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Joe McPhee Edit search Phrase match

 
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Exact matches: 25
Exact matches1
CD, LP, Vinyl record album cover art
Susan Alcorn/Joe McPhee/Ken VandermarkInvitation To A Dream ... CD
Astral Spirits, 2019. New Copy ... $8.99 12.99
Amazing sounds from three great improvisers – two of whom we've known and loved for years, one of whom we're just beginning to discover! The trio features Ken Vandermark on tenor and clarinet, Joe McPhee on soprano sax and pocket trumpet, and Susan Alcorn on pedal steel guitar – the last of which is an instrument that's used in very different, very unconventional ways – more like a subtle sonic element, but still with some musical qualities – which then seems to create the same sort of balance in McPhee and Vandermark, both of whom are more fragile, more sensitive here than we've heard them in years! There's still a few more fully-blown passages, but the real beauty of the record lies in the more subtle sonic interplay, which is magical throughout. Titles include "Invitation To A Dream", "The Eyes Of Memory", "Rise & Rise", "Every Season Has Its Reason", and "I Am Because You Are". CD

Exact matches2
CD, LP, Vinyl record album cover art
Flow Trio with Joe McPheeWinter Garden ... CD
ESP, 2021. New Copy ... $12.99
The legendary Joe McPhee makes a great appearance here – pushing the Flow Trio to a level of intensity that makes the album rival some of the mid 60s greats from the early years of the ESP label! The sound is wonderfully full and free – McPhee just blowing tenor, with a fantastic tone – alongside the tenor and soprano of Louie Belogenis, the bass of Joe Morris, and drums of Charles Downs – three players who definitely know and understand each others' energy, and work together seamlessly at level that just makes the contributions of McPhee more icing on the cake. The whole album is freely improvised, and with a nice sense of variety – on selections that include "Harbinger", "Recombinant", "Rabble Rouser", "Glistening", "Accretion", and "Winter Garden". CD

Exact matches3
CD, LP, Vinyl record album cover art
Arto Lindsay/Joe McPhee/Ken Vandermark/Phil SudderbergLargest Afternoon ... CD
Corbett vs. Dempsey, 2019. New Copy ... $12.99 15.00
A set that's brimming over with improvising jazz talent – but one that's an especially great reminder of the guitar genius of the great Arto Lindsay! Lindsay is amazing here – playing with energy to match the brilliance of Ken Vandermark and Joe McPhee – which is really saying a lot, and which has us almost feeling like a younger version of Arto's self stepped forward straight from the New York no wave scene, in order to create a pan-historical bridge with the improvising strengths of the Corbett Vs Dempsey universe! Drummer Phil Sudderberg is wonderful too – a master of sounds and moments – and the short tracks allow for plenty of sharp changes, and shifts in energy between each selection. McPhee blows alto, tenor, and pocket trumpet – and Vandermark is on tenor, baritone, and clarinet – on titles that include "The Push & Pull Beneath The Surface", "She Must Have Known", "Whether You Were There Or Not", "When I Lose Any Sense Of Perspective", and "The World's Longest Afternoon". CD

Exact matches4
CD, LP, Vinyl record album cover art
Joe McPheeCosmic Love/Cosmic Love (number 2) ... 7-inch
Corbett vs. Dempsey, 1970. New Copy (pic cover)... $5.99
Two versions of a great track by Joe McPhee – both of which have the saxophonist laying out some surprisingly soulful sounds! If you only know Joe from his later avant years, you'll be stunned to hear McPhee here – as "Cosmic Love" has Joe spinning out this soulful saxophone lead over organ, which burns very slowly in the background – as McPhee starts out first straight, then surprisingly outside once things get going – but with a vibe that's somewhere between Kalaparusha on Delmark, and Arthur Doyle a few years later. The second version of the tune really turns up the echo on the organ, which makes things even more cosmic – as McPhee's solo follows a similar way-out path! 7-inch, Vinyl record

Exact matches5
CD, LP, Vinyl record album cover art
Joe McPheeMystery J (180 gram pressing) ... LP
Corbett vs. Dempsey, 2014. New Copy ... $18.99
The legendary Joe McPhee works here with two more obscure improvisers – Jen Clare Paulson on viola and Brian Labycz on electronics – both musicians who open Joe up to that never-ending stream of inspiration that's made his music so wonderful over the years! McPhee plays pocket cornet and alto sax – and is sometimes the key element to humanize the darker, more abstract sounds from the other instruments – other times maybe more responsive to their more tonal, textural expressions – always at a level that shows what a magnanimous musician Joe can be, no matter what the setting! The whole thing is definitely one of the darker McPhee recordings we've heard in recent years – and the improvisations were recorded live at Sugar Maple in Milwaukee. Titles include "Jupiter", "Joy", "Justice", and "Josiah". LP, Vinyl record album

