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Joe Harriott Edit search Phrase match

 
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Exact matches: 4
Exact matches1
CD, LP, Vinyl record album cover art
Joe HarriottFormation – Live 1961 ... LP
Jazz In Britain (UK), 1961. New Copy ... $29.99 About January 22, 2022
... LP, Vinyl record album

Exact matches2
CD, LP, Vinyl record album cover art
Joe HarriottFree Form & Abstract Revisited ... CD
Hat Art (Switzerland), Early 60s. New Copy 2CD ... $18.99 19.95
A pair of legendary albums from the mighty Joe Harriott – a player who emigrated to England in the 50s, then set the scene on fire in the following decade! First up is Free Form – the landmark album that forever put saxophonist Joe Harriott on the map, and it's a brilliant batch of tracks that prove that Harriott was advancing the jazz avant garde in England as much as players like Ornette Coleman and Cecil Taylor were advancing it in America. Despite the "free form" of the title, the tracks are more "new thing" – somewhat structured, with a rhythmic approach that's still a little straight, but solos that go nice and outside. Joe's overall conception is a beautiful mix of angular thinking with freely expressed soulful emotion – and the record's one that ranks up there with the 10 most groundbreaking of the 60s! The group's about as fantastic as you could ever expect from England at the time – with Shake Keane on trumpet, Pat Smythe on piano, Coleridge Goode on bass, and Phil Seamen on drums – and titles include "Formation", "Coda", "Abstract", "Straight Lines", and "Impression". Next is Abstract – one of the legendary sets of avant garde jazz by the British alto genius Joe Harriott – an artist who was sometimes billed as the British Ornette Coleman – a reputation he definitely earns with the groundbreaking quality of this album! The conception is bold right from the start – strongly rhythmic, but at a level that's different from Coleman's music – with some deeply emotional undertones to the solos (which also include work from Shake Keane on trumpet!) – and occasional modal elements that also bring in some spiritual elements to work perfect with the breakout solos. The group also features crack rhythm work from Pat Smythe on piano, Coleridge Goode on bass, and Phil Seaman on drums – and the track list includes "Subject", "Shadows", "Tonal", "Oleo", "Pictures", "Idiom", "Compound" and "Modal". CD

Exact matches3
CD, LP, Vinyl record album cover art
✨✧ Joe HarriottJoe Harriott – Chronology Live 1968/1969 ... CD
Jazz In Britain (UK), Late 60s. New Copy ... Temporarily Out Of Stock
Unreleased work from alto genius Joe Harriott – two different slices of material from a very under-recorded point in his career! The first five tracks feature Joe in that back to basics mode he was hitting at the time – working in a unique group that features Kenny Wheeler on trumpet and flugelhorn, Pat Smythe on piano, Ron Mathewson on bass, and Bill Eyden on drums – all players who are very open to modern ideas, but who also keep things on more of a groove here – with only a bit of the freedom that Harriott was bringing to his music a few years before! And yet there's still a great tension that makes the set great – swinging jazz mixed with modernism – on titles that include the Horace Silver tunes "Down & Out" and "Psychedelic Sally", plus "WSIMC", "Chronology", and "Shadows". The remaining two tracks on the set feature Joe in a very different setting – the large group of Harry South – the kind of mod jazz in 60s London, working here with a superb lineup that also features Kenny Wheeler and Ian Hamer on trumpets, Ray Warleigh on alto and flute, and Tubby Hayes and Alan Skidmore on tenor saxes! Tunes include the very swinging "Themeology" by South – plus a richly full take on "My Man's Gone Now". CD

