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A set that came out in 1977, but which features previously-unissued tracks from the early years of Deep Purple! Includes "Cry Free", "Black Night", "Wring That Neck", "Painted Horse", "Hush", and "Child IN Time". LP, Vinyl record album

A fantastic collection of funky big band work! Peter Herbolzheimer may not be a household name in the US, but in Germany, he was one of the funkiest leaders and arrangers during the 70s. His classic recordings on MPS have been a huge influence on the likes of Gilles Peterson, Monday Michiru, United Future Organization, and many other modern groovers – and he had an amazing talent for mixing together a large number of players with the tightness of a funky small combo. This set features a wide range of tracks from albums issued during the years 1972 to 1977 – just about all of which are totally rare on wax. Titles include "Corean Chick", "Neosho", "My Kind Of Sunshine", "Jive Samba", "Con Alma", "The Mixolydian Highlander", "Wheeler's Choice", and "Butterfly". 11 tracks in all – and a nice mix of funk, jazz, and grooves! CD

Includes the songs "Powerhouse", "Girl At The Typewriter", "Dinner Music For A Pack Of Hungry Cannibals", "Boy Scout In Switzerland", "New Year's Eve In A Haunted House", "War Dance For Wooden Indians", "In An 18th Century Drawing Room", "Twilight In Turkey", "Devil Drums", "Sleepwalker", "Oil Gusher", "Steeplechase", "Reckless Night On Board An Ocean Liner", "Celebration On The Planet Mars", "The Penguin", "Bumpy Weather Over Newark", "Serenade To A Lonesome Railroad Station", "Siberian Sleighride", "The Tobacco Auctioneer", "Moment Whimsical","The Toy Trumpet", "Christmas Night In Harlem", "Confusion Among A Fleet Of Taxicabs Upon Meeting With A Fare",and "Peter Tambourine". CD

One of the few solo albums ever cut by organist Chester Thompson – a player who's known to most as the keyboardist in Tower Of Power, but one who's also remembered by a select funky few for this killer record for the Black Jazz label! The album's a stripped-down quartet session – with labelmate Rudolph Johnson on tenor, blowing some beautiful lines alongside long, drawn-out Hammond solos from Thompson! The overall feel is similar to some of the great late 60s Prestige sessions – especially Don Patterson dates – with the group free swinging away in a very live format, just like you might have heard if you caught them in some hip southside club. Other players include Al Hall Jr on trombone and Ray Pounds on drums – and the album features four long jamming tracks, with titles that include "Mr T", "Trip One", "Weird Harold", and "Powerhouse". LP, Vinyl record album

The title's almost redundant – as the words "Westbound" and "Funk" mean virtually the same thing! From the late 60s through the mid 70s, Westbound was one of the key record labels in the sound of raw heavy funk – working with hit groups like Funkadelic and the Ohio Players to craft a sound that laid the blueprint for countless other groups of the time, and also featuring a wealth of obscurer artists with an even harder-hitting sound! The key styles of Westbound and related jazz label Eastbound were heavy and fuzzy ones – picking up off the heady and trippy styles of the late 60s Detroit scene, mixing things up with MC5 guitars, Norman Whitfield bass, and deep underground Tribe-styled jazz touches. This 20 track masterpiece is a brilliant summation of the important Westbound sound – and includes a few hits, some funky 45 classics, and an even bigger number of tracks we might not have heard otherwise! The notes are great, the tunes are super-funky, and the whole thing's one of the best funky collections you could ever hope to purchase. Titles include "You're Messing Up My Mind" by Albert Washington, "Back To Funk" by Robert Lowe, "You Caught Me Smilin" by The 19th Whole, "Conga Man" by King Errison, "Shake Your Head" by Spanky Wilson, "I Love You" by The Motivations, "I Don't Know What It Is But It Sure Is Funky" by Mighty Elegant, "Crazy Legs" by Donald Austin, "Stone Thing (part 1)" by Alvin Cash, "RPM" by Boots, "Funky World (part 1)" by Silky Vincent, "Get Funky Sweet A Little Bit" by Jackie Harris & The Exciters, "I'll Bet You" by Funkadelic, and "Why Not Start All Over Again" by The Counts. CD

