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Horace Tapscott Edit search Phrase match

 
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Exact matches: 16
Exact matches1
CD, LP, Vinyl record album cover art
Horace TapscottAncestral Echoes – The Covina Sessions 1976 ... CD
Dark Tree (France), 1976. New Copy ... About August 1, 2020 (delayed)
... CD

Exact matches2
CD, LP, Vinyl record album cover art
Horace TapscottDissent Or Descent ... CD
Nimbus, Early 80s. New Copy ... $9.99
One of the best trio sessions we've ever heard from Horace Tapscott – warmer and a bit more soulful than some of his other sides of this nature, and played with a well-rounded style that really hits home! The group features great drum work from Ben Riley, and bass by Fred Hopkins – and the set list includes some of Tapscott's excellent original compositions, the kind of blocky, searching tunes that have always made his writing a favorite of ours. Titles include "Sandy & Niles", "As A Child", "To The Great House", and "Chico's Back In Town". CD

Exact matches3
CD, LP, Vinyl record album cover art
Horace TapscottGiant Is Awakened ... LP
Flying Dutchman/Real Gone, 1969. New Copy (reissue)... On August 21, 2020
An incredible album – one of the few rare early sides cut by pianist Horace Tapscott, a seminal figure in the LA underground of the 60s and 70s! The record is as pure Tapscott as you could ever get – experimental, but not too free; spiritual, but never too sappy; progressively political, but never overwrought – and Tapscott is playing with a strong quintet that includes Black Arthur Blythe on alto, David Bryant and Walter Savage on bass, and Everett Brown on drums. The lineup is great – and Blythe is a real revelation, with a tone and style that's different than some of his later work, but equally soulful – and the use of two basses makes for some wonderful rhythmic elements that really drive the modal energy of the music. The set includes an important early version of "The Dark Tree" – a modal groover that's one of Tapscott's lasting legacies – plus the tunes "Niger's Theme", "For Fats", and "The Giant Is Awakened". LP, Vinyl record album

Exact matches4
CD, LP, Vinyl record album cover art
Horace TapscottLighthouse 79 – Vol 2 ... CD
Nimbus, 1979. New Copy ... $9.99
A second unearthed gem from pianist Horace Tapscott at the Lighthouse club in 1979 – very sharp stuff featuring a solid group of Nimbus players! Volume 2 was recorded on October 11, appropriately the night after the set featured on Lighthouse 79 Vol 1, with Tapscott leading the way, and setting up a groove with on the piano, while the group pounces when ready The players are Reggie Bullen on trumpet, Gary Bias on alto, Roberto Miranda and David Bryant on bass, and George Goldsmith on drums. It's an impeccable balance of subtle, slow building melodicism and sharp, emphatic group play & soloing! Totally great stuff, and absolutely worth a second helping. Titles include "Acirfa", "Niger's Theme", the epic "Stella By Starlight", "Lush Life" (at 6+ minutes, the only number in the set that runs less than 10 minutes) and "Inspiration Of Silence". CD
(Packaged in a slim cardboard sleeve.)

Exact matches5
CD, LP, Vinyl record album cover art
Horace TapscottLive At Lobero Vol 1 (180 gram pressing) ... LP
Nimbus/Pure Pleasure (UK), 1981. New Copy (reissue)... $34.99 44.99
A strong trio session from Horace Tapscott – recorded in Santa Barbara in 1981, with a trio that features Sonship on percussion and the great Roberto Miranda on bass! Miranda's tone is round and warm, and brings out some of the most soulful sides of Tapscott's playing – even when he's getting a bit free on the keys, which he does on the album's longer tracks. The album features a great 21 minute reading of Tapscott's perennial favorite "The Dark Tree" – done with a great throbbing bassline – plus the tracks "Raisha's New Hip Dance" and "Sketches Of Drunken Mary". LP, Vinyl record album
(Limited edition!)

