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Muzak Edit search

 
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Exact matches: 4
Exact matches1
CD, LP, Vinyl record album cover art
Gabriel MuzakQuero Ver Dancar Agora ... CD
Bolacha (Brazil), 2013. Used ... $6.99
... CD
(Out of print.)

Exact matches2
CD, LP, Vinyl record album cover art
✨✧ MuzakStimulus Progression (III A-74) ... LP
Muzak, 1976. Sealed ... Out Of Stock
... LP, Vinyl record album
(Shrinkwrap is lightly shopworn, with a small hole at the opening.)

Exact matches3
CD, LP, Vinyl record album cover art
✨✧ Space NegrosSpace Negros Do Generic Ethnic Muzak Versions Of All Your Favorite Punk/Psychedelic Songs From The Sixties ... CD
Arf! Arf!, 1980s. Used ... Temporarily Out Of Stock
... CD

Exact matches4
CD, LP, Vinyl record album cover art
✨✧ Space NegrosSpace Negros Do Generic Ethnic Muzak Versions Of All Your Favorite Underground Punk/Psychedelic Songs From The 60s ... LP
Arf! Arf!, 1987. Sealed ... Out Of Stock
Unusual material from Eric Lindgren – with titles that include "Martians Have Landed", "Seedy Blooze", "Let's Go To The Ice Cream Parlor", "Talk Talk", "Concentration", and "Let's Go To The Moon". LP, Vinyl record album
 
Close matches: 38
Close matches5
CD, LP, Vinyl record album cover art
AirtoNatural Feelings ... CD
Buddah/Muzak (Japan), 1970. New Copy ... $22.99
One of Airto's best albums ever – and one that we never tire of hearing! There's a sublime quality here that steps perfectly right off of the percussionist's groundbreaking work with Quarteto Novo! Airto's joined on this set by Hermeto Pascoal – also from the Quarteto Novo group – as well as wife Flora Purim, bassist Ron Carter, and the always-great Sivuca – who plays guitar on the record. There's a swirling blend of jazz, Brazilian rhythms, and free-thinking soul to the set – one that's never been captured so perfectly on other Airto albums – and which has a lean, clean sound that's simply beautiful. The overall sound is quite rootsy, without many fusion touches at all – and Hermeto's reed work really brings in a great edge to the whole session – one that makes the album differ a bit from much of the other Airto/Flora work of the time. Titles include a classic take on the tune "Bebe", plus "Andei", "Mixing (Misturada)", "The Tunnel", and "Frevo". CD

Close matches6
CD, LP, Vinyl record album cover art
Art Ensemble Of ChicagoSpiritual (Japanese paper sleeve edition – with bonus track) ... CD
Freedom/Muzak (Japan), 1969. New Copy ... $24.99
A tremendous recording from the Art Ensemble Of Chicago – done during the same Paris stretch as their Great Black Music classics on the BYG/Actuel label – and a set that easily matches, if not tops, those classics! You can really hear the group finding their own space here – taking some of the free jazz explorations of the Chicago scene in the late 60s, and forging them with an even earthier use of both percussion, and the more offbeat sonic possibilities of their own instruments – often with a sense of surprise that you don't always get from some of their later albums. Titles include the side-long "The Spiritual" – plus "Toro", "Lori Song", and "That The Evening Sky Fell Through the Glass Wall and We Stood Alone Somewhere?" (And they wondered why they never got their songs on the radio!) CD features the bonus track – "Tthintthedalen (parts 1 & 2)". CD

Close matches7
CD, LP, Vinyl record album cover art
Gato Barbieri & Dollar BrandHamba Khale (aka Confluence) (Japanese paper sleeve edition) ... CD
Freedom/Muzak (Japan), 1968. New Copy ... $24.99
Two jazz giants of the 70s come together on this rare Italian recording from the late 60s – South African pianist Dollar Brand (Abdulla Ibrahim) and Argentine tenorist Gato Barbieri – both working here in spare duo formation, with edges that are a fair bit sharper than most of their later work! The format is incredibly spare – just tenor and piano, plus some occasional cello work by Brand – dark and angular, but also filled with small flowers of hope, flowering in the spontaneous presence of these two great minds – a tremendous spirit that makes the record very different than freer jazz outings, and which maybe points the way towards some of the classic European tenor/piano recordings to come. Tracks are long, with a free flowing quality that's infused with soul and spirit – and titles include "Hamba Khale", "The Aloe & The Wildrose", and "To Elsa". CD

Close matches8
CD, LP, Vinyl record album cover art
✨✧ Paul BleyBlood – Paul Bley In Haarlem (Japanese paper sleeve edition) ... CD
Freedom/Muzak (Japan), 1966. New Copy ... Just Sold Out!
Mindblowing early work from pianist Paul Bley – two side-long tracks that really show the pianist stretching out and expanding his mind – quite far from even his few modern moments on record in years before! The group here is very well-suited to the spirit of the set – Mark Levinson on warmly rounded bass, and Barry Altschul on some freer, bolder drums – balanced with the freer lines on Bley's piano, but at a level that really shows that underlying sensitivity that made Paul so different than so many other avant jazz musicians of his generation. This is especially true on the sublime reading of Bley's "Mister Joy" – a mindblowing journey in music – but it also comes through on "Blood" as well. CD

Close matches9
CD, LP, Vinyl record album cover art
Dollar BrandAnatomy Of A South African Village (Japanese paper sleeve edition – with bonus tracks) ... CD
Freedom/Muzak (Japan), 1965. New Copy ... $24.99
Tremendous early work from South African pianist Dollar Brand (aka Abdullah Ibrahim) – exactly the kind of sounds that set him apart from so many other musicians at the time, and which brought him great attention on the European scene of the 60s! The tunes are long and open – strongly characterized by that rhythmic pulse that Brand borrows from his roots, but inflected with all these dark modern tones on piano – territory that Randy Weston was attempting a few years before, but which Dollar Brand really knocks out of the park with a recording like this! The rest of the group features Johnny Gertze on bass and Makaya Ntshoko on drums – both players who are really well-tuned to the groove – and the set features Brand's originals "Anatomy Of A South African Village", "Tintiyana" and "Honey, plus versions of the Monk tunes, "Round Midnight" and "Light Blue". CD features four bonus tracks – "The Dream", "Mamma", "Smoke Gets In Your Eyes", and a 20 minute medley titled "Boulevard East/Sunset In Blue/Easter Joy". CD
(Part of the "Freedom Paper Sleeve Collection" series!)

