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Pierre Raph Edit search Phrase match

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Exact matches: 1
Exact matches1
CD, LP, Vinyl record album cover art
Pierre RaphJeunes Filles Impudiques (Schoolgirl Hitchhikers) ... 7-inch
Finders Keepers (UK), Late 60s. New Copy (pic cover)... $9.99
Funky sounds and offbeat grooves from an obscure French adult film of the late 60s – directed by Jean Rollin under a fake name, and scored by Pierre Raph with the same sort of charm as his work for Requiem For A Vampire! This EP features a number of different styles of sounds from the film – the very funky "Gilda & The Gunshots", with really great bass and drums; the slow-stepping jazz tune "Jewel Thieves", which almost feels like early 60s Italian cinema jazz; and the more lively "Schoolgirl Hitchikers", which has this innocent jazzy flute line that must have been a real contrast to the sex on the screen! There's also "An Intimate Relationship" – which has a sexy spoken part in English – and the hippy/trippy guitar/flute theme "Jeunes Filles Impudiques", with a few sex sounds in the background! 7-inch, Vinyl record
(Limited to 500 copies.)
Partial matches: 4

Partial matches3
CD, LP, Vinyl record album cover art
Henk Badings & Dick RaaijmakersEvolutions, Contrasts, & Electronic Music ... LP
Fantome Phonographique (Italy), Mid 50s. New Copy (reissue)... $22.99
A treasure trove of early electronic music from these two Dutch giants of the field – both every bit as important as the more widely-circulated French artists of the musique concrete generation! Badings is featured here on a number of great tracks – including the sublime "Capriccio", which takes off on older violin sonata modes, by having a solo violin play next to two electronic tracks! "Genese" is even bolder, and uses five oscillators to create the tracks in three different movements! "Evolutions" is a ballet suite by Badings – short electronic pieces that point the way towards some of the dance experiments by Pierre Henry. Raaijmakers is featured in a number of shorter, more playful tracks – almost more along the lines of the 60s moog generation – with titles that include "Night Train Blue", "Song Of The Second Moon", "Contrasts", and "Colonel Bogey". LP, Vinyl record album
(Hand-numbered limited edition of 500!)

Partial matches4
CD, LP, Vinyl record album cover art
Raymond ScottManhattan Research Inc – New Plastic Sounds & Electronic Abstractions (180 gram clear vinyl 3LP set) ... LP
Basta/Music On Vinyl (Netherlands), 1950s/1960s. New Copy 3LP ... $48.99 52.98
Amazing! This is one of the coolest sets we've seen in years – and everything about it is fantastic, from the package right down to the triple-length set of music! The set features rare unreleased recordings from Raymond Scott's legendary Manhattan Research electronic music studios – originally set up in 1946, and home to some of Scott's landmark early work on non-acoustic music during the 50s and 60s. Far from being the sort of turgid, dark knob-twiddling that computer music later became in the academy, Scott's early experiments are filled with a sense of whimsy and joy – exported directly from his early cartoon-based work, and applied in a fantastic way to his evolving musical inventions! The LP edition comes in three separate sleeves, plus a great 8 page booklet of notes, in a brilliant graphic style that complements the package even further! Don't forget the music, though – because it's totally fantastic – and kind of reminds us of bits of Jon Appleton's Syntonic Menagerie, Pierre Henry's early Musique Concrete, and later punk-era DIY electronics. That doesn't even come close to pinning it down, though – and with 3 LPs worth of material, the scope of the work is amazing! LP, Vinyl record album
(Individually numbered limited edition of 750 – on heavyweight clear vinyl! Includes download.)

Partial matches5
CD, LP, Vinyl record album cover art
VariousAfrica Boogaloo – The Latinization Of West Africa ... LP
Honest Jons (UK), 1950s/1960s/1970s. New Copy 2LP Gatefold ... $24.99
A long-overdue collection of work – one that really gets at the unusual appearance of Latin rhythms on the African scene of the postwar years! Latin sounds from Africa are nothing new, but they're one of those things that's always taken for granted, too – kind of assumed in most discussions of the rhythms from the 60s onward, but never explained as fully as might be needed! Given the already-great grooves going down on the continent for generations, it's surprising that African musicians might pick up styles from Cuba and the Caribbean – yet due to the vagaries of global cultural circulation, that's exactly what happened – and the music has never been the same ever since. This really well-done package offers up a range of tracks from the 50s through the 70s – showing some of the earliest African extrapolations of Latin styles – clearly enforcing the "Afro" in Afro-Cuban rhythms – then moving onto some later grooves that offer up some funkier styles too. The work's a bridge between the ethnographic sets on Honest Jons, and some of the tighter grooves you might find on a Soul Jazz collection – a wonderful blend of music, packaged beautifully too. Titles include "A Moins Que Namikosa" by Orchestra OK Jazz, "Rampa Rampa" by Orchestre Yaya Mas, "Quiero Wapacha" by Charles Lembe, "Ven Y Ven Y Ven" by Orchestre OK Jazz, "Vamos A Bailar" by Rio Band, "Guantanamo" by Laba Sosseh, "On Verra Ca" by Orchestre Baobab, "Mi Guajeo" by Orchestre N'Guewel, "N'Niyo" by Amara Toure, "Il N'Est Jamais Trop Tard" by Pierre Tchana & Orchestre Poly Rhythmo, "Africa Boogaloo" by Le Grande Kalle with Don Gonzalo & Manu Dibango, and "Adigbedoto" by Gnonnas Pedro. LP, Vinyl record album

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