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Exact matches: 3
Exact matches1
CD, LP, Vinyl record album cover art
✨✧ Red GarlandAlone With The Blues ... LP
Prestige/Moodsville, Early 60s. Near Mint- ... Just Sold Out!
A pretty obscure set of solo piano tracks by Red – done in a laidback, almost improvisational style, as were the tracks on Ray Bryant's similarly titled album from the same series. The setting's a nice one for Red – especially as it gives the chance to hear him without the strong rhythmic support he was often getting at the time. Titles include "Tired", "Chains Of Love", "Sent For You Yesterday", "Trane's Blues", and "Cloudy". LP, Vinyl record album
(Orange label Status pressing with RVG stamp. Cover has some light wear, a small sticker, and light splitting in one corner.)

Exact matches2
CD, LP, Vinyl record album cover art
✨✧ Red GarlandBright & Breezy ... LP
Jazzland, 1961. Very Good+ ... $34.99
Bright, breezy, and plenty darn soulful – a nice little post-Prestige album that almost has Red Garland returning to the piano with the tightest focus of his earlier years! The trio here features Sam Jones on bass and Charlie Persip on drums – both of whom punctuate the groove with the same sense as Red's classic trio – and who seem to inspire him to some even more punched-up lines on the set. The style's a bit like that with which Oscar Peterson was winning the crowds at the time – but Red's still got plenty of that old Garland emotion in the mix as well. Titles include a nice longish take on "Lil Darlin", plus the tracks "On Green Dolphin Street", "Blues In The Closet", "So Sorry Please", and "What's New". LP, Vinyl record album
(Orange and black label Jazzland pressing! Cover has light wear and a split spine, vinyl has a small click on one track.)

Exact matches3
CD, LP, Vinyl record album cover art
Red GarlandMisty Red ... CD
Timeless/Ultra Vybe (Japan), 1982. New Copy ... $16.99
A great later session from pianist Red Garland – recorded in the early 80s with support from Ahmad Jamal's old trio-mates – Jamil Nassar on bass and Frank Gant on drums! The Garland heard here is a gentler one than on his earlier recordings – playing with a nice Jamal-like sense of spacious exploration and mellow grooving. Tunes are mostly standards, but they're handled here in a manner that makes them feel much more like personal statements of expression than familiar chestnuts – and titles include "This Can't Be Love", "Misty", "But Not For Me", "Over The Rainbow", and "If I Were A Bell". CD
(Part of the "Timeless Jazz Syndicate" series!)
 
Possible matches: 21
Possible matches4
CD, LP, Vinyl record album cover art
✨✧ John ColtraneBlue Train ... CD
Blue Note, 1957. Used ... $1.99
John Coltrane's classic – and only – recording as a leader for Blue Note! The album's no throwaway date, though – as it stands strongly with both Coltrane's other label work of the time, and with the best of the late 50s Blue Note scene – a time when the label was really cooking at full strength! The groove here is a bit harder, heavier, and hardbop-inflected than some of Trane's late 50s sides with Red Garland – thanks to a lineup that features Lee Morgan on trumpet, Curtis Fuller on trombone, Kenny Drew on piano, Paul Chambers on bass, and Philly Joe Jones on drums. There's a crisp modern edge to the record that really holds up beautifully – even after years of play – and titles include "Blue Train, "Locomotion", "Moment's Notice", and "Lazy Bird". CD

Possible matches5
CD, LP, Vinyl record album cover art
John ColtraneColtrane (Prestige) (OJC pressing) ... CD
Prestige/OJC, 1957. Used ... $3.99
Classic early John Coltrane for Prestige – less a bold statement as a leader than a strong batch of blowing session-styled tracks that show how well Coltrane could hold his own with more established players! The groups on the set vary from track to track – and feature players that include Sahib Shihab, Mal Waldron, Red Garland, Paul Chambers, and Al Heath – plus underappreciated Philly trumpeter Johnnie Splawn. Trane's in great form here – even though the overall set's a bit less structured than some of his later albums – and his tone and solo approach are already stepping out from the rest of the pack with great vigor! Titles include "Bakai", "Time Was", "Straight Street", and "Chronic Blues". CD

