... 12-inch, Vinyl record

One of the first great set of arrangements from Barry Adamson – an excellent reworking of the theme from The Man With The Golden Arm – plus some other original tracks too. CD

A great one from Nick Cave And The Bad Seeds – a record that explores his softer side, if you want to call it that – the trudging melodies, morose poetry and banshee wails offset brilliantly by soul stirring string parts and easier piano melodies! Definitely capping off the 80s and beginning the 90s on a high cresting wave of excellence, The Good Son is top shelf Bad Seeds, no doubt about it – reconciling his aggro roots with more of a chamber pop atmosphere, and his songwriting was rarely ever better than this. Titles include "Foi Na Cruz", "The Good Son", "Sorrow's Child", "The Weeping Song", "The Hammer Song", "Lament", "The Witness Song" and "Lucy". CD

Readings by Nick Cave with music from Mick Harvey and Ed Clayton-Jones. CD

6CD singles, all packaged together – includes "Shake The Disease", "Flexible", "Fly On the Windscreen", "It's Called A Heart", "Black Day", "Question Of Lust", "Stripped", and lots more – with bonus live cuts and other mixes too! CD

A seminal punk-funk classic from the end of the 70s – one that's as brilliantly abrasive and brashly fresh today as it was when it was released! The group are working here in equal parts dub, funk, and lots of scratchy guitars and heady bass – with a style that would later be picked up more strongly by On-U in the 80s, but which is executed here with a much clearer vision that's free of any of the cliches that would later overcome the genre. Even the politics are surprisingly pointed – and Paul Stewart's vocalizations of most of the tunes is really dead on the money! Titles include "Thief Of Fire", "Snowgirl", "Blood Money", "We Are Time", "Don't Sell Your Dreams", "Words Disobey Me", and "Don't Call Me Pain". CD2 features lots of bonus tracks – some from an unreleased album – including "She Is Beyond Good & Evil", "Kiss The Book", "Thief Of Fire (bass addict)", "Words Disobey Me (Dennis the Menace mix)", "Don't Sell Your Dreams (a mix)", "3:38", "Boys From Brazil (ridge reels)", and "Blood Money (slow thief)". CD3 is Y Live – an unreleased live set with 9 more tracks! CD

... CD

... CD

A seminal punk-funk classic from the end of the 70s – one that's as brilliantly abrasive and brashly fresh today as it was when it was released! The group are working here in equal parts dub, funk, and lots of scratchy guitars and heady bass – with a style that would later be picked up more strongly by On-U in the 80s, but which is executed here with a much clearer vision that's free of any of the cliches that would later overcome the genre. Even the politics are surprisingly pointed – and Paul Stewart's vocalizations of most of the tunes is really dead on the money! Titles include "Thief Of Fire", "Snowgirl", "Blood Money", "We Are Time", "Don't Sell Your Dreams", "Words Disobey Me", and "Don't Call Me Pain". This great version features the original 12" single "She Is Beyond Good & Evil", included with the original album – plus a bonus large format poster too! LP, Vinyl record album

Remastered edition. DVD includes the entire album in 5.1 Surround mix with bonus tracks and additional videos. CD

... 12-inch, Vinyl record

... CD

A record that comes on with the frenzy of an Ornette Coleman Quartet session – and one with a very similar lineup too – given that Nate Wooley is on trumpet, Chris Pitsiokos is on alto, Brandon Lopez is on bass, and Dre Hocevar is on drums! Yet the sound is freer, and bolder too – as the instruments flurry together in clusters, then burst out into incredible sonic territory as the set moves on – with moments that include Wooley blowing fast and tuneful with a mute, like some speed freak Miles Davis – or hitting these popping, punctuated sounds that are really unusual. The record's one that really keeps us on the edge of our seats – and furthers the sense of surprise that can make real jazz improvisation so special! CD

One of our favorite-ever Miles Davis albums – and a groundbreaking soundtrack that forever changed the way that jazz music was used in film! According to legend, the sounds here were recorded by Miles on a hot Paris night – late in the studio, after a live performance – in a very intimate setting that had he and the combo creating these little poetic passages along with the action in the film! In addition to sublime and moody muted trumpet from Miles – the small group also features tremendous tenor work from the great Barney Wilen – a French modernist who's at the height of his powers – and beautiful bass from Pierre Michelot, whose rich tones really frame the whole proceedings. The rest of the group features bop pianist Rene Urtreger and American drummer Kenny Clarke – but the real charm comes from the interplay between Wilen, Davis, and Michelo. Titles include "Florence Sur Les Champs-Elysees", "L'Assassinat De Carla", "Diner Au Motel", "Evasion De Julien", "Nuit Sur Les Champs-Elysees", "Le Petit Bal", "Au Bar Du Petit Bac" and "Sur L'Autoroute". This amazing 3LP version features one never-issued track – "L'Interrogatoire De Julien" – plus 16 more tracks from the sessions for the recordings, and a booklet of notes! LP, Vinyl record album

