The music scene in Williamsburg, Brooklyn, is one that's had an undeniable impact on cultural activity in recent decades – yet it's also one of those scenes that initially happened without most folks taking place – that is, it was a real artist and musician's scene, and not the kind that was easily open to outsiders until many years later! In this really well-done book, Cisco Bradley (who also gave us a great volume on William Parker) digs deep into the earliest days of the Williamsburg scene – that late 80s moment when Manhattan and other spots had become too expensive for the truly creative – and the other side of the East River emerged as a great place to move, live, and continue to make music. Bradley really gets at the criss-crossing elements of the scene at the time – and follows it well into the 21st Century, to a time when the changing real estate market in Brooklyn, and subsequent zoning changes, started to give Williamsburg the same creative fate as Soho, the East Village, and other important New York scenes in previous decades. Different initial chapters look at key spaces as forces – warehouses and lofts, clubs and galleries, and even pirate radio – and later chapters look at the larger forces causing change in the 21st Century. A really hefty book, as well-researched as it is well-written – 388 pages, softcover, with some black and white images. Book

Cypress Hill's debut masterpiece – one of the biggest and best first albums in 90s hip hop! There's little we can add to the canon when it comes to describing this album's impact, but it's still pretty revelatory. Like other west coast rap heavies of the time, Cypress Hill documents real world street violence with a darkly comic sensibility, redefined usage of the word "blunt" forever more, and simply delivered one of the most influential rap (or rock, considering the astonishing crossover success) albums of the decade. Titles include "How I Could Just Kill A Man", "Hand On The Pump", "Hole In The Head", "Real Estate", "Stoned Is The Way Of The Walk", "Phunky Feel One", "Pigs", "Latin Lingo", "Something For The Blunted", and "Psychobeatbuckdown". Cassette

Cypress Hill's debut masterpiece – one of the biggest and best first albums in 90s hip hop! There's little we can add to the canon when it comes to describing this album's impact, but it's still pretty revelatory. Like other west coast rap heavies of the time, Cypress Hill documents real world street violence with a darkly comic sensibility, redefined usage of the word "blunt" forever more, and simply delivered one of the most influential rap (or rock, considering the astonishing crossover success) albums of the decade. Titles include "How I Could Just Kill A Man", "Hand On The Pump", "Hole In The Head", "Real Estate", "Stoned Is The Way Of The Walk", "Phunky Feel One", "Pigs", "Latin Lingo", "Something For The Blunted", and "Psychobeatbuckdown". CD

Cypress Hill's debut masterpiece – one of the biggest and best first albums in 90s hip hop! There's little we can add to the canon when it comes to describing this album's impact, but it's still pretty revelatory. Like other west coast rap heavies of the time, Cypress Hill documents real world street violence with a darkly comic sensibility, redefined usage of the word "blunt" forever more, and simply delivered one of the most influential rap (or rock, considering the astonishing crossover success) albums of the decade. Titles include "How I Could Just Kill A Man", "Hand On The Pump", "Hole In The Head", "Real Estate", "Stoned Is The Way Of The Walk", "Phunky Feel One", "Pigs", "Latin Lingo", "Something For The Blunted", and "Psychobeatbuckdown". LP, Vinyl record album

Cypress Hill's debut masterpiece – one of the biggest and best first albums in 90s hip hop! There's little we can add to the canon when it comes to describing this album's impact, but it's still pretty revelatory. Like other west coast rap heavies of the time, Cypress Hill documents real world street violence with a darkly comic sensibility, redefined usage of the word "blunt" forever more, and simply delivered one of the most influential rap (or rock, considering the astonishing crossover success) albums of the decade. Titles include "How I Could Just Kill A Man", "Hand On The Pump", "Hole In The Head", "Real Estate", "Stoned Is The Way Of The Walk", "Phunky Feel One", "Pigs", "Latin Lingo", "Something For The Blunted", and "Psychobeatbuckdown". LP, Vinyl record album