The title's almost redundant – as the words "Westbound" and "Funk" mean virtually the same thing! From the late 60s through the mid 70s, Westbound was one of the key record labels in the sound of raw heavy funk – working with hit groups like Funkadelic and the Ohio Players to craft a sound that laid the blueprint for countless other groups of the time, and also featuring a wealth of obscurer artists with an even harder-hitting sound! The key styles of Westbound and related jazz label Eastbound were heavy and fuzzy ones – picking up off the heady and trippy styles of the late 60s Detroit scene, mixing things up with MC5 guitars, Norman Whitfield bass, and deep underground Tribe-styled jazz touches. This 20 track masterpiece is a brilliant summation of the important Westbound sound – and includes a few hits, some funky 45 classics, and an even bigger number of tracks we might not have heard otherwise! The notes are great, the tunes are super-funky, and the whole thing's one of the best funky collections you could ever hope to purchase. Titles include "You're Messing Up My Mind" by Albert Washington, "Back To Funk" by Robert Lowe, "You Caught Me Smilin" by The 19th Whole, "Conga Man" by King Errison, "Shake Your Head" by Spanky Wilson, "I Love You" by The Motivations, "I Don't Know What It Is But It Sure Is Funky" by Mighty Elegant, "Crazy Legs" by Donald Austin, "Stone Thing (part 1)" by Alvin Cash, "RPM" by Boots, "Funky World (part 1)" by Silky Vincent, "Get Funky Sweet A Little Bit" by Jackie Harris & The Exciters, "I'll Bet You" by Funkadelic, and "Why Not Start All Over Again" by The Counts. LP, Vinyl record album

One of the few solo albums ever cut by organist Chester Thompson – a player who's known to most as the keyboardist in Tower Of Power, but one who's also remembered by a select funky few for this killer record for the Black Jazz label! The album's a stripped-down quartet session – with labelmate Rudolph Johnson on tenor, blowing some beautiful lines alongside long, drawn-out Hammond solos from Thompson! The overall feel is similar to some of the great late 60s Prestige sessions – especially Don Patterson dates – with the group free swinging away in a very live format, just like you might have heard if you caught them in some hip southside club. Other players include Al Hall Jr on trombone and Ray Pounds on drums – and the album features four long jamming tracks, with titles that include "Mr T", "Trip One", "Weird Harold", and "Powerhouse". LP, Vinyl record album

The title might seem a bit obscure, but it refers to the way that photographer Thomas Barrow worked magic on the negatives for each of these beautiful photos – images taken in the 70s and 80s in obscure spots in the west, which then bear an "X" or other mark on the negative, which then transfers to the image in the photograph! The book has large pages with sepia tone photos on each page – buildings, industrial landscapes, other offbeat spaces, all with nary a human in sight. The approach is much more like the sort of urban photographs you might see – which makes the book somewhat unique in its portrayal of the west. Book is 112 pages, hardcover, with black and white images throughout. Book

Beautiful black and white images from the East Harlem scene of the postwar years – material shot by New York photographer Leo Goldstein to partly document the new wave of Puerto Rican immigrants in the neighborhood, as maybe one of the first efforts to establish a Nuyorican sense of identity! The images are mostly portraits, with a few candids shot in the street – and given that the book is on Powerhouse, there's a nice resonance with some of that publisher's later volumes on early hip hop and other New York street photography. All images are in black and white, and the book is hardcover, and 158 pages. Book

A fantastic collection of images from Times Square, pulled from the years before Disney took over – at a time when the action moved 24 hours a day, and at a non-stop pace! Bill Butterworth was right on the streets during the early 80s – and presents stunning full color shots of a range of figures from the Deuce – strippers, short order cooks, merchants, hustlers, b boys, Guardian Angels, and others – often in posed portraits in their environs, but occasionally captured in more candid ways too. The look and feel of the photographs is great – similar to some of the Powerhouse books on old school hip hop culture – and the whole thing is hardcover, and overflowing with great shots. Book

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The work of photographer John Cohen is always great – but it's always even better when he's working in and around the Appalachian subjects who seemed to inform some of his greatest images – especially when music was part of the setting! Here, that part of Cohen's legacy is presented in very sharp focus – in a variety of settings in a variety of spaces – from a club in Baltimore, to a coal festival in Kentucky, an auction in the country, a fiddler's convention, the recording studio, and other spots – with subjects who include Alice Gerrard & Hazel Dickens, Earl Scruggs & Lester Flatt, Cousin Emmy, Doc Watson, Bill Monroe, and other key figures who helped set the tone for bluegrass music in the postwar years – as well as a number of unnamed subjects who are maybe even more striking! The book is black and white throughout, and features notes on each section by Cohen – who illuminates these really well-captured moments. Book