Sweeter studio Miles Davis from the 80s – a record that takes the 70s electric experiments and fuses them into a sound that's got a lot more R&B influence than before! The style is a bit poppy at times, but never in a way that's too slick – and often, Davis is using his muted trumpet to state lines boldly in ways that still have a greater sense of depth and craft than most of his contemporaries. A few tracks show some of the gritty New York rock/funk trend of the time, while others are lighter and more lyrical – and titles include covers of "Time After Time" and "Human Nature" – Miles' attempt to find standards in contemporary pop – plus the tracks "Katia", "You're Under Arrest", "Ms Morrisine", and "One Phone Call/Street Scenes". CD

The album's a definite brass city – given that Joe McPhee plays pocket cornet and valve trombone, and just a bit of soprano sax – next to excellent work on slide trombone by the great Jeb Bishop! The players have an instant sympathy with each other – so much so that space and timing are as important as the sounds that emerge from either player – a really sensitive balance that reflects all the great elements that Bishop was bringing to his music at the time, and which seems to take McPhee back to some of the genius of his earliest records too! The set features the seven part "The Brass City" suite – plus "Outpost (For Tom Guaralnick)", "Transmute", and "The Rozwell Incident". CD

Tight charanga recordings by Pablito – although about half the cuts feature a muted trumpet out front in the arrangements, and not the usual flute that you'd expect! Side one's all-flute, though – and the group's probably grooving a bit harder on those cuts than on the trumpet tracks on side two. Titles include "Lusitos Quiero", "Rico Y Sabroso", "Poco Pelo", "Me Muero", "El Yayabo", "Syncopation", and "Mi Charangita". LP, Vinyl record album

Two very unusual works by the always-enigmatic Van Dyke Parks – both of them variations on older compositions from the middle of the 19th Century! "Old Black Joe" is a famous tune by Stephen Foster – but Parks' version here features this avant take on upright piano, mixed with odd-tuned guitar lines, muted vocals, and all these other strange sonic elements that actually make the whole thing feel like Christian Marclay is playing with the sound on a stack of vintage 78s! The whole thing makes for an unusual refraction of the sense of American history we often love in Van Dyke's music – given a slightly straighter spin on the flipside, which is a beautiful piano/violin/mandolin take on "Souvenir De La Havane", penned by Louis Gottschalk! 7-inch, Vinyl record

A very heady set of contemporary psych – music that's as trippy as it is meditative – and which almost feels like some sort of collaboration between Iasos and Spacemen 3! There's vocals on the record, but they're very muted – and most of the focus is on longform guitar lines, mixed with some really nice flute – and occasional bits of sitar, which are a nice surprise, and really help flavor the sound with the flute! Plastic Crimewave is in the group, and the whole thing's got a vibe that's similar to some of his recent project – on an album that features four long songs – "Celestial Omen", "Tragique Mechanique", "Machine D", and "Pendlewitches". LP, Vinyl record album

Groovy, moddish, magnificent and sunny girl pop from The Land Of The Rising Sun – pummeling drums, jumping arrangements and groovy vocals from the mid-to-late 60s Japanese scene! This is fantastic stuff, any kitch or novelty appeal you might be expecting is kind of muted by the exceptional quality and excellent performances – but it is flat out fun! As the title states, strains of pop, beat & bossa – plus mod & psychedelic fuzz – and the vocals girl group vocals are bright, rocking, playful or sultry or innocent depending on the groove! 25 tracks in all: "Black Room by Jun Mayuzumi, Sharock No 1" by Mie Nakao, "Nagisa No Tenshi" by Mieko Hirota, "Hatsu Koi No Letter" by Miki Obata, "Bazazz Tengoku" by The Cupids, "Aeba Suki Suki" by Margaret With Bunnys, "Nukui Aitsu" by Mika Nohira, "Kiiro No Sekai" by J Girls and more. CD

A real standout in the Bill Evans catalog for Riverside – and that's saying a lot, given how important all of his Riverside albums are! The session's a rare quintet outing for Evans – one that breaks the mode of the usual trio format by adding in Freddie Hubbard on trumpet and Jim Hall on guitar – alongside rhythm players Percy Heath on bass and Philly Joe Jones on drums – already a unique enough match for Evans' talents. In a way, the record's one of those sessions that Riverside would sometimes do – pairing a key new voice as a leader with others in an all-star group – but in another way, it's also a return to the sound that first brought Evans' to a wider audience in the 1957 and 1958 years – when he was working in non-trio groups with more famous players – adding his unique piano stylings to their (then) better-known solo modes. The pairing of Evans and Hall has been beautifully documented on other records – and sounds equally great here – but the real treat is Freddie Hubbard's horn, which often lays back on most of the tracks, then bursts in with a brashness that really ignites some of the tunes! He's playing a bit muted here, trying to go for that Miles/Evans combination from the late 50s – but that's plenty ok with us, as we love those records a lot. Titles include "When You Wish Upon A Star", "You & The Night & The Music", "I'll Never Smile again", "You Go To My Head" and the Evans original, "Interplay". LP, Vinyl record album

