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Mats Gustafsson Edit search Phrase match

 
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Exact matches: 12
Exact matches1
CD, LP, Vinyl record album cover art
David Grubbs/Mats Gustafsson/Rob MazurekUnderflow ... CD
Corbett vs. Dempsey, 2019. New Copy Gatefold ... $12.99 15.99
A fantastic meeting of the musical minds – coming together here in a set of live improvisations recorded at a record store in Greece! The setting's an unusual one, and the music is too – sounds that really move past the usual for all three players, but especially David Grubbs and Mats Gustafsson – both of whom seem very comfortable here in some of the sonic territory that we normally hear more from Rob Mazurek! Grubbs' guitar is quite different than on some of his own records – especially the solo acoustic moments – and Mats reminds us that he's not just a hell of a saxophonist, but also a master of many other ways to disturb the flow of air – delivering work here on flute, fluteophone, and live electronics – the last of which is matched with more electronics from Rob Mazurek, who also plays piccolo trumpet and wood flute too. Every song has a different shape and texture, which is a further testament to both the sensitivities of the musicians, and their sympathies with each other – and titles include "Not In A Hall Of Mirrors", "Creep Mission", "City Stones Sleep", and "Goats & Hollers". CD

Exact matches2
CD, LP, Vinyl record album cover art
Mats GustafssonContra Songs ... LP
Actions For Free Jazz (UK), 2003. New Copy ... $24.99 29.99
Mats Gutstafsson blows here in one of the most haunting settings he's ever had for a recording – alone in a church in the middle of the night – just the musician, a contrabass saxophone, and the open space of the wood and glass enclosure! The resulting sound is very personal, and a great demonstration of a side of Mats that we've loved in live performance, but doesn't always make it onto record at this level – his incredible ability to pull all these textures and tones out of his horn – with a sense of timing that makes the whole performance a continued surprise – that quality that Gustafsson can have of both delighting himself when blowing, and catching himself off guard. Titles include "Song For The Vassilis", "Song For The Tongue Against The Glass", "Song For The Night", "Song For Foreign Air", and "Song For The Darkest Eye & Ear". LP, Vinyl record album

Exact matches3
CD, LP, Vinyl record album cover art
Mats GustafssonParrot Fish Eye ... CD
Okka Disk, 1995. New Copy ... $9.99 13.99
The first American recording of Swedish reed genius Mats Gustafsson – done at a time when he was first reaching out to the Chicago jazz scene, the start of a legacy that would continue for decades! Mats is already an amazing force on his horns here – which include soprano, baritone, and fluteophone – flowing out with unusual textures and shapes that quickly mark him as one of the most unique and spontaneously creative players to emerge from the European scene in years. The first half of the set has Gustafsson working with percussionist Michael Zerang – whose sense of soundshape really matches Mats on reeds. The second is maybe a more unusual pairing, as both forces were an important part of Chicago at the time – Gene Coleman on clarinet, and Jim O'Rourke on guitar, accordion, and percussion – working strongly as an improviser, before he left the city for Sonic Youth and a host of other great endeavors. Titles include "Parrot Fish Eye", "I'll Give You This", "Knotted Canvas", "Even The Rain", "Dolphin Nap Music", "Where's The End", and "Tied Door". CD

Exact matches4
CD, LP, Vinyl record album cover art
Mats Gustafsson & Jason AdasiewiczTimeless ... CD
Corbett vs. Dempsey, 2018. New Copy Gatefold ... $12.99 15.99
Two of our favorite living improvisers – vibist Jason Adasiewicz and saxophonist Mats Gustafsson – each completely tremendous on their own, and even more amazing here together! We're not sure the musicians have ever recorded together before – and the sound of this album is way more than we might even have expected – a beautiful collaboration that brings out very sensitive sides of both artists, but at a level that's also true to greatest depths of their creative powers! Mats works these fantastic textures on alto, tenor, and baritone sax – alongside mostly vibes from Jason, who adds in a bit of balafon too – on selections that are often quite tuneful, and maybe even evoke a more soulful side of both musicians. Things are never too intense, but still push the boundaries too – and titles include "See Them Cold But See Them Last", "Time Is Less", "Valerie", "Memory Is A Voice", "A Fall They Call It", and "Dagger". CD