Close matches10
CD, LP, Vinyl record album cover art
Dee Dee BridgewaterAfro Blue (Japanese paper sleeve edition) ... CD
Trio/Muzak (Japan), 1974. New Copy ... $19.99
One of the greatest jazz vocal albums of all time – and one of the first true moments of genius from a young Dee Dee Bridgewater! The album's a Japanese only release (proof that they're always hipper to our jazz artists than we are!) – and it features Dee Dee singing material that's quite different than her later R&B-inflected sides from the late 70s – very soaring and spiritual work, delivered in a way that set a whole new standard for jazz at the time! Backing is by a small combo with brothers Ron and Cecil Bridgewater, plus Roland Hanna on acoustic and electric piano, George Mraz on bass, and Motohiko Hino on drums and percussion – but the star of the set is always Dee Dee, who sparkles beautifully on the album's classic versions of "Afro Blue" and "Little B's Poem" – both of which have been redone by many other singers over the years. Other great cuts include "People Make The World Go Round", "Love From The Sun", and "Love Vibrations". CD
Also available
Afro Blue ... LP 25.99
Afro Blue ... CD 11.99

Close matches11
CD, LP, Vinyl record album cover art
Marion BrownPorto Novo (Japanese paper sleeve edition) ... CD
Freedom/Muzak (Japan), 1967. New Copy ... $24.99
Genius early work from reedman Marion Brown – an album that was originally only issued overseas, where it was recorded – as part of that legacy that's always had Brown getting a lot more attention in Europe than back at home! Yet the record's a monster that stands equally with Marion's seminal sides for Impulse and ESP – and is maybe even bolder than both of them, as Brown blows alto in a loose trio – with Maarten Van Altena on bass and Han Bennink on drums – in a mode that definitely puts the "free" in free jazz – recorded before the start of both FMP and BYG! Yet there's also that sensitive, soulful quality that makes Brown so great – that element in the music that's always had recordings like these as key pointers forwards to the loft jazz years on the NYC scene – a brilliant blend of freedom and inner spirit – on titles that include "Sound Structure", "QBIC", "Porto Novo", and "Similar Limits". CD

Close matches12
CD, LP, Vinyl record album cover art
Dave BurrellHigh Won – High Two (Japanese paper sleeve edition) ... CD
Freedom/Muzak (Japan), 1968. New Copy Gatefold ... $24.99
A pretty great and very strange album by avant pianist Dave Burrell – and maybe one of the best-known calling cards for his unique genius on the keys! Side one features an extended tune called "West Side Story", which is basically a medley of tunes from the musical, played with a nice dark edge by Burrell and a trio – with Sirone on bass and Bobby Kapp on drums, plus additional tambourine work by Pharoah Sanders! Side three features "East Side Colors", a great track in the ESP avant mode – and one that features killer drum work by Sonny Murray, and some fierce piano by Burrell – and side four features the long "Theme Stream Medley", another extended track, based on themes by Burrell. Other titles include "Margy Pargy", "Bobby & Si", "Bittersweet Reminiscence", and "Dave Blue". CD

Close matches13
CD, LP, Vinyl record album cover art
Ann BurtonEarly Blue 1958 to 1968 ... CD
Muzak/NJA (Netherlands), Late 50s/1960s. New Copy ... $19.99 29.99
A wonderful collection of work from Dutch singer Ann Burton – all of it recorded before her breakthrough album, Blue Burton – featured in a set that includes her debut EP release from 1965, and a decade's worth of music from Ann's own archives, which appear here for the first time ever! Burton's a hell of a singer – already a fantastic stylist at the start, with a jazz-based ability to inflect and make every song her own – maybe an extension of 50s modes of singers like June Christy or Chris Connor, but also very much her own spirit as well. The set features Burton with small combos, larger groups, and even a few "with strings" sessions – a selection of 24 tracks that provides a key look at these early years of her career. Titles include "Let's Get Away From It All", "Fly Me To The Moon", "Miss Otis Regrets", "Sing A Rainbow", "Exactly Like You", "You've Changed", "The Moon Looks Down & Laughs", "Mood Indigo", "They Didn't Believe Him", "You Can Have Him", and "Let's Try It". CD

Close matches14
CD, LP, Vinyl record album cover art
✨✧ Stanley CowellBlues For The Viet Cong ... CD
Freedom/Muzak (Japan), 1969. New Copy ... Just Sold Out!
Incredible work from the young Stanley Cowell – one of his first albums ever, but already a step ahead of most of his contemporaries! The set's a trio date, unlike some of Cowell's later albums for Strata East – and it's got a wonderful blend of soaring piano lines and more complicated rhythms – already showing some of the spiritual elements that Cowell would later craft into longer lines with Charles Tolliver – but possibly even more striking here in the looser space of a trio! Rhythms are sometimes quite fluid and free – almost in the vein of some of Steve Kuhn's most inventive late 60s work – but sometimes things echo previous generations as well, almost with a Jaki Byard vibe. In addition to Cowell's great work on acoustic and electric piano, the trio features wonderful drums from Jimmy Hopps and bass from Steve Novosel – both players who are at the top of their game here, and really help set fire to Cowell's music. Titles include an early take on "Travelin Man" – quite different from the later version on Strata East, but equally wonderful – plus "Blues For The Viet Cong", "Wedding March", "Photon In A Paper World", "Departure", "Sweet Song", and "The Shuttle". CD

Close matches15
CD, LP, Vinyl record album cover art
Stanley CowellBrilliant Circles (Japanese paper sleeve edition – with bonus tracks) ... CD
Freedom/Muzak (Japan), 1969. New Copy ... $24.99
A record that's definitely as brilliant as promised in the title – a set that has the young pianist Stanley Cowell bridging the late 60s Blue Note modal sound and his greatness to come on the Strata East label – all with a style that would set the tone for so many other players and groups in the 70s! The mix of musicians here is a dream – not just Cowell on piano, but also Bobby Hutcherson on vibes, Woody Shaw on trumpet, Tyrone Washington on tenor and flute, Reggie Workman on bass, and Joe Chambers on drums – all players with maybe a bit more under their belt, but who also instantly lock into Cowell's visionary new sound – spun out in a mix of modal moments and freer solos, on tunes penned by members of the group. Every track is nice and long, and has a spiritual jazz vibe that owes a lot more to the worlds of Cowell, Hutcherson, and Shaw than it does John Coltrane – as you'll hear on titles that include "Brilliant Circles", "Earthly Heavens", "Boo Ann's Grand", and "Bobby's Tune". CD features two bonus tracks – "Musical Players" and an alternate take of "Brilliant Circles". CD

Close matches16
CD, LP, Vinyl record album cover art
Ted CursonTears For Dolphy (Japanese paper sleeve edition – with bonus tracks) ... CD
Freedom/Muzak (Japan), 1964. New Copy ... $24.99
Seminal work from trumpeter Ted Curson – a set that's issued under his own name, but which continues a string of key early 60s performances with tenorist Bill Barron – who's work together here with Ted is fantastic! The group has no piano – just Herb Bushler on bass and Dick Berk on drums – both players with a fluid, open sense of rhythm – one that allows for plenty of horn interplay, at a level that almost has Curson borrowing some of the lessons he learned from Mingus, then taking them into small group formation and really opening things up! Curson also blows a bit of pocket trumpet, and Barron handles some clarinet – on a set of all original material that includes a great version of Curson's "Quicksand", plus the tracks "Kassim", "East 6th Street", "Tears For Dolphy", "7/4 Funny Time", "Reava's Waltz". CD features three bonus tracks – "Desolation", "Searching For The Blues", and "Light Blue". CD
(Part of the "Freedom Paper Sleeve Collection" series!)