Exact matches6
CD, LP, Vinyl record album cover art
Horace Tapscott & The Pan Afrikan Peoples ArkestraCall ... CD
Nimbus, 1978. New Copy ... $9.99
Large-group genius from the legendary Horace Tapscott – one of the few recordings of his groundbreaking Pan Afrikan Peoples Arkestra! The music here is totally righteous right from the start – even more searching and soaring than Tapscott's trio or solo work – thanks to help from some of the hippest, most spiritual players on the LA scene of the late 70s – a lineup you'll recognize from other Nimbus Records sessions, all working together beautifully to realize the unique vision of Horace! Tracks are long, and feature Tapscott on piano, Jesse Sharps on saxes, Adele Sebastian on flute and vocals, Herbert Callies on alto, James Andrews on tenor, Lester Robertson on trombone, Kafi Larry Roberts on soprano, and Linda Hill on additional piano – all working together perfectly as a unified ensemble. There's a strong Strata East vibe to the whole record – and titles include "The Call", "Nakatini Suite", "Quagmire Manor At Five AM", and "Peyote Song III". CD

Exact matches7
CD, LP, Vinyl record album cover art
Horace Tapscott & The Pan Afrikan Peoples ArkestraWhy Don't You Listen – Live At LACMA 1998 (180 gram pressing) ... LP
Dark Tree (France), 1998. New Copy ... $29.99
An amazing record from pianist Horace Tapscott – maybe one of his most ambitious projects ever, and a set that stands head and shoulders next to his classic work for the Nimbus label! As with some of those records, this set features his large Pan Afrikan Peoples Arkestra – performing live at LACMA in 1998, and also augmented by a vocal choir at times – working with a sense of pride and power that's very much in the best 70s spiritual jazz mode! We honestly didn't know that Tapscott had continued the group this far into the 90s – we've only heard them on record up through the early 80s – and the lineup really represents the maturing vision of the music, with some especially great work from Tapscott on piano, Phil Ranelin on trombone, and Michael Session on soprano, alto, and tenor – plus lead vocals from the mighty Dwight Trible. Titles include "Fela Fela" and "Why Don't You Listen". LP, Vinyl record album

Exact matches8
CD, LP, Vinyl record album cover art
Horace Tapscott/Pan Afrikan Peoples ArkestraFlight 17 ... CD
Nimbus, 1978. New Copy ... $9.99
One of the most ambitious albums ever from pianist Horace Tapscott – a double-length set that has him working with a large lineup of underground musicians from the 70s Los Angeles scene – all united in spirit and power as the Pan-African Peoples Arkestra! Tapscott's piano directs the group strongly – as an extension of the vision that he brought to the late 60s Sonny's Dream album by Sonny Criss – but the music is freer, more spiritual, and often graced with bursts of ensemble energy, balanced by some really tremendous solos from other musicians too! The lineup includes some other key members of the Nimbus Records collective – including Jesse Sharps on saxes and flute, Linda Hill on piano, Adele Sebastian on flute, and Roberto Miranda on bass – and other players include James Andrews and Sabia Matteen on tenor, Archie Johnson and Lester Robertson on trombone, Billy Harris on soprano, Herbert Callies on alto clarinet, and Michael Session on alto. Titles include "Flight 17", "Breeze", "Horacio", "Clarice", and "Maui". CD

Exact matches9
CD, LP, Vinyl record album cover art
✨✧ Horace TapscottGiant Is Awakened ... CD
Flying Dutchman/Ultra Vybe (Japan), 1969. New Copy ... Temporarily Out Of Stock
An incredible album – one of the few rare early sides cut by pianist Horace Tapscott, a seminal figure in the LA underground of the 60s and 70s! The record is as pure Tapscott as you could ever get – experimental, but not too free; spiritual, but never too sappy; progressively political, but never overwrought – and Tapscott is playing with a strong quintet that includes Black Arthur Blythe on alto, David Bryant and Walter Savage on bass, and Everett Brown on drums. The lineup is great – and Blythe is a real revelation, with a tone and style that's different than some of his later work, but equally soulful – and the use of two basses makes for some wonderful rhythmic elements that really drive the modal energy of the music. The set includes an important early version of "The Dark Tree" – a modal groover that's one of Tapscott's lasting legacies – plus the tunes "Niger's Theme", "For Fats", and "The Giant Is Awakened". CD