Exact matches6
CD, LP, Vinyl record album cover art
Joe McPheeNation Time ... LP
CJ Records/Superior Viaduct, 1970. New Copy (reissue)... $20.99
Wild early work from avant jazz genius Joe McPhee – and a set that's actually pretty darn funky too! This rare indie release features 3 long tracks – two of which were recorded live, with a tight combo that includes a very funky drummer! The album kicks off with the hard wailing "Nation Time", which begins with a shout from Joe, and which rolls into a vamping modal groove (almost Pharoah Sanders-ish) filled with spiritual tenor work from McPhee, and some nice electric piano that sounds very off-kilter – funky, but unusual too. Next up is "Shakey Jake", an excellent 13 minute funk number – with bubbling organ, vamping rhythms, and a nice extended jazz dance groove – one of the rare tunes that has kept the album at the top of collectors' lists for years! And last up is "Scorpio's Dance", a pretty raw and somber track, with a nice open-ended loft jazz quality – balancing things out with a bit of avant energy. LP, Vinyl record album

Exact matches7
CD, LP, Vinyl record album cover art
Joe McPheeRoute 84 Quarantine Blues ... CD
Corbett vs. Dempsey, 2021. New Copy ... $12.99 15.00
Tremendous solo work from the great Joe McPhee – recorded alone at home during 2020, as you might guess from the title – but a set that has Joe being wonderfully expressive, in the very personal way that you'd know if you've ever seen him live in performance! McPhee mostly blows tenor, but he also speaks at points – even quoting some lines from Black Panther – and brings in some field recordings, and even makes sounds on water and a pie tin too – all with this mandate to be as fully expressive as possible, even in a situation of isolation – a beautiful testament to the artistic fire that has kept McPhee going as one of the most important improvisers in jazz over the decades! Titles include "Cuernavaca 79", "Goodbye Porky Pig Hat", "Self Portrait In Three Colors – Red, Black, & Green", "Reflection On Ida Lupino", and "Do You Still Love Me". CD
(Part of the Black Cross Solo Sessions series!)

Exact matches8
CD, LP, Vinyl record album cover art
Joe McPhee & Andre JaumeNuclear Family ... CD
Hat Hut/Corbett vs. Dempsey, 1979. New Copy Gatefold ... $12.99
Insanely beautiful work from the great Joe McPhee – an album that was recorded and intended to be issued during his groundbreaking stretch with Hat Art Records – but which never saw the light of day at the time! Why that happened, we're not entirely sure – because the album is tremendous right from the very first note – as McPhee blows alto, tenor, and pocket cornet alongside the work of Andre Jaume on alto, tenor, and bass clarinet – in a set of horn-only performances that are breathtaking from start to finish! Jaume's a great player too – and his work of the time, especially on Hat Art, is a masterpiece of subtlety and soul – and he balances McPhee perfectly here, often with some deeper currents that create a beautifully organic energy between the two. Jaume's got this way of handling his reed that's amazing – and, of course, Joe's phrasing is as incredible as always. Titles include great reworks of modern jazz classics – including "Pithecanthropus Erectus", "Self Portrait In Three Colors", "Evidence", "Chelsea Bridge", and "Lonely Woman" – plus the originals "Nuclear" and "Rue St Jaume". CD
(Beautiful package – with a heavy Japanese-style paper sleeve!)

Exact matches9
CD, LP, Vinyl record album cover art
Joe McPhee & David PrenticeInside Out ... CD
Creative Improvised Music Projects, 1996. Used ... Just Sold Out!
Joe McPhee on soprano saxophone, alto clarinet, and gong and David Prentice on violin and Jew's harp. CD
(Out of print.)

Exact matches10
CD, LP, Vinyl record album cover art
Joe McPhee & Jeb BishopBrass City ... CD
Okka Disk, 1999. Used ... $8.99
The album's a definite brass city – given that Joe McPhee plays pocket cornet and valve trombone, and just a bit of soprano sax – next to excellent work on slide trombone by the great Jeb Bishop! The players have an instant sympathy with each other – so much so that space and timing are as important as the sounds that emerge from either player – a really sensitive balance that reflects all the great elements that Bishop was bringing to his music at the time, and which seems to take McPhee back to some of the genius of his earliest records too! The set features the seven part "The Brass City" suite – plus "Outpost (For Tom Guaralnick)", "Transmute", and "The Rozwell Incident". CD
(Out of print.)

