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Herbie Hancock Edit search Phrase match

 
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Exact matches: 49
Exact matches1
CD, LP, Vinyl record album cover art
Herbie HancockCrossings ... LP
Warner/Antarctica Starts Here, 1971. New Copy Gatefold (reissue)... $22.99 24.98
Herbie Hancock further expands his cosmic vision in this groundbreaking album of free-flowing fusiony tracks – a record that really steps up his range of keyboards, mixing in both acoustic and electric pianos, mellotron, and even a bit of spacey moog from the legendary Patrick Gleeson! The whole thing is wonderful – very open and flowing, and even more organic than Hancock's later work on Columbia – especially given the length of the tracks on the set. In addition to Gleeson, other players include Benny Maupin on reeds, Julian Priester on trombone, Buster Williams on bass, and Billy Hart on drums – and titles include the 3 long tracks "Quasar", "Sleeping Giant", and "Water Torture" – all good ones! LP, Vinyl record album

Exact matches2
CD, LP, Vinyl record album cover art
Herbie HancockDeath Wish - Original Soundtrack ... CD
Columbia (Japan), 1974. New Copy ... $13.99
A killer 70s soundtrack from Herbie Hancock! The record takes the funky style that Herbie was cutting with the Headhunters, and blends it with some more sophisticated scoring that's top in the 70s action and blacksploitation modes – perfect for the dark theme of the movie's story. There's loads of funky bits with strings gliding over the top, and some more open-ended numbers with the sort of odd instrumentation and jazzy riffing that you'd find in Herbie's wilder numbers from the time. Cuts include "Death Wish", "Paint Her Mouth", "Rich Country", "Striking Back", and "Last Stop" – and side two is the full "Suite Revenge". CD

Exact matches3
CD, LP, Vinyl record album cover art
Herbie HancockDedication ... LP
Get On Down, 1974. New Copy ... About June 7, 2019
Sublime sounds from the great Herbie Hancock – presented here in one of his amazing Japanese-only albums from the 70s! The record is a showcase for Hancock in two different modes – as Herbie plays solo acoustic piano on side one, and delivers these really haunting renditions of "Maiden Voyage" and "Dolphin Dance" – both of them long, and with relaxed exploratory solos. Side two features Herbie on a variety of electric keyboards (moog, arp, etc) – playing with the kind of imagination and funkiness that characterized his best recordings of this period. On this side, Hancock lays down a sweet electric version of "Cantaloupe Island", and a nice spiritual groover called "Nobu" – both of them great, and nearer to the electric vibe of Thrust or Flood. LP, Vinyl record album

Exact matches4
CD, LP, Vinyl record album cover art
Herbie HancockEmpyrean Isles (RVG remaster edition) ... CD
Blue Note, 1964. Used ... $4.99
A lyrical masterpiece from the young Herbie Hancock – and a record that's really special for so many different reasons! First, the songs are really long and open – even more so than some of Hancock's other work – with a quality that's balanced between his soul jazz roots, and some of the freer ideas he was exploring with key counterparts of the time! Next, the group features a quartet with Freddie Hubbard on cornet – an instrument he didn't play that often, but which creates a really special sound here – one that's cool and compressed, but still has a sharp bite, too – especially over the inventive rhythms laid down by Ron Carter on bass and Anthony Williams on drums. All players are capable of going out – and have strong "new thing" cred by this point – but they keep it inside all the way through, but with a balanced sense of darkness that's really beautiful. The album features Hancock's classic (and oft-sampled) version of "Cantaloupe Island" – plus "One Finger Snap", "Olioqui Valley", and "The Egg". Also includes 2 CD bonus cuts! CD

Exact matches5
CD, LP, Vinyl record album cover art
Herbie HancockFat Albert Rotunda ... LP
Warner/Antarctica Starts Here, 1969. New Copy (reissue)... $22.99 24.98
The start of funky funky Herbie Hancock! This album's the first to feature Herbie really breaking away from his straight jazz work – moving into a groove that's nice and funky, using electric piano along with acoustic, to forge the sound that he'd develop famously over the 70s. The album's got a harder, heavier sound than some of his straight electric ones – and it features a larger group with soloists that include Johnny Coles on trumpet and Joe Henderson on tenor – plus some sweet basslines from Buster Williams – all led by Herbie into a tight soul jazz flurry of excellent tracks! Includes the cuts "Fat Mama" and "Wiggle Waggle", both sample favorites, plus "Tell Me A Bedtime Story" and "Lil Brother". Classic stuff, and one of his best records ever! LP, Vinyl record album

Exact matches6
CD, LP, Vinyl record album cover art
✨✧ Herbie HancockFeets Don't Fail Me Now ... LP
Columbia, 1979. Very Good+ ... $9.99
Sweet keyboard grooves from Herbie Hancock – and a set that has him taking up some of the territory of younger players he'd inspired – like Bobby Lyle, Webster Lewis, or Rodney Franklin! There's a fair bit of soul in the mix here, including some great work on vocoder – blended in with Hancock's work on jazzy keyboards – all wrapped up in a cosmic level that really fits the image on the cover, and which acts as a preface for some of the electro work to come in the early 80s! The blend is great – with that sublime balance that Hancock did better than anyone else – and titles include "Trust Me", "You Bet Your Love", "Tell Everybody", "Honey From The Jar", and "Knee Deep". LP, Vinyl record album
(In original shrinkwrap with a hype sticker, including printed inner sleeve.)

Exact matches7
CD, LP, Vinyl record album cover art
✨✧ Herbie HancockHeadhunters ... LP
Columbia, 1973. Very Good ... Just Sold Out!
A seminal jazz funk session of the 70s – Herbie Hancock's legendary meeting with The Headhunters, and a killer batch of tunes that really gave the combo their name! Herbie's playing a wide range of keys here – including Fender Rhodes, clavinet, and Arp – but almost even better is the work from the rest of the group – including Bennie Maupin on soprano and tenor sax, Paul Jackson on bass, Harvey Mason on drums, and Bill Summers on percussion! The earthier elements of the rhythm players really keep Herbie on track – bringing him back to the planet from previous trips into space, and helping him hit an all-solid, all-righteous funky groove! Titles include a great remake of "Watermelon Man", the classic original recording of "Chameleon", and the cuts "Vein Melter" and "Sly" – all nice and long! LP, Vinyl record album
(Cover has some wear and a sticker spot.)

Exact matches8
CD, LP, Vinyl record album cover art
✨✧ Herbie HancockHerbie Hancock Septet – Live At The Boston Jazz Workshop ... CD
Hi Hat, 1973. Used ... $15.99
Sweet 70s electric work from the mighty Herbie Hancock – a live performance that's got some of the best spiritual elements of his late Warner Brothers years, mixed with some of the Headhunters modes to come! The album only includes two very long tracks – "Hornets" and "You'll Know When You Get There" – stretched-out, opened up, and with these magical moments from Eddie Henderson on trumpet, Benny Maupin on reeds, Julian Priester on trombone, and Buster Williams on bass. Billy Hart is on drums and "Scorch" plays congas – but both players sit back some times, and just let the magic happen from the other instrumentalists. And in addition to lots of keyboards from Hancock, Pat Gleeson adds in a bit more electronics to the mix as well. CD

Exact matches9
CD, LP, Vinyl record album cover art
Herbie HancockKnee Deep/Doin It ... 12-inch
Columbia, 1979. Very Good+ ... $11.99
... 12-inch, Vinyl record
(White label promo.)

Exact matches10
CD, LP, Vinyl record album cover art
Herbie HancockMagic Windows ... CD
Columbia (France), 1981. Used ... $14.99
A great little soul album from Herbie Hancock – but one that's often lost in the valleys between his bigger hits of the time! The record was cut in the space right before Herbie's big "Rockit" success – and it's a sweet bit of funky fusion that has a good dose of R&B in the mix – similar to other records from Hancock's Columbia label keyboardist contemporaries – like Rodney Franklin, Webster Lewis, or Charles Earland! All orchestrations are performed by Herbie on a host of keyboards and synthesizers, and just about every cut has vocals – from singers who include Sylvester, Gavin Christopher, and The Waters. But even with this soul component, Herbie still keeps things jazzy – using a good bit of keyboards to open up the tunes in the middle, and hitting hard on all numbers with that classic Hancock approach to funk! Titles include "Magic Number", "Tonight's The Night", "Everybody's Broke", "Help Yourself", and "Satisfied With Love". CD
(Out of print EU digipack pressing – in great shape!)

Exact matches11
CD, LP, Vinyl record album cover art
✨✧ Herbie HancockMaiden Voyage ... CD
Blue Note, 1965. Used ... $1.99
A brilliant album – and real turning point for Herbie Hancock! After first coming onto the scene as the soul jazz hero between Blue Note funky classics like "Watermelon Man" or "Blind Man, Blind Man" – Herbie emerges here as a concerned modernist with a strand of spirituality that runs deeper than previously expressed. The key track in this vision is his brilliant modal number "Maiden Voyage" – one of those tunes that sounded totally fresh immediately, and which was picked up by many others as a jazz anthem during the 60s. The rest of the album's equally great – and features George Coleman on tenor, Freddie Hubbard on trumpet, Ron Carter on bass, and Tony Williams on drums – all making for a very hip lineup that really lets Herbie open up stylistically! Other titles include "Dolphin Dance", "Little One", and an original version of "Survival Of The Fittest". CD
Also available Maiden Voyage (RVG remaster edition) ... CD 3.99

Exact matches12
CD, LP, Vinyl record album cover art
Herbie HancockMaiden Voyage (RVG remaster edition) ... CD
Blue Note, 1965. Used ... $3.99
A brilliant album – and real turning point for Herbie Hancock! After first coming onto the scene as the soul jazz hero between Blue Note funky classics like "Watermelon Man" or "Blind Man, Blind Man" – Herbie emerges here as a concerned modernist with a strand of spirituality that runs deeper than previously expressed. The key track in this vision is his brilliant modal number "Maiden Voyage" – one of those tunes that sounded totally fresh immediately, and which was picked up by many others as a jazz anthem during the 60s. The rest of the album's equally great – and features George Coleman on tenor, Freddie Hubbard on trumpet, Ron Carter on bass, and Tony Williams on drums – all making for a very hip lineup that really lets Herbie open up stylistically! Other titles include "Dolphin Dance", "Little One", and an original version of "Survival Of The Fittest". CD
Also available Maiden Voyage ... CD 1.99

Exact matches13
CD, LP, Vinyl record album cover art
✨✧ Herbie HancockMan-Child ... LP
Columbia, 1975. Very Good- ... $9.99
Funky mid 70s Herbie Hancock – one his funkiest albums of the era! Herbie plays a host of cool keyboards – like Fender Rhodes, Arp, and clavinet – and he's joined by a group that includes just about all of the Headhunters – including Paul Jackson on bass and Mike Clarke on drums – plus help from a great array of other excellent guests – including Bennie Maupin and Wayne Shorter on reeds, Harvey Mason on drums, and even some guest keyboards from Stevie Wonder! The album's great – maybe a bit understated than Thrust, but still equally wonderful – and the whole thing's worth it alone for the classic uptempo cut "Hang Up Your Hang Ups" – alongside other cuts that include "Bubbles", "Heartbeat", and "Sun Touch". LP, Vinyl record album
(Cover has wear.)