Close matches17
CD, LP, Vinyl record album cover art
✨✧ Dusko Goykovich with Nathan Davis & Mal WaldronSwinging Macedonia ... CD
Enja/Muzak (Japan), 1966. Used ... Just Sold Out!
A legendary German session from the 60s – and a record that really showcases the unusual criss-crossing of modes that was going on in the European scene at the time! There's a very strong MPS vibe here – as trumpeter Dusko Goykovich leads a swinging sextet that includes Nathan Davis on flute, soprano, and tenor – blowing some tremendously soulful reed lines – plus incredible rhythms from Mal Waldron on piano, Peter Trunk on bass, and Cees See on drums. The record's an attempt to bring traditional Macedonian rhythms into a jazz perspective – but with players like these, it swings in a way any Macedonian album never could – damn soulful, and with a great exotic vibe. Davis is especially great, and plays in a soaring modal vein that's similar to his work on his classic MPS sides, and on the records he cut in America in the early 70s. The album's a beautiful session that often get's overlooked because it blends it with the Enja catalog – but it's really more of a record that belongs in an MPS reissue series, and is a great lost groover that's waiting to be rediscovered by the Dusty Groove crowd. Titles include "Macedonia", "Old Fisherman's Daughter", "Jumbo Uganda", "Bem Basha", "Saga Se karame", and "The Nights Of Skopje". CD
(Out of print, includes obi.)
Also available Swinging Macedonia ... LP 24.99

Close matches18
CD, LP, Vinyl record album cover art
Johnny GriffinHush A Bye (The Man I Love/You Leave Me Breathless/bonus tracks) (Japanese paper sleeve edition) ... CD
Black Lion/Muzak (Japan), 1967. New Copy 2CD Gatefold ... $24.99
An expanded version of this famous series of recordings – originally issued on two different records by the Black Lion label, and expanded here with bonus material! The record's n astounding live set from Johnny Griffin – recorded at the famous Club Montmartre in Copenhagen, Dexter Gordon's famous home in the late 60s – but a place that was also a showcase for the new sort of energy that Griffin was bringing to his horn at the time! The record crackles with the kind of free energy of the best Montmartre sessions – long tracks and compelling solos, stretched-out versions of tunes you may recognize, but which are transformed nicely by Griff's great solo work – and by a rhythm section that features Kenny Drew on piano, Niels Henning Orsted Pedersen on bass, and Albert Heath on drums! Titles include "The Man I Love", "Blues For Harvey", "Indiana", "Old Folks", "You Leave Me Breathless", "Night In Tunisia", "Leave Me Alone Blues", "All The Things You Are", "The Masquerade Is Over", "Sophisticated Lady", "Hush A Bye", and "Wee". CD

Close matches19
CD, LP, Vinyl record album cover art
Julius Hemphill (Mbari)Dogon AD (Japanese paper sleeve edition) ... CD
Freedom/Muzak (Japan), 1972/1977. New Copy ... Just Sold Out!
A seminal session from the St Louis scene of the early 70s – one that was humming nearly as much as Chicago was with the AACM at the time! As with the larger organization in the Windy City, St Louis had the Black Artists Group – of which Julius Hemphill was a key member, forming fresh new ideas in improvisatory jazz with players who went onto have an undeniable impact on the global scene as well. This album's one of the standout recordings of the Black Artists era at its best – a record produced by Hemphill, but equally balanced between his own alto and flute, the trumpet of Baikida Carroll, cello of Abdul Wadud, and drums of Phillip Wilson – plus a bit of added baritone from Haimet Bluiett. The rhythms are quite open, but there's also a nice sense of structure to the record too – a bridge between spiritual and free jazz that prefaces the impact that both Hemphill and Bluiett would have on the New York loft jazz generation. Titles include "Dogon AD", "Rites", and "The Painter". CD

Close matches20
CD, LP, Vinyl record album cover art
Jackie & RoyJackie & Roy (plus Sing Baby Sing) (Japanese paper sleeve edition) ... CD
Storyville/Muzak (Japan), 1955. New Copy 2CD ... $14.99
Two rare Storyville albums from the tremendous vocal team of Jackie & Roy – back to back in a single set! First up is the self titled Jackie & Roy – one of the first albums ever from the team of Jackie Caine and Roy Kral – and one of the best, too! The album's got a relaxed, open-ended approach to jazz vocals that already carries all the hallmarks of the Jackie & Roy style – wordless scatting on some tunes, playful lyrical interplay on others, and a focus on Jackie's ballad talents on some of the gentler numbers – all wrapped up in small combo backing that's sensitive, creative, and modern – yet never in a way that overwhelms the vocals. It's hard to match the poise, class, and cleverness of this one – and the album easily set a new standard for vocal jazz in the 50s! Titles include a few great early tunes by Tommy Wolf – the songwriter who would become so important for the pair – and backing is by Roy on piano, Barney Kessel on guitar, Red Mitchell on bass, and Shelly Manne on drums. Titles include "Let's Take A Walk Around The Block", "You Smell So Good", "Listen Little Girl", "Spring Can Really Hang You Up The Most", "Bill's Bit", "Dahuud", "I Wish I Were In Love Again", and "Lover". Sing Baby Sing is sublime work from the duo of Jackie & Roy – a guy/gal vocal team, but one with a sound that's unlike anyone else we can think of! Both Jackie Cain and Roy Kral sing – and Roy also plays a mean piano, and writes a fair bit of the tunes too – really lively numbers that show off the bop-styled techniques they developed while working with Charlie Ventura – but with hipper, groovier lyrics – of the sort that are a key precursor to folks like Bob Dorough or Dave Frishberg! Instrumentation on the set is great, too – a small combo with guitar from either Joe Rumero or Barry Galbraith – served up in a really great mix of tunes that includes "Season In The Sun", "Slowly", "Cheerful Little Earful", "Why Not Admit It", "You Are The One", and "Hook Line And Snare". CD