Exact matches11
CD, LP, Vinyl record album cover art
✨✧ Joe McPhee & Paal Nilssen LoveLift Every Voice & Sing ... LP
AFJ (UK), 2019. New Copy ... $26.99
This isn't the first time that Joe McPhee and Paal Nilssen-Love have recorded together – but the set may well be their best – a beautiful batch of duets that have the pair really blowing us away with their sympathetic spontaneous creative activity! There's a spiritual core here that really lives up to the title – not just on the duo's rendition of the famous gospel theme, which has Joe on an especially strong tenor sax solo – and the whole record has a rising righteousness that makes it an instant classic, and a key part of the canon of both artists – not just another set of live improvisations. Joe plays pocket trumpet and tenor, Paal plays the drums in his usual freewheeling style – and titles include "Voices", "Mr DC", "Consideration", "Big Joe Tell Me What You Know", and "Circumstantial Evidence". LP, Vinyl record album

Exact matches12
CD, LP, Vinyl record album cover art
✨✧ Joe McPhee Po MusicOleo ... CD
Hatology (Switzerland), 1982. Used ... Just Sold Out!
Perhaps the greatest illustration on record of Joe McPhee's inventive Po Music approach – a style of jazz that rivals Ornette Coleman's for sheer inventive conception! Joe's actual description of Po Music in the notes is a bit vague, but the overall execution on the record is quite powerful – jumping off the record with a sense of sound, space, and timing that makes the record one of the best McPhee albums from the Hat Hut years. Joe McPhee plays tenor and pocket cornet, in a quartet that includes Andre Jaume on alto and bass clarinet, Francois Mechali on bass, and Raymond Boni on electric guitar – often used in a rhythmic way that echoes a bit of Ornette's 70s inspiration. The centerpiece of the record is Sonny Rollins' "Oleo", done in 2 different versions – and other tracks include "Pablo", "I Remember Clifford", and "Astral Sprits", his tribute to Albert and Don Ayler. CD adds additional tracks to the record – including "Ann Khale", "When You Hear Music", "After It's Over", "It's Gone In The Air", and "You Can Never Capture It Again". CD
(Out of print.)

Exact matches13
CD, LP, Vinyl record album cover art
Joe McPhee/Ken Vandermark/Kent KesslerMeeting In Chicago ... CD
Okka Disk, 1998. New Copy ... $9.99 13.99
A seminal early set on the Okka Disk label – the important Chicago avant imprint who began documenting an important stretch of the career of Joe McPhee – much as the Hat Hut label had begun 20 years before! The set features performances recorded during McPhee's first appearance in Chicago during the mid 90s – the start of a beautiful relationship that would continue for decades to come – and McPhee blows both reeds and trumpet, in a trio with Ken Vandermark on saxes and Kent Kessler on bass – all working together in a very open studio format that has the players shifting between trio work, to solo and duo performances too. The recording is crucial – as McPhee's sensitivity brings out a whole new side of both Chicago players – on titles that include "Heart Of The Matter", "A Meeting In Chicago", "Breakneck Ridge", "Lalibela", "Empty Bottle Blues", "Fourteen Years Later", and "I Leave You Love". CD

Exact matches14
CD, LP, Vinyl record album cover art
✨✧ Joe McPhee/Michael Bisio/Fred Lonberg Holm/Juma SultanSweet Spot ... CD
Rogue Art (France), 2021. New Copy ... $15.99 16.99
An album that really lives up to its title – as it seems to find a magical sweet spot between all four of the improvising giants on the session – at a level that really makes the record way more than the sum of its parts! The string players here are especially amazing – as Fred Lonberg Holm feels more deeply soulful than usual, and fits perfectly next to the deeper bass talents of Michael Bisio – as the pair create sounds that are complex, but very organic too – given equally organic progressions from the tenor and soprano saxophone work of Joe McPhee. The percussion of Juma Sultan is like the icing on the cake – and titles include "AMS", "Free 3", "Malachi", "Human Being", "The Sweet Spot". CD

Exact matches15
CD, LP, Vinyl record album cover art
Evan Parker & Joe McPheeChicago Tenor Duets ... CD
Okka Disk, 2002. New Copy ... $9.99 14.99
Two legendary tenorists, coming together here in a record that's one of the most striking from both players at the time – a real return to the spare space of some of Joe McPhee's earliest albums, and some of the sharper edges that Evan Parker wasn't always giving us in the 90s! The setting is as basic as the title, but the sound is amazing – two giants, freely improvising in open space – making some amazing textures and tones together, but really shifting in mood from track to track – at a level that's completely spellbinding all the way through – a record that bristles with the kind of energy you'd expect from an older FMP session. An instant avant classic – with a total of 11 tracks in all! CD

Exact matches16
CD, LP, Vinyl record album cover art
Thing With Joe McPheeShe Knows ... CD
Hat Art/Ezz-Thetics (Switzerland), 2001. New Copy ... $16.99 19.99
An important early record from the Thing trio of reedman Mats Gustafsson – and one that already has the group taking off from their initial mandate of working with Don Cherry material, as Joe McPhee joins the group and really opens up their sound! McPhee echoes a bit of Cherry on pocket trumpet, but the performance is definitely in his own mode, and that special sonic space of Gustafsson at the turn of the century – as Mats plays tenor and baritone saxes, alongside Ingebrigt Haker Flaten on bass and Paal Nilssen Love on drums! The core trio would go onto greatness in years to come, and this is one of their key early statements – with titles that include versions of Don Cherry's "The Thing", Ornette Coleman's "Kathelin Gray", and Frank Lowe's "For Real" – plus the tracks "To Bring You My Love", "Going Home", and "Old Eyes". CD