Exact matches14
CD, LP, Vinyl record album cover art
Herbie HancockMega Mix – Mixed By Grandmixer DST/TFS/Earthbeat ... 12-inch
Columbia, 1984. Very Good (pic cover)... $3.99
A megamix of Herbie's excellent proto hip hop tracks "Rockit", "Autodrive", "Futureshock", "Rough" and "Chameleon '84" by Grandmixer D St., plus the album versions of "TFS" and "Earthbeat" from the Future Shock LP. 12-inch, Vinyl record

Exact matches15
CD, LP, Vinyl record album cover art
Herbie HancockMr Hands ... CD
Sony (UK), 1980. Used ... $3.99
Herbie Hancock really earns his name in the title on this set – as he stretches out on a host of cool keyboards – all with a spacious, open style that's mighty nice! There's a gentle groove to the record, but still some of the more open qualities of Herbie's wilder electric records of a few years before – and the electrics are balanced by some acoustic elements that warm things up nicely, especially when Hancock plays a bit of piano too. Other group members are all longtime associates – including Bennie Maupin on reeds, Ron Carter on bass, and either Tony Williams or Harvey Mason on drums – and titles include "Spiralling Prism", "4 AM", "Shiftless Shuffle", and "Textures". CD

Exact matches16
CD, LP, Vinyl record album cover art
Herbie HancockMwandishi ... LP
Warner/Antarctica Starts Here, 1971. New Copy (reissue)... $22.99 24.98
An excellent session that was one of Herbie Hancock's first free-flowing fusion records of the 70s! Herbie's playing Fender Rhodes with a sound that's at once cosmically beautiful, soulfully fragile, and spacily grooving – and he gets some excellent accompaniment from an all-hip group of players that includes Benny Maupin on bass clarinet and flute, Buster Williams on bass, Eddie Henderson on trumpet, and Julian Priester on trombone – plus percussion from Jose Areas and Ndugu Chancler. The roots of later classics like Sextet and Flood all start with this session – and the album contains 3 long tracks – "You'll Know When You Get There", "Ostinato", and "Wandering Sprit Song". LP, Vinyl record album
Also available Mwandishi ... LP 39.99

Exact matches17
CD, LP, Vinyl record album cover art
✨✧ Herbie HancockMwandishi ... LP
Warner, 1971. Very Good+ ... $39.99
An excellent session that was one of Herbie Hancock's first free-flowing fusion records of the 70s! Herbie's playing Fender Rhodes with a sound that's at once cosmically beautiful, soulfully fragile, and spacily grooving – and he gets some excellent accompaniment from an all-hip group of players that includes Benny Maupin on bass clarinet and flute, Buster Williams on bass, Eddie Henderson on trumpet, and Julian Priester on trombone – plus percussion from Jose Areas and Ndugu Chancler. The roots of later classics like Sextet and Flood all start with this session – and the album contains 3 long tracks – "You'll Know When You Get There", "Ostinato", and "Wandering Sprit Song". LP, Vinyl record album
(Green label pressing in the textured cover, with light wear.)
Also available Mwandishi ... LP 22.99

Exact matches18
CD, LP, Vinyl record album cover art
✨✧ Herbie HancockMwandishi – The Complete Warner Brothers Recordings ... CD
Warner, Late 60s/Early 70s. Used 2 CDs ... $8.99
Essential set that brings together all of Herbie's key transitional recordings for Warner Brothers! Herbie started his years for the label playing in a more straight-ahead funky style – with perennial sample fave recordings like "Wiggle Waggle", "Fat Mama", and "Tell Me A Bedtime Story". Soon, however, he moved into more spacey territory – of the sort that he would later examine fully on his Columbia recordings of the early 70s. Tracks in this vein include "Sleeping Giant", "Water Torture", and "Wandering Spirit Song". The whole set features 3 full albums – Fat Mama, Crossings, and Mwandishi – and it's a great 2CD set filled with hard to find jazz funk classics! CD
(Out of print. BMG Direct pressing.)

Exact matches19
CD, LP, Vinyl record album cover art
Herbie HancockPerfect Machine (with bonus tracks) ... CD
Columbia, 1988. Used ... $3.99
Herbie's still in electro-grooving mode here – not groundbreaking as earlier records, but still handled by Bill Laswell, and with a tackhead groove pretty firmly in place. The tracks are a bit more complicated than before, with vocals by Sugarfoot, and bass by Bootsy Collins. Titles include "Vibe Alive", "Perfect Machine", "Chemical Residue", "Beat Wise", and "Maiden Voyage/P Bop". CD
(Out of print.)

Exact matches20
CD, LP, Vinyl record album cover art
Herbie HancockQuartet ... LP
CBS, 1982. Near Mint- 2LP ... $9.99
Acoustic magic from Herbie Hancock – proof that he wasn't only cutting electro records in the 80s! The set's got a fluid, open feel that's a bit like some of the VSOP Quintet work – although the group here is slightly different, with Hancock on acoustic piano, Ron Carter on bass, and Tony Williams on drums – plus a young Wynton Marsalis on trumpet – stepping in where Wayne Shorter and Freddie Hubbard left off. The tracks are somewhat sharp-edged and modern, but never in a way that's too outside – more just a continuation of the VSOP mode, with some of the Marsalis love of darker colors and tones. The double-length set has plenty of room for long solos – and titles include "Well You Needn't", "Round Midnight", "Clear Ways", "A Quick Sketch", "The Eye Of The Hurricane", "Parade", "The Sorcerer", "Pee Wee", and "I Fall In Love Too Easily". LP, Vinyl record album

Exact matches21
CD, LP, Vinyl record album cover art
Herbie HancockSound System ... LP
Columbia, 1984. Sealed ... $7.99
The follow up to Herbie's groundbreaking hit album Future Shock. There's some rehashing of themes here, with the remake of "Rockit" called "Hardrock" here – basically the same number with some heavy guitar added and a few different solos – plus similar numbers that continue the electro feel, but also add in a peppering of Bill Laswell's world music interest. The album's worth it alone for the presence of D St on a few tracks – and titles include "Hardrock", "Metal Beat", "Karabali", "Junku", "People Are Changing" and "Sound System". LP, Vinyl record album
(Shrinkwrap has a Nice Price sticker. Cover has a barcode sticker on the spine.)

Exact matches22
CD, LP, Vinyl record album cover art
✨✧ Herbie HancockSpeak Like A Child ... CD
Blue Note, 1968. Used ... $3.99
A very sweet, and oft-overlooked session that has Herbie mixing a nice dose of lyricism into his usual soul jazz approach from the 60s! The sound's a bit farther-reaching than on some of Herbie's smaller group sessions – and the record features a sextet that includes Ron Carter, Mickey Roker, Jerry Dodgion, Thad Jones, and Peter Phillips – all soaring with the warmth and introspection that was showing up in some of the best Blue Notes from the time. The harder-hitting soul jazz riffs and hooks are nicely replaced by more thoughtful lines that get a bit deeper, soufully – and nearly all tracks on the set are originals by Hancock! The album's filled with great moments – and tracks include "The Sorcerer", "Riot", and "Goodbye To Childhood". CD
(Out of print first pressing.)

Exact matches23
CD, LP, Vinyl record album cover art
✨✧ Herbie HancockThrust ... LP
Columbia, 1974. Very Good- ... $9.99
Killer electric work from Herbie Hancock – right on par with his groundbreaking Headhunters set, but a bit spacier too! The album features a Headhunters-solid lineup – with Bennie Maupin on saxes, Paul Jackson on bass, Mike Clark on drums, and Bill Summers on percussion – all grooving wonderfully with Herbie on a set of super-long tracks! Hancock himself handles a host of incredible keyboards – Fender Rhodes, clavinet, Arp, and lots more – all in a lean electric style that still sounds as fresh today as it did way back in the mid 70s – perhaps even more so, given the return to this sort of basic groove that has happened in recent years! Tracks are long, tight, and super funky – and titles include "Actual Proof", "Palm Grease", "Spank-A-Lee", and "Butterfly". LP, Vinyl record album
(Cover has a split bottom seam, surface wear, and aging.)

