A big breakthrough for Philip Bailey – and a record that was kind of a second-level explosion for the Earth Wind & Fire sound in the 80s! There's a definite crossover feel to the record – a style that takes Bailey's soulful vocals, and mixes them with lots of catchy hooks – in ways that push the Kalimba aesthetic even more into mainstream modes. Yet the album's still got some solid soul grounding, too – thanks to arrangements by Tom Tom and Arif Mardin – which is a nice contrast to the production by Phil Collins, who also guests on the hit "Easy Lover". Other cuts include "Time Is A Woman", "Go", "Walking On The Chinese Wall", "Photogenic Memory", "I Go Crazy", and "Children Of The Ghetto". CD

A big breakthrough for Philip Bailey – and a record that was kind of a second-level explosion for the Earth Wind & Fire sound in the 80s! There's a definite crossover feel to the record – a style that takes Bailey's soulful vocals, and mixes them with lots of catchy hooks – in ways that push the Kalimba aesthetic even more into mainstream modes. Yet the album's still got some solid soul grounding, too – thanks to arrangements by Tom Tom and Arif Mardin – which is a nice contrast to the production by Phil Collins, who also guests on the hit "Easy Lover". Other cuts include "Time Is A Woman", "Go", "Walking On The Chinese Wall", "Photogenic Memory", "I Go Crazy", and "Children Of The Ghetto". LP, Vinyl record album

Philip Bailey hits a great groove here – working with Nile Rodgers, who gives him a lean, clean sound that works perfectly with his vocals! The sound is a nice change from the direction Bailey was heading in previously – a return to the focused soul of the later Earth Wind & Fire years, with his amazing lead opening up in ways that few other singers can match. Tunes are pretty well-penned too – catchy, but never cloyingly commercial – and titles include "State Of The Heart", "Welcome To The Club", "Special Effect", "Because Of You", "Take This With You", "The Day Will Come", "Back It Up", and "Echo My Heart". LP, Vinyl record album

Philip Bailey's looking hipper than usual on the cover – and he's sounding hipper than usual within – thanks to fantastic production help from Robert Glasper, Christian McBride, and Chick Corea – all artists who play on the record, and help give Bailey a really timeless sense of soul! The man himself needs no introduction – thanks to his long legacy in Earth Wind & Fire, and a range of great solo records too – but there's really something different, and something special taking place here – as Bailey pushes both his vocal range and sense of songform, working through music by Curtis Mayfield, Marvin Gaye, Oscar Brown Jr, and even the Talking Heads – while also turning in some great songs of his own, co-penned with some of the album's collaborators. The instrumentation is served up by a dream group of jazz talents – Kamasi Washington on tenor, Kenny Barron on piano, Robert Glasper and Chick Corea on keyboards, Steve Wilson on saxes and flute, Lionel Loueke on guitar,and Christian McBride on bass – and although the record features guest vocals from Bilal and Casey Benjamin, it's Bailey's work that's the real main attraction. Titles include "We're A Winner", "Stairway To The Stars", "Just To Keep Your Satisfied", "Once In A Lifetime", "Billy Jack", "You're Everything", "Brooklyn Blues", "Sacred Sounds", and "Love Will Find A Way". CD

Philip Bailey's looking hipper than usual on the cover – and he's sounding hipper than usual within – thanks to fantastic production help from Robert Glasper, Christian McBride, and Chick Corea – all artists who play on the record, and help give Bailey a really timeless sense of soul! The man himself needs no introduction – thanks to his long legacy in Earth Wind & Fire, and a range of great solo records too – but there's really something different, and something special taking place here – as Bailey pushes both his vocal range and sense of songform, working through music by Curtis Mayfield, Marvin Gaye, Oscar Brown Jr, and even the Talking Heads – while also turning in some great songs of his own, co-penned with some of the album's collaborators. The instrumentation is served up by a dream group of jazz talents – Kamasi Washington on tenor, Kenny Barron on piano, Robert Glasper and Chick Corea on keyboards, Steve Wilson on saxes and flute, Lionel Loueke on guitar,and Christian McBride on bass – and although the record features guest vocals from Bilal and Casey Benjamin, it's Bailey's work that's the real main attraction. Titles include "We're A Winner", "Stairway To The Stars", "Just To Keep Your Satisfied", "Once In A Lifetime", "Billy Jack", "You're Everything", "Brooklyn Blues", "Sacred Sounds", and "Love Will Find A Way". LP, Vinyl record album

