A rare look at a little-known chapter in the career of Charlie Mariano
– recordings made while living in Japan in the late 60s, done in the company of up-and-coming Japanese reedman Sadao Watanabe
! The pair seem perfectly matched here – no surprise, given that both players are ones that come from a mainstream background, but who can also bring in earthier, more primal tones to their instruments. And while the tracks in the set are mostly familiar 60s standards and soul jazz tunes, the interplay between the reeds is really tremendous – dipping, turning, and carving out notes with sharp edges and unusual turns that take the record way past the obvious. Many of the tunes have a bossa groove at the base – in keeping with Watanabe
's Brazilian-influenced sound of the era – but the presence of Mariano
makes the record sound a fair bit different as well! Titles include "One Note Samba", "Work Song", "Goin Home", "On The Trail", "Comin' Home Baby", "Black Orpheus", and "Lord Don't Let Them Drop that Atomic Bomb On Me". A landmark in Japanese jazz – issued here in the US pressing from the late 70s.
(Mid 70s issue. Cover has ring and edge wear and lightly bent corners.)