Exact matches17
CD, LP, Vinyl record album cover art
✨✧ Joe McPheeBlack Is The Color – Live in Poughkeepsie & New Windsor 1969/1970 ... CD
Corbett vs. Dempsey, 1969/1970. New Copy 2CD ... Temporarily Out Of Stock
Fantastic unreleased work from the great Joe McPhee – material recorded around the same time as his legendary Nation Time set, and done with a similar blend of spiritual jazz and occasional funky undercurrents! This work shows McPhee to already be an amazing talent, even in the years before his wider reputation grew on record – and the work here is from a series of recordings in the Hudson River valley, where Joe was constantly creative, and very open to exploring new musical ideas! Two thirds of the set feature a version of the Contemporary Improvisational Ensemble – a group led by Joe on trumpet, tenor, and soprano saxophone, and who were clearly inspired by the later work of John Coltrane – with additional work on one group from Ernest Bostic on vibes, Tyrone Crabb on bass, and Bruce Thompson on drums – plus work in another group from Crabb and Thompson, plus Reggie Marks on tenor and flute. Titles from that group include long takes on "Afro Blue", "Naima", "Juju For John Coltrane", and "Black Is The Color" – plus two untitled "Improvisation" tracks. The last batch features slightly more soul-styled work – as McPhee's tenor works alongside the vocals of Octavius Graham – in a lineup that also has piano, drums, and electric bass – on versions of "I Don't Want Nobody" and "Funky Broadway", plus Joe's long original "Blues For The People". CD

Exact matches18
CD, LP, Vinyl record album cover art
✨✧ Joe McPheeGlasses ... CD
Hat Hut/Corbett vs. Dempsey, 1979. New Copy ... Temporarily Out Of Stock
Extraordinary work from one of the true giants of the American scene – a mindblowing set of mostly solo sounds from reedman Joe McPhee – also working here on flugelhorn and a bit of percussion as well! The set begins with the incredible "Glasses" – a piece that appears to have McPhee actually playing a glass in performance, and alternating with some searingly soulful sounds on tenor sax – blown with a texture that matches the glass wonderfully – already showing his amazing ear for sound shapes. Side two reminds us that McPhee's got a deeply spiritual side – as he takes on Coltrane's "Naima" in a haunting solo reading that's almost worth the price of the album alone – full of feeling, but graced with these textures that really open up the song. The set's completed by "New Potatoes" – a much more driving number with added help from percussionist Reto Weber – plus the promised flugelhorn from Joe! CD

Exact matches19
CD, LP, Vinyl record album cover art
✨✧ Joe McPheeNation Time (with bonus tracks) ... CD
Corbett vs. Dempsey, 1970. New Copy Gatefold ... Temporarily Out Of Stock
Wild early work from avant jazz genius Joe McPhee – and a set that's actually pretty darn funky too! This rare indie release features 3 long tracks – two of which were recorded live, with a tight combo that includes a very funky drummer! The album kicks off with the hard wailing "Nation Time", which begins with a shout from Joe, and which rolls into a vamping modal groove (almost Pharoah Sanders-ish) filled with spiritual tenor work from McPhee, and some nice electric piano that sounds very off-kilter – funky, but unusual too. Next up is "Shakey Jake", an excellent 13 minute funk number – with bubbling organ, vamping rhythms, and a nice extended jazz dance groove – one of the rare tunes that has kept the album at the top of collectors' lists for years! And last up is "Scorpio's Dance", a pretty raw and somber track, with a nice open-ended loft jazz quality – balancing things out with a bit of avant energy. New CD version features three great bonus tracks – "Naima", "Blues In C", and "Secret Love". CD
Also available Nation Time ... LP 20.99

Exact matches20
CD, LP, Vinyl record album cover art
✨✧ Joe McPheeOleo & A Future Retrospective ... CD
Hat Hut (Switzerland), 1982. Used ... Temporarily Out Of Stock
Joe McPhee on pocket cornet and tenor saxophone, Andre Jaume on clarinet, bass clarinet and alto saxophone, Raymond Boni on guitar, and Francois Mechali on double bass. CD
(Out of print.)