Exact matches4
CD, LP, Vinyl record album cover art
✨✧ Joe HarriottMovement/High Spirits ... CD
EMI/Vocalion (UK), 1964/1965. New Copy 2 CDs ... Out Of Stock
Overlooked gems from this key reedman on the Brit modern scene of the 60s – two rare albums in a single package! First up is Movement – one of the most obscure albums recorded by Joe Harriott – leading light of the British avant scene in the 60s – and one of the best, too! The album features Harriott working with a quintet that includes Shake Keane on trumpet, Pat Smythe on piano, Bobby Orr on drums, and Coleridge Goode on bass – playing in territory that's somewhat in the neighborhood of his Abstract and Free Form albums, but also a bit more inside, with more of a focus on swinging, hard-hitting jazz. The rhythms are often quite tight and soulful, and although the album's touched with lots of angular moments – both in the solos and backings – the overall sound is wonderfully grooving and tremendously captivating! The album's got that perfect blend of modern, modal, and soul that make the best Brit jazz albums from the mid 60s so wonderful – and the set list includes original tunes such as "Movement", "Spaces", "Blues On Blues", "Revival", "Beams", and "Count Twelve". High Spirits is pretty unique – a set of takes on tunes that come from a musical show, but recast strongly as soulful sides for the Harriott combo! Pianist Pat Smythe re-arranged all tracks in the set – and really gives them a new sort of energy – opening them up for lots of solo work on his own piano, plus alto from Harriott, and some beautiful trumpet lines from the great Shake Keane – a player who always sounds great next to Joe. The rest of the group features Coleridge Goode on bass and Bobby Orr on drums – and titles include "Home Sweet Heaven", "Something Tells Me", "Go Into Your Trance", "I Know Your Heart", and "Was She Prettier Than I". CD
 
Possible matches: 11
Possible matches5
CD, LP, Vinyl record album cover art
✨✧ VariousDerrick Harriott Presents Earthly Sounds ... CD
Doctor Bird (UK), Early 70s. New Copy 2CD ... Temporarily Out Of Stock
A killer collection of work from Jamaican producer Derrick Harriott – a double length set that features 20 tracks on CD for the first time ever, plus lots of rare nuggets – all from a time when Harriott was completely on fire! Harriott was not only a producer, but also a performer, and club and record store owner – which gave him great access to up and coming talents, and a keen ear for all the changes that were taking place on the scene – changes that here sometimes come across with some of the more righteous currents that were showing up in 70s soul, and other times the growing sense of spirituality in Jamaican music. There's a wealth of fantastic work here – all presented in the high standard of the Doctor Bird label, which means notes that are as thoughtful as the track selection – a whopping 48 titles that also includes a fair bit of versions on the second disc. Titles include "Salaam" by Bongo Herman with Les & Bunny, "Throne Of Justice" by The Ethiopians, "Short Cut" by The Crystalites, "Cotton Comes To Harlem" by Winston Wright, "Mash UP" by The Diamonds, "Call Me Trinity" by Joe White, "Medicine Stick" by Denzil Laing, "Shaft" by The Now Generation, "Black Moses" by The Preacher, "Cool Breeze" by Big Youth, "Smokey Eyes" by Glen Brown", "Smokey Version" by The Cyrstalites, "Big Boy" by Junior Murvin, "Tougher Than Tough Version" by Augustus Pablo, "I Roy" by Frankie J & Melinda, "Blackula" by The Crystalites, "Bedroom Mazurka" by Agustus Pablo & Fay, and "Earthly Sounds" by The Crystalites. CD

Possible matches6
CD, LP, Vinyl record album cover art
Cosmic Eye (Amancio D'Silva)Dream Sequence (180 gram pressing) ... LP
EMI/Roundtable (Australia), 1972. New Copy (reissue)... $34.99 40.99
The most mindblowing work we've ever heard from guitarist Amancio D'Silva – a really freewheeling blend of jazz and Indian music, and a set that goes far beyond most of his other albums! The album definitely lives up to the dream sequence promised by the title – as it features one long track that spins out in a beautiful blend of tablas, sitar, flute, percussion, violin, and Amancio's own great electric guitar! The leader crafts these trippy solos that are a bit like the work of Gabor Szabo, but even more open-ended and exotic – and the group also features some great work on sax from Alan Branscombe, plus violin from John Mayer – who'd worked on previous experiments of this nature with Joe Harriott. Despite the length of the track, the record is never over-indulgent or repetitive at all – as D'Silva constantly shifts the mood and the sounds – creating this wonderful interplay that really makes for a scenic richness throughout – an evocative journey in music that holds us completely rapt all the way through. LP, Vinyl record album

