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Milford Graves Edit search Phrase match

 
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Exact matches: 6
Exact matches1
CD, LP, Vinyl record album cover art
Anthony Braxton/Milford Graves/William ParkerBeyond Quantum ... CD
Tzadik, 2008. New Copy ... $14.99 15.99
A fantastic outing from these three legends of improvised music – set that's maybe more in the territory of work by Milford Graves and William Parker than it is the usual work of Anthony Braxton – especially for this time in his career! Graves plays drums and percussion, Parker is on bass, and Braxton leaps into the fray wonderfully as the three improvise together – drawing on energy that's much more like his Chicago roots in the AACM than his style of later years – almost as if Braxton's rewriting himself into loft jazz history and shaking loose of the mathematical formulas that often inspire his tunes! Braxton handles a range of saxes, and Graves is especially wonderful in the recorded space of the meeting – as the trio make their way through five improvised selections. CD

Exact matches2
CD, LP, Vinyl record album cover art
Milford GravesMilford Graves – A Mind-Body Deal ... Book
Inventory Press, 2021. New Copy ... About October 5, 2021
... Book

Exact matches3
CD, LP, Vinyl record album cover art
Milford GravesMilford Graves Percussion Ensemble With Sunny Morgan ... CD
ESP, 1965. New Copy ... $12.99 15.99
A classic album of avant percussion – even if the title's a bit misleading! The Milford Graves Percussion Ensemble is mostly just Milford Graves himself, playing on drums, bells, gongs, and shakers – joined on this early album by Sunny Morgan, who also plays drums and bells on the set – working with Graves in a spiritual exploration of space and sound that predates some of the AACM recordings by a few years, and which shows ESP to be one of the most groundbreaking jazz imprints of the 60s! Tracks have a fairly hard hitting approach, and titles include "Nothing", "Nothing 13", "Nothing 5-7", and "Nothing 19". CD

Exact matches4
CD, LP, Vinyl record album cover art
✨✧ Milford GravesMilford Graves Percussion Ensemble With Sunny Morgan ... CD
ESP/ZYX (Germany), 1965. Used ... Temporarily Out Of Stock
A classic album of avant percussion – even if the title's a bit misleading! The Milford Graves Percussion Ensemble is mostly just Milford Graves himself, playing on drums, bells, gongs, and shakers – joined on this early album by Sunny Morgan, who also plays drums and bells on the set – working with Graves in a spiritual exploration of space and sound that predates some of the AACM recordings by a few years, and which shows ESP to be one of the most groundbreaking jazz imprints of the 60s! Tracks have a fairly hard hitting approach, and titles include "Nothing", "Nothing 13", "Nothing 5-7", and "Nothing 19". CD
(CONDITION NOTE: tray card is stained from water damage. Booklet is clean.)
Also available Milford Graves Percussion Ensemble With Sunny Morgan ... CD 12.99

Exact matches5
CD, LP, Vinyl record album cover art
✨✧ Milford GravesBabi (with bonus CD) ... CD
IPS/Corbett vs. Dempsey, 1969/1976. New Copy 2CD Gatefold ... Out Of Stock
One of the rarest albums ever from percussionist Milford Graves, and one of the most intense as well – a completely unbridled live performance that features saxes from Hugh Glover and Arthur Doyle! Glover and Doyle are amazing together – and with that trademark raspy tone, Doyle's set apart nicely, even amidst the frenzy – and Graves is a complete monster on the drum kit, moving with a speed that must have been breathtaking to see in person – at a level that always has us checking the record to make sure that we don't have it set to 45rpm! If you've ever overlooked the contributions that Graves has made to improvised music, this is the record to convince you – with titles that include "Ba", "Bi", and "Babi". Great bonus material too – a whole CD that features the same trio, playing together 8 years before – recorded in New York in 1969, with four improvisations of varying length. CD