A relatively stark book of photographs – very much what you'd expect from the title and the image on the cover – with contents inside that follow a very similar style! The book has page after page of black and white photographs of gang members from Papua New Guinea – almost all posed with their choice of weapon – usually a gun, sometimes a knife or sword – in these up-close images that almost seem to play with the concept of a police mug shot. Yet there's also no judgement in the author's presentation – and lest you think that these are nameless individuals, they are all addressed at the end of the book, with short bios on most of the subjects. Hardcover, black and white. Book

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The cover image here really sets the scene – as the book is filled with photographs of New York's Bowery in the years long before gentrification – a time when the street really lived up to its legendary reputation as a home for those down on their luck and forgotten by society! The photographs are mostly street portraits – shots of individuals or groups, mostly outdoors, but with a few barroom images as well – all presented in black and white, which seems to make the already-gritty photos even more gritty overall. There's almost no text in the book, leaving the images to do all the speaking! Book

Aaron Abernathy's a one man powerhouse here – really exploding with a focused, centered sort of energy that really illustrates his continuing development as both a singer and producer! The tracks mix some of the raspy charms of some of Aaron's earlier music with even more catchy material that really makes the whole thing shine – at a level that should maybe have Aaron finally getting some of the wider audience he deserves, even while working as a self-made artist on a label of his own! Titles include "Hope Song", "Going All Out", "A Reason To Smile", "Joy", "Rollin", "Sanctuary", "Grief Seletion", "Traffic", and "Greatest Love I've Ever Known". LP, Vinyl record album

A soaring set from the later years of Detroit funk powerhouse Westbound Records – a record that has the label moving into clubbier territory, but with all the sharpness they brought to their earlier releases! Detroit producers Mike Theodore and Dennis Coffey are at the helm of the record – and although the set has disco elements that include chorus vocals and upbeat rhythms, the approach is maybe more in a fast funk style than more commercial work of the time – which keeps things nice and lean throughout, at a level that's similar to early work from T Connection and some of the hipper groups of their scene! Both Motown legend Earl Van Dyke and Dennis Coffey play on the album – and tracks include "We Got Our Own Thing", "Free To Be Me", "Get A Groove In Order To Move", and "Sure Can't Go To The Moon". CD

A key record in the establishment of Delmark Records as a powerhouse in blues – a session that began as something of an expedition to find the near-lost Sleepy John Estes – who was brought to the studio to record this really well-done comeback set in 1962! Although Delmark's best known with the electric sound of Chicago blues, their early work did plenty in the same rural blues modes of a label like Arhoolie – and there's a lean, stripped-down quality to the record – a very strong focus on Estes' acoustic guitar and vocals – with support from Knocky Parker on piano, Hammie Nixon on harmonica, and Ed Wilkinson on bass. Titles include "Married Woman Blues", "Rats In My Kitchen", "Drop Down Mama", "Milk Cow Blues", "Stop That Thing", and "Who's Been Telling You Buddy Brown". LP, Vinyl record album

A rare electric blues-rock LP, recorded for Epic sometime in the late 60s! Organ and keyboard pounder Barry Goldberg jokingly dubbed his style "Jew Blues" – and it's really that kind of playful spirit that really kind of makes frenetic LP a minor gem, and well worth whatever effort it took to dig this out of Epic's expansive vaults. Goldberg's rough, barking vocals kind of give it strong garage rock feel, too – albeit with the rock-solid backing of session titans Charlie Musselwhite on blues harp, Chicago powerhouse Harvey Mandel and Roy Ruby on guitar, and wild Chicago drummer Maurice McKinley on the kit. Tracks include "Getting' It Down", "Mean Old World", "Twice A Man", "Big Boss Man", "Blowing My Mind", "Put Me Down", "That'll Be The Day", "Can't Stand To See You Go" and more. LP, Vinyl record album

Funky funky solo work from Joni Haastrup – an artist who's also known for his work in Monomono, and who sounds equally great on his own! Joni's got this tight approach that wraps together Nigerian grooves of the 70s scene, and some bolder soul star energy that would be right at home in the US – a kind of powerhouse approach that really sends these tunes home beautifully! The lyrics are in English, which really helps broaden the appeal of the cuts – and the production has these cool compressed elements that are partly like the more psych-inspired modes of other Afro Funk groups, and partly those of the UK soul scene of the 70s. We've never heard a record exactly like this, and the whole thing's a truly memorable treasure from this key moment in African music. Cuts include "Watch Out", "Do The Funkro", "Greetings", "Free My People", "Wake Up Your Mind", and "Champions & Superstars". LP, Vinyl record album