Close matches21
CD, LP, Vinyl record album cover art
Barney KesselBlue Soul (plus Swinging Easy) (Japanese paper sleeve edition) ... CD
Black Lion/Muzak (Japan), 1968. New Copy 2CDs ... $24.99
A pair of late 60s gems from guitarist Barney Kessel – both of which came from the same string of sessions! First up is Blue Soul – a very groovy set from guitarist Barney Kessel – very different than some of his cleaner, smoother-toned work of the 50s! The album was partly recorded in London, and partly recorded in LA – and there's a really nice mix of modes going on, which includes strong use of organ at times – bringing a soul jazz vibe to the record, which Barney seems to match with an extra sort of rasp in his strings – this nice bite that really sets the record apart from some of his others! There's also great use of electric bass, very strong at a few points, with a nice kick in the rhythms that's kind of unexpected for a record from Kessel – as you'll groove to on titles that include "Blue Soul", "Stumblin Around", "Comin Home", "Quail Bait", "Shufflin", and "Frank Mills". Swinging Easy is really nice work from guitarist Barney Kessel – one of his overlooked late 60s sessions from a time when the musician was really opening up his sound! Barney's working with a British trio here – John Marshall on drums and Kenny Napper on bass – and there's a nice sense of tone that carries forward his 50s modes, but which also maybe has a bit more of a bite, too. The mix is a great one, and titles include "On A Clear Day", "The Look Of Love", "Corcovado", "Aquarius", "Watch The Birds Go By", and "I Will Wait For You". CD
(Great paper sleeve package, too!)

Close matches22
CD, LP, Vinyl record album cover art
Lee KonitzLee Konitz At Storyville/At Harvard Square/Konitz (Japanese paper sleeve edition) ... CD
Storyville/Muzak (Japan), 1954. New Copy 2CDs ... $24.99
Three early 10" albums from alto genius Lee Konitz – packaged together here in one great 2CD set! First up is Lee Konitz At Storyville – tight early work from Lee Konitz – recorded on location at the very hospitable Storyville nightclub in Boston – a sweet setting for his angular tones on the alto! The style here is great – cutting lines that are incredibly precise, yet crafted with enough soul to keep them from just being exercises in sound – delivered with a bit more warmth than some of Lee's other recordings of the time. The group's a quartet with Ronnie Ball on piano, Percy Heath on bass, and Al Levitt on drums – and titles include "Sound Lee", "Subconscious Lee", "Hi Beck", and "These Foolish Things". Next is Lee Konitz At Harvard Square – clear, clean early work from Lee Konitz – recorded with that crispy edge that he brought to all of his best early work! The album's a treasure all the way through – really amazing stuff, with a sharpness that's quite noticeable, but also a sense of humanity that Lee didn't always have in his later work. The group's nicely relaxed, but still driven by modern ideals – and other players include Ronnie Ball on piano, Jeff Morton on drums, and Peter Ind on bass. Tracks are short, but pack a punch, and titles include "No Splice", "Foolin Myself", "Ronnie's Tune", "Froggy Day", and "My Old Flame". Last is the great Konitz album – some of the greatest work ever recorded by Lee Konitz – crisp, cool, and with that perfect icy tone that was his unique trademark during the mid 50s! The style here is a bit less angular and academic than some of Lee's earliest work – and there's a subtle warmth, almost an intimacy to the way the whole thing's recorded – but also a Tristano-styled approach to the tunes that still makes everything feel a bit off-kilter, even when relaxed. The group's a quartet – with Lee on alto, Ronnie Ball on piano, Jeff Morton on drums, and the great Tristano-ite Peter Ind on bass. Titles include "317 East 32nd", "Bop Goes The Leesel", "Nursery Rhyme", and a great version of "Skylark". 31 tracks in all – with some bonus alternates too! CD

Close matches23
CD, LP, Vinyl record album cover art
Oliver LakeNTU – Point From Which Creation Begins (Japanese paper sleeve edition) ... CD
Arista/Muzak (Japan), 1971. New Copy ... $24.99
Reedman Oliver Lake at his most creative – stepping out here on a sublime set of 70s improvisations – all put together with a really spiritual feel! There's a very open, collaborative feel to the music – and the set was recorded in St Louis, at a time when Lake was a key part of that city's scene – and who here also seems able to attract some other musicians from the AACM in Chicago as well! As a result, the album's a wonderful document of the new ideas bursting forth at the start of the 70s – that richly creative moment when local scenes were coming together in various cities to find new ways of jazz beyond Coltrane and Dolphy – giving a player like Lake some of the most imaginative outlets of his career. Oliver plays alto, soprano, flute, and other small instruments – and other players include Baikida Carroll and Floyd Leflore on trumpets, Joseph Bowie on trombone, John Hicks on piano, Clovis Bordeaux on electric piano, Don Officer on bass, Charles Bobo Shaw on drums, and Don Moye on congas too. Titles include "Africa", "Tse Lane", "Eriee", "Zip", and "Electric Freedom". CD

Close matches24
CD, LP, Vinyl record album cover art
Gary McFarlandAmerica the Beautiful (Japanese paper sleeve edition) ... CD
Skye/Muzak (Japan), 1968. New Copy Gatefold ... $16.99
An incredible document of late 60s America – composed and conducted by Gary McFarland, in a style that's much more ambitious than any of his other work! The album's fully titled "America The Beautiful: An Account Of Its Disappearance" – and features "movements" with very telling subtitles that include "On This Site Shall Be Erected", "80 Miles An Hour Through Beer Can Country", "Suburbia: Two Poodles And A Plastic Jesus", and our personal favorite, "Due To A Lack Of Interest, Tomorrow Has Been Cancelled". Gary's really wearing his politics on his sleeve here – picturing a late 60s America that's without hope, without revolution, and clearly in danger of falling prey to its own plasticization. The whole thing's a wonderful antidote to the "revolution is coming" side of the 60s that is more popularly pushed – and Gary was one of the few musicians at the time with an eye that was clear enough to see that in the 60s, you could sing "The Times Are A-Changing" – but in reality, the corporations were a-growing! Musically, the album features a larger group of jazz players working in a full, rich style that has lots of soundtrack touches. There's a real Axelrod-like feel to the set – with string passages one minute, funky rhythms the next – and some breakout jazz soloing that really colors the tunes nicely! Players include Jerome Richardson, Eric Gale, Bernard Purdie, and Chuck Rainey – and Gary's mostly doing the conducting on the set. CD

Close matches25
CD, LP, Vinyl record album cover art
Duke PearsonAngel Eyes ... CD
Jazz Line/Muzak (Japan), 1961. New Copy ... $22.99
A rare pre-Blue Note session from Duke Pearson – very mellow, very soulful, and with a quality that's unlike most of his later work! The album's a trio side, recorded for the Jazzline label, and it features Pearson on piano, Thomas Howard on bass, and Lex Humphries on drums – the last of whom brings in some wonderfully lyrical lines on the kit, very much in the manner of the free, dancing rhythms used on records with Donald Byrd. Pearson's piano has a sharper edge than usual – these dark, moody tones that are totally great – almost a rougher version of his later sound, with a great sense of depth. Bob Cranshaw's bass and Walter Perkins' drums are featured on one number – and titles include a killer take on "Jeannine", plus "Say You're Mine", "Le Carrousel", "Bags Groove", and "Exodus". CD
(HQ – Hi Quality CD pressing!)