Exact matches24
CD, LP, Vinyl record album cover art
Herbie HancockVSOP – 4 Track Radio Sampler ... 12-inch
Columbia, 1977. Near Mint- (pic cover)... $14.99
4 track radio promo sampler from the VSOP double LP, which was recorded live at the Newport Jazz Festival, and featured Herbie leading groups that represented different points in his career. The 2 featured here are the VSOP lineup, which was a re-grouping of the classic Miles quintet, with Freddie Hubbard in Miles place, and their in fine form here, though these radio edited versions of "Eye of the Hurricane" & "Maiden Voyage" don't show quite how well this group could stretch out. Side 2 is the real treat, with Herbie's electric band from that period, featuring Headhunters Paul Jackson & Bennie Maupin, and some heavy wah wah funk from Wah Wah Watson, on "Hang Up Your Hang Ups" & "Spider". 12-inch, Vinyl record

Exact matches25
CD, LP, Vinyl record album cover art
✨✧ Herbie Hancock & Foday Musa SusoVillage Life ... LP
Columbia, 1985. Near Mint- ... $13.99
An early world music/jazz collaboration production from Bill Laswell, a format he'd return to again and again in later years. For the most part, the tunes seem to be excursions on Musa Suso's native Gambian rhythms, plucked out as gentle arpeggios on the Kora, with Herbie's subtle keys and synths complementing nicely. Our favorite though is the Hancock somposition "Early Warning", a spacious keyboard piece with delicate accompaniment by Musa Suso. Includes three other pieces "Moon/Light", "Ndan Ndan Nyaria" and "Kanatente". LP, Vinyl record album

Exact matches26
CD, LP, Vinyl record album cover art
✨✧ Herbie Hancock & The HeadhuntersPaul's Mall Jazz Workshop Boston – November 1973 ... CD
Hi Hat, 1973. Used ... $14.99
A great live set from a time when Herbie Hancock was just getting started with his Headhunters group – that amazing combo that featured Bennie Maupin on reeds, Paul Jackson on bass, and Mike Clark on drums! The style here is almost more open and loose than on the studio albums by the group – with Herbie snaking along on these wonderful keyboard solos – while the group lay back wonderfully in the groove, and never force things at all. The sound quality is strong – the performance was initially recorded for radio – and, at some point, the recording even loses the signal from the club, and plays a commercial for Genesis in the middle! Titles include "Watermelon Man", "Chameleon", "Sly", "Butterfly", and a few spoken bits by Herbie. CD

Exact matches27
CD, LP, Vinyl record album cover art
Freddie Hubbard, Stanley Turrentine, & Herbie HancockIn Concert Vol 2 ... LP
CTI, 1974. Very Good Gatefold ... $5.99
A sublime live moment from the CTI scene of the 70s – an album that brings together some of the label's best lead players, into a special live supergroup that stretches out in a mighty nice way! In case you ever though the CTI genius came from the studio production of Creed Taylor, think again – as the focus here is on the core group of instrumentalists – as they soar to the skies on these long tracks that are filled with massively freewheeling solos! Herbie Hancock plays Fender Rhodes, Freddie Hubbard is on trumpet, Eric Gale on guitar, and Stanley Turrentine on tenor – sounding harder here than on some of his other albums for the label – and rhythm is by Ron Carter on bass and Jack DeJohnette on drums, two players who are more than loose enough to keep things grooving but also give the soloists some space. Titles include two long takes on Herbie's freaky funky classic "Hornets", done in a hard-wailing style – and side two contains Freddie's "Gibraltar", more of a straight jazz track – but still done here with some excellent electric piano, and a tight soulful groove! LP, Vinyl record album
(White label promo. Cover has some wear.)

Exact matches28
CD, LP, Vinyl record album cover art
VSOP (Herbie Hancock, et al)Quintet ... CD
Columbia, 1977. Used ... $3.99
A classic album of soulful hardbop from the mid 70s – one that features the classic VSOP group with Herbie Hancock on piano, Freddie Hubbard on trumpet, Wayne Shorter on tenor, Ron Carter on bass, and Tony Williams on drums – all nicely returned to the acoustic splendor of their early years! After the excesses of some of the more fusion-based jazz supergroups of the time, VSOP are a real breath of fresh air – proving that straight, strong work in a classic Blue Note mode could still be as captivating as ever – even in the highly electric decade of the 70s! Tracks were recorded live in Berkeley and San Diego – and titles include "One Of A Kind", "Jessica", "Little Waltz", "Byrdlike", "Dolores", and "Third Plane". CD
(Out of print.)
Also available Quintet ... LP 6.99

Exact matches29
CD, LP, Vinyl record album cover art
✨✧ VSOP (Herbie Hancock, et al)Quintet ... LP
Columbia, 1977. Near Mint- 2LP Gatefold ... $6.99
A classic album of soulful hardbop from the mid 70s – one that features the classic VSOP group with Herbie Hancock on piano, Freddie Hubbard on trumpet, Wayne Shorter on tenor, Ron Carter on bass, and Tony Williams on drums – all nicely returned to the acoustic splendor of their early years! After the excesses of some of the more fusion-based jazz supergroups of the time, VSOP are a real breath of fresh air – proving that straight, strong work in a classic Blue Note mode could still be as captivating as ever – even in the highly electric decade of the 70s! Tracks were recorded live in Berkeley and San Diego – and titles include "One Of A Kind", "Jessica", "Little Waltz", "Byrdlike", "Dolores", and "Third Plane". LP, Vinyl record album
(Cover has light surface and edge wear.)
Also available Quintet ... CD 3.99

Exact matches30
CD, LP, Vinyl record album cover art
✨✧ Ron Carter w/Herbie Hancock & Tony WilliamsThird Plane ... LP
Milestone, 1978. Near Mint- ... Temporarily Out Of Stock
Nice trio side from the rhythm section that fueled Miles' classic quintet. Ron, Herbie & Tony developed an advanced interplay backing Miles, almost telepathic, with just the right amount of space & a great harmonic underpinning, and this is one of the few trio sides they cut. Most of the tunes are penned by the members of the group, and include the great title track, "Dolphin Dance", "United Blues" & "Lawra". LP, Vinyl record album

Exact matches31
CD, LP, Vinyl record album cover art
✨✧ Herbie HancockBest Of Herbie Hancock (Columbia) ... LP
Columbia, 1979. Very Good ... Temporarily Out Of Stock
Collection of material from Herbie's funky electric years with Columbia, from '73-'79. While he started to move into a more straight ahead, almost crossover soul sound during those years, he cut a number of classic sides, not the least of which was Headhunters, with the monster cut "Chameleon", which is included here. Besides (and including) the Headhunters band, Herbie always pulled from the finest sidemen, including Wah Wah Watson, James Gadson, Coke Escovedo & Ndugu Chancler, who are all featured here. "Hang Up Your Hang Ups" is a monster funky groover, centered on Wah Wah Watson's snapping guitar vamp, and the vocoder soul number "I Thought It Was You" is here too! LP, Vinyl record album
(Cover has unglued seams and a promo stamp.)

Exact matches32
CD, LP, Vinyl record album cover art
✨✧ Herbie HancockEmpyrean Isles ... CD
Blue Note, 1964. Used ... Temporarily Out Of Stock
A lyrical masterpiece from the young Herbie Hancock – and a record that's really special for so many different reasons! First, the songs are really long and open – even more so than some of Hancock's other work – with a quality that's balanced between his soul jazz roots, and some of the freer ideas he was exploring with key counterparts of the time! Next, the group features a quartet with Freddie Hubbard on cornet – an instrument he didn't play that often, but which creates a really special sound here – one that's cool and compressed, but still has a sharp bite, too – especially over the inventive rhythms laid down by Ron Carter on bass and Anthony Williams on drums. All players are capable of going out – and have strong "new thing" cred by this point – but they keep it inside all the way through, but with a balanced sense of darkness that's really beautiful. The album features Hancock's classic (and oft-sampled) version of "Cantaloupe Island" – plus "One Finger Snap", "Olioqui Valley", and "The Egg". CD
(Out of print first pressing.)
Also available Empyrean Isles (RVG remaster edition) ... CD 4.99

Exact matches33
CD, LP, Vinyl record album cover art
✨✧ Herbie HancockEmpyrean Isles (75th anniversary edition) ... LP
Blue Note, 1964. New Copy (reissue)... Temporarily Out Of Stock
A lyrical masterpiece from the young Herbie Hancock – and a record that's really special for so many different reasons! First, the songs are really long and open – even more so than some of Hancock's other work – with a quality that's balanced between his soul jazz roots, and some of the freer ideas he was exploring with key counterparts of the time! Next, the group features a quartet with Freddie Hubbard on cornet – an instrument he didn't play that often, but which creates a really special sound here – one that's cool and compressed, but still has a sharp bite, too – especially over the inventive rhythms laid down by Ron Carter on bass and Anthony Williams on drums. All players are capable of going out – and have strong "new thing" cred by this point – but they keep it inside all the way through, but with a balanced sense of darkness that's really beautiful. The album features Hancock's classic (and oft-sampled) version of "Cantaloupe Island" – plus "One Finger Snap", "Olioqui Valley", and "The Egg". LP, Vinyl record album
Also available Empyrean Isles (RVG remaster edition) ... CD 4.99

Exact matches34
CD, LP, Vinyl record album cover art
✨✧ Herbie HancockHerbie Hancock Trio (1981) ... LP
Columbia (Japan), 1981. Near Mint- ... Temporarily Out Of Stock
A brilliant Japanese-only album from Herbie – quite different than his US work at the time! Although the Herbie in America in 1981 was very heavily involved in electric keyboard work and more R&B-oriented styles of expression – this Japanese-recorded Herbie's an all-acoustic one, working here in a great trio with Ron Carter and Tony Williams, grooving nicely on some long lyrically soulful tracks! The record's straight and sweet – and Herbie's work on piano is stunning – easily flowing with inventive solos that never cease to delight. And the warm accompaniment he gets from Carter and Williams really make the album sparkle – easily the best sort of session of its sort you'll find from the time. Titles include "Stablemates", "Dolphin Dance", "A Slight Smile", and "La Maison Goree". LP, Vinyl record album
(Includes the insert. Cover has light wear.)

Exact matches35
CD, LP, Vinyl record album cover art
✨✧ Herbie HancockHerbie Hancock With Jaco Pastorius ... CD
Buena Suerte, 1977. Used ... Temporarily Out Of Stock
Funky genius from Herbie Hancock – a live show recorded in Chicago in 1977 – with a unique performance by a quartet that features Bennie Maupin on reeds, James Levi on drums, and Jaco Pastorius on bass – very much in the best Headhunters mode! CD
(Out of print.)