A warmly intimate album from Joao Gilberto – one that has the singer and guitarist in the same special space as his wonderful albums from the early 70s - a bit more sophisticated than the bossa years, but equally personal throughout! The set was co-produced by Helen Keane – who was bringing real magic to the records of pianist Bill Evans at the time – and music is by a core combo that includes American jazz musicians Ralph Grierson on keyboards and Grady Tate on drums – with some additional larger arrangements from Claus Ogerman, but used in a way that never clutters up the sound at all. Instead, Joao sounds beautiful right up front in the mix – with those sublime raspy vocals, and perfectly-placed lines on acoustic guitar – on titles that include a fabulous reading of "Estate", plus Jobim's "Wave" and "Zingaro", and the tracks "Caminha Cruzados", "Tin Tin Por Tin Tin", and "Besame Mucho". LP, Vinyl record album

A warmly robust piano trio and one with a really magnificent sound – a real richness that comes from the subtle command of the keys expressed by Roberto Olzer – a player who has this way of being gently emotive, through a great sense of tone – a quality that's also underscored by superb work on bass from Yuri Goloubev! The pair aren't exactly household names in jazz, but they work here alongside excellent drums from Maruo Beggio – in a beautiful set that really lives up to the long legacy of sublime piano trio recordings we've enjoyed from the Sawano label! The set's also got some really great tracks that round out the set – originals that include "Charisma", "La Luna E I Falo", "Little Requiem", "La Bella Estate", and "Le Vieux Charme" – plus a great take on the Ryuichi Sakamoto tune "Bibo No Aozora", and other titles that include "Seaward", "Beautiful Love", and a version of Poulenc's "Adagio" LP, Vinyl record album

Over the course of his many years in music, bassist Buster Williams has only cut a relatively small amount of records as a leader – yet that fact definitely seems to make each one a real delight! That's certainly the case here – as Williams works with a very cool group who really open up in ways that echo the subtle spiritual legacy of the leader – a core combo that features superb work on vibes from Stefon Harris, tenor and flute from Bruce Williams, piano from George Colligan, and drums from Lenny White – all stretching out on long tracks that include some great originals by the leader. Jean Baylor joins the group on vocals on some numbers – giving the whole thing that extra-hip vibe that reminds us of a time when players of Williams generation would make records that followed their own muse, not the market place or the demands of a label – a bit like some of our favorite loosely-structured sessions from years back on Muse. Titles include "The Wisdom Of Silence", "Stairways", "Here's To Life", "Tayamisha", "In The Middle Of A Rainbow", and a great take on "Estate". CD

A concept album from the Louisiana scene of the 70s, but one that's much more down to earth than big label projects of the time – and which comes across here in a really unique blend of southern rock guitar and some nicely complicated ideas! The approach is almost impossible to describe – there's part of the record that feels like a post-psych exploration of the sort you'd hear a decade later on Creation Records, but other moments with fuller guitar have elements that feel like they could find a home on the Capricorn label in the early 70s – a really great blend that's completely unique, and which has an instant appeal that even goes way past the concept of the set. Titles include "Kings", "Puppet City", "Third Estate", "Years Before The Wine", and "Look At Me". The set also includes the related, but never-issued Agonistes album – a record that maybe has more of a vibe that links it to British folk material – but again, with a special sort of quality that's all its own. Titles include "Agonistes' Funeral", "Resurrection", "Sun & The Season", "Sorrow's Death", and "Sing His Song". Also includes 5 more bonus tracks – a single by the Agonistes, and Third Estate recordings too! CD

A beautifully sensitive set from Tex Allen – mostly a trumpeter, but also a singer here on two numbers – working with a laidback approach that's totally great! Tex blows with a bit of Miles Davis space in his trumpet – early Miles, not late – and his singing has a warm, mellow feel that's a bit like Grady Tate, although a bit more understated too, with a slight rasp that gives him a nice sense of personality – and makes him a really great change from the obvious. This approach sounds especially great on the tune "The Process Necessary" – almost a samba-esque jazz dancer, but with a gentle groove – and Allen also sings on the longer tunes "When You Find A Love" and "The Things We'll Never Know". All other titles are instrumental, with players who include Jesse Davis on alto, Jackie Terrasson on piano, Ugonna Okagu on bass, and Eddie Gladden on drums. Lawrence Killian plays percussion on half the album – and other titles include "Estate", "Mutti's Bletten", "Wings Of Ceola", and "You Don't Know What Love Is". CD