Exact matches10
CD, LP, Vinyl record album cover art
✨✧ Horace Tapscott & The Pan Afrikan Peoples ArkestraWhy Don't You Listen – Live At LACMA 1998 ... CD
Dark Tree (France), 1998. New Copy ... Temporarily Out Of Stock
An amazing record from pianist Horace Tapscott – maybe one of his most ambitious projects ever, and a set that stands head and shoulders next to his classic work for the Nimbus label! As with some of those records, this set features his large Pan Afrikan Peoples Arkestra – performing live at LACMA in 1998, and also augmented by a vocal choir at times – working with a sense of pride and power that's very much in the best 70s spiritual jazz mode! We honestly didn't know that Tapscott had continued the group this far into the 90s – we've only heard them on record up through the early 80s – and the lineup really represents the maturing vision of the music, with some especially great work from Tapscott on piano, Phil Ranelin on trombone, and Michael Session on soprano, alto, and tenor – plus lead vocals from the mighty Dwight Trible. Titles include "Aiee The Phantom", "Fela Fela", "Listen Africa", "Caravan", and "Why Don't You Listen". CD

Exact matches11
CD, LP, Vinyl record album cover art
✨✧ Horace Tapscott w/ Pan Afrikan People's ArkestraLive At IUCC (2CD set) ... CD
Nimbus, 1979. New Copy 2CDs ... Temporarily Out Of Stock
An excellent double-length set from Horace Tapscott's Pan-Afrikan Peoples Arkestra – an extremely righteous ensemble that was one of the hippest things going on the LA jazz scene of the 70s! The vibe is free and spiritual, but it also has a wonderful groove pulsating underneath many of the tracks – that heir to the Impulse Records style that Tapscott and other Nimbus Records artists carried on well into the early 80s. The group here features some of Tapscott's Nimbus labelmates – including Sabir Matteen and Billy Harris on tenor saxes, Linda Hill on piano, Adele Sebastian on flute, Roberto Miranda on bass, and Jesse Sharps on soprano sax – and in a way, the album's almost a live summation of all the mighty talents brewing on the Nimbus label at the time! Tracks are all quite long, and titles include a great version of Sebastian's "Desert Fairy Princess", plus "Macrame", "Future Sally's Time", "Noissessprahs", "Village Dance", "LTT", and "Lift Every Voice". CD

Exact matches12
CD, LP, Vinyl record album cover art
✨✧ Horace Tapscott/Pan Afrikan Peoples ArkestraFlight 17 (with bonus tracks) ... LP
Nimbus/Outernational (UK), 1978. New Copy 2LP Gatefold (reissue)... Temporarily Out Of Stock
One of the most ambitious albums ever from pianist Horace Tapscott – a double-length set that has him working with a large lineup of underground musicians from the 70s Los Angeles scene – all united in spirit and power as the Pan-African Peoples Arkestra! Tapscott's piano directs the group strongly – as an extension of the vision that he brought to the late 60s Sonny's Dream album by Sonny Criss – but the music is freer, more spiritual, and often graced with bursts of ensemble energy, balanced by some really tremendous solos from other musicians too! The lineup includes some other key members of the Nimbus Records collective – including Jesse Sharps on saxes and flute, Linda Hill on piano, Adele Sebastian on flute, and Roberto Miranda on bass – and other players include James Andrews and Sabia Matteen on tenor, Archie Johnson and Lester Robertson on trombone, Billy Harris on soprano, Herbert Callies on alto clarinet, and Michael Session on alto. Titles include "Flight 17", "Breeze", "Horacio", "Clarice", and "Maui". This 2LP version features bonus material too – a great "Coltrane Medley", plus "Village Dance Revisited". LP, Vinyl record album