Exact matches36
CD, LP, Vinyl record album cover art
✨✧ Herbie HancockMagic Windows ... LP
Columbia, 1981. Very Good+ ... Temporarily Out Of Stock
A great little soul album from Herbie Hancock – but one that's often lost in the valleys between his bigger hits of the time! The record was cut in the space right before Herbie's big "Rockit" success – and it's a sweet bit of funky fusion that has a good dose of R&B in the mix – similar to other records from Hancock's Columbia label keyboardist contemporaries – like Rodney Franklin, Webster Lewis, or Charles Earland! All orchestrations are performed by Herbie on a host of keyboards and synthesizers, and just about every cut has vocals – from singers who include Sylvester, Gavin Christopher, and The Waters. But even with this soul component, Herbie still keeps things jazzy – using a good bit of keyboards to open up the tunes in the middle, and hitting hard on all numbers with that classic Hancock approach to funk! Titles include "Magic Number", "Tonight's The Night", "Everybody's Broke", "Help Yourself", and "Satisfied With Love". LP, Vinyl record album
(Cover has light wear.)
Also available Magic Windows ... CD 14.99

Exact matches37
CD, LP, Vinyl record album cover art
✨✧ Herbie HancockMaiden Voyage ... LP
Blue Note, 1965. Very Good ... Temporarily Out Of Stock
A brilliant album – and real turning point for Herbie Hancock! After first coming onto the scene as the soul jazz hero between Blue Note funky classics like "Watermelon Man" or "Blind Man, Blind Man" – Herbie emerges here as a concerned modernist with a strand of spirituality that runs deeper than previously expressed. The key track in this vision is his brilliant modal number "Maiden Voyage" – one of those tunes that sounded totally fresh immediately, and which was picked up by many others as a jazz anthem during the 60s. The rest of the album's equally great – and features George Coleman on tenor, Freddie Hubbard on trumpet, Ron Carter on bass, and Tony Williams on drums – all making for a very hip lineup that really lets Herbie open up stylistically! Other titles include "Dolphin Dance", "Little One", and an original version of "Survival Of The Fittest". LP, Vinyl record album
(70s black b label pressing. Cover has a split top seam, half split spine, and some surface wear.)
Also available Maiden Voyage (RVG remaster edition) ... CD 3.99

Exact matches38
CD, LP, Vinyl record album cover art
✨✧ Herbie HancockMy Point Of View ... LP
Blue Note, 1963. Very Good Gatefold ... Temporarily Out Of Stock
Classic Herbie from the early years, and a great mix of soul jazz and modernism! The record include a nice groovy "hit", Herbie's "Blind Man, Blind Man" – an obvious follow-up to "Watermelon Man", but still a standout track with a lot of imagination, and a fierce soul jazz hook that just won't quit! The rest of the record, while still groovy, also shows much more signs of Herbie's far-reaching conception – especially shared with players like Tony Williams, Grachan Moncur, Chuck Israels, and Grant Green – all of whom work with Herbie, Donald Byrd, and Hank Mobley – in a larger than usual group that makes for a really great sound! Titles include "A Tribute To Someone", "King Cobra", and "The Pleasure Is Mine". LP, Vinyl record album
(70s pressing. Cover has a split top seam with a cutout hole.)

Exact matches39
CD, LP, Vinyl record album cover art
✨✧ Herbie HancockMy Point Of View (RVG remaster edition) ... CD
Blue Note, 1963. Used ... Temporarily Out Of Stock
Classic Herbie from the early years, and a great mix of soul jazz and modernism! The record include a nice groovy "hit", Herbie's "Blind Man, Blind Man" – an obvious follow-up to "Watermelon Man", but still a standout track with a lot of imagination, and a fierce soul jazz hook that just won't quit! The rest of the record, while still groovy, also shows much more signs of Herbie's far-reaching conception – especially shared with players like Tony Williams, Grachan Moncur, Chuck Israels, and Grant Green – all of whom work with Herbie, Donald Byrd, and Hank Mobley – in a larger than usual group that makes for a really great sound! Titles include "A Tribute To Someone", "King Cobra", and "The Pleasure Is Mine". The CD also includes a bonus alternate take of "Blind Man, Blind Man"! CD
(Includes slipcase.)

Exact matches40
CD, LP, Vinyl record album cover art
✨✧ Herbie HancockPrisoner ... LP
Blue Note, 1969. Very Good ... Temporarily Out Of Stock
A nice late Blue Note change from Herbie Hancock – a very different album than his previous sets for the label – in that it features a slightly larger group, and a sound that really points the way towards his directions in the 70s! There's a slightly ambitious feel to some of these cuts – not in a way that's over-arranged, but just a new sort of thinking for Herbie's kind of groove – a mode that's partially informed by the seriousness of 60s jazz soundtracks, but which also has the beginnings of some more righteous modes of expression too. Players are all great – and include Joe Henderson on tenor and flute, Johnny Coles on flugelhorn, Garnett Brown on trombone, Hubert Laws on flute, Jerome Richardson on bass clarinet, Buster Williams on bass, and Tootie Heath on drums. Herbie plays both acoustic and electric piano – using the latter here in one of his first recordings on the instrument – and titles include "Firewater", "I Have A Dream", "The Prisoner", and "He Who Lives In Fear". LP, Vinyl record album
(Liberty pressing with Van Gelder stamp. Cover has wear and writing in marker.)

Exact matches41
CD, LP, Vinyl record album cover art
✨✧ Herbie HancockSunlight ... LP
Columbia, 1978. Near Mint- ... Temporarily Out Of Stock
An overlooked little gem in Herbie Hancock's 70s catalog – and a sweet set of funky tunes that adds an R&B edge to the Headhunters sound! Herbie's playing a heck of a lot of keys on the set – from Arp to moog to Rhodes, and everything in between – but the album never gets too crazy, and has a really nice laidback soulful approach that grooves along wonderfully on a small number of very extended tunes! Other players include Headhunters stalwarts Paul Jackson on bass, Bennie Maupin on reeds, Patrick Gleeson on electronics, and Bill Summers on drums – and Herbie does some cool singing through the keyboards in a spacey voice that's really great! Titles include "Good Question", "Sunlight", "Come Running To Me", "I Thought It Was You", and "No Means Yes". LP, Vinyl record album
(White label promo, including the printed inner sleeve. Cover has a tracklist sticker.)

Exact matches42
CD, LP, Vinyl record album cover art
✨✧ Herbie HancockTakin' Off ... LP
Blue Note, 1962. Very Good ... Temporarily Out Of Stock
Herbie Hancock is certainly Takin Off at this point in his career – stepping into the limelight with an excellent batch of soul jazz tunes, including the first recording of his classic "Watermelon Man", the one track that probably put all his kids through school! Although that one went on to become a standard within a few short years in 60s jazz, it still sounds great here in the original – a very fresh take on the sound of soul jazz in the 60s – offered up here in a 7 minute version that has more sharp soloing than most other takes on the tune! The group here is great too – with Dexter Gordon on tenor, Freddie Hubbard on trumpet, Butch Warren on bass, and Billy Higgins on drums – and the tracks are all also originals by a young Herbie – including "Watermelon Man", "The Maze", "Driftin", "Three Bags Full", "Alone & I", and "Empty Pockets". LP, Vinyl record album
(70s pressing. Cover has light wear.)

Exact matches43
CD, LP, Vinyl record album cover art
✨✧ Herbie HancockTakin' Off ... LP
Blue Note, 1962. New Copy (reissue)... Temporarily Out Of Stock
Herbie Hancock is certainly Takin Off at this point in his career – stepping into the limelight with an excellent batch of soul jazz tunes, including the first recording of his classic "Watermelon Man", the one track that probably put all his kids through school! Although that one went on to become a standard within a few short years in 60s jazz, it still sounds great here in the original – a very fresh take on the sound of soul jazz in the 60s – offered up here in a 7 minute version that has more sharp soloing than most other takes on the tune! The group here is great too – with Dexter Gordon on tenor, Freddie Hubbard on trumpet, Butch Warren on bass, and Billy Higgins on drums – and the tracks are all also originals by a young Herbie – including "Watermelon Man", "The Maze", "Driftin", "Three Bags Full", "Alone & I", and "Empty Pockets". LP, Vinyl record album

Exact matches44
CD, LP, Vinyl record album cover art
✨✧ VSOP (Herbie Hancock, et al)Five Stars (Japanese pressing) ... CD
Sony (Japan), 1979. Used ... Temporarily Out Of Stock
A killer album by this legendary jazz supergroup – a Japanese-only set that we'd rank right up there with some of Herbie Hancock's Japanese albums from the same time! The group features Herbie on piano, Wayne Shorter on tenor, Freddie Hubbard on trumpet, Ron Carter on bass, and Tony Williams on drums – all working here in an acoustic mode, but one that's definitely informed by some of the shapes, tones, and styles of the players' electric explorations of the 70s. The album's only got 4 tracks, and they're all nice and long – beautiful little tunes that are filled with soul and feeling – all composed by different members of the group. Titles include "Skagly", "Finger Painting", "Mutants On The Beach", and "Circe". CD
(Out of print.)

Exact matches45
CD, LP, Vinyl record album cover art
✨✧ Herbie HancockNew Standard ... CD
Verve, 1996. Used ... Out Of Stock
... CD
(Some clear tape inside booklet.)

