe than some of his Galaxy recordings of the time! There's a rock-solid sense of soul to the record – one that comes from the work of two different rhythm trios – one that features George Cables on piano, Charlie Haden on bass, and Billy Higgins on drums – a rhythm trio who keep things swinging, but never in a way that's too straight – pushing Art a bit around the edges, but letting him come right down the middle with some fantastic solos on alto – the other with Hank Jones on piano, Ron Carter on bass, and Al Foster on drums. Tunes are a bit shorter than on some other albums of the period, but in a great way that really lets you focus in on Pepper's amazing sound –and titles include "Diane", "Stardust", "Blues For Blanche", and "Straight No Chaser". Artworks is a nicely focused set from the great Art Pepper – a record that features a number of familiar bop and jazz themes, but set to a more open, relaxed, and very soulful style that wonderfully reflects all the greatness of Pepper in his final years! The group on the record is nicely understated, but still very hip – George Cables on piano, Charlie Haden on bass, and Billy Higgins on drums – and Art gets plenty of space to step out front and really blow these amazing solos, including one number that features just bass and drums, while Pepper blows a bit of clarinet – which we always love. All other titles feature alto sax – and titles include "Donna Lee", "Anthropology", "You Go To My Head", "Body & Soul", and "Desafinado". Next is a New York Album, but one that was oddly recorded in Burbank – and which has Art Pepper sounding very much at the top of his game! The format here is a bit like the other Artist House Pepper sessions, and those he did for the Japanese Atlas label – tight, focused, often tunes that are older jazz or bop standards – but swing with a great rhythm section, and topped with completely sublime alto solos from the leader! The quartet features Hank Jones on piano, Ron Carter on bass, and Al Foster on drums – but one number is a duo between Carter and Pepper, and another features just piano and alto. Titles include "Night In Tunisia", "Lover Man", "Duo Blues", "My Friend John", and "Straight No Chaser". Stardust is a great little record from Art Pepper – four long tracks that really have him stretching out on alto – but in a way that's maybe a bit different than some of his more burning albums on the Galaxy label at the time! The group here follows from some of the previous Artist House recordings – George Cables on piano, Charlie Haden on bass, and Billy Higgins on drums – a rhythm combo that's mighty nice – and which benefits from some great straight basswork from Haden, and Higgins' always compelling sense of rhythm! Titles include "My Friend John", "Stardust", and "Tin Tin Deo" – plus a reading of "In A Mellotone" that has Art on clarinet. CD5 features a full disc of Sessions material, titled as such – alternates, and unusual versions from the recording dates – and all other of the four CDs feature bonus material as well – different takes and alternates! CD

Partial matches20
CD, LP, Vinyl record album cover art
Grover WashingtonSacred Kind Of Love – The Columbia Recordings (Strawberry Moon/Then & Now/Time Out Of Mind/No Exit/All My Tomorrows/Soulful Strut/bonus tracks) (5CD set) ... CD
Soulmusic.com (UK), New Copy 5 CDs ... $29.99
All of Grover Washington Jr's albums for Columbia – brought together in a special box set! Strawberry Moon has a number of laidback groovers, with some solid Washington originals such as the title track and some sweet covers. BB King plays and sings on "Caught A Touch Of Your Love", with Jean Carne guesting on "The Look Of Love". Grover's sax is soulful and sweet throughout, and the titles include "Strawberry Moon", "Summer Nights", "Keep In Touch", and "Maddie's Blues". Then & Now is a nice one that has Grover working in a straighter jazz mode for the most part, taking a break from the soul and R&B groover –- the most timeless of the 3 albums compiled here! Players include Herbie Hancock, Ron Carter, Grady Tate and Darryl Washington. Titles include "Just Enough", "French Connections", "Stolen Moments", "Stella By Starlight" and more. Time Out Of Mind's title track is a cover of the Steely Dan classic, circa Gaucho – and this album finds Grover embracing the 80s a lot more than his previous album for Columbia. A mix of moods, with some electric funky flourishes and fusiony keys and synths. Titles include "Jamaica", "Sacred Kind Of Love", "Fly Away", the title track and more. Next Exit is great 90s work from Grover Washington Jr – a set from a time when the reedman was still one of the kings of mainstream soulful fusion! There's a bit of vocals from time to time, and some strong R&B production – but also plenty of room for Grover's well-crafted lines on soprano sax, which are still as soulful and slinky as ever! Titles include "Your Love", "Only For You", "Next Exit", "Greene Street", "Summer Chill", "Get On Up", and "Till You Return To Me". All My Tomorrows is an overlooked gem from reedman Grover – recorded in his later years, but a set that's actually got more of an acoustic style overall – one that goes back to the roots farther than any of Grover's fusion records! Washington's a great straight player in this setting – filled with soul on tenor and soprano sax – and working with top-shelf small group players like Eddie Henderson on trumpet, Hank Jones on piano, Bobby Watson on alto, and Robin Eubanks on trombone. Guitarist Romero Lumbambo arranged one great Brazilian-tinged number – and other arrangements are by Grover, Larry Willis, Slide Hampton, and Freddy Cole – who sings on two tracks too. Titles include "E Preciso Perdoar", "Happenstance", "All My Tomorrows", "Nature Boy", "Flamingo", and "Estate". Soulful Strut is bouncy soul from Grover Washington – a set that returns to his earlier roots in a space between soulful fusion and R&B! The slinky Washington soprano sax gets plenty of space in this set – blown with those seductive notes that always made Grover one of the most distinctive players on the instrument – and the backings often have this gentle R&B groove that's even stronger on the few cuts here with vocals. Titles include "Soulful Strut", "Bordertown", "Village Groove", "I Can Count The Times", "Headman's Hunt", and "Can You Stop The Rain". CD set also features bonus tracks – "Protect The Dream", "Heat Index", "Every Day A Little Death", and "The Night Fantastic". CD