Possible matches6
CD, LP, Vinyl record album cover art
John ColtraneLush Life ... CD
Prestige/OJC, 1957/1958. Used ... $3.99
Strong work from John Coltrane's early years as a leader – even if the album is sort of a collection of tracks that Trane recorded for Prestige, instead of a discreetly separate session! Side one features Coltrane's tenor in a spare setting with Earl May on bass and Art Taylor on drums – playing mellow tunes like "I Love You" and "Like Someone In Love", as well as the original "Trane's Slow Blues". Side two features a blowing session mode – with Donald Byrd, Red Garland, Paul Chambers, and Louis Hayes – on the cuts "Lush Life" and "I Hear A Rhapsody". CD

Possible matches7
CD, LP, Vinyl record album cover art
Miles DavisMilestones ... CD
Sony, 1958. Used ... $3.99
One of our 50s favorites by Miles Davis – and a record that offers the same twin-sax sound as his classic Kind Of Blue – with both John Coltrane and Cannonball Adderley working alongside Miles in the group! Rhythm here is by the Prestige-era trio of Red Garland on piano, Paul Chambers on bass, and Philly Joe Jones on drums – but it's the two saxophonists who really help Davis shape the feel of the record, pushing things past the initial Coltrane/Davis groove with a really wonderful sense of space and sound! Titles include the classic "Milestones", plus "Two Bass Hit", "Dr Jeckyll", and "Sid's Ahead". CD
(Out of print.)

Possible matches8
CD, LP, Vinyl record album cover art
✨✧ Miles DavisMilestones (180 gram vinyl – mono edition) ... LP
Columbia, 1958. New Copy ... $22.99 24.98
One of our 50s favorites by Miles Davis – and a record that offers the same twin-sax sound as his classic Kind Of Blue – with both John Coltrane and Cannonball Adderley working alongside Miles in the group! Rhythm here is by the Prestige-era trio of Red Garland on piano, Paul Chambers on bass, and Philly Joe Jones on drums – but it's the two saxophonists who really help Davis shape the feel of the record, pushing things past the initial Coltrane/Davis groove with a really wonderful sense of space and sound! Titles include the classic "Milestones", plus "Two Bass Hit", "Dr Jeckyll", and "Sid's Ahead". LP, Vinyl record album

Possible matches9
CD, LP, Vinyl record album cover art
Miles DavisMilestones (plus bonus tracks) ... CD
Columbia, 1958. New Copy ... $4.99 7.99
One of our 50s favorites by Miles Davis – and a record that offers the same twin-sax sound as his classic Kind Of Blue – with both John Coltrane and Cannonball Adderley working alongside Miles in the group! Rhythm here is by the Prestige-era trio of Red Garland on piano, Paul Chambers on bass, and Philly Joe Jones on drums – but it's the two saxophonists who really help Davis shape the feel of the record, pushing things past the initial Coltrane/Davis groove with a really wonderful sense of space and sound! Titles include the classic "Milestones", plus "Two Bass Hit", "Dr Jeckyll", and "Sid's Ahead". CD also features 3 bonus tracks – alternate takes of "Milestones", "Straight No Chaser", and "Two Bass Hit". CD

Possible matches10
CD, LP, Vinyl record album cover art
✨✧ Miles DavisRound About Midnight (180 gram vinyl – mono edition) ... LP
Columbia, 1956. New Copy (reissue)... $24.99 25.98
Thelonious Monk may have written the title tune, but Miles Davis makes it all his own here – blowing with a subtle moody magic that makes the album one of his true treasures from the early Columbia Records years! John Coltrane's along on tenor sax – helping Davis expand the sound the pair first forged on Prestige – and also present is the rhythm trio of Red Garland on piano, Paul Chambers on bass, and Philly Joe Jones on drums – impeccably recorded here with a wonderful sense of space, and almost a bridge between older Miles modes, and the genius to come. Titles include Miles seminal take on "Round Midnight", plus "Tadd's Delight", "Dear Old Stockholm", "Bye Bye Blackbird", and "A Leu Cha". LP, Vinyl record album

