Sun Ra left the planet a few decades ago, but his Arkestra has been going strong – really carrying the torch that the great one kept burning – and stepping out here in their first studio album in 20 years! The record is really something special – that core Sun Ra spirit, but taken in righteous territory that shows just how much the group has evolved in his absence – still with alto saxophonist Marshall Allen as the leader, but a combination of classic Arkestra members and younger musicians who have really helped continue that legacy of mentorship and spiritual exploration that was always the greater mission of the ensemble. The production is great – never too commercial, and handled brilliantly to capture the spirit of the group at their most expressive – with a lineup that also features Knoel Scott on alto, James Stewart on tenor and flute, Michael Ray and Cecil Brooks on trumpets, Vincent Chancey on French horn, Farid Barron on piano, Dave Hotep on guitar, Akatunde and Elso Nascimento on percussion, and Tara Middleton on vocals and violin. Titles include "Sea Of Darkness/Darkness", "Swirling", "Seductive Fantasy", "Sunology", "Door Of The Cosmos/Shy", "Satellites Are Spinning/Lights On A Satellite", "Infinity/I'll Wait For You", and "Angels & Demons At Play". CD

Wynton Marsalis, Marcus Printup, Riley Mullins, Roger Ingram, Russell Gunn, Ryan Kisor, and Seneca Black on trumpet, Wess Anderson on clarinet, alto and soprano saxophone, James Carter on clarinet, bass clarinet, and baritone saxophone, Victor Goines on clarinet, tenor and soprano saxophone and bass clarinet, Walter Blanding on soprano saxophone, Robert Stewart on tenor saxophone, Ron Westray and Wayne Goodman on trombone, Wycliffe Gordon on trombone and tuba, Michael Ward on violin, Eric Reed on piano, Reginald Veal on bass, and Herlin Riley on drums and tambourine with vocals from Cassandra Wilson, Jon Hendricks, and Miles Griffith. CD

Rare rockers, early soul, and cool classic country – all the sorts of cuts you'd expect to hear from the mighty Bear Family Records label – but brought together here with school and the classrooms as the theme! A few of the cuts are familiar, but most are nice and obscure – in keeping with the well-chosen tracks we always discover on Bear Family – all presented with very detailed notes and vintage images too! Titles include "School Bus" by The Shades, "High School USA" by Tommy Facenda, "I Wanna Dance With The Teacher" by The Olympics, "Letter To A School Girl" by The Delcados, "The Teacher" by The Falcons, "High School Love" by Ronnie Allen, "School Girl" by The Winstons, "School House Rock" by Billy Harlan, "Talk Of The School" by Sonny James, "School Bus Love Affair" by Wynn Stewart, and "School Girl" by the 5 Royales. 34 tracks in all! CD

One of our favorite albums from Lester Bowie's big solo run of the 80s – and a set that has some of the more dynamic energy of his Brass Fantasy group, but maybe also a bit more depth as well! The album's part of a handful that the Art Ensemble Of Chicago did with the DIW label at the time – and the AEOC production maybe gives the record a slightly more serious sound – even though the group still take on material from James Brown, Sade, and EU! Yet there's also two Billie Holiday tributes that are surprisingly powerful, and a stunning version of Roland Kirk's "The Inflated Tear" – with a strong trombone solo from Steve Turre, who worked with Kirk in later years, and always championed his work. The lineup features Bowie, Stanton Davis, EJ Allen, and Gerald Brezel on trumpets; Turre and Frank Lacy on trombones; Vincent Chancey on French horn; and Bob Stewart on tuba – plus drums and percussion from Don Moye, Ken Cruchfield, and Vinnie Johnson. Titles include "Inflated Tear", "Smooth Operator", "Strange Fruit", "Don't Worry Be Happy", "Papa's Got A Brand New Bag", and "Da Butt". CD

A stunning Columbia Records debut from Arthur Blythe – recorded at a time when the label was really sinking its teeth back into quality jazz, and helping artists like Arthur get some great new exposure! At the time of the date, Blythe had already spent years working in the jazz undergrounds on both coasts – developing a searing sound on alto sax that's perfect for the focused structure of this album – almost a tone poem of sorts, offering up a portrait of the Harlem scene that was a key part of Arthur's life at the time. The sounds are sharp, but also have a sense of energy that really holds them together – guiding the players through long readings of well-penned tunes by Blythe that are filled with loads of energy and life! Players include James Newton on flute, James Blood Ulmer on guitar, Bob Stewart on tuba, Cecil McBee on bass, Jack DeJohnette on drums, and Guillermo Franco on percussion – and titles include "Odessa", "Slidin Through", "Down San Diego Way", and "Lenox Avenue Breakdown". LP, Vinyl record album