Exact matches21
CD, LP, Vinyl record album cover art
✨✧ Michael Marcus/Joe McPhee/Warren Smith/Joe RosenBlue Reality Quartet ... CD
Mahakala, 2021. New Copy ... Out Of Stock
Everyone on the cover's wearing a mask – but don't worry, they take them off during the performance – or at least that's the case with Michael Marcus and Joe McPhee, who bring some really wonderful reed work to the session! The group's a quartet – Marcus and McPhee on reeds, and Warren Smith and Joe Rosen on percussion – working here with a nice sense of structure, but plenty of freedom in the way the instruments come together – a really timeless session with a strong sense of spirit – and a meeting of the players that will last much longer than the cover's dated pandemic reference! Titles include "Joe's Train", "Love Exists Everywhere", "East Side Dilemma", "Coney Island Funk", and "Bluer Than Blue". CD

Exact matches22
CD, LP, Vinyl record album cover art
✨✧ Ken Vandermark's Topology Nonet feat Joe McPheeImpressions Of Po Music ... CD
Okka Disk, 2013. New Copy Gatefold ... Out Of Stock
Ken Vandermark works here in musical modes first proposed by Joe McPhee – his famous concept of Po Music – performed here by a group that also features Joe, and a whole host of great players from the Chicago scene! Vandermark and McPhee have influenced each other a lot in the past few decades – but the approach here is to return to Joe's early Hat Art use of the Po concept – especially the way it presents ideas as provocation – which are then turned into improvisational fire by a group that includes Jason Adasiewicz on vibes, Josh Berman on cornet, Jeb Bishop on trombone, Kent Kessler on bass, Dave Rempis on saxes, Tim Daisy on drums, and Fred Lonberg-Holm on cello and electronics. Both Vandermark and McPhee play tenor – and the music has an intensity that's amazing for such a large group of improvisers – further proof that all players are very well-matched. Titles include "Impressions Of Eroc Tinu", "Impressions Of Knox", "Impressions Of Astral Spirits/Age", and "Impressions Of Sweet Dragon". CD

Exact matches23
CD, LP, Vinyl record album cover art
✨✧ Peter Brotzmann/Joe McPhee/Kent Kessler/Michael ZeGuts ... CD
Okka Disk, 2007. New Copy ... Out Of Stock
A brilliant pairing of two musicians who never recorded together during their early days on record – but who more than made up for that lack with later classics like this! The cover's got the boldness of an FMP album from the 70s, and the music within follows that spirit – a bold live performance at Chicago's Empty Bottle, a frequent home to both musicians at the time – with Joe McPhee on trumpet, alto, and tenor – Peter Brotzmann on alto, tenor, clarinet, and tarogato – driven by tremendous work on bass from Kent Kessler and drums by Michael Zerang. The set features two long live improvisations – "Guts" and "Rising Spirits". CD

Exact matches24
CD, LP, Vinyl record album cover art
✨✧ Joe McPhee & Hamid DrakeEmancipation Proclamation – A Real Statement Of Freedom ... CD
Okka Disk, 2000. New Copy ... Out Of Stock
A late 90s record, but one that we might easily put next to similar spiritual improv albums from the 70s – a fantastic meeting of both artists at Chicago's Empty Bottle – with Joe McPhee on pocket trumpet and tenor, and Hamid Drake on some amazing drums and percussion! Drake's wonderfully open, fluid sense of sound is a great match for McPhee here – really opening up a side of Joe's music in a way that's a bit different than some of his other recordings of the time, including his Okka Disk material – spirited, but never stressed – exploratory, yet always with a strong sense of direction. Titles include "Hate Crime Cries", "Cries & Whispers", "Mother Africa", and "Emancipation Proclamation". Very spare, but very moving – in the manner of some of the early work by the Art Ensemble of Chicago! CD

Exact matches25
CD, LP, Vinyl record album cover art
✨✧ Joe McPhee/Lasse MarhaugHarmonia Macrocosmia ... LP
Actions For Free Jazz (UK), 2020. New Copy ... Out Of Stock
The notes here are a bit different than usual for an album of improvised music – as the instruments aren't listed, and instead the back cover just states "all sounds by Joe McPhee and Lasse Marhaug" – which is a great way of really getting at the spirit of the record! Although there's definitely some familiar horn work that you might hear from McPhee, the whole thing is more of a larger sonic document – one where the end results make it very difficult to figure out the sources of the sounds! We're guessing that Marhaug was live-producing the record – and it's clear that McPhee is also vocalizing a bit too – although again, it's hard to say, given the deep textures and overall richness of sound – which is relatively abstract throughout. Titles include "Two Lost Worlds", "Gravity Check", "Theatrum Orbis Terrarum", "Quatermass", "This Island Earth", and "Avalanche". LP, Vinyl record album
 
Possible matches: 14
Possible matches26
CD, LP, Vinyl record album cover art
Rodrigo AmadoLet The Free Be Men ... CD
Trost (Austria), 2021. New Copy ... $18.99
A set with two strong horn players upfront – but one that draws some equally fantastic energy from the bottom end of the group too – thanks to wonderful contributions from Kent Kessler on bass and Chris Corsano on drums! The musical qualities of tenorist Rodrigo Amado seem to just deepen more and more with each new release – there's a sense of soul here we might not have heard this strongly a few years before, one that really matches the work on the record from Joe McPhee – who blows soprano sax, pocket trumpet, and even a bit of pvc pipe – the last with that special sort of magic that's continued to make Joe such a vibrant player over the years. But we're also equally moved here by the basswork of Kent Kessler – who's got this way of matching his strengths with openness, at a level that's really echoed by the drums of Corsano – a mixture of boldness and sensitivity that's really wonderful. All tracks are long improvisations, recorded in Copehagen – and titles include "Resist", "Let The Free Be Men", "Never Surrender", and "Men Is Woman Is Man". CD