A sweet Italian set from Chet Baker – from a scene that always seemed to bring out his most lyrical side – and a record that's done in that easy, open, understated style that makes us love Baker's last decade so much! Back in the day, folks only zeroed in on classic Chet from the 50s – but they were really missing a lot by not hearing a record like this – as Baker, although aged and world-weary, is also a master of color, tone, and phrasing – really able to bring a lot more emotion into his music, but in very subtle ways – and matched here by a really wonderful lineup – with players who include Nicola Stilo on flute, Diane Varvra on soprano, and Michel Grallier on piano. And as with so much late Baker, although the tunes are familiar, the execution is unique – on titles that include "Dream Drop", "Estate", "Francamente", "Finestra Sul Mare", and "Lament". LP, Vinyl record album

Right from the start of his career, poet Allen Ginsberg experimented with recording and music – maybe not a surprise, because as a young beat poet, he grew up in the era when long playing records were really taking off – yet still delivered in a way that was often very different than recorded projects by contemporaries like Lawrence Ferlinghetti or Jack Kerouac! For one thing, Ginsberg was never afraid to sing – which he definitely does here – and as a poet with an already-striking voice for reading, his vocals really follow suit – as does his collaborative spirit that ran through all generations of his creativity – leading him to work on some of these tracks with artists as diverse as Paul McCartney, Elvin Jones, Bob Dylan, Arthur Russell, and Philip Glass. The set was done in collaboration with Ginsberg's estate, and brings together both vocal and spoken selections, some never issued before – with selections that include "First Party At Ken Kesey's With Hell's Angels", "Raghupati Raghava", "Ballad Of The Skeletons", "Hum Bum", "Birdbrain", "Grey Monk", "Prayer For John Sinclair", "Put Down Yr Cigarette Rag", "Gospel Noble Truths", and "Ballad Of The Skeletons". CD

A really sprightly piano set from Kirk Lightsey – one that's maybe got even more kick than some of his classic work from years back! The pianist works here with Steve Watts on bass and Dave Wickins on drums and percussion – and the tunes are all nice and long, and really stretch out with plenty of space that lets Kirk show off that special side of his style – his way of being both warmly lyrical and more soulfully introspective at the same time, with a sense of color and phrasing that really leaves us breathless throughout! The set features some guest work from Lee Goodall on soprano and flute – and titles include "Golden Legacy", "Punjab", "Estate", "Escapade", "Fresh Air", and "Vappallia". LP, Vinyl record album

A huge 2CD set – one that features important European work that saxophonist Albert Ayler recorded with trumpeter Don Cherry! CD1 brings together six tracks from Albert Ayler's Hilversum Radio sessions from 1964 – plus an additional three tracks recorded in Denmark a few months earlier! The first six titles are a famous performance by a famous group set loose on a European tour in 1964 – Ayler on tenor, Don Cherry on cornet, Gary Peacock on bass, and Sunny Murry on drums – recorded in The Netherlands for a small audience in a Dutch radio studio! The setting is a wonderful one – a mix of the live freedoms that would really let Ayler stretch out – especially when playing overseas – but recorded with the clarity of some of his studio albums for ESP – that sharp-edged sound that really highlights the groundbreaking style of his playing! The rest of the group here is equally great, and Murray is completely freed up from rhythm at points, to fly beautifully with the rest – on titles that include "Angels", "CAC", "Infant Happiness", "Ghosts", and "No Name". The same group performs on the final three tracks – recorded in Copenhagen for Danish Radio, with an equally great level of clarity – on "Saints", "Spirits", and "Vibrations". The interplay between Ayler and Cherry is especially great – echoing the latter's material with Ornette Coleman, but with a different sort of edge! CD2 features amazing live material from 1964 – work that was recorded at the Club Montmartre in Copenhagen, right around the same time that Albert Ayler recorded his album for Debut Records – and a set that has his quartet in even more firey formation overall! The tracks are long, and Ayler is completely unbridled – at a level that really shows not only how much of a leader he was to the American avant underground, but what an inspiration he was to the European free scene too – who could only help but take a big cue from his work here on tenor! The group also features equally wonderful work from Don Cherry on cornet – sounding quite different than when with Ornette Coleman – plus bass from Gary Peacock, whose dark tones really set the mood – and drums from Sunny Murray, who is also at an explosive point in his career. The material is remastered wonderfully, with permission from Albert Ayler's estate – and titles include "Mothers", "Saints", "Vibrations", Spirits", "Children", and a shorter "Spirits". CD