Features Pat Martino on guitar, Bob Kenmotsu on tenor, James Ridl on piano, Marc Johnson on bass, and Bill Stewart on drums. CD

A really great look at a special side of the Chess Records soul catalog of the 60s – tracks that were very big on Chicago airwaves in the label's home town, yet which hardly got much play at all in the rest of the country! The collection's put together by Robert Pruter – the man who (literally) wrote the book on Chicago soul – and it's a wonderful portrait of soul in the Windy City of the 60s, with strands of music that nicely differ from the overplayed hits in later years. The collection also stands as a super-strong tribute to the never-ending genius of Chess Records – a label that never seems to let us down whenever we uncover a soul single we've never heard before! Titles include "Shy Guy" by The Radiants, "No Faith No Love" by Mitty Collier, "I Can't Help Myself" by The Gems, "Love Is A 5 Letter Word" by James Phelps, "A Thousand Miles Away" by Jo Ann Garrett, "Selfish One" by Jackie Ross, "Strange Feeling" by Billy Stewart, "The Creeper" by Freddy Robinson, "Peak Of Love" by Bobby McClure, "Lonely Girl" by Andrea Davis, "This Heart Of Mine" by Tony Clarke, "Bossa Nova Bird" by The Dells, and "Only Time Will Tell" by Etta James. CD

Maybe the boldest of Arthur Blythe's albums for Columbia Records – as the set bristles with newly creative energy right from the start, and provides a great showcase for some of the criss-crossings of styles and rhythms that were taking place on the New York scene at the time! The lineup alone announces something special – a cool combination of James Blood Ulmer on guitar, John Hicks on piano, Fred Hopkins on bass, Abdul Wadud on cello, Bob Stewart on tuba, and Steve McCall on drums – working together in some slight variations at times, often with these angular edges that are perfectly sharpened by Arthur's amazing work on alto sax. The music's never too free, but quite outside for a major label at the time – balanced out so that it's never overindulgent at all. Titles include "Bush Baby", "Miss Nancy", "My Son Ra", and "Carespin With Mamie". LP, Vinyl record album

Four great albums from reedman Arthur Blythe – all together in one collection! First up is Lenox Avenue Breakdown – a stunning Columbia Records debut from Blythe! At the time of the date, Blythe had already spent years working in the jazz undergrounds on both coasts – developing a searing sound on alto sax that's perfect for the focused structure of this album – almost a tone poem of sorts, offering up a portrait of the Harlem scene that was a key part of Arthur's life at the time. The sounds are sharp, but also have a sense of energy that really holds them together – guiding the players through long readings of well-penned tunes by Blythe that are filled with loads of energy and life! Players include James Newton on flute, James Blood Ulmer on guitar, Bob Stewart on tuba, Cecil McBee on bass, Jack DeJohnette on drums, and Guillermo Franco on percussion – and titles include "Odessa", "Slidin Through", "Down San Diego Way", and "Lenox Avenue Breakdown". In The Tradition is a gem – as the set represents the modern musician taking on a host of older jazz currents, while carving things out with his own special sort of soul! Half the tunes are familiar favorites, the other half originals – and Blythe moves far past his avant roots, to showcase his deep understanding of so many different shades of jazz – blowing alto beautifully throughout, in a very hip quartet that features Stanley Cowell on piano, Fred Hopkins on bass, and Steve McCall on drums! Titles include great takes on "Naima", "Jitterbug Waltz", "Caravan", and "In A Sentimental Mood" – plus the originals "Break Tune" and "Hip Dipper". Illusions is maybe the boldest of Arthur Blythe's albums for Columbia Records – as the set bristles with newly creative energy right from the start, and provides a great showcase for some of the criss-crossings of styles and rhythms that were taking place on the New York scene at the time! The lineup alone announces something special – a cool combination of James Blood Ulmer on guitar, John Hicks on piano, Fred Hopkins on bass, Abdul Wadud on cello, Bob Stewart on tuba, and Steve McCall on drums – working together in some slight variations at times, often with these angular edges that are perfectly sharpened by Arthur's amazing work on alto sax. The music's never too free, but quite outside for a major label at the time – balanced out so that it's never overindulgent at all. Titles include "Bush Baby", "Miss Nancy", "My Son Ra", and "Carespin With Mamie". Blythe Spirit is a set that showcases the never-ending growth and imagination of reedman Arthur Blythe during this fruitful period of his career – and his ability to effortlessly blend together different elements in his music – especially sides of the New York loft jazz scene, and the Chicago-based AACM! The tunes are beautiful – mostly originals, and showing a richer spirituality than even a year before – while still working in that compellingly rhythmic mode that Arthur was hitting during these years – in a lineup that features Blythe on alto, Abdul Wadud on cello, Kelvyn Bell on guitar, Steve McCall and Bobby Battle on drums, John Hicks on piano, Amina Claudine Myers on organ, and Fred Hopkins on bass. The mix of electric and acoustic elements is fantastic – very fresh, even all these many years later – and titles include "Misty", "Spirits In The Field", "Just A Closer Walk With Thee", "Reverence", and "Contemplation". CD