Exact matches46
CD, LP, Vinyl record album cover art
✨✧ Herbie Hancock5 Original Albums (Takin Off/My Point Of View/Inventions & Dimensions/Speak Like A Child/The Prisoner) (5CD set) ... CD
Blue Note (Germany), Mid 60s. New Copy 5CD ... Out Of Stock
The early genius of Herbie Hancock – perfectly summed up here in five classic albums for Blue Note – each presented in a tiny LP-styled sleeve! Takin Off has Herbie Hancock stepping into the limelight with an excellent batch of soul jazz tunes, including the first recording of his classic "Watermelon Man", the one track that probably put all his kids through school! Although that one went on to become a standard within a few short years in 60s jazz, it still sounds great here in the original – a very fresh take on the sound of soul jazz in the 60s – offered up here in a 7 minute version that has more sharp soloing than most other takes on the tune! The group here is great too – with Dexter Gordon on tenor, Freddie Hubbard on trumpet, Butch Warren on bass, and Billy Higgins on drums – and the tracks are all also originals by a young Herbie – including "Watermelon Man", "The Maze", "Driftin", "Three Bags Full", "Alone & I", and "Empty Pockets". My Point Of View is a great mix of soul jazz and modernism! The record include a nice groovy "hit", Herbie's "Blind Man, Blind Man" – an obvious follow-up to "Watermelon Man", but still a standout track with a lot of imagination, and a fierce soul jazz hook that just won't quit! The rest of the record, while still groovy, also shows much more signs of Herbie's far-reaching conception – especially shared with players like Tony Williams, Grachan Moncur, Chuck Israels, and Grant Green – all of whom work with Herbie, Donald Byrd, and Hank Mobley – in a larger than usual group that makes for a really great sound! Titles include "A Tribute To Someone", "King Cobra", and "The Pleasure Is Mine". Inventions & Dimensions is really unique little record from Herbie Hancock – one that's almost completely improvised over Latin percussion! The setup is quite spare – and quite different than Herbie's other Blue Note work – and the group features improvised backgrounds by bassist Paul Chambers and 2 Latin percussionists, Willie Bobo and Osvaldo "Chihuahau" Martinez. Herbie only wrote simple sketches for the songs on the album, and most of the work on the tracks was done live, spontaneously, in the studio – creating a very free groove that never goes too far out, but which is far more adventurous than usual. All tracks are long, and titles include "Succotash", "Triangle", and "Mimosa". Speak Like A Child is an oft-overlooked session that has Herbie mixing a nice dose of lyricism into his usual soul jazz approach from the 60s! The sound's a bit farther-reaching than on some of Herbie's smaller group sessions – and the record features a sextet that includes Ron Carter, Mickey Roker, Jerry Dodgion, Thad Jones, and Peter Phillips – all soaring with the warmth and introspection that was showing up in some of the best Blue Notes from the time. The harder-hitting soul jazz riffs and hooks are nicely replaced by more thoughtful lines that get a bit deeper, soufully – and nearly all tracks on the set are originals by Hancock! The album's filled with great moments – and tracks include "The Sorcerer", "Riot", and "Goodbye To Childhood". Last up is The Prisoner – a nice late Blue Note change from Herbie Hancock – a very different album than his previous sets for the label – in that it features a slightly larger group, and a sound that really points the way towards his directions in the 70s! There's a slightly ambitious feel to some of these cuts – not in a way that's over-arranged, but just a new sort of thinking for Herbie's kind of groove – a mode that's partially informed by the seriousness of 60s jazz soundtracks, but which also has the beginnings of some more righteous modes of expression too. Players are all great – and include Joe Henderson on tenor and flute, Johnny Coles on flugelhorn, Garnett Brown on trombone, Hubert Laws on flute, Jerome Richardson on bass clarinet, Buster Williams on bass, and Tootie Heath on drums. Herbie plays both acoustic and electric piano – using the latter here in one of his first recordings on the instrument – and titles include "Firewater", "I Have A Dream", "The Prisoner", and "He Who Lives In Fear". CD

Exact matches47
CD, LP, Vinyl record album cover art
✨✧ Herbie HancockFlood (2018 Black Friday Release) ... LP
Sony/Get On Down, 1975. New Copy 2LP Gatefold (reissue)... Out Of Stock
A fantastic double-length set from Herbie Hancock and the Headhunters – easily one of Herbie's greatest records ever, but originally only issued in Japan! Hancock is in tremendous form here – almost as if he's merging the grooves of the Headhunters album with the wilder electric modes of Sextant – stretched out in a live setting with Herbie on Arp, clavinet, and Fender Rhodes – in a very hip group with Bennie Maupin on reeds, Blackbird McNight on guitar, Paul Jackson on bass, Mike Clark on drums, and Bill Summers on percussion. Tracks are long, and move nicely between funky passages and soulful elements – at a level that's quite different from the double-live Japanese albums that Miles Davis recorded for Columbia at the same time. Titles include "Actual Proof", "Spank A Lee", "Hang Up Your Hang Ups" – and great remakes of "Chameleon" and "Watermelon Man". LP, Vinyl record album
(Limited edition!)

Exact matches48
CD, LP, Vinyl record album cover art
✨✧ Herbie HancockTakin' Off (non RVG edition – with bonus tracks) ... CD
Blue Note, 1962. Used ... Out Of Stock
Herbie Hancock is certainly Takin Off at this point in his career – stepping into the limelight with an excellent batch of soul jazz tunes, including the first recording of his classic "Watermelon Man", the one track that probably put all his kids through school! Although that one went on to become a standard within a few short years in 60s jazz, it still sounds great here in the original – a very fresh take on the sound of soul jazz in the 60s – offered up here in a 7 minute version that has more sharp soloing than most other takes on the tune! The group here is great too – with Dexter Gordon on tenor, Freddie Hubbard on trumpet, Butch Warren on bass, and Billy Higgins on drums – and the tracks are all also originals by a young Herbie – including "Watermelon Man", "The Maze", "Driftin", "Three Bags Full", "Alone & I", and "Empty Pockets". Plus, this CD reissue features bonus alternate takes of 3 tracks on the album! CD
(Out of print.)

Exact matches49
CD, LP, Vinyl record album cover art
Billy ChildsBedtime Stories – Tribute To Herbie Hancock ... CD
32 Jazz, 2000. Used ... $9.99
... CD
(Out of print, mark through barcode.)
 
Possible matches: 181
Possible matches50
CD, LP, Vinyl record album cover art
✨✧ Herbie MannBeat Goes On ... LP
Atlantic, 1967. Very Good ... Out Of Stock
The beat goes on, and Herbie Mann gets plenty darn groovy – serving up these short, soulful tunes that really pack a sweet little punch – thanks in part to some excellent work on vibes by the young Roy Ayers! Ayers' rings out next to Herbie's flute in a very cool way – almost Latin, but a bit groovier overall, with some echoes of bossa and 60s soundtrack jazz – all mixed with deeper soul currents that are very much in the best 60s jazz spirit of Atlantic Records! Jimmy Wisner handles the arrangements, and also plays some mean piano. Titles include Dave Pike's "Dream Garden", which was arranged by Pike himself – plus Herbie Mann's "West African High Life", and Herbie Hancock's "Hey Ho" – as well as the cuts "No Matter What Shape", "More Rice Than Peas, Please", "Soul Montuno", and "The Beat Goes On". LP, Vinyl record album
(Red & green Broadway label pressing.)

Possible matches51
CD, LP, Vinyl record album cover art
AirtoIdentity ... LP
Arista, 1975. Very Good+ ... $8.99
A soaring set of grooves from one of the world's greatest percussionists – a standout set as a leader from Airto, and a key set in his wonderful run of work from the 70s! The album's still got the loose, free feel of Airto's earliest work, and isn't nearly as crossover-oriented as some of the Flora Purim sets from the time – still strongly in a rootsy, earthy sort of vibe – and produced with a very respectful sound by Herbie Hancock. Herbie plays some Arp on the record, and Wayne Shorter brings in some soprano sax too – but the core elements of the album are Airto's range of percussion instruments, keyboards and piano from Egberto Gismonti, drums from Roberto, trombone from Raul DeSouza, and a bit of vocals from Flora. Titles include "Flora On My Mind", "Cafe", "The Magicians", "Tales From Home", "Identity", and "Encounter". LP, Vinyl record album
(White label promo. Cover has a cut corner, light wear, a promo sticker, and small peeled spot.)

Possible matches52
CD, LP, Vinyl record album cover art
Brian Bennett/Alan HawkshawSynthesis – KPM 1132 (180 gram pressing) ... LP
KPM/Be With (UK), 1974. New Copy (reissue)... $26.99
Very groovy work from these two Brit sound library greats – loads of funky tunes, and great keyboards too – all served up in a massively funky record that was never issued to the public at large! Had this set hit the real record racks in 1974, it might well have challenged some of the greatest material from George Duke or Herbie Hancock – as the tunes are mostly funky, and feature lots of wonderful work on a wide variety of keyboards – sometimes getting all cool and wigged-out, even when the grooves are upbeat – a bit like Herbie in his Sextant years! Titles include "Hit Me Hit Me", "Big Black Cadillac", "Collision Course", "The Executive", "Hovercraft", "Mermaid", "Auto Glide", "Where The Action Is", and "Getting It Together". LP, Vinyl record album

Possible matches53
CD, LP, Vinyl record album cover art
George BensonBlue Benson ... LP
Verve/Polydor, 1968/1976. Very Good ... $2.99
A sweet 70s collection of late 60s work from George Benson – tracks recorded in 1968 for Verve, originally from the albums Giblet Gravy and Goodies! The set list here really does a great job of picking out the best numbers – the kind of clean, lean tunes that were pushing Benson from his soul jazz roots towards a much bigger audience – yet still without any of the commerciality of later years to come. Players on the tracks include Herbie Hancock on piano, Billy Cobham on drums, Ron Carter on bass, and Johnny Pacheco on percussion – and arrangements are by Horace Ott and Tom McIntosh. Titles include "Billie's Bounce", "Low Down & Dirty", "Thunder Walk", "Doobie Doobie Blues", "What's New", and "I Remember Wes". LP, Vinyl record album
(Cover has some wear.)

Possible matches54
CD, LP, Vinyl record album cover art
✨✧ Bob BrookmeyerBob Brookmeyer & Friends ... LP
Columbia, 1965. Very Good ... $6.99
Sound, space, tone, and color – a tremendous effort from trombonist Bob Brookmeyer, and a record with a really unique feel! The album features a wonderful group that includes Brookmeyer on valve trombone, Stan Getz on tenor, Gary Burton on vibes, Herbie Hancock on piano, Ron Carter on bass, and Elvin Jones on drums – all coming together in a way that's extremely equally-weighted – with less of Brookmeyer as the leader, than as a warm friend, gathering together a few key players in the studio. Given that Getz worked with Brookmeyer back in the early 50s, and had Burton in his group at the time, the album's always a link between both sides of a decade in Stan's career – but with the presence of the modernists on the rhythm team, there's a sound here that's much more unique – one that has a place for Stan's wonderful tone, and Brookmeyer's airy phrasing – but which also drives along in a rhythmically pulsing mode that almost puts Burton's vibes at the top of the set on some numbers. There's a change in mood from tune to tune that gives the record a remarkable depth, but without sounding schizophrenic – and titles include "Bracket", " Wrinkle Time", "Jive Hoot", "Skylark", "Sometime Ago", and "Who Cares". LP, Vinyl record album
(Mono 2 eye pressing. Cover has light wear.)