Close matches26
CD, LP, Vinyl record album cover art
Bud PowellBlues For Bouffemont/Hot House (Japanese paper sleeve edition – with bonus tracks) ... CD
Fontana/Muzak (Japan), 1964. New Copy 2CD Gatefold ... $24.99
A pair of late Bud Powell albums – brought together here in a single set! First up is Blues For Bouffemont – wonderful late work from pianist Bud Powell – recorded in France, where Bud seemed to do all of his best recordings in the early 60s! The setting is a trio – with Art Taylor on drums and Michel Gaudry on bass – but as always in such a mode, Powell has a way of opening the tunes up wonderfully – exploring the boppish currents that he first helped unveil years before, but also showing a newfound lyricism that makes us wonder what strong role Bud would have played on the European scene, had he survived into the 70s! Titles include "Una Noche Con Francis", "Like Someone In Love", "Blues For Bouffemont", "Moose The Mooche", "Little Willie Leaps", and "My Old Flame". CD also features bonus tracks with a second trio – "I Know That You Know", "Star Eyes", and "There Will Never Be Another You". Next is Hot House – maybe the last album that Bud Powell ever recorded with a horn player – and a fantastic one too – as the set features tremendous work from rising tenor genius Johnny Griffin! The setting is a live one – with Guy Hayat on bass and Jacques Gervais on drums – and the group open up wonderfully to provide this really crispy setting that brings out the best in Griffin's tone – that amazing edge that he always had right from the start, but which really seemed to come into focus even more strongly during this stretch overseas! Some tracks are nice and long – especially versions of "Wee", "John's Abbey", and "Straight No Chaser" – alongside tunes that include "Bean & The Boys", "Move", and "Salt Peanuts". CD

Close matches27
CD, LP, Vinyl record album cover art
✨✧ Bud PowellStrictly Confidential/Essen Jazz Festival All Stars (Japanese paper sleeve edition) ... CD
Black Lion/Muzak (Japan), Early 60s. New Copy 2CD Gatefold ... Just Sold Out!
A pair of rare late albums from Bud Powell – back to back in a single set! Strictly Confidential is a really unusual set of recordings from pianist Bud Powell – tracks recorded in his overseas home, solo – a setting that puts the keyboard magic of Powell in a similar sound to that of Art Tatum, who'd recorded in such a way the decade before! At some level, these might be the most compelling recordings that Bud made at the time – as there's an intimacy that's wonderful, and an inherent swing that makes you realize how much Powell was always driving the group – even when he was working with top-shelf drummers and bassists. Plus, the solo mode maybe also opens up a current of humanity past the Bud's skills on the keys – which makes the whole record all that much more powerful. Titles include "Deep Night", "Strictly Confidental", "Wahoo", "Deep Inside", "My Devotion", "Conception", and "Ruby My Dear". Essen Jazz Festival All Stars is a great recording from the 1960 Essen Jazz Festival in Germany – one that has bassist Oscar Pettiford playing with Bud Powell and drummer Kenny Clarke (all of whom were living abroad at the time), and being joined by Coleman Hawkins on a few tracks. On the trio sides, although Powell's strong piano is out front, Pettiford still gets a lot of room to solo in warm round swells. The Hawk sides are our favorites, though, because we love the great tenor player at this point in his career, when he was playing in a way that was deceptively easy, but which was filled with all of these incredible surprises. The tracks on this LP are no exception, and the Hawk flies high high high on "All The Things You Are", "Yesterdays", and "Stuffy". CD
(Part of the Black Lion Records Master Collection!)

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✨✧ Dewey RedmanLook For The Black Star (Japanese paper sleeve edition) ... CD
Freedom/Muzak (Japan), 1966. New Copy ... Just Sold Out!
The first-ever album as a leader from tenorist Dewey Redman – a set that captures the rising musician at a level that's very full-formed, and which shows some of the roots of his years in Texas with a young Ornette Coleman! The vibe's different here than Coleman's music – at least in the early 60s – as Dewey would soon reunite with Ornette, and make some key sides in the second half of the decade. But there's definitely a similar sense of rhythmic pulse – with all the instruments leaping into the groove in a wonderful way – at times almost recalling some South African jazz modes, and at other moments maybe sparkling more with the best early 60s touches of the American underground! The rest of the combo features Jim Young on piano, Don Raphael Garrett on bass, and Eddie Moore on drums – an unusual grouping, but one that really makes some special magic here together – and in ways that give the record a very different sound than Redman's later, better-known albums. All titles are originals by Dewey – and tracks include "For Eldon", "Seven & One", "Look For The Black Star", "Of Love", and "Spur Of The Moment". CD
(Part of the "Freedom Paper Sleeve Collection" series!)

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Som BrasilTudo Joia (Japanese paper sleeve edition) ... CD
Muzak (Japan), 1984. New Copy Gatefold ... $16.99
Brazilian grooves, but served up by a Chicago combo – one that features the great pianist Breno Sauer working with local musicians while he was living in the Windy City! The style here is a bit like some of the best 70s Bay Area groups who could mix together jazz and Brazilian elements – but with a style here that's maybe a bit more lean, and less fusion-based overall! The group features lead vocals by Neusa Sauer – and a lineup that includes tenor, percussion, guitar, and bass. Tunes are a bit longer than usual – allowing for some nice jazz moments – and titles include "Babete", "Favela", "Arlequin Desconhecido", "Fato Consummado", and "Sai Dessa". CD

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John TchicaiCadentia Nova Danica (Japanese paper sleeve edition) ... CD
Freedom/Muzak (Japan), 1968. New Copy ... $24.99
Brilliant early work by saxophonist John Tchicai – recorded in Denmark with a larger ensemble, in the years of his European exile after the dissolution of the New York Contemporary Five. Players include Karsten Vogel on alto and percussion, Max Bruel on baritone and piano, and Hugh Steinmetz on trumpet – and the tracks are a mixture of Dutch free jazz and some of the more contemplative scoring of Tchicai's earlier work – but always handled with that special sort of quality that makes Tchicai's work stand out so much, and which makes experiments like this such an important precursor to spiritual jazz projects in the 70s! Tracks ring out with a majesty and power that Tchicai rarely had in his later work – and titles include "Kirsten", "Orga Fleur Super Asam", "Lilanto Del Indio", and "Inside Thule". CD