Music from Etta James, Sugar Pie DeSanto, Betty Everett, Little Milton, Bo Diddley, Howlin' Wolf, Buddy Guy, Dr. Feelgood & The Interns, Dave "Baby" Cortez, Billy Stewart, and more – 60 tracks in all. CD

Music from Marvin Gaye & Tammi Terrell, Al Green, James Brown, The Temptations, Smokey Robinson & The Miracles, Billy Paul, Four Tops, The Impressions, Jerry Butler, Billy Stewart, Robert Knight, Gladys Knight And The Pips, Lee Dorsey, and more. CD

Four great albums from reedman Arthur Blythe – all together in one collection! First up is Lenox Avenue Breakdown – a stunning Columbia Records debut from Blythe! At the time of the date, Blythe had already spent years working in the jazz undergrounds on both coasts – developing a searing sound on alto sax that's perfect for the focused structure of this album – almost a tone poem of sorts, offering up a portrait of the Harlem scene that was a key part of Arthur's life at the time. The sounds are sharp, but also have a sense of energy that really holds them together – guiding the players through long readings of well-penned tunes by Blythe that are filled with loads of energy and life! Players include James Newton on flute, James Blood Ulmer on guitar, Bob Stewart on tuba, Cecil McBee on bass, Jack DeJohnette on drums, and Guillermo Franco on percussion – and titles include "Odessa", "Slidin Through", "Down San Diego Way", and "Lenox Avenue Breakdown". In The Tradition is a gem – as the set represents the modern musician taking on a host of older jazz currents, while carving things out with his own special sort of soul! Half the tunes are familiar favorites, the other half originals – and Blythe moves far past his avant roots, to showcase his deep understanding of so many different shades of jazz – blowing alto beautifully throughout, in a very hip quartet that features Stanley Cowell on piano, Fred Hopkins on bass, and Steve McCall on drums! Titles include great takes on "Naima", "Jitterbug Waltz", "Caravan", and "In A Sentimental Mood" – plus the originals "Break Tune" and "Hip Dipper". Illusions is maybe the boldest of Arthur Blythe's albums for Columbia Records – as the set bristles with newly creative energy right from the start, and provides a great showcase for some of the criss-crossings of styles and rhythms that were taking place on the New York scene at the time! The lineup alone announces something special – a cool combination of James Blood Ulmer on guitar, John Hicks on piano, Fred Hopkins on bass, Abdul Wadud on cello, Bob Stewart on tuba, and Steve McCall on drums – working together in some slight variations at times, often with these angular edges that are perfectly sharpened by Arthur's amazing work on alto sax. The music's never too free, but quite outside for a major label at the time – balanced out so that it's never overindulgent at all. Titles include "Bush Baby", "Miss Nancy", "My Son Ra", and "Carespin With Mamie". Blythe Spirit is a set that showcases the never-ending growth and imagination of reedman Arthur Blythe during this fruitful period of his career – and his ability to effortlessly blend together different elements in his music – especially sides of the New York loft jazz scene, and the Chicago-based AACM! The tunes are beautiful – mostly originals, and showing a richer spirituality than even a year before – while still working in that compellingly rhythmic mode that Arthur was hitting during these years – in a lineup that features Blythe on alto, Abdul Wadud on cello, Kelvyn Bell on guitar, Steve McCall and Bobby Battle on drums, John Hicks on piano, Amina Claudine Myers on organ, and Fred Hopkins on bass. The mix of electric and acoustic elements is fantastic – very fresh, even all these many years later – and titles include "Misty", "Spirits In The Field", "Just A Closer Walk With Thee", "Reverence", and "Contemplation". CD