Possible matches55
CD, LP, Vinyl record album cover art
Donald ByrdNew Perspective ... LP
Blue Note, 1963. Good ... $19.99
A classic album that mixes trumpet and voices in a swirling soulful sound that worked very well for Byrd's career! Byrd's sparkling trumpet fronts a tight septet that includes Hank Mobley, Herbie Hancock, and Kenny Burrell – and which is backed by arrangements by Coleridge Perkinson and Duke Pearson. The sound is beautiful and spiritual, with a sound that mixes Blue Note hardbop with a style that would later show up on labels like Strata East, or in the experiments of Max Roach and Billy Harper. The tracks are long and moody, and the vocal group never gets in the way, but instead backs Byrd in a way that lets him hit new heights, and which gives him a stronger sense of voice. Includes the classic "Christo Redentor", plus "Chant", "The Black Disciple", and "Elijah". LP, Vinyl record album
(Mono New York pressing with Van Gelder stamp. Cover has a split top seam, some wear and aging, and some pen and marker on back.)

Possible matches56
CD, LP, Vinyl record album cover art
Donald ByrdRoyal Flush (180 gram pressing) ... LP
Blue Note (Spain), 1961. New Copy (reissue)... $19.99
One of the seminal sides cut by Donald Byrd in his partnership with Pepper Adams – a high-up, low-down set that's a smoker all the way through! Byrd's brightness on trumpet is nicely matched by Adams' fluid work on baritone sax – and the pair are wonderfully supported by a rhythm trio that includes Herbie Hancock on piano, Butch Warren on bass, and Billy Higgins on drums – all players who can hit a sock-hard groove one minute, then let loose with a lyrical flourish the next. The approach of the record is tightly soulful, with loads of great changes – and some surprising dark edges that really add in a whole new dimension to the Donald Byrd sound of the time. Titles include "Shangri-La", "Jorgies", "Hush", "6 M's", and the moody "Requiem"! LP, Vinyl record album
(Limited edition!)

Possible matches57
CD, LP, Vinyl record album cover art
Donald ByrdTakin' Care Of Business ... LP
TCB, Early 60s/Early 70s. Very Good+ ... $6.99
70's issue of one of the Donald Byrd/Pepper Adams sessions for the Warwick label, from the early 60's. The groove is nice and hard, with a very tight, very in-the-pocket sort of sound. A young Herbie Hancock plays piano, and he lays down solos that are a lot more daring, and with a lot more fire, than anything he did on his early Blue Note recordings. With the cuts "Out Of This World", "Day Dreams", "Bird House", and a stellar cover of "Mr. Lucky". LP, Vinyl record album
(Red label pressing.)

Possible matches58
CD, LP, Vinyl record album cover art
✨✧ Norman ConnorsDance Of Magic ... LP
Cobblestone, 1972. New Copy (reissue)... $9.99
A landmark first album from drummer Norman Connors – a spiritual jazz masterpiece that builds wonderfully on the post-Coltrane tradition! Norman is years away from his smoother soul recordings at this point, and coming out of a righteous jazz background that included work with Marion Brown and Archie Shepp. For this initial set, Norman's in incredible company – working with players that include Herbie Hancock on both electric and acoustic keys, plus Eddie Henderson on trumpet, Gary Bartz and Carlos Garnett on saxes, Stanley Clarke on bass, and Billy Hart and Airto on percussion – plus a chorus of vocalists on the album's mighty title cut! Tracks are all long, spiritual, and freely exploratory – but never in a style that goes too far outside, or that forgets the joy and love that can spring forth in a forward-thinking session like this one! Titles include "Dance Of Magic", "Give The Drummer Some", "Morning Change", and "Blue". LP, Vinyl record album

Possible matches59
CD, LP, Vinyl record album cover art
✨✧ Norman ConnorsDance Of Magic (Buddah pressing) ... LP
Buddah, 1972. Near Mint- ... $11.99
A landmark first album from drummer Norman Connors – a spiritual jazz masterpiece that builds wonderfully on the post-Coltrane tradition! Norman is years away from his smoother soul recordings at this point, and coming out of a righteous jazz background that included work with Marion Brown and Archie Shepp. For this initial set, Norman's in incredible company – working with players that include Herbie Hancock on both electric and acoustic keys, plus Eddie Henderson on trumpet, Gary Bartz and Carlos Garnett on saxes, Stanley Clarke on bass, and Billy Hart and Airto on percussion – plus a chorus of vocalists on the album's mighty title cut! Tracks are all long, spiritual, and freely exploratory – but never in a style that goes too far outside, or that forgets the joy and love that can spring forth in a forward-thinking session like this one! Titles include "Dance Of Magic", "Give The Drummer Some", "Morning Change", and "Blue". LP, Vinyl record album
(Cover has light wear with a sticker in the bottom left corner.)

Possible matches60
CD, LP, Vinyl record album cover art
Miles DavisComplete Live At The Plugged Nickel 1965 (8CD boxset) ... CD
Columbia/Legacy, 1965. Used 8 CDs ... $124.99
This stunning live set has been hailed by many as one of the finest moments of Miles' mid 60s career – music played with a frenetic energy that even blows away the famous studio sessions of the time! The group here is a landmark lineup – young modernists Wayne Shorter on tenor, Herbie Hancock on piano, and Tony Williams on drums – all reaching out to really increase their craft, and work through new ideas alongside Miles' trumpet. CD
(Out of print.)

Possible matches61
CD, LP, Vinyl record album cover art
Miles DavisComplete On The Corner Sessions (6CD set) ... CD
Columbia/Legacy, 1972/1975. Used 6 CDs ... $194.99
Right On! Quite possibly the heaviest, baddest music ever laid to tape, this set offers up over 6 hours of some of the deepest, darkest free jazz, afro funk, fist in the air post-modern musique concrete to sprout from Miles' horn and crew! This box closes the door on the studio side of what may be the most influential studio jams wrought at the turn of the 70s, issuing the unedited original takes of the material that Miles and Teo Macero would parse down and edit into On The Corner and Big Fun, plus some material that made it out on various compilations later issued on Columbia, and best of all, a dozen never before released tracks! The core group here is Miles, Michael Henderson, Mtume, Al Foster and Reggie Lucas, but Dave Liebman, Carlos Garnett, Herbie Hancock, Chick Corea, Jack Dejohnette, Pete Cosey, Badal Roy, Bennie Maupin and John McLaughlin, as well as a number of other players, are all featured, which isn't surprising when you consider the ground covered here! The groove here is unstoppable funk, as on the nearly 20 minute jam that is the unedited full take of "On The Corner" and drawn out renditions of "Mtume", "Turnaround", "Ife" and "Helen Butte/Mr Freedom X", but the vibe veers in other directions too, as with the breezy "Maiysha", the multilayered "Calypso Frelimo" and the spacious "He Loved Him Madly". There's 31 tracks spread out over the 6 discs, ther unissued gems include "Hip-Skip", "Chieftain", "What They Do", "Peace" and "Mr Foster", and as you'd expect, the box is extra deluxe, with a thick booklet full of notes and some great quotes from the band, and a sweet metallic box to hold it all together! Vote Miles! CD
(Out of print – and in the beautiful metal case which has some rust on the edges.)

Possible matches62
CD, LP, Vinyl record album cover art
Miles DavisESP ... CD
Columbia, 1965. Used ... $4.99
An album of dark and subtle beauty – and still one of our favorite Miles Davis albums of all time! The set's not as earth-shattering as some of Davis' other work of the 60s, but that's why we like it so much – because the emerging genius of the group with Wayne Shorter, Herbie Hancock, and Tony Williams is held in a really special place here – one that ruminates quietly on space and soul, while Davis majestically directs tones and colors that he'd never gotten in a small group format before! Titles include the amazing "Iris", one of Miles' most haunting themes – plus "Little One", "RJ", "ESP", "Mood", and "Agitation". CD
(Out of print.)

Possible matches63
CD, LP, Vinyl record album cover art
✨✧ Miles DavisESP ... LP
Columbia, 1965. Very Good- ... $19.99
An album of dark and subtle beauty – and still one of our favorite Miles Davis albums of all time! The set's not as earth-shattering as some of Davis' other work of the 60s, but that's why we like it so much – because the emerging genius of the group with Wayne Shorter, Herbie Hancock, and Tony Williams is held in a really special place here – one that ruminates quietly on space and soul, while Davis majestically directs tones and colors that he'd never gotten in a small group format before! Titles include the amazing "Iris", one of Miles' most haunting themes – plus "Little One", "RJ", "ESP", "Mood", and "Agitation". LP, Vinyl record album
(Stereo 360 Sound pressing. Cover has wear and staining.)

Possible matches64
CD, LP, Vinyl record album cover art
Miles DavisFilles De Kilimanjaro (Original Master Recording pressing) ... CD
Columbia/Mobile Fidelity, 1968. Used Gatefold ... $22.99
A dark blend of acoustic and electric modes from Miles Davis – a set that still has him working with elements of the classic 60s quintet, but which also brings in a stronger emphasis on electric piano too! The rhythms here are really fantastic – ready to burst forth into a whole new direction, yet still not hitting the Bitches Brew level of freedom – and drummer Tony Williams may well be the real star of the set for his tremendous work on the kit – even though, as stated, the album's got some heavy electric piano contributions both from Herbie Hancock and Chick Corea! All titles feature Miles on trumpet, Wayne Shorter on tenor, and Tony Williams on drums – and the titles with Herbie feature Ron Carter on bass, while the rest with Chick Corea feature Dave Holland. Titles include "Frelon Brun", "Tout De Suite", "Petits Machins", "Mademoiselle Mabry", and "Filles De Kilimanjaro". CD
(Numbered limited edition Original Master Recording Super Audio CD pressing – by Mobilie Fidelity! Works on all players!)