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Ben WebsterSaturday Night At The Montmartre (plus Midnight & Sunday Morning) (Japanese paper sleeve edition) ... CD
Black Lion/Muzak (Japan), 1965. New Copy 2CDs ... $24.99
A really great package – one that brings together three different albums on the Black Lion label, all of which were recorded during the same live sessions at the Cafe Montmartre in Copenhagen! Ben Webster's tone is wonderful here – that mature, mellow sound that he brought to some of his standout live dates – and which is captured here in the kind of relaxed, soloist-focused setting that always makes 60s recordings from the Cafe Montmartre so great! The group is a familiar one for the house – Kenny Drew on piano, Nils Henning Orsted Pedersen on bass, and Alex Riel on drums – but it's clear that Ben's the main star, and steps out on the kind of tenor solos really set him apart from the rest – on a record that's also one of his best from the decade! 2CD set features 21 tracks in all – and titles include "I Can't Get Started", "Londonderry Air", "My Romance", "Misty", "That's All", "Yesterdays", "Perdido", "Teach Me Tonight", "Friskin The Frog", "Stormy Weather", and "Blues For Herluf". CD
(Great 2CD paper sleeve pressing!)

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✨✧ Anthony BraxtonFreedom Years (Complete Braxton/Silence/Time Zones) (Japanese paper sleeve edition) ... CD
Freedom/Muzak (Japan), 1969/1971/1976. New Copy 2CD Gatefold ... Temporarily Out Of Stock
A trio of fantastic recordings from Anthony Braxton – all of them at a pivotal time in his career, and each with his reed work in a very different setting! First up is the double-length album The Complete Braxton – a record that's something of a document of Anthony Braxton during his brief period with the group Circle – but a set that also offers up an expanded take on their new idea of freedoms in jazz! Braxton plays alto, soprano, clarinet, and bass clarinet – using his angular reedwork amidst his own fantastic "equation" compositions – which allow for plenty of improvisation from shifting lineups that include Chick Corea on piano, Dave Holland on bass and cello, and Barry Altschul on percussion! The tracks also feature the great Kenny Wheeler on trumpet and flugelhorn – playing mostly at moments when the piano of Corea drops out – and one tune also features the London Tuba Ensemble, who make for an especially bracing sound! Titles include "67M F-12", "R76", "JNK", and a bunch of those compositions that just have pictures for the title! Silence features Anthony Braxton, recorded in Paris at the end of the 60s – but in the company of two very familiar talents from his hometown – Wadada Leo Smith on trumpet and Leroy Jenkins on violin! Unlike some of Braxton's other Paris recordings, there's a very strong Chicago vibe going on here – as both of the album's long tracks unfold with thoughtful, almost gentle improvisation at times – a very different current of spiritualism than the post-Coltrane world, with all players picking up other instruments at times – in that mode-shifting way that made the early AACM so wonderfully creative! The set features two side-long titles – "Silence" and "Off The Top Of My Head". Time Zones is one of Anthony Braxton's most compelling albums of the 70s – a series of sonic explorations recorded with electronic music artist Richard Teitelbaum – whose work on a variety of moog synthesizers makes for a very groundbreaking accompaniment to Braxton's work on soprano, alto, and bass clarinet! The album features two long improvisations – "Crossing" and "Behemoth Dreams" – both of which are maybe more in the organic territory of the AACM than some of the later experiments that have electronics and improvisation – a really special space that the pair create together that's different from earlier electro-acoustic work, and even the sound of MEV or AMM – a completely fresh approach to electronics in improvisation – graced with some very interesting moments from Braxton as well. CD

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✨✧ Andrew HillSpiral (Japanese paper sleeve edition) ... CD
Freedom/Muzak (Japan), 1975. New Copy ... Temporarily Out Of Stock
Really beautiful 70s work from pianist Andrew Hill – one of his few sessions from this part of the decade to feature a larger set of players – some really wonderful guests that make some real magic with Hill's brilliant compositions! At the start of the 70s, Andrew had announced a back to basics moment – when he wanted to play a bit more inside – and while this record isn't as completely avant as some of his 60s material, it's something of a blend of both modes – angular ideas that explode from the compositions, but mixed with a sense of structure too – all handled by players who are very well-suited to such a mode – a lineup that includes Ted Curson on trumpet, Lee Konitz on alto and soprano, Robin Kenyatta on alto, Cecil McBee and Stafford James on bass, and Art Lewis and Barry Altschul on drums. There's a special sort of beauty here – and the record's a great reminder that Andrew Hill's genius extended well past his famous recordings for Blue Note – on titles that include "Tomorrow", "Invitation", "The Message", "Quiet Dawn", and "Spiral". CD

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✨✧ Dudu PukwanaDiamond Express (with bonus tracks) (Japanese paper sleeve edition) ... CD
Freedom/Muzak (Japan), 1975. New Copy 2CD Gatefold ... Temporarily Out Of Stock
One of a rare few albums cut as a leader by reedman Dudu Pukwana – maybe best known for his role in the South African jazz group The Blue Notes, and an undeniable force on the London scene in the late 60s and early 70s! This special set is a great merging of both worlds – as Pukwana works here with older partners Mongezi Feza on trumpet and Louis Moholo on drums – but also gets help at times from other players of the London underground – Elton Dean on saxello, Nick Evans on trombone, and Keith Tippett on piano! But perhaps the two key players here are Lucky Ranko on guitar and Ernest Mothole on electric bass – both of whom provide a pulsing rhythm that brings more of a South African sense of groove to the music than some of Dudu's other more freely-improvised material with his famous group. Frank Roberts warms things up with some great work on keyboards too – and there's a definite South Africa via London vibe going on here – on titles that include "Madodana", "Diamond Express", "Tete & Barbs In My Mind", and "Ubaqile". PLUS, this 2CD version features a whole unreleased album recorded around the same time – a date that features more tracks from the group with Moholo, Fezi, Evans, Dean, and Tippett – on titles that include "Hidden Spirits", "Black Horse", "Blue Nick", "Blessing Light", and "Ducking Darkness". CD