Exact matches6
CD, LP, Vinyl record album cover art
✨✧ Milford Graves & Don PullenComplete Yale Concert 1966 (In Concert At Yale University/Nommo) ... CD
SRP/Corbett vs. Dempsey, 1966. New Copy ... Out Of Stock
Groundbreaking early work from drummer Milford Graves and pianist Don Pullen – a set of long, free improvisations that were originally issued on Graves' Self-Reliance Productions label – combined here for the first time ever! The music is even more striking than sounds from the time on the ESP label – and also really predates some of the freer work of this type from the European scene – as Graves is a monster on the drum kit and a range of percussion, reaching out with this scope of sound and deft command of his hands that's simply breathtaking – matched by energy from Pullen that really surpasses some of his later work too – almost Cecil Taylor-like vibes at points, mixed with other elements that are in a more familiar mode for the pianist. The set features five long improvisations, each a numbered variant with the title "PG". Great gatefold package – with images of some of the hand-painted covers that Graves used for his releases! CD
 
Possible matches: 7
Possible matches7
CD, LP, Vinyl record album cover art
Albert AylerLove Cry ... CD
Impulse, 1968. Used ... $7.99
Brilliant late work from spiritual saxophone genius Albert Ayler – one of his last truly great albums! The session has none of the jazz-meets-other music feel of some of the other Impulse albums – and is more in the straight expressive style of the ESP recordings. Tracks are more reined in here – with some short themes that are almost a distillation of the freedom Ayler had been expressing for a few years, summed up beautifully in tunes that have a plaintive cry, filled with as much soul and love as Ayler could muster into his horn! Players include Donald Ayler on trumpet, Cal Cobbs on harpsichord, Alan Silva on bass, and Milford Graves on drums – and titles include "Zion Hill", "Love Flower", "Love Cry", "Ghosts", "Omega", and "Dancing Flowers". CD also includes some extra bonus material! CD
(Out of print.)
Also available Love Cry ... CD 18.99

Possible matches8
CD, LP, Vinyl record album cover art
Albert AylerLove Cry ... CD
Impulse (Japan), 1968. New Copy ... $18.99
Brilliant late work from spiritual saxophone genius Albert Ayler – one of his last truly great albums! The session has none of the jazz-meets-other music feel of some of the other Impulse albums – and is more in the straight expressive style of the ESP recordings. Tracks are more reined in here – with some short themes that are almost a distillation of the freedom Ayler had been expressing for a few years, summed up beautifully in tunes that have a plaintive cry, filled with as much soul and love as Ayler could muster into his horn! Players include Donald Ayler on trumpet, Cal Cobbs on harpsichord, Alan Silva on bass, and Milford Graves on drums – and titles include "Zion Hill", "Love Flower", "Love Cry", "Ghosts", "Omega", and "Dancing Flowers". CD also includes some extra bonus material! CD
(SHM-CD pressing – part of the 60 Impulse series!)
Also available Love Cry ... CD 7.99

Possible matches9
CD, LP, Vinyl record album cover art
Lowell DavidsonLowell Davidson Trio ... LP
ESP, 1965. New Copy (reissue)... $22.99 About June 11, 2021
One of the most obscure 60s jazz sessions on ESP – a really free outing from pianist Lowell Davidson, working here in a trio that includes Gary Peacock on bass and Milford Graves on drums! Davidson's approach to the keys is quite far out, especially for the time – very much in the mode of Cecil Taylor, but possibly even more open-ended than Taylor's work up to this point. He doesn't get lost in the open spaces, though, thanks in no small part to the intuitiveness of his players. Really wonderful stuff that's loose, angular and engrossing all the way! Tracks are all longish originals – and titles include "L", "Ad Hoc", "Strong Tears", "Stately 1", and "Dunce". LP, Vinyl record album
This title is scheduled for release about Friday, June 11.

