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Pentangle Edit search

 
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Exact matches: 3
Exact matches1
CD, LP, Vinyl record album cover art
PentanglePentagle – The Albums 1968 to 1972 (Pentangle/Sweet Child/Basket Of Light/Cruel Sister/Reflection/Solomon's Seal – plus bonus tracks) (7CD set) ... CD
Cherry Red (UK), Late 60s/Early 70s. New Copy 7CD ... $59.99
An incredible run of music from a really legendary band – a quintet who were as important to the British folk scene as Fairport Convention – and one who worked with an equally hip sort of vibe! Where that group featured key work from a young Richard Thompson and Sandy Denny, this one features mindblowing guitars from John Renbourn and Bert Jansch – a duo who would already be fantastic enough on their own, but who really open up in the sound of the group – way past their own wonderful albums of just a few years before! Part of the strength of Pentangle likes in the vocals of Jaqui McShee – a singer who's clearly got an ear for jazz, and brings in a strong sense of improvisation and extrapolation – as do both guitarists in the music. The bass is also fantastic – handled by Danny Thompson, who also seems to be a jazzman at heart – given the way he bends and shades things, at a level that no folk group ever would do. Percussionist Terry Cox is the remaining member of the group – nicely understated, and working with Thompson in this way that makes for these cool gentle grooves that Renbourn or Jansch never would have hit on their own. Every record here is a gem – and the set not only includes all six albums (one of which is a double) in these tiny LP-styled sleeves, it also features an insane number of bonus tracks too – and a huge book on the group and their music. 115 tracks in all – including 54 bonus tracks, a number of which are previously unreleased! CD

Exact matches2
CD, LP, Vinyl record album cover art
✨✧ PentanglePentangle ... LP
Reprise, 1968. Very Good+ ... Temporarily Out Of Stock
... LP, Vinyl record album
(Orange and tan label pressing. Cover has light wear.)

Exact matches3
CD, LP, Vinyl record album cover art
✨✧ PentangleSolomon's Seal ... LP
Reprise, 1972. Very Good+ ... Temporarily Out Of Stock
... LP, Vinyl record album
 
Possible matches: 6
Possible matches4
CD, LP, Vinyl record album cover art
GryphonRaindances – The Transatlantic Recordings 1973 to 1975 ... CD
Transatlantic/Esoteric (UK), Early 70s. New Copy 2CD ... $15.99
Gryphon look like real Renaissance men on the cover – and they often sound that way, too – given that some of their instrumentation includes older woodwind instruments like the bassoon and crumhorn! Yet as the group grew, they also quickly picked up more electric elements too – yet still found a way to use these in modes that evoked a much more ancient face of England – in a style that was quite different from the straighter folk of the generation that included Pentangle or Fairport Convention, with a flavor that's maybe a bit like that of the great Jethro Tull album Songs From The Wood – although some of the later work also brings in some surprisingly strong progressive elements. This 2CD set covers the best period of the group's career – early 70s records for Transatlantic, including work from the albums Raindance, Red Queen To Gryphon Three, Gryphon, and Midnight Mushrumps – 30 track that include "Lament", "Second Spasm", "The Astrologer", "Tea Wrecks", "Juniper Suite", "Kemp's Jig", "Touch & Go", "Pastime With Good Company", "The Devil & The Farmer's Wife", "Don't Say Go", "Wallbanger", and "Down The Dog". CD