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✨✧ Charles TolliverRinger (Japanese paper sleeve edition) ... CD
Freedom/Muzak (Japan), 1969. New Copy ... Temporarily Out Of Stock
The start of a legend – a record that may well be called the birthplace of the Strata East record label – as the let features both trumpeter Charles Tolliver and pianist Stanley Cowell, working together in an early version of the Music Inc group that would be one of the key acts on Strata East during the 70s! The set came at a time when both Tolliver and Cowell had been working in Max Roach's groundbreaking group of the late 60s – getting plenty of training from Max, but also, along with Gary Bartz, opening up with all these new spiritual ideas and fresh compositions – to a point where there's already a very mature, focused vibe on this early set! The rest of the group features Steve Novosel on bass and Jimmy Hopps on drums – and together, the musicians soar beautifully on a set of all original tunes by Tolliver – some of which you'll recognize from later readings, but which are already in a perfect modal, spiritual groove here. Tracks include "Spur", "The Ringer", "Mother Wit", "Plight", and "On The Nile". CD

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✨✧ Jym YoungPuzzle Box (Japanese paper sleeve edition) ... CD
Freedom/Muzak (Japan), 1966. New Copy ... Temporarily Out Of Stock
An amazing record – and sometimes sadly overlooked – one of the few avant jazz sessions from the 60s San Francisco scene, and a hell of an album throughout! Pianist Jym Young plays with a brilliant style that's almost a bridge between earlier modern eras and the changes on the New York scene in the mid 60s – not "new thing", not ESP – but this balance of some modal elements and some free impulses – served up in a group that also features Bennett Friedman on tenor, Harley White on bass, and Jim Messinger on drums and "Indian snake charmer"! Young also plays a bit of kalimba, and tracks are quite long – with titles that include "Lament", "Puzzle Box", and "Skippin In The Rain". CD

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✨✧ Paul BleyTouching (with bonus track) (Japanese paper sleeve edition) ... CD
Freedom/Muzak (Japan), 1965. New Copy ... Out Of Stock
Prime modern work from the great Paul Bley – a pianist who was really expanding his sound at this time – to a level that would soon make him a legend around the globe! The European date is a great chance to hear Bley really opening things up – playing freely, with an amazing command of the keyboard – faster flurries of notes at times than you might hear on his 70s material, but with an equally sensitive ear for space and sound – all balanced by perfect work from Kent Carter on bass and Barry Altschul on drums! There's an instantly haunting quality to the music – which is all unique original material from Bley's scene – titles that include his own compositions Bley's "Pablo" and "Mazatlan", plus Annette Peacock's "Both" and "Cartoon", and Carla Bley's "Start". CD also features the bonus track "Closer" – another Carla Bley composition. CD
(Part of the "Freedom Paper Sleeve Collection" series!)

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✨✧ Noah HowardBlack Ark (Japanese paper sleeve edition) ... CD
Freedom/Muzak (Japan), 1969. New Copy Gatefold ... Out Of Stock
Quite possibly the strongest moment of genius ever from saxophonist Noah Howard – a legendary album that captures the altoist at the height of his powers! The 1969 session was recorded at a time when Howard's contemporaries were making big noise overseas – but the date finds Noah at home in New York, working with a lineup that includes Arthur Doyle on tenor, Earl Cross on trumpet, Leslie Waldron on piano, Norris Jones on bass, and Mohammed Ali on drums – all in a groove that's a perfect link between the avant sound of Shepp and Ayler in the 60s, and some of the rougher modes of the loft jazz scene to come! Howard's got a great way of stating a theme on these tunes – a manner that has the group in very cohesive formation at the beginning, often with righteous overtones – then opening up freely in the ensuing space with some incredibly bold solos. The whole thing's amazing – a US date that easily matches, if not beats, the brilliance of the best BYG/Actual generation overseas – and titles include "Domiabra", "Ole Negro", "Mount Fuji", and "Queen Anne". Great package too – a tri-fold gatefold cover, and very unique! CD

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✨✧ Human Arts EnsembleUnder The Sun (Japanese paper sleeve edition) ... CD
Freedom/Muzak (Japan), 1973. New Copy ... Out Of Stock
Chicago had the Art Ensemble of Chicago at the end of the 60s – and St Louis had the fantastic Human Arts Ensemble at the start of the 70s – a wonderfully creative jazz group who shared a lot of the same ideas of improvisation and artistic freedom as the AACM up in the Windy City! This album's maybe that group's lasting legacy – a fantastic record that's sometimes as funky as it is spiritual, as outside as it is tied to older jazz traditions – performed by a core lineup that includes Oliver Lake on alto and tenor, Lester Bowie on trumpet, Marty Erlich on alto and flute, James Marshall and JD Parran on additional reeds, Charles Bobo Shaw on drums, and Carol Marshall on vocals and small instruments! The group have a very special vibe – one that comes through especially strong on the side-long "Lover's Desire" – a nice slightly-funky number that has a groove that's sort of modal. Side two of the album features "Hazrat The Sufi", a long creative avant piece, with insane ensemble playing that's very much in the AACM mode – but with some touches that also point the way towards the later loft jazz scene in New York – especially the world in which Lake would become such a key participant. CD
(A fantastic package – done with the pasted-on image of the original numbered LP pressing – right down to a pasted-on envelope on the back!)

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✨✧ Grady TateAfter The Long Drive Home (Japanese paper sleeve edition) ... CD
Skye/Muzak (Japan), 1970. New Copy ... Out Of Stock
Easily our favorite album ever by Grady Tate – a complex suite of tracks about adult love, loss, and redemption – put together with a focus and clarity that even surpasses his classic Windmills Of My Mind record! The whole thing was arranged and conducted by Harold Wheeler – who sets Grady up in a batch of tunes that are easily some of the best from that late 60s era when writers like Burt Bacharach and Jimmy Webb had inspired countless others to spin mature tales of human interaction – in a style that's far from pop, and beautifully mature all the way through. If you've always dug the tune "Sack Full Of Dreams" from Tate's Windmills album, this whole set is done in a similar mode – with cuts that include "I'll Try Again", "I Can Deliver", "Follow The Path", "Bridges", and "There's Nothing Between Us Now" – as well as the completely sublime title track! CD