Possible matches27
CD, LP, Vinyl record album cover art
Rodrigo AmadoLet The Free Be Men ... LP
Trost (Austria), 2021. New Copy ... About July 30, 2021 (delayed)
A set with two strong horn players upfront – but one that draws some equally fantastic energy from the bottom end of the group too – thanks to wonderful contributions from Kent Kessler on bass and Chris Corsano on drums! The musical qualities of tenorist Rodrigo Amado seem to just deepen more and more with each new release – there's a sense of soul here we might not have heard this strongly a few years before, one that really matches the work on the record from Joe McPhee – who blows soprano sax, pocket trumpet, and even a bit of pvc pipe – the last with that special sort of magic that's continued to make Joe such a vibrant player over the years. But we're also equally moved here by the basswork of Kent Kessler – who's got this way of matching his strengths with openness, at a level that's really echoed by the drums of Corsano – a mixture of boldness and sensitivity that's really wonderful. All tracks are long improvisations, recorded in Copehagen – and titles include "Resist", "Let The Free Be Men", "Never Surrender", and "Men Is Woman Is Man". LP, Vinyl record album
Also available Let The Free Be Men ... CD 18.99

Possible matches28
CD, LP, Vinyl record album cover art
Peter BrotzmannChicago Octet/Tentet (3CD set) ... CD
Okka Disk, 1998. New Copy 3CD ... $42.99 48.99
One of the greatest releases ever from the Okka Disk label – a legendary set that stands as a great testament to the global improvising scene that exploded in Chicago during the 90s! Back in the early years of FMP, nobody would have thought to use the name "Peter Brotzmann" and "Chicago" in the same context – but by the time of these recordings, the legendary reedman had been spending quite a bit of time in the Windy City – working strongly alongside that decade's fresh generation of improvisers, at a level that also helped Brotzmann discover new energy in his music too! The lineup here is great – both octet and tentet groups that operate in an improvising orchestra tradition – with players that include Ken Vandermark on tenor and bass clarinet, Mars Williams on tenor and alto, Jeb Bishop on trombone, Mats Gustafsson on baritone and fluteophone, Joe McPhee on pocket cornet and valve trombone, Fred Lonberg Holm on cello, Kent Kessler on bass, Michael Zerang and Hamid Drake on drums and percussion, and Brotzmann himself on tenor, clarinet, and tarogato. The set features three different live recordings, and one long studio set recorded over two days – a fantastic collection of music. Titles include "Burning Spirit (For Kazuka Shiraishi)", "Other Brothers", "Old Bottles No Wine, "Aziz", "Foolish Infinity", "Immediate Music", "Makapoor", "Foolish Infinity", "Other Brothers" and "Divide By Zero". CD
(Hand-numbered limited edition pressing.)

Possible matches29
CD, LP, Vinyl record album cover art
Peter Brotzmann Chicago TentetChicago Tentet At Molde 2007 ... CD
Okka Disk, 2007. New Copy Gatefold ... $9.99 13.99
A 10th Anniversary performance by the Chicago Tentet – a wonderful group that's become the fruitful union of saxophonist Peter Brotzmann with a younger generation of players who were working heavily on the Chicago scene at the time! Back when the group first started, it was something of an experiment – but over the following decade, the ensemble won great attention for their playing, and for good reason too – considering the solo contributions of players like Ken Vandermark and Mats Gustafsson on reeds, Joe McPhee on trumpet and tenor, Johannes Bauer on trombone, Kent Kessler on bass, and Paal Nilssen Love on drums – all working under the visionary leadership of Peter Brotzmann! The tracks are all somewhat long and open-ended – almost more spacious than on other Chicago Tentet records, with a freely improvised feel. Titles include "Ten By Ten", "Little By Little", and "Step By Step". CD

Possible matches30
CD, LP, Vinyl record album cover art
Peter Brotzmann Chicago TentetSigns ... CD
Okka Disk, 2004. New Copy ... $9.99 14.99
A masterful statement from the Peter Brotzmann Tentet – a large group, but one that's capable of a rich array of sounds and sentiments – maybe given best exposure here in this key recording from the prime years of the ensemble! Ten players can be a huge number, especially when improvising so much – but these guys all have ears that are beautifully tuned to each other, and which really seems to not only bring out the best in each member, but also push the whole group together with a style that none of them could have hit on their own. Reeds are handled by the heavyweight quartet of Brotzmann, Ken Vandermark, Mats Gustafsson, and Mars Williams – and other group members include Joe McPhee on trumpet, Jeb Bishop on trombone, Fred Lonberg-Holm on cello, Kent Kessler on bass, and both Michael Zerang and Hamid Drake on drums. Titles include "Bird Notes", "Six Gun Territory", and "Signs" – the last of which is live. CD