Exact matches5
CD, LP, Vinyl record album cover art
Mats Gustafsson & Nu EnsembleHidros 8 – Heal ... CD
Trost (Austria), New Copy ... $17.99 19.99 About November 25, 2022
... CD

Exact matches6
CD, LP, Vinyl record album cover art
Mats Gustafsson & Nu EnsembleHidros 8 – Heal ... LP
Trost (Austria), New Copy ... $27.99 29.99 About November 25, 2022
... LP, Vinyl record album

Exact matches7
CD, LP, Vinyl record album cover art
Joe McPhee & Mats GustafssonBrace For Impact (with bonus track) ... CD
Corbett vs. Dempsey, 2007. New Copy Gatefold ... $12.99 15.99
The first-ever album of studio duets between Joe McPhee and Mats Gustafsson – quite a surprise, given how often their paths have crossed over the years! The set was recorded in 2007, but only issued many years later – and it's a key document of the power that both improvisers have at this point in their career – each receiving strong global attention and facing new discovery by audiences nobody would have expected to be there for free jazz in the new millennium – but also able to completely put aside their egos and work together with the kind of sensitive interplay that only comes when you've got two masters in a rare moment like this. Sonically, the whole thing is very textural – maybe initially informed by that style that Gustafsson has of exploring all the outer reaches of a saxophone, from the tip of the reed right down to the surface of the pads – as he blows baritone, slide sax, and alto fluteophone – and McPhee works on pocket trumpet, alto, and alto clarinet. Titles include "Suicide Chicken Wings Over Nickelsdorf", "Bat Cave Feast", "Just Blue", "Just Green", "Race Matters", and "Blame Game". CD

Exact matches8
CD, LP, Vinyl record album cover art
Jim O'Rourke & Mats GustafssonXylophonen Virtuosen ... CD
Incus/Trost (Austria), 2000. New Copy ... $17.99 19.99
There's no xylophone here, but there's plenty of other wonderful elements at play – tenor and flute from Mats Gustafsson, guitar and accordion from Jim O'Rourke – and assorted "junk" handled by both musicians! The music is gentler at times than most things we're used to hearing from Mats, but is also different than some of the solo guitar explorations by Jim too – really special meeting of the two players, in which they find a mixture of tuneful space and some more abstract sonic territory – balanced in great ways throughout the set! Titles include "Faxing Stina", "Paging Cyndi", "No Longer In use", "Unlisted", "Low Battery", "Telexing Jun", and "Paper Out". CD
Also available Xylophonen Virtuosen ... LP 36.99

Exact matches9
CD, LP, Vinyl record album cover art
Jim O'Rourke & Mats GustafssonXylophonen Virtuosen ... LP
Incus/Trost (Austria), 2000. New Copy 2 LP (reissue)... $36.99 39.99
There's no xylophone here, but there's plenty of other wonderful elements at play – tenor and flute from Mats Gustafsson, guitar and accordion from Jim O'Rourke – and assorted "junk" handled by both musicians! The music is gentler at times than most things we're used to hearing from Mats, but is also different than some of the solo guitar explorations by Jim too – really special meeting of the two players, in which they find a mixture of tuneful space and some more abstract sonic territory – balanced in great ways throughout the set! Titles include "Faxing Stina", "Paging Cyndi", "No Longer In use", "Unlisted", "Low Battery", "Telexing Jun", and "Paper Out". LP, Vinyl record album
Also available Xylophonen Virtuosen ... CD 17.99

Exact matches10
CD, LP, Vinyl record album cover art
Sabu Toyozumi/Mats GustafssonHokusai ... LP
No Business (Lithuania), 2018. New Copy ... $22.99 29.99
Reedman Mats Gustafsson seems to be able to improvise with just about anyone – really shifting his sound and his spirit to match the moment, which is definitely the case here in a set of duets with drummer Sabu Toyozumi! There's a spaciousness here that's very different than some of Gusatafsson's performances with other drummers – especially Paal Nilssen-Love – and Sabu's use of the many aspects of the drum kit match with the always-inventive creations from Mats on baritone sax, fluteophone, and flute. The proceedings are wonderfully spacious, with these rich sonic elements that seem to leap from the void with a great sense of surprise – and titles include "Sunflower", "Woman With A Cat", and "For Ever Advancing Artistry". LP, Vinyl record album
(Limited edition of 400 copies!)