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✨✧ Teddi KingNow In Vogue (plus Miss Teddi King & Round Midnight) (Japanese paper sleeve edition) ... CD
Storyville/Muzak (Japan), 1955. New Copy 2CD ... Out Of Stock
Three rare Storyville albums from singer Teddi King – all packaged up here in a cool Japanese paper sleeve set! First up is Now In Vogue – one of a number of great small group sessions done by singer Teddi King for the Storyville label – nicely relaxed, with backing from a septet that features Billy Taylor on piano, Bob Brookmeyer on trombone, Nick Travis on trumpet, and Gene Quill on alto! The Storyville approach really brings out the best in Teddi's vocals – as the easy-going nature of the record has King sounding a bit more grown-up and adult than before – singing lines in a slightly sultry style, yet still with some of the bird-like notes heard on other albums. Taylor's piano adds a nice grounding to the record – and titles include "Old Folks", "Why Do You Suppose", "I'm In The Market For You", "You Hit The Spot", "Something To Live For", and "Like A Ship Without A Sail". Miss Teddi King is great early work from vocalist Teddi King – a set that's got a lot more dark corners and moody moments than some of her later work! The group here is nice and small – a quartet that features Ruby Braff on trumpet, Jimmy Jones on piano, Jo Jones on drums, and Milt Hinton on bass – all of whom accompany Teddi with a nicely sensitive sound – often augmenting her trilling vocals with some nicely blue tones of their own. The tracks are all familiar ones, but they're done in a mellow late nite feel that really gives them a new life of their own. Titles include "I Saw Stars", "New Orleans", "Love Is A Now & Then Thing", "It's The Talk of the Town", "I Guess I'll Have to Change My Plan", and "It's All In The Mind". Round Midnight features vocals as dark as they are lovely – a sublime early set from singer Teddi King, served up in a style that's nicely perched between two decades of jazz! There's a moody, intimate feel here that really takes us back to an earlier era – a bit in the way that Lee Wiley often does at the same period, with a sound that's almost timeless, yet never outdated. The only backings here are piano from Beryl Booker – and in a way, the record's almost a duet outing between Teddi and Beryl, with a wonderfully intimate feel overall. Tracks include "Round Midnight", "What's New", "I Concentrate On You", "Little Girl Blue", and "It Never Entered My Mind". CD

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✨✧ Gary McFarland/Grady Tate/Bobby ScottSlaves (Japanese paper sleeve edition) ... CD
Skye/Muzak (Japan), 1969. New Copy Gatefold ... Out Of Stock
An unusual little soundtrack to this obscure pre-Roots film about slavery – handled with some very nice touches from Gary McFarland, Bobby Scott, and Grady Tate! The music is penned by Scott, and is mostly in that hip blend of jazz and soul roots that he was using on some of his own 60s vocal work – but expanded a bit more here with the groovier styles of Skye Records, thanks to arrangements and conducting from Gary McFarland! The work's not as funky as you might expect, but is still plenty darn great – and there's a few instrumental numbers that are especially great here. Grady Tate sings on the vocal ones, often in the deep-voiced style of his own Skye albums – but with an approach that's a bit more down home and soul-based, which is a nice change – almost like Oscar Brown Jr at the best moments. A number of tracks are done in both instrumental and vocal versions – and titles include "Nightwind", "Slaves", "Black Lullabye", "Another Mornin", and "Pickin Cotton". CD
(Gatefold cover version – just like the original album!)
 
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ExTumult ... LP
Superior Viaduct, 1983. New Copy (reissue)... $20.99 24.98 On November 12, 2021
One of best records ever by the mighty Dutch punk collective – and one of their most ferocious! We've always felt that the Ex's early 80s albums felt like angier, more aggro companions to likeminded earlier Mekons records – so it befit the Ex to invite head Mekon Jon Langford to produce this album. The sound is textbook Ex – full of heaving, clamorous guitar squalls, hypnotically driving drums and percussion, and cathartic shouted vocals. Tracks include "Bouquet Of Barbed Wire", "Fear", "Hunt The Hunters", "Red Muzak", "The Well-Known Soldier", "Same Old News", "FUNEIDY", "Island Race" and more! LP, Vinyl record album
This item will not be delivered to you before Friday, November 12.

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✨✧ VariousClose To The Noise Floor – Formative UK Electronica 1975 to 1984 (4CD set) ... CD
Cherry Red (UK), Late 70s/Early 80s. New Copy 4 CDs ... $36.99 51.99 About November 4, 2021
Cold wave completists, eat your heart out – because this incredible 4CD set is overflowing with early analogue electronic gems from the UK scene – served up in a really beautiful book-style package that's overflowing with notes to support the superb selection of tracks! The music here is definitely on the colder side of the spectrum – that initial impulse on the UK scene to rework some of the German electronics of the period with leaner modes, and take them into even more inventive territory during the post-punk years – before things got too commercial in UK pop, or too overburdened with industrial posturing! The music here is from those great early years of labels like Cherry Red, Rough Trade, and other key UK indies – and the package features 60 titles that include "Fractured Smile" by Inter City Static, "RAM" by The Klingons, "Computer Bank" by Five Times Of Dust, "Holiday Camp" by Blancmange, "I Am Your Shadow" by Colin Potter, "Joe Goes To New York" by Adrian Smith, "Sedation" by O Yuki Conjugate, "In The Room" by Third Door On The Left, "Eco Beat" by DC3, "What A Day" by Throbbing Gristle, "Western Vein" by Konstruktivist, "Music To Save The World By" by Alan Burnham, "Kodak Ghosts Run Amok" by Eyeless In Gaza, "New Muzak" by Instant Automatons, "Robot Dance" by Sea Of Wires, "Mzui (extract)" by Gilbert & Lewis, and "Muslin Gauze Muslim Prayer" by Muzlimgauze. CD

Possible matches45
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VariousMusic From Jarvis Cocker's Sunday Service ... CD
Ace (UK), 2019. New Copy ... $12.99 18.99
A wild assortment of music from an equally wild source – a BBC Radio program hosted by Jarvis Cocker, presented on Sunday mornings as a way to relax and reach some sort of deeper spiritual consciousness! The show was never churchy – but maybe an attempt to find a new sort of inner peace during the modern age – with a selection of songs in a really great range, all linked by the dry wit and understated presence of Cocker as an announcer. This set brings together key tracks from the early years of the show – music that spans decades, and runs from jazz vocal numbers, to electronic music nuggets, 70s AOR, underground folk, and a number of more recent tracks that show that Jarvis has continually had his ear on the rock underground around the globe. The blend is incredibly hard to describe in words, but a delight to hear on record – and the whole thing comes with detailed notes on the track selections from Cocker himself. Titles include "Snowed In" by Tim Rose, "Day Glo" by Serafina Steer, "Cold Rain" by Alternative TV, "Won't That Be A Happy Time" by Joseph & Louis Spence, "Old Molly Metcalfe" by Jake Thackery, "Waters Of March" by Art Garfunkel, "It's A Quiet Thing" by Morgana King, "Rock Intro" by Miranda July, "After The Gold Rush" by The King's Singers, "Invasion Muzak" by John Baker, "True Love Will Find You In The End" by Headless Heroes, "Cars" by The Katzenjammers, "Crazy In Love" by Antony & The Johnsons, "Don't Wait Too Long" by Bob Welch, "Baltimore" by Nina Simone, "December" by David Cain/Derek Boswell, "Gynopedie No 3" by Camarata Contemporary Chamber Group, and "The Interrogative Mood" by Jarvis Cocker & David Cunningham. CD
 
 
 



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