Possible matches7
CD, LP, Vinyl record album cover art
Robin Jones SevenEl Maja ... CD
Apollo Sound/Ultra Vybe (Japan), 1972. New Copy ... $26.99
A classic album of Latin grooves from the UK scene – a musical world that wasn't always a hotbed of styles in the Afro-Cuban mode, but which did have the benefit of the mighty percussionist Robin Jones! Jones was born in India, but moved to London during the same post-colonial jazz migration that brought the city key talents from the West Indies – and like Joe Harriott, Shake Keane, and others, Robin's contributions to the scene were crucial during the years he worked in a variety of different groups! This set is Jones' second as a leader – a very hip set that's all jazz all the way through – with plenty of percussion from Robin, and a combo that includes trumpet, saxes, keyboards, and vibes – all used in ways that take off from the best jazz descarga styles into a range of other modes. Titles include "El Maja", "The Wailer", "Batucada Da Vida", "Carica Papaya", "El Lobo", "Chant Afrique", and "Atlas". CD

Possible matches8
CD, LP, Vinyl record album cover art
Krzysztof KomedaAstigmatic – The Music Of Komeda ... LP
Polskie Nagrania (Poland), 1965. New Copy (reissue)... About April 15, 2021 (delayed)
Possibly the most fantastic recording ever from the greatest talent of Polish jazz! The material was recorded in 1965, in the years before Komeda followed Roman Polanski to the US to score his films like Rosemary's Baby – and it's one of the greatest modernist albums of the 60s jazz scene on either side of the Atlantic – a record we'd rank right up there with the best from Ornette Coleman, Charles Mingus, Joe Harriott, or other forward-thinking talents of the generation! The style is incredibly modernist, but with none of the over-indulgences that later plagued the Polish prog-oriented scene, and with none of the non-jazz influences that could stop a session like this dead in the water – and instead, the band grooves mightily in a blend of sharp edges and modal rhythms – a tremendous blend that makes the album as appealing to fans of more soulful jazz as it does to those looking for bold modernist statements. The quintet features 2 of Poland's other key jazz figures from the time – Tomasz Stanko on trumpet and Zbigniew Namyslowski on alto sax – and other members include Gunter Lenz on bass and Rune Carlson on drums. Titles are all Komeda originals, all nice and long – and include "Astigmatic", "Kattorna", and "Svantetic". LP, Vinyl record album

Possible matches9
CD, LP, Vinyl record album cover art
Bernie McGann1966 – Archive Series Vol 1 ... LP
Sarang Bang (New Zealand), 1966. New Copy ... $24.99 29.99
A beautiful set from the Australian jazz underground of the 60s – two never-heard live recordings by the group of altoist Bernie McGann – a player who was one of the strongest modernists working down under at the time! Bernie's got this open, soaring tone on his horn that's really wonderful – as sharp-edged as Ornette Coleman or Joe Harriott, but much more spiritual overall – set here to mostly modal rhythms, and served up with stunning trumpet work from Kim Paterson – another overlooked player from the time! Side one features a live recording from Sydney in 1966 – all original tracks, all long and very open – titled "Lazy Days", "Chuggin", and "Sky". And side two features another 1966 performance, but without piano, in a way that's even more open and freewheeling – with the trumpet and alto really taking off on a 13 minute version of Ornette Coleman's "When Will The Blues Leave" and a 9 minute take on "Rhythm A Ning". LP, Vinyl record album
(Great pressing – heavy vinyl and cover, and with a bonus insert of notes too!)

Possible matches10
CD, LP, Vinyl record album cover art
Charlie Munro QuartetEastern Horizons ... LP
Philips/Be! (Germany), 1967. New Copy (reissue)... $24.99
A totally cool little record – and one that more than lives up to the Eastern promise of its cover! The album's a real stunner from Australian reedman Charlie Munro – a beautiful mix of jazz and exotic elements, at a level that puts it up there with a rare few records that work this well – like the Indo-Jazz experiments of Joe Harriott, the earlier recordings of Ahmed Abdul Malik, and maybe the legendary Jazz Meets World series on MPS! Munro's range of influences is nicely varied here – with some elements of Indian music, others borrowed from Japan, and even some from points that are a bit more Mid-East – mostly delivered on familiar jazz instrumentation, but with very dramatic results. Charlie plays tenor, alto, soprano sax, and bass clarinet – plus a bit of flute and cello too – and the rest of the group includes Mark Bowden on drums and vibes, Neville Whitehead on bass, and Bob McIvor on trombone – an instrument that's often used in these dark, bassy tones with the rhythms. Titles include "Islamic Suite", "Arch's Groove", "Malahari Raga", "David", "Japanese Love Song", "Minimum", "When I Look At You", and "Raised Eyebrows". LP, Vinyl record album
(Limited to 500 copies.)