One of the few albums as a leader cut by pianist Gildo Mahones – an incredible talent from the 50s onward, and a soulful genius on the keys that we'd rank right up there with Bobby Timmons or Horace Parlan! Mahones is best known for his work alongside vocalists – particularly with Lambert Hendricks & Ross – but out here in trio formation, he really grooves things up – taking off with warm imagination, and blowing away other better-known masters of jazz piano. The recording's a relatively recent one, but the sound is very classic – and other players in the group include Johnny Kirkland on drums and Bob Maize on bass. Titles include "Estate", "If Dreams Come True", "Summertime", "Strollin", "Sounds Of Time", and "Danielle". CD

A huge 2CD set – one that features important European work that saxophonist Albert Ayler recorded with trumpeter Don Cherry! CD1 brings together six tracks from Albert Ayler's Hilversum Radio sessions from 1964 – plus an additional three tracks recorded in Denmark a few months earlier! The first six titles are a famous performance by a famous group set loose on a European tour in 1964 – Ayler on tenor, Don Cherry on cornet, Gary Peacock on bass, and Sunny Murry on drums – recorded in The Netherlands for a small audience in a Dutch radio studio! The setting is a wonderful one – a mix of the live freedoms that would really let Ayler stretch out – especially when playing overseas – but recorded with the clarity of some of his studio albums for ESP – that sharp-edged sound that really highlights the groundbreaking style of his playing! The rest of the group here is equally great, and Murray is completely freed up from rhythm at points, to fly beautifully with the rest – on titles that include "Angels", "CAC", "Infant Happiness", "Ghosts", and "No Name". The same group performs on the final three tracks – recorded in Copenhagen for Danish Radio, with an equally great level of clarity – on "Saints", "Spirits", and "Vibrations". The interplay between Ayler and Cherry is especially great – echoing the latter's material with Ornette Coleman, but with a different sort of edge! CD2 features amazing live material from 1964 – work that was recorded at the Club Montmartre in Copenhagen, right around the same time that Albert Ayler recorded his album for Debut Records – and a set that has his quartet in even more firey formation overall! The tracks are long, and Ayler is completely unbridled – at a level that really shows not only how much of a leader he was to the American avant underground, but what an inspiration he was to the European free scene too – who could only help but take a big cue from his work here on tenor! The group also features equally wonderful work from Don Cherry on cornet – sounding quite different than when with Ornette Coleman – plus bass from Gary Peacock, whose dark tones really set the mood – and drums from Sunny Murray, who is also at an explosive point in his career. The material is remastered wonderfully, with permission from Albert Ayler's estate – and titles include "Mothers", "Saints", "Vibrations", Spirits", "Children", and a shorter "Spirits". CD

A later album by Joao – but a really lovely live performance that sparkles with the warmth and intimacy of his earlier studio albums! The album's got a total of 13 tracks, all recorded at the Montreux jazz festival in 1985 – with no backing for Joao's voice other than his light lively acoustic guitar, which holds up extremely well over the nearly 70-minute long performance. Titles include "Estate", "Menino Do Rio", "Adeus America", "Rosa Morena", "Sandalia De Prata", and "Sem Compromiso". CD

A really great groove from guitarist Gabor Szabo – a set that has the musician working with legendary producer Wayne Henderson, in a mode that moves into soul while still keeping all the best jazz elements intact! Szabo plays acoustic guitar alongside electric from Marlon McClain, with both players wrapped up nicely by Fender Rhodes work from the great Bobby Lyle – whose keyboard lines really act as the glue for all the grooves, while Henderson works to give them all the right sort of punch from the bottom! The mix of talents here comes together perfectly – like some of the best work on the Fantasy label at the time, or maybe a bit like some of the Mizell productions – but in a different way. Titles include "The Biz", "Magic Mystic Faces", "Gloomy Day", "Desiring You", "Misty Malarky Ying Yang", "Alicia", "The Last Song", and "Estate". LP, Vinyl record album