Exact matches11
CD, LP, Vinyl record album cover art
Ken Vandermark & Mats GustafssonVerses ... CD
Corbett vs. Dempsey, 2013. New Copy ... $11.99 15.99
Bold, beautiful work from the team of Ken Vandermark and Mats Gustafsson – two of the most inventive reed players of the past few decades – working together here in free, unfettered formation! The set was actually recorded right above Dusty Groove – in a very open, woody loft space – which really helps shape the sound of the set – as the notes from both players ring out wonderfully in the loft – almost recalling the creative improvisations of the New York scene from decades before – but handled here with all the amazing new sense of invention that both Vandermark and Gustafsson seem to bring to any instrument they touch! Ken plays tenor, bass clarinet, and b flat clarinet – and Mats handles alto, tenor, and baritone – all in a rich range of sounds and tones that really leave us breathless. Titles include "Ripolin", "The Madness Of Branches", "I Never Dreamed", "Fortunate Rust", "We Turn The Page", and "Beside Me Images". CD

Exact matches12
CD, LP, Vinyl record album cover art
✨✧ Mats Gustafsson, Barry Guy, Marilyn CrispellGryffgryffgryffs – The 1996 Radio Sweden Concert ... CD
Music & Arts, 1996. Used ... Temporarily Out Of Stock
Features Mats Gustafsson on saxophones, Marilyn Crispell on piano, Barry Guy on bass, and Raymond Strid on drums. CD
(Out of print and sealed.)
 
Possible matches: 17
Possible matches13
CD, LP, Vinyl record album cover art
Aaly/DKV Double TrioDouble Or Nothing ... CD
Okka Disk, 2002. New Copy ... $9.99 13.99
Two important improvising trios come together head to head in the transatlantic brilliance of Okka Disk Records in the 90s – recorded in a very unusual way that lets you clearly hear all the contributions of the members of the group! In the left channel stands AALY – a searing lineup of Mats Gustafsson on alto and tenor, Ingebrigt Haker Flaten on bass, and Kjell Nordeson on drums – and in the right channel stands DKV, with Ken Vandermark on tenor and bass clarinet, Kent Kessler on bass, and Hamid Drake on drums – a mighty meeting of musicians who are really at the top of their improvising game! Rather than come on head-to-head, it's amazing to hear the way that these well-matched trios open up to each other – especially the bassists and drummers, who are maybe less familiar in this setting than Vandermark and Gustafsson, who were an instantly amazing musical pair. The set begins with the original "Left To Right", then the group makes real magic over the course of 51 minutes, in a piece that offers variations on Albert Ayler's "Angels" and Don Cherry's "Awake Nu". CD

Possible matches14
CD, LP, Vinyl record album cover art
Peter BrotzmannChicago Octet/Tentet (3CD set) ... CD
Okka Disk, 1998. Used 3 CDs ... $39.99
One of the greatest releases ever from the Okka Disk label – a legendary set that stands as a great testament to the global improvising scene that exploded in Chicago during the 90s! Back in the early years of FMP, nobody would have thought to use the name "Peter Brotzmann" and "Chicago" in the same context – but by the time of these recordings, the legendary reedman had been spending quite a bit of time in the Windy City – working strongly alongside that decade's fresh generation of improvisers, at a level that also helped Brotzmann discover new energy in his music too! The lineup here is great – both octet and tentet groups that operate in an improvising orchestra tradition – with players that include Ken Vandermark on tenor and bass clarinet, Mars Williams on tenor and alto, Jeb Bishop on trombone, Mats Gustafsson on baritone and fluteophone, Joe McPhee on pocket cornet and valve trombone, Fred Lonberg Holm on cello, Kent Kessler on bass, Michael Zerang and Hamid Drake on drums and percussion, and Brotzmann himself on tenor, clarinet, and tarogato. The set features three different live recordings, and one long studio set recorded over two days – a fantastic collection of music. Titles include "Burning Spirit (For Kazuka Shiraishi)", "Other Brothers", "Old Bottles No Wine, "Aziz", "Foolish Infinity", "Immediate Music", "Makapoor", "Foolish Infinity", "Other Brothers" and "Divide By Zero". CD
(Hand numbered, limited edition!)
Also available Chicago Octet/Tentet (3CD set) ... CD 55.99

