A seminal session from 70s French synth maestro Jean-Michel Jarre – his 8-part "Equinoxe" suite, a great bit of electronics that was almost France's answer to Kraftwerk at the time! Jarre's style is a bit warmer and more focused on the melody – and the range of keyboards and synthesizers used on the album create a rich tapestry of sound that almost has a soundtrack-y feel at the best moments. CD

A seminal session from 70s French synth maestro Jean-Michel Jarre – his 8-part "Equinoxe" suite, a great bit of electronics that was almost France's answer to Kraftwerk at the time! Jarre's style is a bit warmer and more focused on the melody – and the range of keyboards and synthesizers used on the album create a rich tapestry of sound that almost has a soundtrack-y feel at the best moments. LP, Vinyl record album

New re-recording by Jean Michel Jarre based on his original score – packaged with a live concert DVD CD

... CD

... CD

... LP, Vinyl record album

A really haunting bit of early electronics by Jean Michel Jarre – the soundtrack for the film Les Granges Brulees from the early 70s! The work here has a very different sound than Jarre's later music – not nearly so neat and tidy, with lots of rough edges, and shorter tunes that have a really kind of spooky, other-wordly feel. And yet despite these qualities, there's also a good degree of melody to the set – as the shorter tracks bubble forth with some great themes that sound even more enchanting in the analogue electronic mode. Titles include "L'Helicoptere", "La Chanson Des Granges Brulees", "Le Pays De Rose", "Theme De L'Argent", "Rose", "Les Granges Brulees", and "La Verite". LP, Vinyl record album

... LP, Vinyl record album

That's Miles Davis and Jeanne Moreau on the cover – and image is a perfect summation of what makes this period in film music so unique! The set brings together music from the French new wave of the late 50s and early 60s – a time when revolutionary directors were putting fresh new images on screen, and also turning to lots of new ideas for their music, too – using jazz musicians like Miles to create some of their soundtracks, and also moving past some of the more overblown orchestral styles that had dominated most of the world of film scores during the postwar years. Much of the work used by these directors was in a style that was closer to the people, and more fitting for the sorts of themes in the films – and this 3CD collection features a wonderful array of different modes from the period. Many films are included here with a few selections from their famous soundtracks – and the 3CD package includes work from Tires Sur Le Pianiste (Shoot The Piano Player) by Georges Delerue, A Bout De Souffle (Breathless) by Marial Solal, L'Eau A La Bouche by Serge Gainsbourg, A Double Tour by Paul Misraki, Les Liaisons Dangereuxes by Art Blakey with Barney Wilen, La Tete Contre Les Murs by Maurice Jarre, Le Bel Age by Georges Delerue, Les Bonnes Femmes by Paul Misraki, Jules Et Jim by Georges Delerue, Lola by Michel Legrand, Les 400 Coups (400 Blows) by Jean Constantin, Une Femme Est Une Femme by Michel Legrand, Zazi Dans Le Metro by Fiorenzo Carpi, Ascenseur Pour L'Echafaud by Miles Davis, and Cleo De 5 A 7 by Michel Legrand. CD