A sweet 80s classic from Finis Henderson – and the kind of record that should have launched him on a much bigger run as a lead singer! Despite the plastic look of the cover, the album's really solidly put together – produced by Al McKay with a vibe that definitely echoes his work with Earth Wind & Fire, and a style that also shows some of Henderson's roots in the Chicago group Weapons Of Peace – which means lots of jazzy inflections with the grooves, in a style that works perfectly for Finis' style of singing. And given that Henderson has a range that sometimes hits Philip Bailey territory, the match is a great one – and gives the album a sense of class that other Motown soul from the time didn't always have. Titles include "Lovers", "Making Love", "Skip To My Lou", "Vina Del Mar", "Crush On You", "I'd Rather Be Gone", and "You Owe It All To Love". CD

A sweet 80s classic from Finis Henderson – and the kind of record that should have launched him on a much bigger run as a lead singer! Despite the plastic look of the cover, the album's really solidly put together – produced by Al McKay with a vibe that definitely echoes his work with Earth Wind & Fire, and a style that also shows some of Henderson's roots in the Chicago group Weapons Of Peace – which means lots of jazzy inflections with the grooves, in a style that works perfectly for Finis' style of singing. And given that Henderson has a range that sometimes hits Philip Bailey territory, the match is a great one – and gives the album a sense of class that other Motown soul from the time didn't always have. Titles include "Lovers", "Making Love", "Skip To My Lou", "Vina Del Mar", "Crush On You", "I'd Rather Be Gone", and "You Owe It All To Love". CD

A great one – and the kind of European jazz album that kicks like a Clarke/Boland Big Band album! Hans Koller directs a large-scale swinging big band of some of the best European and American expatriot players of the time – like Sahib Shihab, Benny Bailey, Donald Byrd, Johnny Griffin, and Albert Mangelsdorff – and the set screams with intense solos, and a tight groove that pushes past any of the cliches you could imagine for a set like this. One of the things that makes the session great is some groovy organ, played by Infried Hoffman, the German player who was in Klaus Doldinger's early group. Doldinger's also on here, and his sound is way better than on his 70's work. Titles include "Hip Hit", "Revelation", "Conversation", "Knodel-Waltzer", and "Blazy Bones Revisited". LP, Vinyl record album

A really nice one from Gerry – an oft-overlooked mid 60s session, one that has him working with a sextet that includes Jim Hall, Art Farmer, and Bob Brookmeyer, in addition to usual Mulligan rhythm-mates Bill Crow and Dave Bailey. There's a nice soulful bottom to the set, and stronger interplay from the horns than you might get in a Mulligan album of a few years before – nothing fancy, but a strong set of original tunes that break from the mode of the 50s. Titles include "Tell Me When", "Festive Minor", "Wee Small Hours", "Prelude In E Minor", and "Night Lights". LP, Vinyl record album

Rita Reys meets Oliver Nelson – and a host of other great jazz talents, including Lee Konitz, Benny Bailey, Sahib Shihab, and Klaus Doldinger! The tracks on the set are all standards, but they're done in the tightly swinging style of Nelson's best backing work for vocalists at the time – complete with those warm tones and colors that always made his work some of our favorite in this mode. The mode is a bit different for Reys, who we normally know from more fragile settings – but it works especially well here, and almost seems to compensate for a faltering quality in her vocals at the time. Titles include "The Very Thought Of You", "Quiet Nights", "The Second Time Around", "If I Were A Bell", "Ill Wind", and "Wives & Lovers". LP, Vinyl record album

A really nice one from Gerry – an oft-overlooked mid 60s session, one that has him working with a sextet that includes Jim Hall, Art Farmer, and Bob Brookmeyer, in addition to usual Mulligan rhythm-mates Bill Crow and Dave Bailey. There's a nice soulful bottom to the set, and stronger interplay from the horns than you might get in a Mulligan album of a few years before – nothing fancy, but a strong set of original tunes that break from the mode of the 50s. Titles include "Tell Me When", "Festive Minor", "Wee Small Hours", "Prelude In E Minor", and "Night Lights". CD also features a bonus 1965 version of "Night Lights" – with Gerry on clarinet, Pete Jolly on piano, and an added string section. CD