A nice Milestone two-fer collecting some our favorite Henderson material. The first album of this set pulls together tracks from The Kicker and Tetragon, two sets that are links between Henderson's earlier years at Blue Note and his later, freer work for Milestone – recorded in a style that's got plenty of Blue Note hardbop touches, yet also done with a sense of freedom that you'd never expect from that label! Joe's grooving in a straight, yet angular mode – working either in a sextet that include Mike Lawrence, Grachan Moncur III, Kenny Barron, Ron Carter, and Louis Hayes or a quartet with Don Friedman, Ron Carter, and Jack DeJohnette – all in a mix of soulful, exotic, and slight Latin styles – a sound that's clearly influenced by the work of Horace Silver at times, but carried off beautifully by Joe in a bold, young tenor voice. The second LP, Power To The People is one of Joe Henderson's greatest albums ever – a real treasure from his electric years at Milestone Records, and a set that showed he really had a lot more to offer for the scene of the 70s! The sound here is an extension of what youhear on the first album – a style that's sometimes soaring, sometimes mellow – but always moving forward with a tremendously fluid approach to the tenor. Joe's sense of phrasing and timing is impeccable – quite subtle at times, with these dark notes that hang beautifully in air on the ballads – and some sharper-edged qualities that really burst out strongly on the more upbeat tunes. The group's a great one too – and features Herbie Hancock on both acoustic and electric piano, Ron Carter on bass, and Jack DeJohnette on drums – plus additional trumpet by Mike Lawrence on a couple tracks. 16 tracks in all, with ttles that include "Mamacita", "The Kicker", "Nardis", "Waltz For Zweetie", "The Bead Game", "Black Narcissus", "Isotope", "Afro-Centric", "Forsight & Afterthought", and "Power to The People".
(Cover has light wear and a name in marker.)