Possible matches15
CD, LP, Vinyl record album cover art
Peter BrotzmannChicago Octet/Tentet (3CD set) ... CD
Okka Disk, 1998. New Copy 3CD ... $55.99 59.99
One of the greatest releases ever from the Okka Disk label – a legendary set that stands as a great testament to the global improvising scene that exploded in Chicago during the 90s! Back in the early years of FMP, nobody would have thought to use the name "Peter Brotzmann" and "Chicago" in the same context – but by the time of these recordings, the legendary reedman had been spending quite a bit of time in the Windy City – working strongly alongside that decade's fresh generation of improvisers, at a level that also helped Brotzmann discover new energy in his music too! The lineup here is great – both octet and tentet groups that operate in an improvising orchestra tradition – with players that include Ken Vandermark on tenor and bass clarinet, Mars Williams on tenor and alto, Jeb Bishop on trombone, Mats Gustafsson on baritone and fluteophone, Joe McPhee on pocket cornet and valve trombone, Fred Lonberg Holm on cello, Kent Kessler on bass, Michael Zerang and Hamid Drake on drums and percussion, and Brotzmann himself on tenor, clarinet, and tarogato. The set features three different live recordings, and one long studio set recorded over two days – a fantastic collection of music. Titles include "Burning Spirit (For Kazuka Shiraishi)", "Other Brothers", "Old Bottles No Wine, "Aziz", "Foolish Infinity", "Immediate Music", "Makapoor", "Foolish Infinity", "Other Brothers" and "Divide By Zero". CD
(Hand-numbered limited edition pressing.)
Also available Chicago Octet/Tentet (3CD set) ... CD 39.99

Possible matches16
CD, LP, Vinyl record album cover art
Peter Brotzmann Chicago TentetAmerican Landscape 1 ... CD
Okka Disk, 2006. New Copy ... $9.99 13.99
Peter Brotzmann's on clarinet this time around, and working here in an extended studio piece with his Chicago Tentet combo – one of his greatest groups of later years, featuring both Mats Gustafsson and Ken Vandermark on reeds, as well as Joe McPhee on both trumpet and alto sax! The work builds slowly, almost tentatively – the fills in strongly as the piece goes on – with a sound that's almost like the Jazz Composers Orchestra style at the end of the 60s, but not as dynamic overall. The reeds are almost strongest in shaping the tune – although other contributions include trombone from Hannes Bauer, tuba from Per Ake Holmlander, and cello from Fred Lonberg-Holm. CD 1 features the first part of the work – which is quite long, and stands strongly as an album on its own! CD

Possible matches17
CD, LP, Vinyl record album cover art
Peter Brotzmann Chicago TentetChicago Tentet At Molde 2007 ... CD
Okka Disk, 2007. New Copy Gatefold ... $9.99 13.99
A 10th Anniversary performance by the Chicago Tentet – a wonderful group that's become the fruitful union of saxophonist Peter Brotzmann with a younger generation of players who were working heavily on the Chicago scene at the time! Back when the group first started, it was something of an experiment – but over the following decade, the ensemble won great attention for their playing, and for good reason too – considering the solo contributions of players like Ken Vandermark and Mats Gustafsson on reeds, Joe McPhee on trumpet and tenor, Johannes Bauer on trombone, Kent Kessler on bass, and Paal Nilssen Love on drums – all working under the visionary leadership of Peter Brotzmann! The tracks are all somewhat long and open-ended – almost more spacious than on other Chicago Tentet records, with a freely improvised feel. Titles include "Ten By Ten", "Little By Little", and "Step By Step". CD

Possible matches18
CD, LP, Vinyl record album cover art
Peter Brotzmann Chicago TentetSigns ... CD
Okka Disk, 2004. New Copy ... $9.99 14.99
A masterful statement from the Peter Brotzmann Tentet – a large group, but one that's capable of a rich array of sounds and sentiments – maybe given best exposure here in this key recording from the prime years of the ensemble! Ten players can be a huge number, especially when improvising so much – but these guys all have ears that are beautifully tuned to each other, and which really seems to not only bring out the best in each member, but also push the whole group together with a style that none of them could have hit on their own. Reeds are handled by the heavyweight quartet of Brotzmann, Ken Vandermark, Mats Gustafsson, and Mars Williams – and other group members include Joe McPhee on trumpet, Jeb Bishop on trombone, Fred Lonberg-Holm on cello, Kent Kessler on bass, and both Michael Zerang and Hamid Drake on drums. Titles include "Bird Notes", "Six Gun Territory", and "Signs" – the last of which is live. CD

