might look like some sort of Tyrolean hipster on the cover of the album, but his guitar has been behind a fair bit of great funky work on the Timmion label in recent years – which is why it's great to hear him up front here in the lead! A bit like when Eddie Roberts stepped out from the New Mastersounds to record his initial solo records, the Sami
heard here is definitely different – jazzier, with a lot more complexity to his guitar work – at a level that, if the whole thing were issued back in the 60s (and with a different cover) would have had Linna
standing strongly next to the greats of that generation. His tone is superb, his phrasing is wonderful, and there's a clean jazzy vibe to the record that's very different than other Timmion funk and soul records – as Linna
plays in a drums, Hammond, and some mighty nice tenor sax. Tracks are all long – and titles include "Umoya", "Dreamsville", "Black Mountain", "Mode For Tomorrow", and "Clowns".