Possible matches5
CD, LP, Vinyl record album cover art
John RenbournUnpentangled – The Sixties Albums (There You Go/John Renbourn/Bert & John/Another Monday/Watch The Stars/Sir John A Lot Of/bonus tracks) (6CD set) ... CD
Transatlantic/Cherry Tree (UK), Late 60s. New Copy 6CD ... $32.99
A treasure trove of greatness from British folk rock legend John Renbourn – all of his late 60s solo work, done before moving on to greater fame in Pentangle! First up is There You Go – a rare one from singer Dorris Henderson and future Pentangle founder John Rensbourn! Florida born, LA raised singer Dorris Henderson moved to London in 1965 and was soon singing London's folk clubs, where she met Rensbourn. A solid mix of traditionals and then contemporary folk songs – stripped down and honest takes on "Saly Free And Easy", "Cotton Eyed Joe", "Mr Tamborine Man", "Going To Memphis", Something Lonesome", "Mist On The Mountain" and more. This edition includes bonus tracks from a rare 45 – "Hangman" and "Leaves That Are Green". Next is the self-titled John Renbourn from 1965 – a set that would not only establish John's legacy for years to come, but also have a very strong impact upon the role of the guitar on the British scene too! The album's definitely in a mode that owes something to an American folk legacy – but it also really breaks from the past with unusual phrasings and colorings in Renbourn's guitar – certainly with an ear towards ancient English modes, but also at once very fresh and contemporary – a strong precursor to the waves of new acoustic talents that would flow from the UK a few years later, but maybe even more revolutionary – given that John's mostly just working here with his guitar and voice. Bert Jansch adds guitar to a few tracks – and titles include "Song", "Down On The Barge", "Plainsong", "Judy", "Beth's Blues", "Blue Bones", "Train Tune", "Winter Is Gone", and "Noah & Rabbit". Bert & John is a hell of a collaboration between British legends Bert Jansch and John Renbourn – both working here together to completely redefine the sound of their music for the generation to come! This one album may well hold all the sense of subtle power and possibility that was about to flower in the Brit movement often known as "acid folk" – that reworking of older aesthetics with modern conceptions, and doing so mostly with their work on acoustic guitar – quite a feat, given the stripped-down instrumentation of the set! Bert sings a bit – in that incredible style of his – but the real attraction here is the guitar interplay, which is always fresh, never hokey, neither familiar American folk nor forced singer-songwriter backup material. Titles include a wonderful reworking of Charles Mingus' "Goodbye Pork Pie Hat" – plus "Red's Favourite", "Orlando", "Soho", "Piano Tune", "East Wind", "After The Dance", and "The Time Has Come". Another Monday is maybe the most obscure album in the collection – a set that is mostly instrumental, with some completely fantastic work by Renbourn on guitar – but which also features a bit of guest vocals from singer Jacqui McShee – whose warmer presence next to John really makes for a nice pairing. The album's as powerful as it is subtle, really beautiful in its sense of variety – with titles that include "Buffalo", "One For William", "Lost Lover Blues", "Another Monday", "Day At The Seaside", "Nobody's Fault But Mine", and "Waltz". Watch The Stars is another great collaboration with Dorris Henderson – an American singer, but one who moved to London in the 60s – where she cut this rare gem with guitarist John Renbourn! The album's got a righteous vibe that's hipper than the usual folk set – with some traditional tunes and some contemporary material – recorded with that amazing phrasing that made Renbourn's guitar so distinct right from the start, with lots of those jazzy currents we love so much – and which really fit the creative vocal approach of Henderson! Dorris also plays some autoharp, and there's a bit of bass in the backings – although overall the main focus here is on Renbourn's guitar and Henderson's vocals. Titles include "Come Up Horsey", "God Bless The Child", "Watch The Stars", "30 Days In Jail", "Mosaic Patterns", "Tomorrow Is A Long Time", and "There's Anger In This Land". Sir John A Lot Of is perhaps one of the best-known albums from British guitar legend John Renbourn – as it was issued widely in the US, and kept in print for a surprisingly long time over the years! The approach here is slightly different than Renbourn's previous records – a bit in the image presented by the cover, although with maybe not as slavish a sound – as John just uses the whole thing to go a bit more ancient than before, in ways that echo the time travel that the whole British folk scene was taking as the 70s approached. The tunes are done in ways that are really beautiful – still lots of the incredible guitar work that made Renbourn such a standout on the scene – plus flute from jazzman Ray Warleigh, who's very different here than usual – and spare use of finger cymbals, African drums, and glockenspiel by Terry Cox. Titles include "Morgana", "Transfusion", "The Trees They Do Grow High", "Sweet Potato", "Seven Up", and "White Fishes". 6CD box features all records in original artwork sleeves, with a booklet of notes – and bonus tracks that include "Message To Pretty", "The Waggoner's Lad", "Lucky Thirteen", "Blues Run The Game", "The Wildest Pig In Captivity (alt)", "Can't Keep From Crying", "Transfusion (alt)", and "The Leaves Are Green". CD

Possible matches6
CD, LP, Vinyl record album cover art
VariousMilk Of The Tree – An Anthology Of Female Vocal Folk & Singer/Songwriters 1966 to 1973 (3CD set) ... CD
Grapefruit (UK), Late 60s/Early 70s. New Copy 3CD ... About July 16, 2019
The female voice found a whole new way to flower in the world of folk music during the 60s – a style that helped women get past some of the more standard sultry modes of postwar pop, and hit the kind of righteous currents and deeper themes that helped transform a generation! The moment began with early folkies like Joan Baez and Odetta, then expanded by the end of the 60s to include incredible young talents who were carving out new styles of their own – singers who were inspired by the freedoms and deeper intellectual currents of folk, but who moved into styles that changed strongly with the heady times! This wonderful box set is a great examination of the moment, and really charts its growth – pulling together well-known artist and some lesser-knowns who include some great female singers from the UK. Titles include "Flying Away" by Serpent Power, "Foolish Seasons" by Dana Gillespie, "Light Flight" by The Pentangle, "Please" by Eclection, "Jesus Was A Cross Maker" by Judee Sill, "Who Has Seen The Wind" by The Simon Sisters, "Red Wine & Promises" by Norma Winstone, "Mr Fox" by Mr Fox, "By The Sea" by Wendy & Bonnie, "Come Into The Garden" by Chimera, "Early Morning Blues & Greens" by Diane Hildebrand, "Autumn Lullaby" by Bridget St John, "The Lonely" by Design, "If Not By Fire" by Mandy More, "Autie Aviator" by Beverley & John Martyn, "Mr Rubin" by Lesley Duncan, "Morgan The Pirate" by Mimi Farina, and "Murdoch" by Trees. CD