Possible matches11
CD, LP, Vinyl record album cover art
✨✧ Miles DavisWorkin' With The Miles Davis Quintet ... LP
Prestige/OJC, 1956. New Copy (reissue)... $18.99 21.98
One of the four essential quintet sides Miles Davis cut for Prestige in the mid 50s – all modern jazz classics by anyone's measure, along with Steamin', Relaxin' and Cookin'. These quintet sides established Davis and John Coltrane as a significant force to be reckoned with, and helped set the tone for much of the small group and post bop jazz cut in that era. Red Garland, Paul Chambers and Philly Joe Jones lay a smooth swinging pulse for Miles and Trane to blow over on the set – and titles include "It Never Entered My Mind", "Four", "In Your Own Sweet Way", "The Theme (takes 1 & 2)", "Trane's Blues", "Ahmad's Blues" and "Half Nelson". LP, Vinyl record album

Possible matches12
CD, LP, Vinyl record album cover art
Miles Davis & John ColtraneMiles & Coltrane ... CD
Columbia, Late 50s. Used ... $2.99
A strong collection of sides that Miles recorded for Columbia during the late 50s – most featuring a group that included John Coltrane, Cannonball Adderley, Bill Evans, Paul Chambers, and Jimmy Cobb, caught live at the Newport Jazz fest in 1958, playing the tunes "Ah-leu-cha", "Straight No Chaser", "Fran-Dance (Put Your Little Foot Right Out)", "Two Bass Hit", and "Bye Bye Blackbird". The remaining 2 tracks – "Little Melonae" and "Budo" – are from a 1955 set that includes Coltrane, plus the rhythm trio led by Red Garland and featuring Paul Chambers & Philly Joe Jones. CD
(Out of print.)

Possible matches13
CD, LP, Vinyl record album cover art
Little RoyalJealous ... LP
Trius/King, 1972. Sealed ... $19.99
An obscure little album – but one that's had surprising life in recent years, thanks to a great batch of funky tracks on the set! Little Royal is one of those soul singers who doesn't mind borrowing bits from bigger stars as long as they work well in his act – stepping out like Garland Green on the album's title version of "Jealous Kind Of Fellow" (oddly credited to Royal as the writer!), or like Joe Tex on some of the mellower southern soul numbers – but sounding even better as a rougher James Brown-styled singer on the album's funkier tracks! Huey P Meux produced the record down in Houston, but he's clearly trying to give the record some of the grittier styles of Brown's later work on King – possibly in the hopes that Royal might replace him as King's leading star when James departed for Polydor. Titles in clude the classics "Razor Blade" and "Panama Red", both great instrumental numbers that crackle like some of JB's late King work – plus "I'll Come Crawling", "Soul Train", "Losing Battle", "Jealous", and "My Love Needs Company". LP, Vinyl record album
(Original pressing. Cover has a cutout hole.)

Possible matches14
CD, LP, Vinyl record album cover art
✨✧ VariousReturn Of Jazz Club – Dancefloor Classics From The Original Jazz Dance DJ ... CD
Prestige/BGP (UK), Late 50s/1960s. New Copy ... $11.99 18.99
Really classic jazz grooves from the vaults of Prestige Records – the kind of cuts that first broke big on the London scene of the 80s, at a time when diggers were setting fire to the rare groove scene too! The cuts here are proof that some of the best work doesn't need to come from completely obscure groups or super-tiny labels – as the music here is exactly the kind of work that made huge waves in the US jazz scene when first released, then went underground for many years – until later collectors and diggers brought it back to the limelight! The great thing is how many of these cuts are all acoustic – no need for electricity to make things funky – as you'll hear on tracks that include "Hiyo Silver" by Bennie Green, "Grease Monkey" by Kenny Burrell with Jack McDuff, "Mau Mau" by Art Farmer, "Mambo Inn" by Billy Taylor with Candido, "Manteca" by Red Garland, "Blue Stompin" by Hal Singer, "Spider Man" by Freddie McCoy, "Filthy McNasty" by Eddie Jefferson, "Flatjacks" by Willie Rodriguez, "Blue Gator" by Willis Jackson, and "Pedro Stroller" by Johnny Lytle. CD