Partial matches21
CD, LP, Vinyl record album cover art
✨✧ Pat LabarberaPass It On ... CD
PM/Solid (Japan), 1976. New Copy ... Out Of Stock
A strong little set from the upstate scene that circled around PM Records in the mid 70s – one headed up by sax player Pat Labarbera, and which features Gene Perla on bass, Joe Labarbera on drums, and either Richie Beirach or Don Thompson on piano! Pat plays tenor, soprano, and flute – and at times, he's going for the harder-jamming PM sound – with those sharp edges in the rhythms you'd expect from Perla and Labarbera – but at others, he kicks back and blows with surprising soulfulness that brings some great lyrical moments to the set – this sense of soul that we really love. Titles include "Little Lady", "Cellar Muse", "Pass It On", "Up Loose", and "Princess Road". CD
(Part of the Modern Jazz Connection series!)

Partial matches22
CD, LP, Vinyl record album cover art
✨✧ Charlie Persip & The Jazz StatesmenCharlie Persip & The Jazz Statesmen ... CD
Bethlehem/Solid (Japan), 1960. Used ... Temporarily Out Of Stock
A killer hardbop session – and a long lost classic! This stunning set is one of the best, and hardest sessions ever cut for the Bethlehem label – and it's got a raw pounding groove that sounds a lot more like some of the classic soul-tinged hardbop coming out on Prestige during the late 50s, than some of the more west coast oriented sessions that were usually Bethlehem's groove. Drummer Charlie Persip leads a crack quintet that includes Freddie Hubbard on trumpet, Ronnie Matthews on piano, and the amazing Roland Alexander on tenor. Alexander was a fantastic soul jazz player in the early 60s – and he was hardly ever recorded, and his work on this session is worth the price of the album alone. Everyone's great, though – and even a young Marcus Belgrave makes an appearance on trumpet on one track, as Freddie Hubbard sits out. Tracks are all long, and titles include "Sevens", "Right Down Front", "The Champ", and "Soul March". CD
(Out of print, includes obi.)

Partial matches23
CD, LP, Vinyl record album cover art
Gene ClarkRoadmaster ... CD
Sundazed, 1972. New Copy ... $12.99 16.98
A warm, wonderful set of Gene Clark recordings from the early 70s – material that probably should have been issued as a proper album in the States back in the day, as sounds pretty much as solid to us as some of his great work in preceding years – but was issued only in Europe at the time! Roadmaster was pulled together from 1972 sessions that were essentially abandoned, but it's truly top notch Cali country rock featuring Byrds and Burrito Brothers in the sessions. Titles include "She's The Kind Of Girl", "Full Circle Song", "Roadmaster", "In A Misty Morning", "She Don't Care About Time", "Shooting Star", "Rough And Rocky", "One In A Hundred", "I Remember The Railroad" and more. CD

Partial matches24
CD, LP, Vinyl record album cover art
Con Funk Shun7 ... LP
Mercury, 1981. Very Good+ ... $9.99
Not the group's 7th album, but a bold statement of the unity they feel as a 7 piece ensemble – perfectly lived up to in the record's well-crafted grooves! The album's one of Con Funk Shun's best overall – really solid, but never too slick, very tight in the bass department, but still soulful on the vocal tip, and never afraid to slip into a sweeter, more mellow tune. Titles include "Straight From The Heart", "Bad Lady", "Promise You Love", "I'll Get You Back", "A Song For You", and "California 1". LP, Vinyl record album
(Includes the printed inner sleeve.)

