Classic sounds from one of the coolest labels and studios in southern soul – the mighty Fame, which was to Muscle Shoals what Stax was to Memphis – especially at the time of these mid 60s recordings! Like Stax, Fame was an indie with a strong ear to the ground – and was able to pull together some incredible talent for its in-house roster – really strong songwriters, and session musicians who went on to become the stuff of legends – very different than the slicker cats on the coast, and instead some really dedicated young players who forever helped change the sound of soul in the 60s! Because of the core collection of talent at Fame, and the strength of its leader and producer Rick
Hall, there's a really unified vibe to this material, even though the singers in the lead are always different – as were the labels that originally released some of this material. Leave it up to Ace Records to pull all the best bits together, and also give us the wonderful story behind the Muscle Shoals scene – on titles that include "Fortune Teller" by The Del-Rays, "I Can't Stop" by Arthur Conley, "It Tears Me Up" by James
Barnett, "Feed The Flame" by Billy Young, Take Me Just As I Am" by Dan Penn, "Hi Heel Sneakers" by Jimmy Hughes, "Slippin Around With You" by Art Freeman, "That Kind Of Lovin" by Otis Clay, "Don't Make Me Hate Loving You" by Jeanie Greene, "Back In Your Arms" by George Jackson, "Thread The Needle" by Clarence Carter, "You Really Know How To Hurt A Guy" by Ralph Soul Jackson, "Long Ago" by Ben & Spence, "Keep On Talking" by James
Barnett, "Come On Home" by Herman Moore, "Almost Persuaded" by June Conquest, "Wish You Didn't Have To Go" by Spooner & The Spoons, "I Worship The Ground You Walk On" by Jimmy Hughes, "A Piece Of My Heart" by Art Freeman, and "Blind Can't See" by Richard Earl & The Corvettes.