Possible matches15
CD, LP, Vinyl record album cover art
✨✧ John ColtraneBlue Train ... LP
Blue Note, 1957. Good ... Temporarily Out Of Stock
John Coltrane's classic – and only – recording as a leader for Blue Note! The album's no throwaway date, though – as it stands strongly with both Coltrane's other label work of the time, and with the best of the late 50s Blue Note scene – a time when the label was really cooking at full strength! The groove here is a bit harder, heavier, and hardbop-inflected than some of Trane's late 50s sides with Red Garland – thanks to a lineup that features Lee Morgan on trumpet, Curtis Fuller on trombone, Kenny Drew on piano, Paul Chambers on bass, and Philly Joe Jones on drums. There's a crisp modern edge to the record that really holds up beautifully – even after years of play – and titles include "Blue Train, "Locomotion", "Moment's Notice", and "Lazy Bird". LP, Vinyl record album
(Mono West 63rd pressing with deep groove, RVG stamp, 9M etch, and ear. Label on Side 2 has a bit of pen. Cover has some surface wear, heavy edge wear, and wide masking tape along the sides, with a bit of pen on back.)
Also available Blue Train ... CD 1.99

Possible matches16
CD, LP, Vinyl record album cover art
✨✧ John ColtraneColtrane (Prestige) ... LP
Prestige, 1957. Good ... Temporarily Out Of Stock
Classic early John Coltrane for Prestige – less a bold statement as a leader than a strong batch of blowing session-styled tracks that show how well Coltrane could hold his own with more established players! The groups on the set vary from track to track – and feature players that include Sahib Shihab, Mal Waldron, Red Garland, Paul Chambers, and Al Heath – plus underappreciated Philly trumpeter Johnnie Splawn. Trane's in great form here – even though the overall set's a bit less structured than some of his later albums – and his tone and solo approach are already stepping out from the rest of the pack with great vigor! Titles include "Bakai", "Time Was", "Straight Street", and "Chronic Blues". LP, Vinyl record album
(Mono blue trident label pressing with RVG stamp/AB etch in a yellow cover. Cover has a split spine and bottom seam with masking tape remnants, wear and aging, and some stains.)
Also available Coltrane (Prestige) (OJC pressing) ... CD 3.99

Possible matches17
CD, LP, Vinyl record album cover art
✨✧ John ColtraneLush Life ... LP
Prestige, 1957/1958. Near Mint- ... Temporarily Out Of Stock
Strong work from John Coltrane's early years as a leader – even if the album is sort of a collection of tracks that Trane recorded for Prestige, instead of a discreetly separate session! Side one features Coltrane's tenor in a spare setting with Earl May on bass and Art Taylor on drums – playing mellow tunes like "I Love You" and "Like Someone In Love", as well as the original "Trane's Slow Blues". Side two features a blowing session mode – with Donald Byrd, Red Garland, Paul Chambers, and Louis Hayes – on the cuts "Lush Life" and "I Hear A Rhapsody". LP, Vinyl record album
(Mono blue trident label pressing in a blue toned cover, with a cutout hole, minimal wear, and a Mono sticker on front.)
Also available Lush Life ... CD 3.99

Possible matches18
CD, LP, Vinyl record album cover art
✨✧ Miles DavisMilestones (original master recording) ... CD
Columbia/Mobile Fidelity, 1958. Used Gatefold ... Temporarily Out Of Stock
One of our 50s favorites by Miles Davis – and a record that offers the same twin-sax sound as his classic Kind Of Blue – with both John Coltrane and Cannonball Adderley working alongside Miles in the group! Rhythm here is by the Prestige-era trio of Red Garland on piano, Paul Chambers on bass, and Philly Joe Jones on drums – but it's the two saxophonists who really help Davis shape the feel of the record, pushing things past the initial Coltrane/Davis groove with a really wonderful sense of space and sound! Titles include the classic "Milestones", plus "Two Bass Hit", "Dr Jeckyll", and "Sid's Ahead". CD
(Limited, numbered pressing – in gatefold style LP sleeve!)