A landmark album from this powerhouse Cuban group of the 70s – their first record issued formally to an American market, and quite possibly their greatest effort of the decade! The sound here is a lot more focused than on the group's Cuban sessions from previous years – not commercial or slick, but free from some of the jarring shifts in styles that occurred before – and more in that sweet combination of rootsy percussion and Latin funk that made them great at their best previous moments! All players are great – and the lineup is almost a who's who of Cuban jazz at the time – with Chucho Valdes on piano and keyboards, Paquito D'Rivera on alto sax, and Arturo Sandoval on trumpet – plus guitar from Carlos Emilio Morales, percussion from Oscar Valdes, and tenor from Carlos Averhoff. The tracks were recorded live at the Montreux jazz festival – and titles include "Adagio", "Ilya", "Juana Mil Ciento", and the long "Misa Negra (The Black Mass)". LP, Vinyl record album

A trio of classic albums from this legendary prog group – all brought together in a single set! First up is the self-titled Jade Warrior – the fantastic debut of a group who were one of the most unique prog acts to record for the Vertigo label in the 70s! Jade Warrior is just a trio – and unlike some of the harder-rocking power trios of the time, the group have a way of balancing softness and intensity, acoustic modes and electric ones – all with a unique style that also offers up some of the exoticism promised by their name! Yet don't worry about that last aspect – as things here are never too heavy-handed, as the group are Brit to their core – maybe balancing some of the lighter Mel Collins moments of King Crimson and the more personal Ian Anderson songs of Jethro Tull – in a line up that features percussion and flute from Jon Field, guitar from Tony Duhig, and bass and these great raspy vocals from Glyn Havard. Titles include "Masami Morning", "Windweaver", "Petunia", "Telephone Girl", "Psychiatric Sergeant", "Slow Ride", and "A Prenormal Day At Brighton". Next up is Released – the searing second album from Jade Warrior – and a record that shows the world what a mighty guitar powerhouse lurked behind their faux-Japanese aesthetics! The group's a quintet for this record – upped from the debut – and in addition to razor-sharp guitar work from Tony Duhig, there's also some great use of tenor, alto, and flute by newcomer Dave Connors – who works alongside the flute and percussion of group founder Jon Field. Allan Price adds in plenty of drums next to Field's percussion – and the vocals of Glyn Havard are even more powerful here than before – definitely matching the ferocity of his work on the bass! The whole thing's great – a hard rock masterpiece with just the right lighter touches at times, thanks to the reeds – a masterpiece by a group who never got the attention they deserved at the time – apart from hip listeners who really knew where it was at. Titles include "Water Curtain Cave", "We Have Reason To Believe", "Eyes On You", "Barazinbar", "Yellow Eyes", and "Three Horned Dragon King". On Last Autumn's Dream, Jade Warrior have a sound that's unlike anyone else of their generation – a mix of percussion, flute, bass, and guitar – all with the kind of electric/acoustic interplay such a lineup with imply! The cover image of this second album maybe looks a bit dramatic, but the group actually have a sound that's nicely understated at times – they can certainly jam with the best of their Vertigo label prog contemporaries, but they can also get a bit more personal too – and it's the balance of those modes that make a record like this such a unique treasure from the time! Titles include "A Winter's Tale", "Snake", "Morning Hymn", "May Queen", "Lady Of The Lake", "Borne On The Solar Wind", and "Dark River". All albums with original artwork – in a box with a great booklet of notes! CD

The searing second album from Jade Warrior – and a record that shows the world what a mighty guitar powerhouse lurked behind their faux-Japanese aesthetics! The group's a quintet for this record – upped from the debut – and in addition to razor-sharp guitar work from Tony Duhig, there's also some great use of tenor, alto, and flute by newcomer Dave Connors – who works alongside the flute and percussion of group founder Jon Field. Allan Price adds in plenty of drums next to Field's percussion – and the vocals of Glyn Havard are even more powerful here than before – definitely matching the ferocity of his work on the bass! The whole thing's great – a hard rock masterpiece with just the right lighter touches at times, thanks to the reeds – a masterpiece by a group who never got the attention they deserved at the time – apart from hip listeners who really knew where it was at. Titles include "Water Curtain Cave", "We Have Reason To Believe", "Eyes On You", "Barazinbar", "Yellow Eyes", and "Three Horned Dragon King". LP, Vinyl record album