With Yusef Ali, Joey Baron, Tyrone Brown, Richard Davis, Ralph Dorsey, Sherman Ferguson, Gil Goldstein, Eddie Green, Jabali Billy Hart, Billy Higgins, Marc Johnson, Bob Kenmotsu, Steve LaSpina, Jimmy Lewis, James Ridl, Bobby Rose, Bill Stewart, Ron Thomas and Carl Wilson, CD

A full length Riverside album that brings together two different sessions from the 78rpm years! Side one features trombonist Jack Teagarden working with an octet that also includes Rex Stewart on cornet, Ben Webster on tenor, and Barney Bigard on clarinet – and side two features clarinet genius Pee Wee Russell working with Freddie Green on guitar, Max Kaminsky on trumpet, Al Gold on tenor, James P Johnson on piano, and Dicky Wells on trombone! CD

A full length Riverside album that brings together two different sessions from the 78rpm years! Side one features trombonist Jack Teagarden working with an octet that also includes Rex Stewart on cornet, Ben Webster on tenor, and Barney Bigard on clarinet – and side two features clarinet genius Pee Wee Russell working with Freddie Green on guitar, Max Kaminsky on trumpet, Al Gold on tenor, James P Johnson on piano, and Dicky Wells on trombone! LP, Vinyl record album

Ryan Kisor on trumpet, Grant Stewart on tenor sax, Sam Yahel on piano, James Genus on bass, and Victor Lewis on drums. CD

Uri Caine on Hammond organ, Forte piano, harpsichord, and keyboards, Greg Osby on alto saxophone, Don Byron on clarinet, Josh Roseman on trombone, Ralph Alessi and Paul Plunkett on trumpet, Bob Stewart on tuba, Arno Jochem on viola da gamba, Annegret Siedel on violin, Reggie Washington on electric bass, Drew Gress, James Genus, and Reid Anderson on bass, Ralph Peterson on drums, vocals from Davis Moss with the Kettwiger Bach Ensemble choir, Kettwinger Bach Ensemble, the Koln String Quartet, and Quartetto Italiano. CD

A record as unique as its title – a set led by saxophonist Devin Brahja Waldman, but done with a soaring ensemble spirit that takes us back to 70s material by Eddie Gale or The Descendants Of Mike & Phoebe! Part of the record's charm is the presence of vocals from Janice Lowe – a singer who rises and falls with the pulsating rhythms of the record, which get a lot of inspiration from the basswork of Luke Stewart, who's got a very spiritual vibe here. The lineup also includes tenor from James Brandon Lewis, who's as powerful here as on any of his dates as a leader – and additional elements include flute, bass clarinet, piano, trumpet, and drums – working in well-crafted arrangements by Brahja, filled with spirit and soul. Titles include "Accessibility Of Soul", "Sorcery Of Terminology", "Querencia", and "Watermelancholia". LP, Vinyl record album

The seminal first album from Egg – a legendary trio that featured a young Dave Stewart on organ, piano, and tone generator – and a key force in the Brit jazz rock scene of the early 70s! The album's sound is especially noteworthy in that there's really no guitar at all in the group – just bass, drums, and keyboards – plus vocals from Mont Campbell, in a dark, spacey sort of mode. The titles give a good feel of the spiralling depth of the album – and include "While Growing My Hair", "They Laughed When I Sat Down At The Piano", and "The Song Of McGillicudie The Pusillanimous Or Don't Worry James Your Socks Are Hanging In The Coal Cellar With Thomas". The second side of the album features the extended "Symphony No 2" – broken into movements 1, 2, and 3 – plus the more improvisational "Blane". LP, Vinyl record album

A dozen tracks from Billy Stewart, Little Walter, Lowell Fulson, Larry Williams, Eddie Boyd, Willie Mabon & His Combo, Betty James, Muddy Waters, TV Slim, Memphis Slim & The House Rockers, and John Lee Hooker. CD