Possible matches19
CD, LP, Vinyl record album cover art
✨✧ Miles DavisRelaxin' With The Miles Davis Quintet ... LP
Prestige/OJC, 1956. New Copy (reissue)... Temporarily Out Of Stock
One of the classic early Miles Davis & John Coltrane sessions for Prestige – a well-crafted quintet album that shows Miles finding a stronger voice than ever, and Coltrane beginning to emerge as a key force on his own! Backing is subtle and soulful – handled by the trio of Red Garland, Paul Chambers, and Philly Joe Jones – and although the tracks are mostly ballads and standards, they're all nicely given the Davis treatment on the set, turned into beautiful new vehicles for jazz imagination and improvisation! Titles include "If I Were A Bell", "I Could Write A Book", "Oleo", and "Woody'n You". LP, Vinyl record album

Possible matches20
CD, LP, Vinyl record album cover art
✨✧ Miles DavisSteamin' With The Miles Davis Quintet ... LP
Prestige, 1956. New Copy (reissue)... Temporarily Out Of Stock
An early pairing of Miles Davis & John Coltrane – one of the duo's mid 50s classics for Prestige, as you might guess from the verb in the title! And although "Steamin" might be a word that's a bit too firey to describe the action going on here, the album's got a tremendous sense of presence throughout – as Davis' cooler trumpet is matched with Trane's earthier solo work – all supported by Red Garland trio backing in a style that's as near-classic as it comes for 50s jazz. Titles include "Diane", "Something I Dreamed Last Night", "When I Fall In Love", and "Salt Peanuts". LP, Vinyl record album

Possible matches21
CD, LP, Vinyl record album cover art
✨✧ John ColtraneStardust Session ... CD
Prestige, 1958. Used ... Out Of Stock
An excellent double-length album that brings together a full session of material by John Coltrane – titles that were initially scattered over a number of different albums, but finally brought back together for this package! The album features Coltrane blowing in a quintet with trumpeter Wilbur Harden – making the set a nice counterpart to the Harden/Coltrane work at Savoy – but done here in a style that's more fully spacious, in keeping with Trane's Prestige work as a leader. Rhythm is by the trio of Red Garland on piano, Paul Chambers on bass, and Jimmy Cobb on drums – and tracks were originally issued on the albums Stardust, Standard Coltrane, and Bahia. 8 titles in all – including "I'll Get By", "Don't Take Your Love From Me", "Stardust", "Invitation", "Love Thy Neighbor", and "My Ideal". CD
(NOTE: this copy is missing the rear tray card and is priced accordingly.)

Possible matches22
CD, LP, Vinyl record album cover art
✨✧ Miles DavisWorkin' With The Miles Davis Quintet ... CD
Prestige/OJC, 1956. Used ... Out Of Stock
One of the four essential quintet sides Miles Davis cut for Prestige in the mid 50s – all modern jazz classics by anyone's measure, along with Steamin', Relaxin' and Cookin'. These quintet sides established Davis and John Coltrane as a significant force to be reckoned with, and helped set the tone for much of the small group and post bop jazz cut in that era. Red Garland, Paul Chambers and Philly Joe Jones lay a smooth swinging pulse for Miles and Trane to blow over on the set – and titles include "It Never Entered My Mind", "Four", "In Your Own Sweet Way", "The Theme (takes 1 & 2)", "Trane's Blues", "Ahmad's Blues" and "Half Nelson". CD
Also available Workin' With The Miles Davis Quintet ... LP 18.99

Possible matches23
CD, LP, Vinyl record album cover art
✨✧ Jackie McLeanMcLean's Scene (Japanese paper sleeve edition) ... CD
New Jazz (Japan), Late 50s. Used ... Out Of Stock
McLean's Scene is a strong one – as the young Jackie is really coming into his own at the time of the session, blowing and growing with a soulful command of the alto sax that would emerge even more strongly in the 60s. The album's got McLean working in a slightly open-ended way – almost a blowing session, but a bit more controlled – yet in that relaxed style that always seemed to get the most sharpness out of Jackie's horn at the time. Other players include Bill Hardman on trumpet, Mal Waldron or Red Garland on piano, Paul Chambers or Arthur Phipps on bass, and Art Taylor on drums. Titles include "Gone With the Wind", "Our Love Is Here to Stay", "Old Folks", "Outburst", "Mean To Me", and "McLean's Scene". CD
(Out of print. Includes obi.)