An amazing start for this seminal group – material that appeared on the albums Freedom Sound, Lookin Ahead, Tough Talk, Heat Wave, Stretchin Out, The Thing, Uh Huh, Powerhouse, and Give Peace A Chance – plus some unissued tracks too! CD

An early gem from the Kashmere Stage Band – and a record that already has the ensemble burning with plenty of fire! These guys were a one-unit powerhouse in American grooves – one of the few US groups who really got the same sort of funky big band energy that all the better European combos were hitting – like the hip groups who recorded for MPS around the same time! But Kashmere are even more soulful, and even more down to earth – young players working under the direction of Conrad Johnson, who really brings out the best in their performance, and has no trouble throwing a lot of soul and funk into the mix as well! There's a great guitarist on a few tracks – Johnny Reason – whose solos give some of the cuts even more of an edge than usual – and titles include "Bumper To Bumper", "Sonny", "Thank You", "Boss City", "Take Five", "Are You Ready For This", and "Yesterday". LP, Vinyl record album

An excellent collection of rare work from the legendary BB King – a selection of 25 tracks from the vaults of RPM and Kent Records, 23 of which appear here for the first time ever! Some cuts are alternates, some are different versions of other recordings – and all are pretty darn wonderful – that sharp-edged BB King sound right at the start, before the famous Memphis powerhouse was recording for bigger labels in a more commercial setting! Lots of these cuts have a jazzy backing alongside BB's sweet guitar and raspy vocals – a mode that's similar to the mix of bigger band and bluesy elements you'd get on early work from Bobby Blue Bland – that great Memphis mix of modes that always makes us love this stretch in King's career so much. Titles include unusual versions of "Sweet Little Angel", "Catfish Blues", "Early In The Morning", "I Wonder Why", "Goin Down Slow", "Whole Lotta Meat", "Loving You In Vain", "Long Nights", "The Woman I Love", "Soul Beat", "Don't You Want A Man Like Me", "Be Careful With A Fool", and "Whole Lot Of Lovin". CD

A sweet selection of groovy work from Kumasi – a powerhouse combo on the South African scene of the 80s, and one who do a great job of picking up on the best boogie elements in American club at the time! The arrangements are nice and lean – basslines, keyboards, and beats – and most tracks are nice and long, with an extended vibe that makes each of them feel like a 12" groover – all of which makes for one hell of a power-packed album! Titles include "What's On Your Mind", "She's A Queen", "Anomakaliwa", "I Know You Feel It", "Dali Wam", and "Picnic". LP, Vinyl record album

Later work from Dorothy Moore – one of the singers who first really helped the Malaco label rise as a southern soul powerhouse in the 70s, still going strong here at the start of the 90s! Moore has definitely adapted her vocal style to fit some of the changes of the times – and she's working at points with modes that echo the modern, sophisticated styles of bigger female R&B vocalists at the start of the 90s – while still getting some great down home support on the best numbers, in true Malaco style! These cuts really stand out, and show that Dorothy's still alive as a southern soul singer – on titles that include "He Thinks I Still Care", "More Than Just Another Heart", "Your Body's Here With Me", "Feel The Love", "All Night Blue", and "Be Strong Enough To Hold On". CD

An oft-overlooked gem from Parliament – released during the year 1976, and sometimes hidden between monster LPs like Funkentelechy and Mothership Connection – but every bit as great as those two classics! The album's got that tightened-up P-Funk sound that was working so perfectly at the time – still with all the fuzzy haired elements of earlier years, but presented with a bit more focus – and a powerhouse swing that really drives the tracks home with a funky groove on the bottom! There's a flowing sort of energy here that almost makes you think that the whole thing just emerged naturally from the brain of George Clinton – but all ensemble players have a strong hand in the action, and really get some great moments in on the set. Cuts include "Gamin' On Ya", "Do That Stuff", "Children Of Production", and "I've Been Watching You (Move Your Sexy Body)". LP, Vinyl record album

That's the young Eddie Quinteros on the cover – already a powerhouse during his teen years, and one of the hottest things going on the Bay Area scene of the time! Eddie's got this raw, rocking style that borrows a bit from the guitar-driven work of Chuck Berry, but also resonates with some of the fresher changes taking place down the coast in Cali – and his role as a Chicano rocker is often overlooked, even though work like this equally matches the strength of some of his contemporaries in LA! The set features a few rare singles for the Brent label, and lots of other rare an unissued material too – work with the Rockin Aristocrats and Rockateers, and even some very cool mid 60s cuts with the Au Go Go's! Titles include "School Blues", "Slow Down Sandy", "Come Dance With Me", "Train At Nine", "All Over Town", "At Last You've Come Back", "Pretty Baby I Love You", "Love You So Much", "Waited For You", and "C'Mon Little Girl". LP, Vinyl record album