Exact matches13
CD, LP, Vinyl record album cover art
✨✧ Horace TapscottDial B For Barbra ... CD
Nimbus, 1983. New Copy ... Out Of Stock
A great group recording from pianist Horace Tapscott – recorded in LA in the early 80s, but done with all the righteousness and spirituality of his earlier albums! Tracks are long and exploratory, but also relatively lyrical too – stretching out with a style that's never too "outside", and which has Horace and the group really soaring to the heavens on the best moments! The group here is a sextet – with the great Gary Bias on alto and soprano saxophone, plus Sabir Matteen on tenor, Reggie Bullen on trumpet, Roberto Miguel Miranda on bass, and Everett Brown on drums and percussion – all working with a cohesiveness that reminds us of some of Tapscott's larger group recordings, but with a cleaner, leaner kind of feel. Titles include "Lately's Solo", "Dial B For Barbara", and "Dem Folks". CD

Exact matches14
CD, LP, Vinyl record album cover art
✨✧ Horace TapscottLighthouse 79 – Vol 1 ... CD
Nimbus, 1979. New Copy ... Out Of Stock
A lost treasure from pianist Horace Tapscott – material recorded live at the legendary Lighthouse club, done with a very hip group of players from the Nimbus Records scene! The tracks are quite long throughout – and often start with Tapscott musing into the groove with solo piano, soon joined by group members who include Reggie Bullen on trumpet, Gary Bias on alto sax, Roberto Miranda and David Bryant on bass, and George Goldsmith on drums. Tapscott's piano has plenty of sharp edges throughout, but these introductory moments also show his more contemplative side as well – making the long tracks a wonderfully rich portrait of his musical talents. Titles include "Acirfa", "Dem Folks", "I Remember Clifford", "Leland's Song", and a shorter take on "Acirfa". CD
(Packaged in a slim cardboard sleeve.)

Exact matches15
CD, LP, Vinyl record album cover art
✨✧ Horace TapscottLive At Lobero Vol 1 (plus bonus track) ... CD
Nimbus, 1981. New Copy ... Out Of Stock
A strong trio session from Horace Tapscott – recorded in Santa Barbara in 1981, with a trio that features Sonship on percussion and the great Roberto Miranda on bass! Miranda's tone is round and warm, and brings out some of the most soulful sides of Tapscott's playing – even when he's getting a bit free on the keys, which he does on the album's longer tracks. The album features a great 21 minute reading of Tapscott's perennial favorite "The Dark Tree" – done with a great throbbing bassline – plus the tracks "Raisha's New Hip Dance" and "Sketches Of Drunken Mary". CD also features the bonus track "Inception" – a full 29 minutes worth of extra music! CD

Exact matches16
CD, LP, Vinyl record album cover art
✨✧ Horace Tapscott w/ Pan Afrikan People's ArkestraLive At IUCC (3LP 180 gram pressing) ... LP
Nimbus/Outernational (UK), 1979. New Copy 3LP (reissue)... Out Of Stock
An excellent double-length set from Horace Tapscott's Pan-Afrikan Peoples Arkestra – an extremely righteous ensemble that was one of the hippest things going on the LA jazz scene of the 70s! The vibe is free and spiritual, but it also has a wonderful groove pulsating underneath many of the tracks – that heir to the Impulse Records style that Tapscott and other Nimbus Records artists carried on well into the early 80s. The group here features some of Tapscott's Nimbus labelmates – including Sabir Matteen and Billy Harris on tenor saxes, Linda Hill on piano, Adele Sebastian on flute, Roberto Miranda on bass, and Jesse Sharps on soprano sax – and in a way, the album's almost a live summation of all the mighty talents brewing on the Nimbus label at the time! Tracks are all quite long, and titles include a great version of Sebastian's "Desert Fairy Princess", plus "Macrame", "Future Sally's Time", "Noissessprahs", "Village Dance", "LTT", and "Lift Every Voice". LP, Vinyl record album
(Please Note – This latest batch has a slightly dinged upper corner due to shipping.)
 