Possible matches24
CD, LP, Vinyl record album cover art
✨✧ Miles DavisMilestones (plus bonus tracks) ... CD
Columbia, 1958. Used ... Out Of Stock
One of our 50s favorites by Miles Davis – and a record that offers the same twin-sax sound as his classic Kind Of Blue – with both John Coltrane and Cannonball Adderley working alongside Miles in the group! Rhythm here is by the Prestige-era trio of Red Garland on piano, Paul Chambers on bass, and Philly Joe Jones on drums – but it's the two saxophonists who really help Davis shape the feel of the record, pushing things past the initial Coltrane/Davis groove with a really wonderful sense of space and sound! Titles include the classic "Milestones", plus "Two Bass Hit", "Dr Jeckyll", and "Sid's Ahead". CD also features 3 bonus tracks – alternate takes of "Milestones", "Straight No Chaser", and "Two Bass Hit". CD
Also available Milestones (plus bonus tracks) ... CD 4.99
 
Partial matches: 8
Partial matches25
CD, LP, Vinyl record album cover art
Garland GreenLove Is What We Came Here For/Running Scared ... 7-inch
Cotillion, 1972. Very Good ... $11.99
Rare work by Garland – recorded away from Chicago, in Philly, at Sigma Sound, with production and songwriting by Bunny Sigler and Phil Hurtt, and arrangements by Norman Harris and Ronnie Baker. The combination of Green's bluesy vocals with a smooth Philly soul approach works very nicely – especially on "Love Is What We Came Here For", a stretched out, very mellow track that we like a lot! 7-inch, Vinyl record

Partial matches26
CD, LP, Vinyl record album cover art
Garland GreenVery Best Of Garland Green – 24 Tracks From Chicago's Master Soul Singer's Illustrious Career ... CD
Kent (UK), 1970s. New Copy ... $10.99 18.99
A windy city hero – the amazing Garland Green, a singer who makes us mighty proud we hail from Chicago! Garland's got an incredible style that few others can touch – partly schooled in the 60s iceman modes of Jerry Butler and Walter Jackson, with all the sophistication that might imply – but also often given a raspier twist, with slightly southern echoes that make Garland's music feel even more deeply personal! And while most folks know Green's big hits for the Uni label, this package shows a rich legacy that goes much father than that – work recorded for labels that include Cotillion, Spring, RCA, Ocean Front, and Revue – in addition to some key Uni tracks. This trans-label set really does a wonderful job of showing the full range of Garland's mighty talents – a sublime set of soul cuts that run from the start of the 70s right up to the early 80s modern years – packaged with detailed notes too. Titles include "Since You've Been Gone", "These Arms", "Just Loving You", "Just My Way Of Loving You", "He Didn't Know", "Don't Think That I'm A Violent Guy", "Love's Calling", "Just What The Doctor Ordered", "Sweet Loving Woman", "Ask Me What You Want", "You Played On A Player", "Don't Let Love Walk Out On Us", and "Sending My Best Wishes". CD

Partial matches27
CD, LP, Vinyl record album cover art
✨✧ Freddie HughesSend My Baby Back ... LP
Scepter, Mid 60s. Near Mint- ... Just Sold Out!
Fantastic! This is the kind of soul that we still collect vinyl for! Freddie Hughes is one of the great lost voices of the 60s, and this sparkling album of soulful tunes is a real gem! He's not the same singer as the Freddie Hughes from Chicago – and he hailed from San Francisco, a very unlikely source for such great soul music. The session was recorded with Lonnie Hewitt (Cal Tjader's funky piano player) in SF – but it's got that perfect New York Wand/Scepter "deep soul meets uptown" sound. The tracks are mostly written by Hughes or Hewitt – and they are all pretty amazing, filled with hooks that just don't quit, and some heartbreaking verses that match the work of writers like Curtis Mayfield or Garland Green. Titles include "Send My Baby Back", "He's No Good", "Tonight I'm Gonna See My Baby", and "I Gotta Keep My Bluff In". LP, Vinyl record album
(Great original pressing!)