Partial matches25
CD, LP, Vinyl record album cover art
Mr WhiteMr White Presents Trusted Pilots – What It Feels Like (original mix, Damp Velour & Intimacy mix, Dossier instrumental mix, Marceauxmarceaux mix, Miss Chop instrumental mix) ... 12-inch
Edgewood Estate, 2017. Near Mint- ... $9.99
A nice bit of soulful house – plus a handful of solid alternate mixes – feels pretty blissful, actually! The original mix is sparely furnished in the best kind of way, with a compelling beat and soul steeped vocal. The Damp Velour + Intimacy mix moves a bit faster, but keeps the intimate soul intact. The Dossier mix & instrumental on the flip are really compelling, too, starting with the instrumental and building to the vocal, with equally solid and unique Marceauxmarceaux and Miss Chop mixes to close. 12-inch, Vinyl record

Partial matches26
CD, LP, Vinyl record album cover art
✨✧ Gene ClarkRoadmaster ... LP
A&M, 1972. Near Mint- ... Temporarily Out Of Stock
A warm, wonderful set of Gene Clark recordings from the early 70s – material that probably should have been issued as a proper album in the States back in the day, as sounds pretty much as solid to us as some of his great work in preceding years – but was issued only in Europe at the time! Roadmaster was pulled together from 1972 sessions that were essentially abandoned, but it's truly top notch Cali country rock featuring Byrds and Burrito Brothers in the sessions. Titles include "She's The Kind Of Girl", "Full Circle Song", "Roadmaster", "In A Misty Morning", "She Don't Care About Time", "Shooting Star", "Rough And Rocky", "One In A Hundred", "I Remember The Railroad" and more. LP, Vinyl record album
(Original German pressing!)

Partial matches27
CD, LP, Vinyl record album cover art
✨✧ Albert AylerSpirits To Ghosts (Spirits/Ghosts) ... CD
Ezz-Thetics/Hat Hut (Switzerland), 1964. New Copy ... Out Of Stock
A pair of classic Albert Ayler albums from 1964 – back to back on a single CD! First up is Spirits – only the second album ever recorded by Albert Ayler, but a tremendous statement of music that clearly marks the tenorist as one of the most important jazz talents of the 60s! The set was recorded in New York, and only ever got initial exposure overseas – but has grown to become one of the best-remember Ayler albums over the years – thanks in part to a rock-solid lineup of equal visionaries in the group, a lineup that include Sunny Murray on drums, Norman Howard on trumpet, and both Henry Grimes and Earl Henderson on bass – playing together on the title track, which gives the whole thing a really tremendous power. Ayler's clearly the spotlight, though – shining his light with brilliance both in his phrasing of the tenor, and his sense of timing and inherent rhythm – which opens the door to whole new pathways in jazz. Titles include "Spirits", "Prophecy", "Holy Holy", and "Witches & Devils". Next is Ghosts – a seminal early moment from the legendary Albert Ayler – an important session recorded overseas in Copenhagen – where enthusiasm for Ayler's music caught fire more strongly than in the US! The group's got an edge that's maybe even sharper than some of Ayler's ESP material, but no less powerful – with Don Cherry on cornet, Gary Peacock on bass, and Sunny Murray on drums – working through tremendous readings of six Ayler classics that include "Ghosts", "Children", "Holy Spirit", "Vibrations" and "Mothers". A wonderful precursor to the ESP years – and equally great! CD

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✨✧ Dexter GordonBoth Sides Of Midnight ... LP
Black Lion/ORG, 1967. Sealed ... Out Of Stock
One of the first great European statements from tenorist Dexter Gordon – a 1967 live recording that really lets Dexter stretch out, and show an even deeper side of his talents than on his 60s albums for Blue Note! The rhythm section here is rock solid – Kenny Drew on piano, Neils Henning Orsted Pedersen on bass, and Albert Tootie Heath on drums – a unit that still retains the sharpness of the Blue Note dates, but also has the energy to "go long" as Gordon pushes a few of the numbers on the set well past the ten minute mark. Gordon's solos are wonderfully imaginative and expressive – and titles include "Devilette", "For All We Know", "Doxy", and "Sonnymoon For Two". Material previously issued on LP under the title Montmartre Collection Vol 1. LP, Vinyl record album
(180 gram ORG pressing.)

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✨✧ SlitsCut (with bonus track) ... LP
Island (UK), 1979. New Copy (reissue)... Out Of Stock
Still one of THE standout records of the post-punk years – the simple but effective dub statement of three London ladies with decidedly left wing politics! The record's in a format that would later be copped by dozens of groups – one that mixes together post-punk and heavy dub – the former of which is served up with some nice rough guitars and crackly vocals, and the latter which is done even better with some super-solid production by Dennis Bovell! Titles include "Shoplifting", "Spend Spend Spend", "Instant Hit", "Newtown", "Ping Pong Affair", and the seminal "Typical Girls"! Features a bonus track – The Slits' version of "I Heard It Through The Grapevine". LP, Vinyl record album
 
 
 



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