Possible matches: 12
Possible matches17
CD, LP, Vinyl record album cover art
LightmenFree As You Wanna Be (with bonus tracks) ... CD
Judnell/Now Again, 1970. New Copy 2CD ... $6.99 15.98
A record that definitely lives up to its title – as it's a lot freer and more spiritual than later work from drummer Bubbha Thomas and his Lightmen group! This set perfectly captures the unique vibe that the ensemble brought to the Houston scene at the start of the 70s – really the same sort of new jazz freedom explored by artists like Horace Tapscott in LA, or the AACM in Chicago – performed by a generation of musicians who might have been more straight ahead a few years before – but who really take off here in the new energy of the post-Coltrane years! Most numbers are still pretty rhythmic, and have a unified core – but some of the performances are even more outside than you'd know from later Lightmen records – showing a strong avant jazz pedigree for the members of the group. The lineup here features a very young Ronnie Laws on alto, soprano sax, and flute – sounding quite different than his jazz fusion work of the late 70s – and in addition to Thomas on drums, other players include Doug Harris on tenor, Carl Adams on trumpet, Kenny Abair on guitar, and Joe Singleton on trombone. Titles include "Creative Music", "Free As You Wanna Be", "May 67", "Luke 23:32-49", "#109 Psychosomatic", and "Talk Visit". Plus, this 2CD version features unreleased extended mono mixes – and a great booklet of notes! CD
Also available Free As You Wanna Be (with bonus tracks, booklet, & bonus download) ... LP 20.99

Possible matches18
CD, LP, Vinyl record album cover art
LightmenFree As You Wanna Be (with bonus tracks, booklet, & bonus download) ... LP
Judnell/Now Again, 1970. New Copy 2LP ... $20.99 25.98
A record that definitely lives up to its title – as it's a lot freer and more spiritual than later work from drummer Bubbha Thomas and his Lightmen group! This set perfectly captures the unique vibe that the ensemble brought to the Houston scene at the start of the 70s – really the same sort of new jazz freedom explored by artists like Horace Tapscott in LA, or the AACM in Chicago – performed by a generation of musicians who might have been more straight ahead a few years before – but who really take off here in the new energy of the post-Coltrane years! Most numbers are still pretty rhythmic, and have a unified core – but some of the performances are even more outside than you'd know from later Lightmen records – showing a strong avant jazz pedigree for the members of the group. The lineup here features a very young Ronnie Laws on alto, soprano sax, and flute – sounding quite different than his jazz fusion work of the late 70s – and in addition to Thomas on drums, other players include Doug Harris on tenor, Carl Adams on trumpet, Kenny Abair on guitar, and Joe Singleton on trombone. Titles include "Creative Music", "Free As You Wanna Be", "May 67", "Luke 23:32-49", "#109 Psychosomatic", and "Talk Visit". Plus, this 2LP version features unreleased extended mono mixes – and a great booklet of notes! LP, Vinyl record album
(Includes download!)
Also available Free As You Wanna Be (with bonus tracks) ... CD 6.99