Partial matches28
CD, LP, Vinyl record album cover art
✨✧ Freddie HughesSend My Baby Back (plus bonus tracks) ... CD
Scepter/Kent (UK), 1960s. New Copy ... Out Of Stock
Fantastic! This is the kind of soul that we still collect vinyl for and are all the more thrilled to see officially reissued by careful curators such as those at Kent UK! Freddie Hughes is one of the great lost voices of the 60s, and this sparkling album of soulful tunes is a real gem – loaded up here with incredible bonus tracks recorded in earlier duo sessions! He's not the same singer as the Freddie Hughes from Chicago – and he hailed from San Francisco, a very unlikely source for such great soul music. The session was recorded with Lonnie Hewitt (Cal Tjader's funky piano player) in SF – but it's got that perfect New York Wand/Scepter "deep soul meets uptown" sound. The tracks are mostly written by Hughes or Hewitt – and they are all pretty amazing, filled with hooks that just don't quit, and some heartbreaking verses that match the work of writers like Curtis Mayfield or Garland Green. Titles include "Send My Baby Back", "He's No Good", "Tonight I'm Gonna See My Baby", "You're My Everything", "Natural Man" (the Aretha classic remodeled for a male perspective) and "I Gotta Keep My Bluff In" and bonus tracks "Love Can't Be Understood" and "My Baby Came Back". Earlier in the decade, Freddie sang in San Francisco duos Casanova II with Wylie Trass and The Soul Brothers with Ken Pleasants. This CD includes "Maybe They're Right", "Love's Philosophy", "I Was A Fool" and "We Got To Keep On" by Casanova II, plus "Let Our Love Go On", "Love's Philosophy" (Pts 1 & 2), "Where's My Baby" and more by The Soul Brothers, many previously unreleased. One more bonus track: "Do The Philly" on the Music City label, credited to The Music City All Stars. CD

Partial matches29
CD, LP, Vinyl record album cover art
VariousGonna Shake This Shack – From The Vaults Of Decca & Coral Records ... CD
Decca/Bear Family (Germany), Late 40s/Early 50s. New Copy ... $19.99 22.99
Rare hillbilly grooves from Decca Records – the kind of killer pre-country material that was not only a huge influence on rock and roll, but which will also show you that Elvis and Sun Records weren't the only people who'd figured out this kind of groove back in the 50s! The tracks are all upbeat, all very groovy, and filled with lots of wit and sweet instrumental touches – really moving the older modes of hillbilly music into the postwar years, often with a strong electric or steel guitar line instead of a fiddle or other stringed instrument! This is the sort of work that's been compiled on dodgy cheapo collections for years – but the Bear Family treatment here is superb – with great notes and wonderful sound, for titles that include "Pan American Boogie" by Lonnie Glosson, "I'm A Ding Dong Daddy" by Jimmy Atkins & His Pinetoppers, "Hesitation Boogie" by Hardrock Gunter, "I Mean I'm Mean" by Roy Duke, "Happy Go Lucky" by Autry Inman, "Blue Ribbon Boogie" by Chuck Murphy, "I'm Just Here To Get My Baby Out Of Jail" by Rusty Keefer, "Empty Seat In The Bar Room Booth" by Gene Stewart, "Inchin Up" by Tabby West, "Sixty Minute Man" by Roberta Lee & Hardrock Gunter, "Guitar Shuffle" by Hank Garland, and "Pretty Little Dedon" by Tabby West. 30 tracks in all! CD