A sweet Italian set from Chet Baker – from a scene that always seemed to bring out his most lyrical side – and a record that's done in that easy, open, understated style that makes us love Baker's last decade so much! Back in the day, folks only zeroed in on classic Chet from the 50s – but they were really missing a lot by not hearing a record like this – as Baker, although aged and world-weary, is also a master of color, tone, and phrasing – really able to bring a lot more emotion into his music, but in very subtle ways – and matched here by a really wonderful lineup – with players who include Nicola Stilo on flute, Diane Varvra on soprano, and Michel Grallier on piano. And as with so much late Baker, although the tunes are familiar, the execution is unique – on titles that include "Dream Drop", "Estate", "Francamente", "Finestra Sul Mare", and "Lament". LP, Vinyl record album

A subtle gem from Bobby Hutcherson's wonderful years on Landmark Records – a point when he was really getting back to basics, and cutting some great straight work that almost hearkened back to his 60s gems on Blue Note! The set's recorded live at the Village Vanguard – and Bobby swings soulfully in a great quartet with Kenny Barron on piano, Buster Williams on bass, and Al Foster on drums. Hutcherson's playing both vibes and marimba – and the scope of his playing here has both grown from earlier years, awash with tones, colors, and light – which Barron and Williams are only happy to fill in more deeply. Titles include "I Wanna Stand Over There", "Little Niles", "Estate", "Well You Needn't", and "Young & Foolish". LP, Vinyl record album

A subtle gem from Bobby Hutcherson's wonderful years on Landmark Records – a point when he was really getting back to basics, and cutting some great straight work that almost hearkened back to his 60s gems on Blue Note! The set's recorded live at the Village Vanguard – and Bobby swings soulfully in a great quartet with Kenny Barron on piano, Buster Williams on bass, and Al Foster on drums. Hutcherson's playing both vibes and marimba – and the scope of his playing here has both grown from earlier years, awash with tones, colors, and light – which Barron and Williams are only happy to fill in more deeply. Titles include "I Wanna Stand Over There", "Little Niles", "Estate", "Well You Needn't", and "Young & Foolish". Includes CD only bonus track "Young & Foolish". CD

A really great groove from guitarist Gabor Szabo – a set that has the musician working with legendary producer Wayne Henderson, in a mode that moves into soul while still keeping all the best jazz elements intact! Szabo plays acoustic guitar alongside electric from Marlon McClain, with both players wrapped up nicely by Fender Rhodes work from the great Bobby Lyle – whose keyboard lines really act as the glue for all the grooves, while Henderson works to give them all the right sort of punch from the bottom! The mix of talents here comes together perfectly – like some of the best work on the Fantasy label at the time, or maybe a bit like some of the Mizell productions – but in a different way. Titles include "The Biz", "Magic Mystic Faces", "Gloomy Day", "Desiring You", "Misty Malarky Ying Yang", "Alicia", "The Last Song", and "Estate". CD features two bonus tracks – "The Biz (edit)" and "Alicia (edit)". CD

Four friends in Bari, making really beautiful music together – a lineup that features sparkling trumpet from the great Fabrizio Bosso, plus guitar from Guido Di Leone, bass from Giuseppi Bassi, and drums from Mimmo Capanale! The set's got all the subtle charm of Bosso's best work in recent years – that stone classic approach to jazz trumpet – played with a talent that we'd rank right up there with folks like Freddie Hubbard or Art Farmer at their best – set to some inventive arrangements that really make great use of guitar in the place you'd normally find piano in such a group. The change of instrument makes for a nicely gentle quality at times in the rhythms, which seems to make Fabrizio's horn sound even more upfront and soulful – and titles include "E La Chiamano Estate", "King Dorian", "Wide Green Eyes", "Bernie's Tune", "Mack The Knife", and "Nostalgia Di Cuba". CD