An early classic from the Chicago scene – spare, moody, and not nearly as house-thumping as you might think. Jamie's vocals are very light and almost muted, and the tune kind of sparkles with a dark European-influenced sound. 12-inch, Vinyl record

A sweet album of smooth jazzy tracks from trumpeter Til Bronner – cut in the nujazz mode of some of his best recent albums, with a compressed sound that really works well with his horn! Most of the record is instrumental – Bronner blowing muted trumpet solos over beats and keyboards – and one track is a nice vocal remake of Mark Murphy's "Tub Of Love", done in a kickback way that we really love. Other titles include "Jazz Musician", "Love Somebody", "42nd & 6th", "No Fusion Generation", "Track One", and "Diavolo". CD

Beautiful grooves from the Cabo Verde islands – and music that's maybe got a bit of a special sound compared to the rest! The group hails from the San Nicolau island – and although they work here in a variant of the coladeira mode, there's a lot of standout elements that make the whole thing really fresh and unique! The first might be the percussion – which is in there, but somehow muted – maybe by the nature of the recording process – so that the electric guitar and organ leap along in the lead, almost with the energy of a chicha recording, but warmer overall – and topped with great lead vocals from a male and female singer, whose way of alternating really keeps things fresh too. The set is one of the first international issues of music from this island – and titles include "Abole", "Ribera Prata", "Fundo De Mare Palinha", "Italiana", "Nha Antonia Engracia", and "Mare Lilli". LP, Vinyl record album

Groovy, moddish, magnificent and sunny girl pop from The Land Of The Rising Sun – pummeling drums, jumping arrangements and groovy vocals from the mid-to-late 60s Japanese scene! This is fantastic stuff, any kitch or novelty appeal you might be expecting is kind of muted by the exceptional quality and excellent performances – but it is flat out fun! As the title states, strains of pop, beat & bossa – plus mod & psychedelic fuzz – and the vocals girl group vocals are bright, rocking, playful or sultry or innocent depending on the groove! 25 tracks in all: "Black Room by Jun Mayuzumi, Sharock No 1" by Mie Nakao, "Nagisa No Tenshi" by Mieko Hirota, "Hatsu Koi No Letter" by Miki Obata, "Bazazz Tengoku" by The Cupids, "Aeba Suki Suki" by Margaret With Bunnys, "Nukui Aitsu" by Mika Nohira, "Kiiro No Sekai" by J Girls and more. LP, Vinyl record album

One of our favorite-ever Miles Davis albums – and a groundbreaking soundtrack that forever changed the way that jazz music was used in film! According to legend, the sounds here were recorded by Miles on a hot Paris night – late in the studio, after a live performance – in a very intimate setting that had he and the combo creating these little poetic passages along with the action in the film! In addition to sublime and moody muted trumpet from Miles – the small group also features tremendous tenor work from the great Barney Wilen – a French modernist who's at the height of his powers – and beautiful bass from Pierre Michelot, whose rich tones really frame the whole proceedings. The rest of the group features bop pianist Rene Urtreger and American drummer Kenny Clarke – but the real charm comes from the interplay between Wilen, Davis, and Michelo. Titles include "Florence Sur Les Champs-Elysees", "L'Assassinat De Carla", "Diner Au Motel", "Evasion De Julien", "Nuit Sur Les Champs-Elysees", "Le Petit Bal", "Au Bar Du Petit Bac" and "Sur L'Autoroute". LP, Vinyl record album

A set that's hardly background at all – as the tracks here have a lively, forward sort of energy that reminds us of our favorite post-punk experiments from the British and German scenes at the start of the 70s – done with a darkness that really resonates with the album's cover image too! There's hardly any vocals at all on the songs – other than muted, abstracted lyrics that are buried under brooding basslines, echoey drums, and fuzzy work on guitar and keyboards – all with a moody Factory Records sort of vibe – and by that, we mean Factory circa 1980, not the later sunnier years. Titles include "Neo Dancer", "And", "Repeat", "Membership Card", "Romantic Romance", and "Recovery Room". LP, Vinyl record album

Great stuff from one of Eddie Harris' greatest periods! This one was cut in the late 60s – when Eddie was creating his famous electrified Varitone sound – unique among other jazz players in that it actually added a lot to Eddie's work, instead of detracted from it (as with some other boppers who briefly picked up the instrument.) The Varitone gives Eddie a cool flat tone works extremely well with some of the album's mutedly funky tracks – like the long version of "Listen Here", the groovy "Sham Time", the Latiny "Spanish Bull", or the incredible "Theme In Search Of A Movie", written by the great Charles Stepney. Great bass work by Melvin Jackson, too! CD