Partial matches30
CD, LP, Vinyl record album cover art
VariousGarland Records – Pacific Northwest Snuff Box ... CD
Garland/Beat Rocket, Late 60s. New Copy ... $13.99 14.99
A really cool collection of work from the surprisingly deep musical well of Garland Records – a Pacific Northwest imprint that's maybe best known for some garagey gems, but who here display a great ability to cut country-tinged records too! The vibe here is a bit Bakersfield, but filtered through some of the country rock modes that were bubbling up on the LA scene too – far from Nashville, with leaner arrangements and strong use of guitar in the lead – served up by a host of obscure Oregon acts who also echo that shifting wave north of country music audiences as Cali was changing in the 60s! The package is as well done as other entries in this series – and titles include "Hard Workin Woman" and "Tippy Toeing" by Cascade Sweethearts, "Since Daddy's Not Around" by Jim Thompson & The Colts, "China Doll" by Geronia Coyle & The G Tones, "Friends Of Mine" by The Heard, "You Aint' Goin Nowhere" by Tyme, "Laura" by Chuck Wray, and "There's A Time & A Place For Everything" by Hubert Averette & The G Tones. CD
Also available Garland Records – Pacific Northwest Snuff Box (gold vinyl pressing) ... LP 23.99

Partial matches31
CD, LP, Vinyl record album cover art
VariousGarland Records – Pacific Northwest Snuff Box (gold vinyl pressing) ... LP
Garland/Beat Rocket, Late 60s. New Copy ... $23.99 24.99
A really cool collection of work from the surprisingly deep musical well of Garland Records – a Pacific Northwest imprint that's maybe best known for some garagey gems, but who here display a great ability to cut country-tinged records too! The vibe here is a bit Bakersfield, but filtered through some of the country rock modes that were bubbling up on the LA scene too – far from Nashville, with leaner arrangements and strong use of guitar in the lead – served up by a host of obscure Oregon acts who also echo that shifting wave north of country music audiences as Cali was changing in the 60s! The package is as well done as other entries in this series – and titles include "Hard Workin Woman" and "Tippy Toeing" by Cascade Sweethearts, "Since Daddy's Not Around" by Jim Thompson & The Colts, "China Doll" by Geronia Coyle & The G Tones, "Friends Of Mine" by The Heard, "You Aint' Goin Nowhere" by Tyme, "Laura" by Chuck Wray, and "There's A Time & A Place For Everything" by Hubert Averette & The G Tones. LP, Vinyl record album
Also available Garland Records – Pacific Northwest Snuff Box ... CD 13.99

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✨✧ Regional GarlandMixed Sugar – The Complete Works 1970 to 1987 ... CD
Now Again, 1970s/1980s. New Copy ... Out Of Stock
A fantastic anthology of Flint, MI soul great Regional Garland – 70s soul empires were built on lesser talent than you'll find on this set put together by Egon & Now Again! Garland is a performer, producer, songwriter and arranger of whom we were most familiar with for his work with the group Hunt's Determination – a taste of which is included here, along with Regional's recordings with The Perfections, 21st Generations, Mixed Sugar, Brilliance and others. Even the few Hunts Determination records we were familiar with show a fairly staggering stylistic range, while holding together as a tight whole – and that's all the more impressive with a broader collection of work with varying personnel here. The heart of the collection is early-to-late 70s recordings, from dancefloor soul, funk and strains of disco later in the decade – revelatory stuff for us. We knew the man was good, but, damn! The set also features several mid 80s recordings with that era's synth textured sound with the 70s soul vocals surprisingly well. Includes "I Need Love" & "Hey James" with 21st Generations, "Get On Down" & "Girl You Better Hurry" with The Perfections, "I Need Love" and "Are We Through" with Hunts Determination, "15 Ain't Young No More", "It's A Bad Feeling" and "Disco Jam Bam Bam" with Mixed Sugar, the previously unreleased "Gangster Girl" and "I'm Sad We've Broke Up", "I'm Falling In Love" with Vann & Reggie, "Hit Girl" with Brilliance and more. Nice notes with personnel, and a couple bonus versions "I Need Love". CD
 
 
 



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