Possible matches11
CD, LP, Vinyl record album cover art
Stan TraceyFrom Stan With Love (With Love From Jazz/We Love You Madly) ... CD
Lansdowne/Resteamed (UK), Late 60s. New Copy 2CD ... $18.99 24.99
Two fantastic albums from the great British pianist Stan Tracey – both the kind of material that has made him one of our favorite players of that scene in the 60s! First up is With Love From Jazz – a beautifully bold statement from the Stan Tracey Quartet – one of the group's key recordings of the 60s, and a wonderful document of the talents of tenorist Bobby Wellins! During the 60s, Tracey and Wellins worked together like the team of Monk and Charlie Rouse – crafting a groove that was as soulful as it was angular – filled with feeling and life, and at once willing to explore the outer reaches of jazz, yet never going too far as to lose its humanity. Yet Wellins and Tracey were no simple Monkish pair – as heard on this set from 1967, a suite of tracks composed by Stan, and featuring him on celeste and vibes as well as his usual piano. The rhythms are increasingly complex as the set moves on – taking the angularities of Tracey's 50s work, and inflecting them with a sense of exploratory energy that really moves the style into a whole new level – one that's wonderfully dynamic, and filled with a freshness that still resonates strongly today. Titles include "Three Times Loser Three Times Bluser", "Undercover Lover", "Amoroso Only Moreso", "Two Part Intention", "Sweet Used To Be", and "Love Now Weep Later" – all of which sound much better than their hokey titles! We Love You Madly is Stan Tracey's tribute to the music of Duke Ellington – but a set that's done in a very different way than you might expect – as the music is filled with contributions from all these fantastic British modern soloists, who take things in directions that you really might not expect – as do some of the rhythms, which reflect more of Tracey's territory at times, and really keep things interesting! The set features key soloists on each track – in a lineup that includes Ian Carr on flugelhorn, Joe Harriott on alto, Tony Coe and Don Rendell on tenor, and Tracey himself on piano. Titles include the great original "We Love You Madly" – plus "Lay By", "Blues With A Feeling", "Creole Love Call", "Passion Flower", and "I'm Beginning To See The Light". CD

Possible matches12
CD, LP, Vinyl record album cover art
✨✧ VariousWest Meets East – Indian Music & Its Influence On The West (3CD set) ... CD
El (UK), Late 50s/Early 60s. New Copy 3CD ... $19.99
A really great look at the surprisingly strong influence of Indian music on Western styles in the postwar years – and a package that digs really deeply, and offers up way more than just a few classic rockers picking up a sitar! Instead, the whole thing starts years before The Beatles and contemporaries were touting the qualities of Indian music – and begins in the 50s, when modal rhythms had started to hold sway on a generation of jazz musicians, and modern composers – in part because key Indian music recordings were being issued overseas in the US too! The package spans about a decade of recordings, and interweaves jazz, classical, exotica, and other styles with original recordings of the musical styles – with a great lineup of tracks that brings together Sun Ra, Joe Harriott, Eric Doplhy, Ustad Vilayat Khan, Ravi Shankar, John Coltrane, Ali Akbar Khan, Victor Felman, Emil Richards, Bela Bartok, Les Baxter, Martin Denny, Brian Easdale, Satyajit RaySabicas, Yusef Lateef, and others! CD

Possible matches13
CD, LP, Vinyl record album cover art
✨✧ Albert MangelsdorffOne Tension ... LP
CBS/Be! (Germany), 1963. New Copy Tri-fold (reissue)... Out Of Stock
Incredible early work from one of Germany's greatest modernists – one of the key records that showed the world that German jazz was way more than just a rehashing of American modes in the postwar years! This rare 1963 recording features the quintet of trombonist Albert Mangelsdorff – a groundbreaking unit that includes tenorist Heinz Sauer, altoist Gunter Kronberg, bassist Gunter Lenz, and drummer Ralf Hubner – a fantastic combo that comes together in a stark modernist groove that's right up there with the best work of Ornette Coleman or Joe Harriott from the time – very rhythmic, in ways that offset the freedom of the horn solos beautifully – letting the saxes and trombones soar, while the bass and drums lock into a tight groove. The no-piano, three-horn frontline is incredibly strong – bracing and powerful, but never in a way that's too cold or modern, thanks to an inherent sense of soul in allt he players. Titles include "Varie", "Ballade Fur Jessica Rose", "Club Trois", "Set Em Up", and "Tension". LP, Vinyl record album
(Beautiful tri-fold cover pressing – just like the original!)