Possible matches10
CD, LP, Vinyl record album cover art
✨✧ Paul BleyBarrage ... CD
ESP, 1964. Used ... Out Of Stock
A blasting barrage of sound from Paul Bley – a fierce session that's right up there with the most dynamic ESP work of the 60s – and quite different from some of Bley's more introspective music! The group here is a quintet – with bold work from Marshall Allen on alto sax and Dewey Johnson on trumpet – both working in the frontline with almost Ayler-like energy. Remaining players include the great Eddie Gomez on bass and Milford Graves on drums – romping together through a set of compelling Carla Bley compositions, including "And Now The Queen", "Walking Woman", "Ictus", "Barrage", and "Batterie". CD
(Out of print. German pressing – on Calibre.)

Possible matches11
CD, LP, Vinyl record album cover art
✨✧ Giuseppi LoganMore Giuseppi Logan (with bonus material) ... CD
ESP/Calibre (Netherlands), 1965. Used ... Out Of Stock
A much-needed second slice of work from reedman Giuseppi Logan from the 60s – especially since his talents were hardly ever recorded apart from two albums for ESP! This set may well be the most compelling of the pair – as side one features tracks from a landmark Town Hall concert in the early days of the label – a 1965 performance in which Logan shared the bill with Albert Ayler. Logan's group here features Don Pullen on piano, Reggie Johnson on bass, and Milford Graves on drums during the long live tracks – "Mantu" and "Shebar" – on which Logan plays alto, flute, and bass clarinet. The set then moves to feature Giuseppi on an extended solo piano piece titled "Curve Eleven" – then brings back a trio with Don Pullen on piano and Eddie Gomez on bass, for the track "Wretched Saturday". CD
(Out of print, includes slipcover. Disc has a mark that does not affect play.)

Possible matches12
CD, LP, Vinyl record album cover art
✨✧ Doug HammondEllipse ... LP
Idibib/Manufactured, 1976. New Copy (reissue)... Out Of Stock
Quite possibly the rarest album ever from this great percussionist – and one of the most intimate, too – given that the record only features Doug Hammond on drums, percussion, and piano – alongside flute from Karen Joseph! The percussion alone is great, and handled by Doug with a really cool style – most likely multi-tracked, so that he's also adding some voice and piano to the percussion and drums – sometimes with very rhythmic, earthy pulses – sometimes a lot more offbeat and outside! And although Joseph plays on the record, there's a lot more solo percussion moments throughout – which almost has Hammond in territory of work by artists like Andrew Cyrille or Milford Graves. That comparison is a key acknowledgement of the sometimes-overlooked genius that Hammond brought to the New York scene in the 70s – as we think you'll agree when hearing tracks that include "East 14th Street", "Concentric Dream", "Warm Up", "Funk Beat From The Motherland", "Night Of Sand", "Apple Birdleg March", and "Prayer From The Sun". LP, Vinyl record album

Possible matches13
CD, LP, Vinyl record album cover art
✨✧ Sun RaUntitled Recordings ... CD
Transparency, 1973/1978/1985. New Copy ... Out Of Stock
Very intimate work from Sun Ra – rehearsal and private recordings, often done with a surprising degree of sensitivity! The first part of the set features a 1985 performance at the Prospect Park Bandshell – one that features a small ensemble with Ra on piano with an unusual group that features John Gilmore, Don Moye, Milford Graves, and Andrew Cyrille! The sound is very open and personal, played with a great degree of soul – although not as much in the spiritual mode of the 70s, more an earlier style of jazz. Ra's piano lines are quite evocative, especially under Gilmore's tenor – and the set features two untitled numbers, and a version of "Opus In Springtime". Next is a rehearsal at the House Of Ra in 1978 – one that features a bigger Arkestra group with Marshal Allen, Michael Ray, Danny Davis, and John Gilmore – working in that somewhat straighter mode that Ra returned to in the late 70s, with a feel that's almost like some of his Horo work, but a bit looser. Titles include "Liza", "Tone Poem 9", "But Not For Me", and "If I Could Be With You". Last up is a spacier performance from the House Of Ra from 1973 – one that has some great bass work from Wilbur Ware, who leads off the "Untitled Jam" with an extended solo that's totally wonderful! CD
 
 
 



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