Possible matches65
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Miles DavisFour & More – Recorded Live In Concert ... LP
Columbia, 1964. Near Mint- ... $19.99
Breakneck live work from Miles Davis – and proof that his famous 60s quintet wasn't only just about mellow and spacious sounds! The set was recorded at the same concert as the album My Funny Valentine – and while that one's mostly ballads, this one's mostly high tempo numbers that skip along with incredible ease – crackling with modern touches on the rhythm from Herbie Hancock, Ron Carter, and Tony Williams – and featuring some really excellent work by George Coleman on tenor sax! Titles include "Four", "So What", "Joshua", and "Seven Steps To Heaven". LP, Vinyl record album
(70s pressing.)
Also available Four & More – Recorded Live In Concert (Japanese paper sleeve edition) ... CD 7.99

Possible matches66
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Miles DavisFour & More – Recorded Live In Concert (Japanese paper sleeve edition) ... CD
Sony (Japan), 1964. Used ... $7.99
Breakneck live work from Miles Davis – and proof that his famous 60s quintet wasn't only just about mellow and spacious sounds! The set was recorded at the same concert as the album My Funny Valentine – and while that one's mostly ballads, this one's mostly high tempo numbers that skip along with incredible ease – crackling with modern touches on the rhythm from Herbie Hancock, Ron Carter, and Tony Williams – and featuring some really excellent work by George Coleman on tenor sax! Titles include "Four", "So What", "Joshua", and "Seven Steps To Heaven". CD
(Out of print, includes obi.)
Also available Four & More – Recorded Live In Concert ... LP 19.99

Possible matches67
CD, LP, Vinyl record album cover art
Miles DavisFour & More – Recorded Live In Concert (Original Master Recording) ... LP
Mobile Fidelity/Columbia, 1964. Near Mint- ... $33.99
Breakneck live work from Miles Davis – and proof that his famous 60s quintet wasn't only just about mellow and spacious sounds! The set was recorded at the same concert as the album My Funny Valentine – and while that one's mostly ballads, this one's mostly high tempo numbers that skip along with incredible ease – crackling with modern touches on the rhythm from Herbie Hancock, Ron Carter, and Tony Williams – and featuring some really excellent work by George Coleman on tenor sax! Titles include "Four", "So What", "Joshua", and "Seven Steps To Heaven". LP, Vinyl record album
(Un-numbered limited edition.)

Possible matches68
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Miles DavisIn A Silent Way ... CD
Columbia, 1969. Used ... $3.99
There's nothing "silent" here – as the album's a bold entry in the electric years of Miles Davis – one that still features contributions from Herbie Hancock, Wayne Shorter, and Tony Williams – but which also expands the lineup considerably – really reaching out towards the sound of Bitches Brew! Herbie's on electric keys here, working alongside Chick Corea and Joe Zawinul, who really help increase the flow of the tunes and enforce the "directions in music" stated on the cover of the set! Shorter's on soprano sax, playing in an even more angular way – and Dave Holland is on bass, replacing the sound of Ron Carter, getting some rhythmic assistance at times from John McLaughlin, whose sound really helps to shape the record! Titles include 2 side-long tracks – "Shhh/Peaceful" and "In A Silent Way/It's About Time" – both long, and both beautiful! CD
(Out of print.)

Possible matches69
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Miles DavisIn A Silent Way ... LP
Columbia, 1969. Very Good ... $39.99
There's nothing "silent" here – as the album's a bold entry in the electric years of Miles Davis – one that still features contributions from Herbie Hancock, Wayne Shorter, and Tony Williams – but which also expands the lineup considerably – really reaching out towards the sound of Bitches Brew! Herbie's on electric keys here, working alongside Chick Corea and Joe Zawinul, who really help increase the flow of the tunes and enforce the "directions in music" stated on the cover of the set! Shorter's on soprano sax, playing in an even more angular way – and Dave Holland is on bass, replacing the sound of Ron Carter, getting some rhythmic assistance at times from John McLaughlin, whose sound really helps to shape the record! Titles include 2 side-long tracks – "Shhh/Peaceful" and "In A Silent Way/It's About Time" – both long, and both beautiful! LP, Vinyl record album
(360 Sound stereo pressing, matrix ending in 2A/1A. Cover has ring & edge wear.)

Possible matches70
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Miles DavisLive Evil ... LP
Columbia, 1972. Near Mint- 2LP Gatefold ... $49.99
A beautiful live representation of the energy of the Bitches Brew years – one that has Miles Davis and the group really letting loose with free-flowing, modally-inspired lines – cooking up an incredible blend of acoustic and electric sounds at once! There's a bit of funk here, but not much – and although guitar is sometimes used strongly, it's often not as noisy as in later live sides. Instead, the whole group gels together beautifully – an unlikely assortment of players that includes Gary Bartz and Steve Grossman on reeds, John McLaughlin on guitar, Herbie Hancock on keyboards, Hermeto Pascoal on percussion, Dave Holland on bass, and Jack DeJohnette on drums – all given new focus, direction, and inspiration by Miles! Titles include "What I Say", "Sivad", "Selim", "Funky Tonk", and a great medley of "Gemini/Double Image". LP, Vinyl record album
(Original pressing. Cover has a cutout hole.)

Possible matches71
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Miles DavisMiles Davis In Europe ... LP
Columbia, 1963. Very Good+ ... $14.99
A wonderful live set from the Seven Steps-era Miles group – with rhythm by Herbie Hancock, Ron Carter, and Tony Williams – and tunes that are all in that transformative mode that really showed Miles hitting a new voice at the time! Tenorist George Coleman's playing with the group on the set – proving again that he's got a depth that few people ever seem to give him credit for – and that it wasn't just Wayne Shorter who made the 60s Davis quintet so great. Titles include "Autumn Leaves", "All Of You", "Walkin", and "Joshua". LP, Vinyl record album
(70s pressing. Cover has some wear.)

Possible matches72
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Miles DavisMiles Smiles ... CD
Columbia, 1966. Used ... $2.99
Miles Smiles, but his grin is a wry one – given the angular energy of the set! The album's a landmark effort from the mid 60s quintet that includes Wayne Shorter, Herbie Hancock, Ron Carter, and Tony Williams – all of whom work without fail to capture Davis' newly emerging approach to jazz – a style that's touched with some of the light lyricism of the late 50s, but which has much sharper edges overall – and really approaches some of the best "new thing" modes that were going down at labels like Blue Note or Impulse! Many tunes have a subtly spare quality, but nonetheless work with a tremendous amount of power – and titles include a classic version of "Freedom Jazz Dance", a haunting take on Shorter's "Footprints", and the titles "Orbits", "Circle", "Dolores", and "Gingerbread Boy". CD

Possible matches73
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Miles DavisMy Funny Valentine ... LP
Columbia, 1964. Very Good ... $19.99
One of those key cases where Miles Davis took a familiar song and made it his own! The set's a live one, and features a famous 15 minute version of "My Funny Valentine" – played by Davis in a spacious, open sort of way – and one that has key hints of the modernism to come in his music, yet still rings out with some of his more easygoing late 50s appeal. The group here features George Coleman on tenor alongside the rhythm section of Herbie Hancock piano, Ron Carter bass, and Tony Williams on drums – all three of whom help Davis edge into darker territory, even when things are ostensibly sweet! Apart from the version of "My Funny Valentine", other titles include "All Blues", "All Of You", "I Thought About You", and "Stella By Starlight" LP, Vinyl record album
(Stereo 360 Sound pressing. Cover has light wear.)

Possible matches74
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✨✧ Miles DavisMy Funny Valentine (180 gram pressing) ... LP
Columbia, 1964. New Copy (reissue)... Just Sold Out!
One of those key cases where Miles Davis took a familiar song and made it his own! The set's a live one, and features a famous 15 minute version of "My Funny Valentine" – played by Davis in a spacious, open sort of way – and one that has key hints of the modernism to come in his music, yet still rings out with some of his more easygoing late 50s appeal. The group here features George Coleman on tenor alongside the rhythm section of Herbie Hancock piano, Ron Carter bass, and Tony Williams on drums – all three of whom help Davis edge into darker territory, even when things are ostensibly sweet! Apart from the version of "My Funny Valentine", other titles include "All Blues", "All Of You", "I Thought About You", and "Stella By Starlight" LP, Vinyl record album
Also available My Funny Valentine ... LP 19.99

Possible matches75
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Miles DavisNefertiti (with bonus tracks) ... CD
Columbia, 1967. Used ... $4.99
Dark genius from the always-amazing Miles Davis Quintet of the 60s – a set that's a bit more subtle than some of the group's other efforts, but no less powerful – and virtually a blueprint for countless changes to come in jazz during the next few decades! The interplay of Davis' trumpet, Wayne Shorter's tenor, and Herbie Hancock's piano is worth the price of admission alone – a force that seems to flow of its own direction, pulled three ways equally, but always emerging as a sound greater than its parts. And adding in the subtle pulse of Ron Carter on bass and nearly melodic drums of Tony Williams, the sound is even more incredible – a well-crafted and evocative sound that's far more than jazz! Titles include versions of Herbie's "Riot" and "Madness", Shorter's "Nefertiti" and "Pinocchio", and Williams' "Hand Jive". Plus, the CD reissue features 4 bonus alternate takes from the original session! CD
(Out of print.)