Possible matches14
CD, LP, Vinyl record album cover art
✨✧ Harold McNairAffectionate Fink ... CD
Island/Monkey Dog (Germany), 1965. New Copy ... Out Of Stock
An incredible record from reedman Harold McNair – one of the key Jamaican jazz players who hit the London scene in the same post-colonial wave as Joe Harriott and Shake Keane – and maybe our favorite of the bunch! Harold's a hell of a talent on both tenor and flute – and although he might be best known for his background work on late 60s Donovan albums, he really soars here as a soloist – working with Ornette Coleman group members David Izenzon on bass and Charles Moffett on drums – both of whom swing wonderfully in McNair's company! The album bills Izenzon and Moffett strongly on the cover – as if they're one of the main attractions – but what's most compelling is the way that McNair and pianist Alan Branscombe bring the American musicians into their own sort of groove – a modal, soulful style that's completely sublime – and which makes the album a killer all the way through. Titles include the original "Affectionate Fink" – plus great takes on "I Love You", "O Barquinho", "You Stepped Out Of A Dream", and "Here's That Rainy Day" – all soulful swingers. CD

Possible matches15
CD, LP, Vinyl record album cover art
✨✧ Harry South Big BandHarry South Songbook ... LP
1960s (UK), Late 50s/Early 60s. New Copy ... Out Of Stock
An nice array of work from British pianist/bandleader/arranger Harry South – one of the most important large group talents of the late 50s, and an artist who helped shepherd British jazz through a range of stylistic periods – from straight big band of the postwar years, to mod moments in the 60s, to even some sound library-styled work near the end of this set! The range of musicians who worked with South on these tracks is incredible – almost a who's who of British jazz – as the set features work from some of the top talents of the scene at the time – either as leaders, or as sidemen on some of the dates. Titles include "Orient Line" by Tubby Hayes, "Liggin" by Joe Harriott, Slidin" by Ronnie Ross, "Minor Incident" by Dick Morrissey, and "Signing Out", "Raga (edit)", "Storm Warning", and "The Goblin" by Harry South himself. LP, Vinyl record album
(Limited to just 100 copies in the US!)
 
Partial matches: 1
Partial matches16
CD, LP, Vinyl record album cover art
VariousKings Of Disco – Compiled By Dimitri From Paris & Joey Negro – Part A ... LP
BBE/Rapster (UK), Late 70s/Early 80s. Near Mint- 2LP ... $59.99
A motherlode of rare disco tracks – brought together by two guys who know rare disco better than most of us – Dimitri From Paris and Joey Negro! Both Dimitri and Joey have been collecting for years – turning over crates worldwide in search of rare singles and recently burning up the stratosphere of ebay with their over-the-top bids on choice bits – all the while making great club records on their own! But for this set, Dimitri and Joey have decided to put aside their collector's mentality, and bring the rare grooves to the masses – instead of back home to their collections. The set's overflowing with really great bits we've never heard before – either obscure singles from the farther ends of disco, or rarer mixes pulled from 12" singles, then re-edited for the collection by either member of the pair! Volume 1 of the vinyl version features 8 tracks on 2LPs – titles that include "It Looks Like Love (Dim's compiled edit)" by Vince Montana with Goody Goody, "Baila Conmigo/He Will Dance With Me (Dim's DJ Friendly edit)" by Capuchino, "Nuclear Night (Dim's DJ Friendly edit)" by Crystal Disco Band, "Blak Skinned Blue Eyed Boys" by Derrick Harriott, "Skate Dancer" by Vinzerelli, "Chant No 1 (US rmx)" by Spandau Ballet, "Love Fantasy" by Mighty Fire, and "Just Like A Door Knob (Joey Negro edit)" by Touche. LP, Vinyl record album
 
 
 



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