That's the young Eddie Quinteros on the cover – already a powerhouse during his teen years, and one of the hottest things going on the Bay Area scene of the time! Eddie's got this raw, rocking style that borrows a bit from the guitar-driven work of Chuck Berry, but also resonates with some of the fresher changes taking place down the coast in Cali – and his role as a Chicano rocker is often overlooked, even though work like this equally matches the strength of some of his contemporaries in LA! The set features a few rare singles for the Brent label, and lots of other rare an unissued material too – work with the Rockin Aristocrats and Rockateers, and even some very cool mid 60s cuts with the Au Go Go's! Titles include "School Blues", "Slow Down Sandy", "Come Dance With Me", "Train At Nine", "All Over Town", "At Last You've Come Back", "Pretty Baby I Love You", "Love You So Much", "Waited For You", and "C'Mon Little Girl". CD also features four bonus tracks too! CD

A seminal set from Sun Ra – even if it's one of his few 60s albums not on the Saturn label! The set was done for ESP during the glory days of that avant powerhouse – a perfect match, given the Arkestra's relocation to New York, and the label's ability to reach out to big new audiences for exciting music – a fact that certainly made this album one of the most widely-circulated Ra albums for many years to come. The group here works in formation that holds up strongly with the Saturn sides – John Gilmore on tenor, Marshall Allen on alto, Teddy Nance on trombone, Chris Capers on trumpet, Danny Davis on flute and alto, and Ra on piano, bass marimba, and some especially nice electronic celeste! Things get quite out at points – freer almost than other Arkestra sides of the time – and titles include "Outer Nothingness", "Other Worlds", "Nebulae", "Dancing In the Sun", "The Cosmos", and "Of Heavenly Things". CD

An excellent lost classic from Detroit soul jazz powerhouse Phil Ranelin – now a legendary figure, but recording here back at the start of his career in the Motor City! Trombonist Ranelin was one of the key figures in the city's Tribe Records scene – and this album is one of the greatest that the label ever issued – a perfect blend of the spiritual currents that were bubbling under in the scene, and some of the funky touches that helped make Ranelin and the label legendary over the years. The set features Ranelin on trombone, Marcus Belgrave on trumpet, Kenny Cox on electric piano, and Harold McKinney on piano – plus other luminaries from the incredibly strong Detroit scene of the time – and titles include the funky classic "Sounds From The Village", the slow spacey breakbeat number "Vibes From The Tribe", and the jazzy groover "For The Children". Also includes "He The One We All Knew", an extended piece that features members of The Griot Galaxy that takes up all of side two! This reissue features 3 bonus tracks "Vibes From The Tribe (extended)", "Vibes From The Tribe (8 track)", and "Sounds From The Village (extended)". CD

A record that's a real step forward for The Rolling Stones – a set that really marks the emergence of the Jagger/Richards team as a songwriting powerhouse for the 60s – and which has the group moving past bluesy roots into some nicely trippier territory at times! Everything from the previous years is still nicely intact – but the band are definitely on the way towards that Stones sound that made them very distinct from other blues-inspired UK acts of their generation – heard here in a mix of classic singles and overlooked LP tracks – more material than the US version! Titles include "Mothers Little Helper", "High & Dry", "Lady Jane", "Stupid Girl", "Under My Thumb", "Out Of Time", and "Flight 505". CD

A wonderful batch of instrumentals from the legendary Raymond Scott – and a set that features some of Scott's most wonderful compositions ever! These numbers all date from the 30s, and were originally released as 78s on the Master Records label – but this later Columbia package really brings the sounds together wonderfully, and gives Scott a long-overdue showcase as one of the budding modernists of the pre-war years – a composer who could match swing and whimsy, exoticism and jazz, playfulness and poise – all without every losing his beat! The instrumental is wonderful, the arrangements inventive, and the whole thing's got the same sort of audio appeal as an old Warner Brothers cartoon. Titles include "Twilight In Turkey", "The Penguin", "The Toy Trumpet", "Powerhouse", "New Years Eve In A Haunted House", "War Dance For Wooden Indians", "Peter Tambourine", and "At An Arabian House Party". CD