Possible matches19
CD, LP, Vinyl record album cover art
Peter Brotzmann Chicago TentetStone/Water ... CD
Okka Disk, 1999. New Copy ... $9.99 13.99
Fantastic live material from a very unique group – the instantly-legendary meeting of reedman Peter Brotzmann with the leading lights of the Chicago avant jazz scene in the 90s – brought together into a tremendous tentet that's maybe even better than the sum of its parts! The group features Brotzmann on tenor and clarinet, Ken Vandermark on tenor and bass clarinet, Jeb Bishop on trombone, Fred Lomberg-Holm on cello and violin, Michael Zerang and Hamid Drake on drums, Kent Kessler on bass – and "honorary Chicagoan" Mats Gustafsson on tenor and flutophone, plus Toshinori Kondo on trumpet and electronics, and William Parker on bass. Phew, that's one heck of a lineup – the kind that rivals some of the European or British improvising ensembles of decades past – but one that has its own very specific flavor, and a sound that's brimming over with youth – so much so that the non-Chicago guests really seem to gain inspiration from the core. This Okka disc set captures the band live at the 16th Victoriaville Festival in 1999. CD

Possible matches20
CD, LP, Vinyl record album cover art
Peter Brotzmann Chicago TentetUltraman Vs Alien Metron (one-sided LP with silkscreen art) ... LP
Corbett vs. Dempsey, 2002. New Copy ... $23.99 28.00
Unreleased work from the glory days of the Peter Brotzmann Chicago Tentet – a legendary free jazz ensemble that's playing here at the height of their powers! The group have a vibe here that's wonderful – both as playful and as sinister as the title might imply – stretched out to a performance that's almost 20 minutes in length, and which almost has a sort of cinematic sense of dynamism at times – although still with all the unscripted energy that made the group so great. Brotzmann is in the lead on tenor, with Mars Williams on tenor and soprano, Ken Vandermark on baritone, Mats Gustafsson on alto, Joe McPhee on valve trombone, Jeb Bishop on trombone, Fred Lonberg Holm on cello, Kent Kessler on bass, and Michael Zerang and Hamid Drake on drums. The first-ever issue of this music comes in a limited one-sided record – with music on side a, and a silkscreen of Peter Brotzmann artwork on side B! LP, Vinyl record album
(Limited edition of 1000!)

Possible matches21
CD, LP, Vinyl record album cover art
Peter Brotzmann Chicago Tentet + 2Short Visit To Nowhere ... CD
Okka Disk, 2002. New Copy ... $9.99
A set that's a bit of a companion to the Brotzmann Chicago Tentet album Broken English – as it was recorded with the same lineup, on the same days – but a record that's also got a very different vibe of its own, thanks to the never-ending imagination of all the members of the group! As on the afore-mentioned record, the group here is expanded by two key guests – bassist William Parker and trumpeter Roy Campbell – east coast heavyweights brought in to an already great lineup that features reeds from Peter Brotzmann, Mars Williams, Mats Gustafsson, and Ken Vandermark – plus Joe McPhee on trumpet and valve trombone, Jeb Bishop on trombone, Kent Kessler on bass, Fred Lonberg-Holm on cello and violin, and both Michael Zerang and Hamid Drake on drums. Yet even with the two guests musicians, the Tentet manages to really feel the space around each individual musician in the lineup – working with amazing sensitivity, instead of overdone bombastic energy – creating sounds of chance and change on titles that include "Lightbox", "Short Visit To Nowhere", "Ellington", and "Hold That Thought". CD