Possible matches7
CD, LP, Vinyl record album cover art
VariousStrangers In The Room – A Journey Through The British Folk Rock Scene 1967 to 1973 (3CD set) ... CD
Grapefruit (UK), Late 60s/Early 70s. New Copy 3CD ... $24.99
A tremendous overview of some really important years in British music – a period that sometimes gets overlooked, due to the huge explosion of psych, prog, and other styles – but one that's equally creative in its own sort of way! First off, forget the term "folk rock" – because although that's what this music might be, it's also very different than the pop folk modes that were big on the US scene in the mid 60s – as this folk rock scene instead represented a host of British musicians really retrenching, and finding their own sort of styles – sometimes borrowing bits from the ancient past of England, other times bringing forth a contemporary way of putting over a tune – at a level that might have gotten commercial and overproduced if these guys were working on the American west coast, but which instead has a nicely unadorned quality here. At a time when most American labels (and listeners) were really leaving folk music behind, these artists were able to often work free from the needs of a big commercial hit – and make genius music that's gone on to transform many minds over the decades. The set moves way past the obvious – and features a whopping 60 tracks in all, with lots of notes in the package – and even includes a few never-issued tracks as well. Includes work by Harvey Andrews, Jade, Michael Chapman, Andy Roberts, Mr Fox, Pentangle, Shirley Collins, Prelude, Heron, Mike Cooper, Paul Brett's Sage, Lifeblood, Dando Shaft, Canticle, Jeremy Harmer, Bridget St John, Al Jones, Bill Fay, Fairport Convention, The Woods Band, Matthew's Southern Comfort, The Johnstons, Beau, Richmond, Chimera, Spirogyra, and many others! CD

Possible matches8
CD, LP, Vinyl record album cover art
✨✧ Bert JanschBert Jansch ... LP
Transatlantic/Superior Viaduct, 1965. New Copy (reissue)... Temporarily Out Of Stock
Mindblowing music – an album of simple structure, but incredible power – and a record that prefaces so many other sounds to come! The set just features the young Bert Jansch on vocals and guitar – years before his presence in Pentangle – but working with such a complex array of influences and elements that we could spend pages just trying to unpack all that's going on in his work! Yet he also delivers the whole thing with an amazingly understated quality – one that's easygoing, open-handed, and completely un-self-conscious of its genius – so that the whole thing hardly telegraphs its interweaving of jazz, blues, and folk – its sense of ancient and modern – and the way that it can touch so many different scenes at once. Titles include "Needle Of Death", "Smokey River", "Finches", "I Have No Time", "Strolling Down The Highway", "Do You Hear Me Now", "Casbah", and "Alice's Wonderland". LP, Vinyl record album

Possible matches9
CD, LP, Vinyl record album cover art
✨✧ Bert JanschBirthday Blues ... LP
Reprise/Superior Viaduct, 1969. New Copy (reissue)... Out Of Stock
One of the greatest albums ever from UK genius Bert Jansch – cut as a solo set at a time when his fame was rising with the group Pentangle, and somewhat overlooked at the time! Yet all these many years later, we'd rank this one right up alongside important records of the period by Nick Drake – even though Jansch has a style that's completely his own – a bit ancient at times, somewhat bluesy on his guitar inflections, and set to this amazing voice that makes even the simplest lyric come across with a spooky sort of edge. Instrumentation is relatively spare – mostly Bert on guitar, joined by occasional players who include jazzman Ray Warleigh on alto and flute, and Duffy Power on harmonica – shaded in by producer Shel Talmy in ways that remind us of the lighter folksy numbers on the Donovan productions by Mickie Most. Titles include "The Bright New Year", "Tree Song", "Poison", "Wishing Well", "Blues", "I Am Lonely", and "Come Sing Me A Happy Song To Prove We Can All Get Along The Lumpy Bumpy Long & Dusty Road". LP, Vinyl record album
 
 
 



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