Possible matches19
CD, LP, Vinyl record album cover art
Dwight TribleMothership ... LP
Gearbox (UK), 2019. New Copy 2LP ... $16.99 27.99
One of the most amazing jazz vocalists of our generation returns here with an incredible group – a majestic combo to match all the spiritual inclinations in his music – with work from Kamasi Washington on tenor, Mark De Clive-Lowe on piano, Miguel Atwood Ferguson on viola, and both Carlos Nino and Derf Reklaw on percussion! Dwight Trible on his own is already more than enough to get us to run out and buy a record – but here, the combination of his unique voice with these musicians makes for an album that's an instant masterpiece – and one that even has lots of new colors and styles compared to some of Dwight's previous work! Songs include numbers by older west coast spiritual jazz heavyweights – like Horace Tapscott, Linda Hill, Nate Morgan, James Leary, and Jesse Sharps – mixed with some of Trible's own songs, and versions of work by Carmen Lundy, Oscar Brown Jr, and Donny Hathaway. From top to bottom, start to stop, the album's a treasure – with tracks that include "It's All About Love", "Thank You Master", "Song For My Mother", "Brother Where Are You", "Some Other Time", "These Things You Are To Me", "Desert Fairy Princess", and "Mothership". LP, Vinyl record album

Possible matches20
CD, LP, Vinyl record album cover art
✨✧ Lou BlackburnComplete Imperial Sessions (Jazz Frontier/Two Note Samba) ... CD
Imperial, 1963. Used ... Temporarily Out Of Stock
Pure genius from the hipper side of the LA scene – 2 rare early sessions from trombonist Lou Blackburn, both cut in collaboration with a young Horace Tapscott! The style here is quite hard to peg – a unique blend of soul jazz and modernism – handled with a key focus on unusual rhythms and timings. Blackburn's work on trombone is nicely matched with trumpet by Freddie Hill in the frontline – and the pair work together perfectly in a recasting of some of the modes explored by both instruments in the more mainstream side of the LA scene of the 50s. Tapscott's piano is not nearly as unbridled as in later years, but his presence here is clearly felt on the record – as there's a similar collaborative feel here to some of his later, larger, more spiritual groups. The albums are filled with great original tunes – and titles include "Harlem Bossa Nova", "New Frontier", "The Clan", "Scorpio", "Two Note Samba", "Grand Prix", "Jean Bleu", "Blues For Eurydice", and "Jazzanova". 19 tracks in all – and incredible throughout! CD
(Out of print, spine has a cutout notch.)

Possible matches21
CD, LP, Vinyl record album cover art
✨✧ Carmell JonesRemarkable Carmell Jones ... LP
Pacific Jazz, 1961. Near Mint- ... Temporarily Out Of Stock
Remarkable Carmell Jones, indeed – and one of the few albums ever cut as a leader by this up-and-coming force on the LA scene at the start of the 60s! Jones was a player who really showcased something new on the west at the time – a move away from cool jazz, and the start of a deeper, headier generation of musicians – the bold power that would come from cats like Lou Blackburn, Horace Tapscott, and Jimmy Woods. This date's an early entry into that legacy – and has a tight approach to hardbop with plenty of modern elements – a bit like the shift that Curtis Amy was making at the time. In addition to Jones on trumpet, the album also features Harold Land on tenor, Frank Strazzeri on piano, Gary Peacock on bass, and Leon Pettis on drums – all working with a careful blend of soul jazz and modern influences, on a wonderful batch of well-written tunes. Titles include "I'm Gonna Go Fishing", "Night Tide", "Sad March", and "Stellisa". LP, Vinyl record album
(Early 90s Japanese Toshiba EMI pressing, with obi and insert.)

