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Robin Kenyatta Edit search Phrase match

 
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Exact matches: 4
Exact matches1
CD, LP, Vinyl record album cover art
Robin KenyattaStompin' At The Savoy ... CD
Atlantic/Wounded Bird, 1974. New Copy ... $3.99 11.98
A great blend of older jazz styles and the sweet 70s funk of Robin Kenyatta – served up with a hip sort of sparkle overall! There's a few familiar jazz modes in here that definitely live up to the spirit of the title – but most of the record is more open, laidback, and somewhat spiritual – thanks to help from a hip lineup that includes Billy Harper on tenor sax, Dwight Brewster and Larry Willis on electric piano, Winston Wright on organ, Lew Soloff on trumpet, and Jimmy Knepper on trombone! Some of the best tracks here are surprisingly open and earthy – almost pointing back towards Kenyatta's Until album, but a bit more inside – and other cuts have a warmer sort of 70s glow, more in the mode that Robin was hitting on other Atlantic albums of the time. Titles include "The Need To Smile", "Mellow In The Park", "Jessica", "River Boat", "Two Bass Blues", and "Smooth Sailing". CD

Exact matches2
CD, LP, Vinyl record album cover art
Robin KenyattaTerra Nova ... CD
Altantic/Wounded Bird, 1973. New Copy ... $3.99 11.98
A cool bit of funk from reedman Robin Kenyatta – slightly electric, and often with a bit of an angular groove – almost a South African influence at times, although warmed up with a good dose of American soul as well! Most numbers here have some sort of keyboards – either from Pat Rebillot's electric piano or Neville Hinds' keyboards – and in addition to Robin's reedwork on alto and soprano sax, the set also features Enrico Rava on trumpet, Jonas Gwangwa on trombone, Carlos Garnett on tenor, and Sonny Burke on organ. Rhythm is at the core of the set – and is handled by either Ron Carter or Boris Gardner on bass, Ray Lucas or Winston Grennan on drums, and Ralph MacDonald on percussion. Parts of the set were recorded in Kingston – a fact that definitely shows in the grooves – and Betty Davis makes a brief guest appearance on vocals! Tracks include "Terra Nova", "Temptation Took Control Of Me", "Freedom Jazz Dance", "Need Your Love So Bad", "Touch", and "Island Shakedown". CD

Exact matches3
CD, LP, Vinyl record album cover art
Robin KenyattaUntil ... CD
Vortex/Wounded Bird, 1968. New Copy ... $3.99 11.98
One of the earliest albums as a leader from reedman Robin Kenyatta – and a set that's also one of his most compelling too! There's a definitely freer sound here than on some of Robin's smoother sets from the 70s – a vibe that's somewhere near the space of Impulse Records in the post-Coltrane years, and which is right at home on Atlantic's Vortex label subsidiary. A few tracks get surprisingly out, but always with a nice sense of focus, especially in the rhythms – and in addition to Kenyatta's own bold work on alto sax, the album features performances by Roswell Rudd on trombone, Mike Lawrence on trumpet, Walter Booker on bass, Fred Simmons on piano, and Horace Arnold on drums. The tunes have lots of sharp edges – almost Ayler-like at times, but more inside – and titles include "You Know How We Do", "Little Blue Devil", "This Year", and "Until". CD

Exact matches4
CD, LP, Vinyl record album cover art
✨✧ Robin KenyattaGypsy Man ... CD
Atlantic/Wounded Bird, 1973. New Copy ... Temporarily Out Of Stock
Sweet electric funk from Robin Kenyatta – but a set with some slightly complicated moments too! The album's a bit like some of Yusef Lateef's more electric moments on Atlantic, although probably not as cerebral overall – and Robin plays a range of reeds, including alto, flute, and soprano sax – the last of which is the best fit for the record, as Kenyatta plays it with a nicely snakey sort of style! Most tracks have a strong mix of keyboards and guitar – the former played by either Larry Willis or Pat Rebillot, the latter by David Spinoza or Keith Loving. Stanley Clarke plays bass on most of the set, and there's definitely some of his influence going on here too – and one track features added vocals by Robin and Lalome Wahsburn. Deodato arranged a version of "Last Tango In Paris" – and other titles include "Gypsy Man", "Melodie Chinoise", "Werewolf", "Another Freight Train", "Seems So Long", and "Reflective Silence". CD
 
Possible matches: 2
Possible matches5
CD, LP, Vinyl record album cover art
Kamau KenyattaStrong Men ... LP
Omni Arts, 1982. Near Mint- ... $6.99
An indie set from early 80s Detroit – one that features reedman Kamau Kenyatta in the lead, working with a lineup that has mixed acoustic and electric instrumentation! Kenyatta plays soprano and tenor sax, plus a bit of acoustic piano – and his tones are somewhat sharp-edged, but soulful – almost like that more famous Kenyatta, Robin, on his Atlantic records of the 70s. Players include William Evans on electric piano and organ, Tani Tabbal on drums, Sadir Bey on congas, and Todd Dikeman on guitar – and titles include "Asia Eyes", "Springtime Boulevard", "Wedding Song", "The Concubine", "For Lady Day", and "Griot De Janeiro". LP, Vinyl record album

Possible matches6
CD, LP, Vinyl record album cover art
✨✧ Andrew HillSpiral (Japanese paper sleeve edition) ... CD
Freedom/Muzak (Japan), 1975. New Copy ... Just Sold Out!
Really beautiful 70s work from pianist Andrew Hill – one of his few sessions from this part of the decade to feature a larger set of players – some really wonderful guests that make some real magic with Hill's brilliant compositions! At the start of the 70s, Andrew had announced a back to basics moment – when he wanted to play a bit more inside – and while this record isn't as completely avant as some of his 60s material, it's something of a blend of both modes – angular ideas that explode from the compositions, but mixed with a sense of structure too – all handled by players who are very well-suited to such a mode – a lineup that includes Ted Curson on trumpet, Lee Konitz on alto and soprano, Robin Kenyatta on alto, Cecil McBee and Stafford James on bass, and Art Lewis and Barry Altschul on drums. There's a special sort of beauty here – and the record's a great reminder that Andrew Hill's genius extended well past his famous recordings for Blue Note – on titles that include "Tomorrow", "Invitation", "The Message", "Quiet Dawn", and "Spiral". CD
 
 
 



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