Possible matches22
CD, LP, Vinyl record album cover art
Hans Koch & Paul LovensNephlokokkygia 1992 ... CD
Hat Art (Switzerland), 1992. New Copy ... $16.99 19.99
Fantastic reedwork from Hans Koch – a player captured here at the height of his powers, on a series of live improvisations with drummer Paul Lovens, recorded during a tour of Eastern Europe in the early 90s! Koch doesn't always get his due alongside some of the bigger names of the overseas scene – but his work here is fantastic on a range of reeds – tenor, soprano, clarinet, and bass clarinet – all used with the kind of quick-thinking tones and textures you might hear from a range of players that might include Evan Parker and Mats Gustafsson! Drummer Lovens is always great too, but really seems to wrap his work here around the lead inspiration of Koch – using drums, cymbals, gongs, and even a musical saw at all the right moments, in all the right ways – on long improvisations titled "In Sofia", "In Warna", "In Plovidiv", and "In Russe". CD

Possible matches23
CD, LP, Vinyl record album cover art
PipelinePipeline ... CD
Corbett vs. Dempsey, 2000. New Copy ... $11.99 15.99
The long-overdue issue of the only recording by this lost Chicago/Swedish project – a massive lineup of young avant players from the start of the millenium – similar in construction to the Peter Brotzman Tentet, but working here with a very different sound! The group came together over the space of months, on both sides of the Atlantic – and really took their time to develop the album's two long compositions by Ken Vandermark and Fredrik Ljungkvist – working in amazing shades and tones that really reflect the individual personalities and strengths of the 16-member lineup. Each track spins out towards the half-hour mark – which allows lots of space for sounds from Mats Gustafsson on tenor, Ken Vandermark on clarinet and tenor, Fredrik Ljungkvist on tenor, clarinet, and baritone (were these guys having a competition?) – plus Guillermo Gregorio on alto and clarinet, Jeb Bishop on trombone, Per Ake Holmlander on tuba, Joe Morris and David Stackenas on guitars, Sten Sandell on piano, Jim Baker on piano and Arp, Fred Lonberg-Holm on cello, Kent Kessler and Johan Berthling on basses, Michale Zerang and Raymond Strid on drums and percussion, and Kjell Nordeson on drums, percussion, and vibes. There's a heck of a lot going on here – and titles include "Codeine Picasso" and "In This Very Room" – each of which have a mix of composition and improvisation that's not unlike some of the projects directed by Lonberg-Holm around the same time. CD

Possible matches24
CD, LP, Vinyl record album cover art
Tom PrehnCentrifuga ... CD
Corbett vs. Dempsey, Mid 60s. New Copy Gatefold ... $12.99 15.99
Crucial rare work from Danish piano genius Tom Prehn – a player who's only known for a handful of rare records from the 60s, and some unissued material that has come out in more recent years! This set falls somewhere between the space of both of those points – as the material had been released, but only on reel to reel format – making it even rarer than Prehn's vintage vinyl, and clearly able to use the extended format of the tape to let the group improvise in ways that they couldn't even do on a single record at the time! Case in point is the amazing 44 minute track "Centrifuga" – a cut that seems to have Prehn playing piano that sounds prepared, ala John Cage – mixed with equally unusual sounds from the bass of Poul Elders, some striking sounds from the drums of Finn Slumstrup, and this amazing raw tenor from Fritz Krogh – a player we don't know at all, but who's very much in the best mode of the early free jazz world on the European scene! The second part of the record features four shorter pieces, each numbered variations of "Solherv" – recorded six months after the first track, and with this open sonic sensibility that recalls much more contemporary improv work – such as recordings by Mats Gustafsson, who actually contributed the notes to the set. CD

Possible matches25
CD, LP, Vinyl record album cover art
✨✧ Otomo Yoshihide's New Jazz OrchestraOut To Lunch ... LP
Doubt/Aguirre (Belgium), 2005. New Copy 2LP Gatefold ... Out Of Stock
A massive reworking of the legendary Out To Lunch album by Eric Dolphy – a set that's every bit as striking and modern as that classic, but which also infuses the music with all the many steps forward that jazz has taken since the original 60s release of the album! The set features mostly the original compositions by Dolphy, plus one by leader Otomo Yoshihide – who plays guitar in the group, which is a very large mixture of players who include Axel Dorner on trumpet, Mats Gustafsson on baritone, Aoki Taisei on trombone, Tsugami Kenta on alto and soprano, Okura Masahiko on alto, and Alfred Harth on tenor, bass clarinet, and other instruments too! There's plenty more players in the mix, too – including Takara Kumiko on vibes and Cor Fuller on piano and "inside piano" – working with a range of sounds that's amazing. Titles include "Gazelloni", "Hat & Beard", "Something Sweet Something Tender", "Out To Lunch", and "Straight Up & Down/Will Be Back". LP, Vinyl record album