Possible matches22
CD, LP, Vinyl record album cover art
✨✧ Jesse Sharps Quintet/Pan Afrikan Peoples ArkestraSharps & Flats ... CD
Nimbus, 1979/1985. New Copy ... Temporarily Out Of Stock
Soaring spiritual soul jazz from the LA scene – a CD that features a beautiful performance by the Jesse Sharps Quintet, plus a longer extended track from Horace Tapscott's Pan Afrikan Peoples Arkestra! We'll be honest in saying that we'd never heard of Sharps before this CD – but he's a heck of a great saxophonist, with a sound that recalls the glory days of the Strata East scene, and the beautiful post-Coltrane Muse sessions by Earl & Carl Grubbs. His group for the session features some excellent work by the great Nate Morgan on piano – driving away in long, rhythmic passages that are very much in the mode of Morgan's own Nimbus recordings – and carried through with an equal amount of soul. Horace Tapscott joins the group on two numbers as well – before stepping over to lead his expanded Pan Afrikan Peoples Arkestra on the CD's extra cut – a composition by Sharps that's entitled "McKowsky's First Fifth" – played by a great Nimbus-esque group that includes Adele Sebastian on flute, Sabia Mateen on tenor, Billie Harris on soprano, and Horace Tapscott on piano. Other titles on the CD include "The Goat & The Ramjam", "As A Child", "Mike's Tune", "Macrame", and "Carnival" – and the whole set of tracks is easily one of the greatest recordings on the legendary Nimbus label! CD

Possible matches23
CD, LP, Vinyl record album cover art
✨✧ Curtis ClarkReach Believe It & Play ... CD
Nimbus, Late 80s. New Copy ... Out Of Stock
Solo piano work from Curtis Clark – an unsung talent from the west coast, and one who's mostly recorded for the Nimbus label in the same open-ended format as Horace Tapscott! The album offers up a more sensitive side of Clark's work than we remember – long tracks that are beautifully personal, and filled with as many gentle moments as they are sharp-edged ones – in ways that almost take us back to some of Thelonious Monk's best solo expressions of the 50s and 60s. Titles are all originals, and tunes include "Reach", "Everlasting Love", "Monk Me", "Renuphee", and "Boogie Stomp". CD

Possible matches24
CD, LP, Vinyl record album cover art
✨✧ Billie HarrisI Want Some Water ... CD
Nimbus, 1979/1983. New Copy ... Out Of Stock
A spiritual jazz classic from the hip LA scene of the late 70s – led by saxophonist Billie Harris, and featuring a group that includes Horace Tapscott on piano! We don't know much about Harris, but he's got a freewheeling spiritual sound that's very much in the Coltrane-inspired mode, yet also steeped in the creative improvised style of Tapscott's scene in LA. Tracks are all long, with a sound that builds majestically over time – and the set leaves us wondering why Harris wasn't a bigger player at the time. The core tracks of the CD were recorded in the studio – with Tapscott, Harris, and added bass, percussion, and guest vocals by the enigmatic Lorelei. An additional longer track was recorded live, with a larger group that also includes Adele Sebastian on flute and Sabia Mateen on tenor. And a last track is an 8 minute solo piano number by Tapscott. Titles include "Why Don't You Listen", "I Want Some Water", "Many Nights Ago", "The Advocate", and "Prayer Of Happiness". CD

Possible matches25
CD, LP, Vinyl record album cover art
✨✧ Elaine BrownElaine Brown ... LP
Black Forum/Motown, 1973. New Copy (reissue)... Out Of Stock
A very unusual musical moment in Motown – a set that was issued by their Black Forum label, and which was the second of two albums that Elain Brown recorded while part of the Black Panther Party! This one's even more radical than the first – a very interesting mix of modes, with production by Freddie Perren and Fonce Mizell, and arrangements by the avant jazz legend Horace Tapscott! The sound here is different than Tapscott's own music, but equally righteous at times – folksy, and message-oriented – maybe more acoustic than you'd guess for Motown and the Panthers, with moody songs about lost men, dead soldiers, and helpless babies. Liner notes are by Huey Newton – and titles include "Can't Go Back", " All The Young And Fine Men", "Child In The World", "Little Baby", and "Until We're Free". LP, Vinyl record album