Possible matches31
CD, LP, Vinyl record album cover art
DKV TrioTrigonometry ... CD
Okka Disk, 2002. New Copy 2CD ... $10.99 19.99
Excellent work from the trio of Ken Vandermark, Hamid Drake, and Kent Kessler! The 2CD set features tracks from two different live shows – one recorded in Rochester, the other in Kalamazoo, both during the group's 2001 tour of the US. Vandermark is ever-brilliant – still growing mightily as a player, and in a perfect power trio format here, working with Kessler's strong bass lines, and Drake's assorted percussion techniques. Includes a huge amount of Don Cherry tunes – such as "Brown Rice", "Awake Nu", "The Thing", and "Elephantasy" – plus readings of Sonny Rollins' "East Broadway Rundown", Joe McPhee's "Goodbye Tom B", and Ayler's "Love Cry". CD

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Dave RempisCovid Tapes – Solos, Duos, & Trios ... CD
Aerophonic, 2021. New Copy 2CD ... $15.99 18.99
Here's a case where the word "covid" doesn't have to be thought of in ways that make you shudder – as the always-inventive reedman Dave Rempis used the dark days of 2020 to find new ways of expression, and make a deeper exploration of different sides of his music! One of those sides is featured here in a series of beautiful solo performances – alto, tenor, and baritone readings of works from a variety of inspirations – Joe McPhee, Duke Ellington, Dudu Pukwana, and others – balanced with another unusual side, which is a series of outdoor performances with other musical partners, done during the summer of 2020 in a very distanced way! We're not going to say that you can "hear" the distance in the performance, but there's definitely a quality of improvising activity that's a bit different than usual – as Dave's reeds come into play with the cell of Tomeka Reid, bass of Joshua Abrams, and drums of Tim Daisy and Tyler Damon. The 2CD set does a wonderful job of presenting the material – mixing the solo tracks with the duo and trio moments – on titles that include "Glitch", "Isfahan", "Knox", "Toron", "Skin & Bones", "The Song Is You", "B My Dear", "I The Wild", and "On Green Dolphin Street". CD

Possible matches33
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Ken VandermarkUnexpected Alchemy (7CD set) ... CD
Not Two (Poland), 2019. New Copy 7CD ... $74.99
The title definitely gets it right – as the set's documents unexpected alchemy between reedman Ken Vandermark and a wonderful blend of improvisers – all recorded over the space of a few days in the Polish city of Krakow! The set's something of a follow-up to Vandermark's massive Alchemia box from 2005 – which also documented a long residency in that city – but the format here is a bit different, and also demonstrates just how much Ken and the other musicians have grown over the years! Each CD features a different concert performance, or performances – with different groupings of musicians, some that don't even include Vandermark. Lineups include Ken Vandermark dueting with Nate Wooley, Steve Noble playing solo, the duo of Ikue Mori and Mette Rasmussen, the duo of John Butcher and Nate Wooley, a solo performance by Joe McPhee, the duo of John Butcher and Ken Vandermark, a quartet with Nate Wooly and Kent Kessler, a duet between Kessler and McPhee, another duet between John Butcher and John Tilbury, and a trio with Hamid Drake, Eddie Prevost, and Vandermark. CD7 is something of a bonus – material recorded the following year in Munich – with a trio of Vandermark, Prevost, and Tilbury. CD
(In a beautiful fold-out package with individual paper sleeves.)

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✨✧ Peter Brotzmann Chicago TentetAmerican Landscape 1 ... CD
Okka Disk, 2006. New Copy ... Out Of Stock
Peter Brotzmann's on clarinet this time around, and working here in an extended studio piece with his Chicago Tentet combo – one of his greatest groups of later years, featuring both Mats Gustafsson and Ken Vandermark on reeds, as well as Joe McPhee on both trumpet and alto sax! The work builds slowly, almost tentatively – the fills in strongly as the piece goes on – with a sound that's almost like the Jazz Composers Orchestra style at the end of the 60s, but not as dynamic overall. The reeds are almost strongest in shaping the tune – although other contributions include trombone from Hannes Bauer, tuba from Per Ake Holmlander, and cello from Fred Lonberg-Holm. CD 1 features the first part of the work – which is quite long, and stands strongly as an album on its own! CD

Possible matches35
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✨✧ Peter Brotzmann Chicago TentetAmerican Landscape 2 ... CD
Okka Disk, 2006. New Copy ... Out Of Stock
Peter Brotzmann's on clarinet this time around, and working here in an extended studio piece with his Chicago Tentet combo – one of his greatest groups of later years, featuring both Mats Gustafsson and Ken Vandermark on reeds, as well as Joe McPhee on both trumpet and alto sax! The work builds slowly, almost tentatively – the fills in strongly as the piece goes on – with a sound that's almost like the Jazz Composers Orchestra style at the end of the 60s, but not as dynamic overall. The reeds are almost strongest in shaping the tune – although other contributions include trombone from Hannes Bauer, tuba from Per Ake Holmlander, and cello from Fred Lonberg-Holm. CD 2 features the second half of the work – returned to a tentative beginning, then stepping out more strongly as things move on! CD