Possible matches26
CD, LP, Vinyl record album cover art
✨✧ VariousNot Two – But Twenty (5CD set) ... CD
Not Two (Poland), New Copy 5CD ... Out Of Stock
A fantastic tribute to the ongoing contributions of the Not Two label – an important Polish imprint that's done plenty for improvised music over the past 20 years – with a wealth of studio releases, and live events such as the festival recordings presented in this beautiful set! The box itself is wonderful – a beautiful handmade wood box, which contains five CDs' worth of material fromt his event – all work that appears here for the first time ever! The range of improvising musicians is great – as international as the reach of the label – and they work together in a number of different combinations. Groupings include Joelle Leandre, Steve Swell, and Agusti Fernandez; Peter Brotzmann, Bary Guy, and Zlatko Kaucic; Joelle Leandre and Barry Guy; Maya Homburger and Barry Guy; Mats Gustafsson, Rafal Mazur, and Paal Nilssen-Love; Peter Brotzmann, Mikolaz Trzaska, Per-Ake Holmlander, and Agusti Fernandez; Mats Gustafsson and Ken Vandermark; and Peter Brotzmann and Paal Nilssen-Love. CD

Possible matches27
CD, LP, Vinyl record album cover art
✨✧ Albert AylerFirst Recordings Vol 1 (clear vinyl pressing) ... LP
Sowing (Italy), 1962. New Copy ... Out Of Stock
Early work by avant saxophone genius Albert Ayler – and very very striking! The setting is very spare, with only bass and drums backing Ayler up – and the way the album is mixed, Ayler's solos dominate the tracks in a way that isn't always the case with some of the more group-driven later work. His tone is amazing even in this early date of 1962 – and he completely blows away the other two players on the set, drummer Sune Spangberg and bassist Torbjorn Hulcrantz. The set was first recorded by the small Swedish label Bird Notes, and it's the beginning of a longtime love affair that Swedish modernists had with Ayler's tone and playing – a love affair that runs up to the current avant garde that includes Mats Gustafsson. Includes a mindblowing reworking of "I'll Remember April", plus versions of "Rollins Tune" and "Tune Up", and Ayler's own "Free". LP, Vinyl record album

Possible matches28
CD, LP, Vinyl record album cover art
✨✧ Albert AylerSomething Different – The First Recordings Vol 1 & 2 ... CD
Go Bop (Germany), 1963. New Copy ... Out Of Stock
Early work by avant saxophone genius Albert Ayler – and very very striking! The setting is very spare, with only bass and drums backing Ayler up – and the way the album is mixed, Ayler's solos dominate the tracks in a way that isn't always the case with some of the more group-driven later work. His tone is amazing even in this early date of 1962 – and he completely blows away the other two players on the set, drummer Sune Spangberg and bassist Torbjorn Hulcrantz. The set was first recorded by the small Swedish label Bird Notes, and it's the beginning of a longtime love affair that Swedish modernists had with Ayler's tone and playing – a love affair that runs up to the current avant garde that includes Mats Gustafsson. Includes a mindblowing reworking of "I'll Remember April", plus versions of "Rollins Tune", "Good Bait", "Moanin", "Softly As In A Morning Sunrise", "Tune Up", and Ayler's own "Free". CD

Possible matches29
CD, LP, Vinyl record album cover art
✨✧ Peter Brotzmann Chicago TentetAmerican Landscape 2 ... CD
Okka Disk, 2006. New Copy ... Out Of Stock
Peter Brotzmann's on clarinet this time around, and working here in an extended studio piece with his Chicago Tentet combo – one of his greatest groups of later years, featuring both Mats Gustafsson and Ken Vandermark on reeds, as well as Joe McPhee on both trumpet and alto sax! The work builds slowly, almost tentatively – the fills in strongly as the piece goes on – with a sound that's almost like the Jazz Composers Orchestra style at the end of the 60s, but not as dynamic overall. The reeds are almost strongest in shaping the tune – although other contributions include trombone from Hannes Bauer, tuba from Per Ake Holmlander, and cello from Fred Lonberg-Holm. CD 2 features the second half of the work – returned to a tentative beginning, then stepping out more strongly as things move on! CD
 
 
 



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