Possible matches26
CD, LP, Vinyl record album cover art
✨✧ Ralph ThomasEastern Standard Time ... CD
Zebra/BBE (UK), 1981. New Copy ... Out Of Stock
No standards here, as the tracks are all originals – written by reedman Ralph Thomas and the rest of his group – to create the sort of unique little record that really keeps us digging for rare jazz over the years! Thomas grew up in Chicago, where he soaked up the soulful sounds of both the west side and the AACM – but the set was recorded after he'd moved to Los Angeles, at the suggestion of some of his contemporaries – where he was able to bring together some equally inventive players, while also working as part of the same hip scene that included Horace Tapscott and Nate Morgan! Some of the rhythms here recall some of Morgan's music on the Nimbus label, but there's maybe a bit more of a soul current too – with Thomas on alto, tenor, soprano, and flute – amidst guitar, keyboards, drums, flute, and some especially nice percussion – all to craft rhythms that move between spiritual, modal, and more conventionally soulful styles – a vibe that's maybe a bit like some of the 70s Detroit work on the Strata label. Titles include "Spellbound", "Cafe Phillipp", "Big Spliff", "Venice", "EST", "Deloreso", and "Muscavado". CD

Possible matches27
CD, LP, Vinyl record album cover art
✨✧ VariousSoul Of A Nation – Afro-Centric Visions In The Age Of Black Power – Underground Jazz, Street Funk, & The Roots Of Rap 1968 to 1979 (with bonus download) ... LP
Soul Jazz (UK), Late 60s/1970s. New Copy 2LP Gatefold ... Out Of Stock
A fantastic look at the righteous current of energy that swept through American music at the end of the 60s – that huge wave of knowledge and political inspiration that still stands as one of our favorite moments in jazz and soul! The Civil Rights generation had gotten some things accomplished, but not everything – and a new wave of action arose in various scenes of the underground – not just pushing the musical formats past anything that had happened before, but also doing so with a strong message of pride and empowerment! This collection surveys some of the best tracks of that moment – and also provides a great batch of historical notes to put the whole thing in context – done in collaboration with the book of the same name, but equally great as a soundtrack and document on its own. The package is overflowing with Dusty Groove classics – and titles include "Sweet Songs" by Sarah Webster Fabio, "Surtal Ihklas" by Doug Carn, "Vibes From The Tribe" by Phil Ranelin, "Desert Fairy Princess" by Horace Tapscott & The Pan Afrikan Peoples Arkestra, "Sounds From The Bush" by The Mandingo Griot Society with Don Cherry, "Is It Too Late" by Duke Edwards & The Young Ones, "Strong Men" by David McKnight, "Black Narcissus" by Joe Henderson, "Malcolm X" by Phil Cohran & The Artistic Heritage Ensemble, "Mother Of The Future" by Carlos Garnett, "Red Black & Green" by Roy Ayers, "African Rhythms" by Oneness Of Juju, and "The Revolution Will Not Be Televised" by Gil Scott-Heron. LP, Vinyl record album
(Includes download!)

Possible matches28
CD, LP, Vinyl record album cover art
✨✧ VariousLA's Unsung – Nimbus West Compilation ... CD
Nimbus, Late 70s/Early 80s. New Copy ... Out Of Stock
A very fitting title for a really wonderful compilation – one that features tracks from the catalog of the legendary Nimbus Records label, home to some of the most creative work in the Los Angeles scene at the end of the 70s and beginning of the 80s! Nimbus' main star talent was pianist Horace Tapscott – and the label recorded work by many in Tapscott's creative circle at the time, a rich blend of many different jazz talents, many of whom are still sadly "unsung" even years later. The energy here is similar to the Chicago AACM scene, the St Louis style of the early 70s, or some of the New York loft jazz recordings of the mid 70s – but the Nimbus scene is also characterized by a stronger modal sound, one that creates a lot more rhythmic pulsing in the music, giving many of the tunes on the set a pronounced groove that easily helps them span time and location. Titles in clude "UGMAAGER" by Nate Morgan, "Question" by Jesse Sharps, "Prayer Of Happiness" by Billie Harris, "Mrafu" by Nate Morgan, "Calvary" by Dadisi Komolafe, "Same Shame" by Ricky Kelley, and "Raphael" by Roberto Miranda. CD
 
 
 



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