Possible matches36
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✨✧ Peter Brotzmann Chicago TentetImages ... CD
Okka Disk, 2004. New Copy ... Out Of Stock
A fantastic testament to the genius of the transatlantic meeting that is the Peter Brotzmann Chicago Tentet – a group that manages to bridge the sometimes-unwieldy modes of the improvising orchestra, and the energy of a smaller free jazz combo! All the players seem tied together perfectly – both at an emotional level, and a musical one – so that the combination of energy is way more than the sum of its mighty parts – a real accomplishment, given that the "parts" include Ken Vandermark, Peter Brotzmann, Marts Gustafsson, and Mars Williams on reeds – plus Joe McPhee on trumpet, Jeb Bishop on trombone, Fred Lonberg-Holm on cello, Kent Kessler on bass, and both Michael Zerang and Hamid Drake on drums. The set begins with a searing 37 minute piece dedicated to Robert Rauschenberg – Vandermark's "All Things Being Equal", which almost has a Mingus-like combination of structure and solo. "Images" follows, and is a more freewheeling piece – but completely wonderful too! CD

Possible matches37
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✨✧ Peter Brotzmann Chicago Tentet + 2Broken English ... CD
Okka Disk, 2002. New Copy ... Out Of Stock
There's nothing broken about this set – as the album's one of the strongest, most spiritual sessions we've ever heard from the Chicago Tentet of Peter Brotzmann – a really great group who gave us some amazing albums on the Okka Disk label! The set features two great guests – trumpeter Roy Campell and bassist William Parker – and at some level, the rest of the lineup seem to be opening up into modes that welcome the territory of both jazz giants – especially on the long first track, which is a very different reworking of a composition the group explored on another album! As usual, reedman Peter Brotzmann is at the helm – on tenor, alto clarinet, and tarogato – with Ken Vandermark, Mars Williams, and Mats Gustafsson on other reeds – plus Joe McPhee on trumpet and valve trombone, Jeb Bishop on trombone, Fred Lonberg-Holm on cello and violin, Kent Kessler on bass, Michael Zerang on drums, and Hamid Drake on drums and frame drum, plus some great vocalizations. Titles include "Stonewater" and "Broken English". CD

Possible matches38
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✨✧ Peter Brotzmann Chicago Tentet + 2Short Visit To Nowhere ... CD
Okka Disk, 2002. New Copy ... Out Of Stock
A set that's a bit of a companion to the Brotzmann Chicago Tentet album Broken English – as it was recorded with the same lineup, on the same days – but a record that's also got a very different vibe of its own, thanks to the never-ending imagination of all the members of the group! As on the afore-mentioned record, the group here is expanded by two key guests – bassist William Parker and trumpeter Roy Campbell – east coast heavyweights brought in to an already great lineup that features reeds from Peter Brotzmann, Mars Williams, Mats Gustafsson, and Ken Vandermark – plus Joe McPhee on trumpet and valve trombone, Jeb Bishop on trombone, Kent Kessler on bass, Fred Lonberg-Holm on cello and violin, and both Michael Zerang and Hamid Drake on drums. Yet even with the two guests musicians, the Tentet manages to really feel the space around each individual musician in the lineup – working with amazing sensitivity, instead of overdone bombastic energy – creating sounds of chance and change on titles that include "Lightbox", "Short Visit To Nowhere", "Ellington", and "Hold That Thought". CD

Possible matches39
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✨✧ Cha Cha ShawKingdom Come ... CD
Folkways, 1979. New Copy Gatefold ... Out Of Stock
The second Folkways album from trumpeter Charles Shaw – and even more wonderful than the first! This one changes up the groove a bit – still sticking in Shaw's spiritual jazz vein at times, but also tripping things out a bit more with use of electric guitar and the ultra-cool "bag flute" – which is almost like a wah-wah sort of reed instrument, and which makes for some really funky moments! The electric touches are totally great – and mix with rougher acoustic jazz elements in ways that remind us of earlier 70s work from Luther Thomas and Joe McPhee – also both avant players who could show a funky side like this at times. Shaw plays trumpet, flugelhorn, and the bag flute – and other instrumentation includes guitar from James Greggo and Tom Lee Harris, alto from Brian Ross, tenor from Glenn Spears, bass from Ronnie Boykins, and drums from Art Blakey Jr. Titles include "Kid Zorro", "Postage Paid", "Mr Zip", "Chain Reaction", and "Melted Soul". CD
(Special limited CD – pressed up for us by the Smithsonian Folkways label. Comes with original cover artwork, and the CD also features a PDF file with the original liner notes and other materials from the original record release.)
 
 
 



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