Possible matches76
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Miles DavisOn The Corner ... LP
Columbia, 1972. Very Good ... $39.99
A sublime bit of Miles Davis electric funk – one of the best-remembered electric sets from the 70s, and for good reason too! The tracks are long, the jams are hard, and the whole thing has a lot more funk than some of the noise you'd get on other Miles albums of the time – thanks to killer keyboards from Herbie Hancock and Chick Corea, guitar from John McLaughlin, and reeds from Dave Liebman – plus some standout drums from the legendary Jack DeJohnette – easily at the top of his powers here. These top-shelf players jam together beautifully – really cooking on the album's long tracks – "On The Corner" and "Helen Butte/Mr Freedom X" – and tightening up on the slightly shorter cuts "Black Satin" and "One & One". LP, Vinyl record album
(70s gatefold pressing. Cover has a cut corner, a small split on the top seam, light wear, and some aging.)
Also available On The Corner (180 gram pressing) ... LP 18.99

Possible matches77
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✨✧ Miles DavisOn The Corner (180 gram pressing) ... LP
Columbia, 1972. New Copy (reissue)... $18.99
A sublime bit of Miles Davis electric funk – one of the best-remembered electric sets from the 70s, and for good reason too! The tracks are long, the jams are hard, and the whole thing has a lot more funk than some of the noise you'd get on other Miles albums of the time – thanks to killer keyboards from Herbie Hancock and Chick Corea, guitar from John McLaughlin, and reeds from Dave Liebman – plus some standout drums from the legendary Jack DeJohnette – easily at the top of his powers here. These top-shelf players jam together beautifully – really cooking on the album's long tracks – "On The Corner" and "Helen Butte/Mr Freedom X" – and tightening up on the slightly shorter cuts "Black Satin" and "One & One". LP, Vinyl record album
Also available On The Corner ... LP 39.99

Possible matches78
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Miles DavisSeven Steps To Heaven ... LP
Columbia, 1963. Very Good ... $9.99
A key point in the development of the Miles Davis sound of the 60s – his first album to feature work from Herbie Hancock, Ron Carter, and Tony Williams – augmented by some equally nice work on other tracks from Victor Feldman and Frank Butler! The sound here is beautifully spare – a wonderful exploration of ideas that Miles had been putting forth on some other albums for Columbia, but crafted here with a vision that's apparent in the very first note – and which transforms both the tunes and the work of the players into a focused, near-perfect sound all the way through. Titles include "So Near So Far", "Seven Steps To Heaven", "I Fall In Love Too Easily", "Joshua", and "Basin Street Blues" – which even sounds great in this setting! LP, Vinyl record album
(70s pressing. Cover has a split top seam, some wear, and aging.)
Also available Seven Steps To Heaven (Japanese paper sleeve edition) ... CD 9.99

Possible matches79
CD, LP, Vinyl record album cover art
Miles DavisSeven Steps To Heaven (Japanese paper sleeve edition) ... CD
Sony (Japan), 1963. Used ... $9.99
A key point in the development of the Miles Davis sound of the 60s – his first album to feature work from Herbie Hancock, Ron Carter, and Tony Williams – augmented by some equally nice work on other tracks from Victor Feldman and Frank Butler! The sound here is beautifully spare – a wonderful exploration of ideas that Miles had been putting forth on some other albums for Columbia, but crafted here with a vision that's apparent in the very first note – and which transforms both the tunes and the work of the players into a focused, near-perfect sound all the way through. Titles include "So Near So Far", "Seven Steps To Heaven", "I Fall In Love Too Easily", "Joshua", and "Basin Street Blues" – which even sounds great in this setting! CD
(Out of print, includes obi.)
Also available Seven Steps To Heaven ... LP 9.99

Possible matches80
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Miles DavisSorcerer ... CD
Columbia/Legacy, 1967. Used ... $3.99
Another bold new direction for the legendary Miles Davis Quintet of the 60s – a set that has some of the angular styles of earlier albums, but also a bit more of the flowing grace to come in the electric years! A key illustration of this is the leadoff track "Prince Of Darkness" – which has a fluid sensibility that still never fails to floor us, even all these many decades later! The rest of the tracks are equally great – even when subtle – and by this point, the group of Davis, Wayne Shorter, Herbie Hancock, Ron Carter, and Tony Williams were well earning their acclaim as one of the most groundbreaking groups in jazz. Titles include "Prince Of Darkness", "Masqualero", "The Sorcerer", "Pee Wee", and "Vonetta" – plus the odd inclusion of a vocal version of "Nothing Like You" – recorded 5 years before with singer Bob Dorough and arranger Gil Evans! The tune's an odd cap to this otherwise cohesive set – but we love it plenty too, and it somehow oddly fits! CD reissue features alternate takes of the tracks "Masqualero" and "Limbo"! CD
(Columbia Jazz Masterpiece pressing with a purple border.)
Also available Sorcerer ... LP 24.99

Possible matches81
CD, LP, Vinyl record album cover art
Miles DavisSorcerer ... LP
Columbia, 1967. Very Good ... $24.99
Another bold new direction for the legendary Miles Davis Quintet of the 60s – a set that has some of the angular styles of earlier albums, but also a bit more of the flowing grace to come in the electric years! A key illustration of this is the leadoff track "Prince Of Darkness" – which has a fluid sensibility that still never fails to floor us, even all these many decades later! The rest of the tracks are equally great – even when subtle – and by this point, the group of Davis, Wayne Shorter, Herbie Hancock, Ron Carter, and Tony Williams were well earning their acclaim as one of the most groundbreaking groups in jazz. Titles include "Prince Of Darkness", "Masqualero", "The Sorcerer", "Pee Wee", and "Vonetta" – plus the odd inclusion of a vocal version of "Nothing Like You" – recorded 5 years before with singer Bob Dorough and arranger Gil Evans! The tune's an odd cap to this otherwise cohesive set – but we love it plenty too, and it somehow oddly fits! LP, Vinyl record album
(360 Sound stereo pressing. Cover has a large patch of stuck-on paper on the bottom half on front, and the bottom half of the back cover peeled off. Labels have some stains.)
Also available Sorcerer ... CD 3.99

Possible matches82
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Paul DesmondBridge Over Troubled Water (Japanese pressing) ... CD
A&M (Japan), 1969. Used ... $12.99
Paul Desmond serves up his own versions of some key tunes by Simon & Garfunkel tunes – with results that are simply amazing! The style here takes all the airy brilliance of the original S&G tunes, and turns it towards a more jazz-based mode – one that has some of the slight Brazilian undercurrents in the rhythms that you'll find on Desmond's previous two albums for CTI! The full arrangements are by Don Sebesky, who brings a great sense of balance to the set – and Herbie Hancock plays some great electric piano, in a group that also features Airto on percussion and Gene Bertoncini on guitar. But the real star of the set is Paul Desmond – blowing with that amazing tone of his – and sliding from tune to tune with effortless ease, in a way that really transforms these tunes in their instrumental readings. Titles include "Cecilia", "Mrs. Robinson", "America", "So Long, Frank Lloyd Wright", and "Scarborough Fair" – all done with a sweet jazzy A&M approach! CD
(Out of print.)

Possible matches83
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Eric DolphyIllinois Concert ... CD
Blue Note, 1963. Used ... $11.99
Amazing avant garde material from Dolphy – and never issued before in any form! The concert was recorded in 1963 at the University of Illinois, and it features some of the most "out" playing we've ever heard from Dolphy. He's backed by a trio comprised of Herbie Hancock, Eddie Khan, and JC Moses – and the main solos are on flute, alto, and bass clarinet, which Dolphy plays to amazing effect! 6 tracks feature the core quartet playing alone with Dolphy, and a 7th features backing by a larger group comprised of University Of Illinois students, including a very young Cecil Bridgewater! This is definitely the kind of lost material we're happy to see unearthed – and it's packaged and notated with the usual high Blue Note level of quality. Titles include "Softly As In A Morning Sunrise", "South Street Exit", "Iron Man", "Red Planet", and "GW". CD
(Out of print.)

Possible matches84
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Kenny DorhamUna Mas (RVG remaster edition) ... CD
Blue Note, 1963. Used ... $5.99
An excellent groover from Kenny Dorham – possibly one of his best ever albums for Blue Note – a record that shows how much he was pushing past his bop roots in his later years! The tracks are extremely long, and done with a complexity in rhythms that mixes Latin elements with hardbop modes – all set up in a style that really stretches out, and drives Dorham's trumpet with a fire he'd hardly had before. The rest of the group is super-sharp – key young players who really help keep an edge the the whole thing – with Herbie Hancock on piano, Joe Henderson on tenor, Butch Warren on bass and Tony Williams drums. Tracks are all long, incredible Dorham originals – "Una Mas" fills up side one, and "Straight Ahead" and "Sao Paulo" cover the flip. Also includes a bonus track, a sweet warm take of "If Ever I Would Leave You". CD

Possible matches85
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George DukeFaces In Reflection (180 gram pressing) ... LP
MPS (Germany), 1974. New Copy (reissue)... $25.99 29.99
Killer keyboards from the legendary George Duke – and one of his most righteous albums for the MPS label! The album's a spectacular set that showcases both sides of Duke's genius at the time – his spacey, soulful approach to a laidback tune – and his more jamming styles on the harder cuts! Instrumentation is somewhat spare – just keyboards and piano from George, who also sings a bit – plus Ndugu Chancler on drums and John Heard on bass – both playing with a freely creative energy that's definitely motivated by Duke. There's a beautiful mix of electricity and acoustic warmth on the set – never too forced, and clearly an inspiration for countless players in years to come – maybe even more so than Herbie Hancock's work of the time. Drums are great too – and snap tightly for plenty of nice breaks on the set – which are in turn augmented by mellower keys from Duke, who also sings with a sweetly electric soul style. Titles include "Capricorn", "The Opening", "Psychosomatic Dung", "North Beach", "Faces In Reflection", "Maria Tres Filhos", and "Da Somba". LP, Vinyl record album

Possible matches86
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George DukeFeel (180 gram pressing) ... LP
MPS/BASF, 1974. New Copy (reissue)... $25.99 29.99
Sweet keyboards and lots of funky grooves – one of the best of George Duke's seminal albums for MPS – and a record that captures him at a key middle point in his growth! The sound here is tighter than the trippier records of before, but also never too smooth or commercial – still with plenty of cosmic influences in the funk, and a wealth of great keyboard work that rivals some of Herbie Hancock's best from the same stretch. George sings a bit himself – in a warmly compressed mode that's simply wonderful, and which further expands the grooves – and although much of the album's instrumentation comes from the keyboards, the record also features guest appearances from Airto on percussion and Ndugu on drums – as well as a bit of guest vocals from Flora Purim. Titles include "The Once Over", "Tzina", "Statement", "Love", "Feel", "Funny Funk", "Rashid", and "Cora Joberge". LP, Vinyl record album

Possible matches87
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Joe FarrellMoon Germs ... CD
CTI, 1972. Used ... $7.99
One of the best records ever cut by funky sax man Joe Farrell! The album's got a stripped down, choppy groove – virtually the blueprint for later 70s funk of this type, and played perfectly by Farrell and a very hip quartet lineup! Players include Joe on soprano and tenor sax, Herbie Hancock on keyboards, Stanley Clarke on bass, and Jack DeJohnette on drums – playing with a very angular sense of rhythm that really dives the record! The record's got a tight combo sound that's far more energetic than most CTI jazz from the time – and titles include the great cut "Great Gorge", which has a tight modal sample groove, plus "Times Lie", "Bass Folk Song", and "Moon Germs". CD
(Out of print. Booklet is clean but wavy from moisture.)

Possible matches88
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Flying LotusYou're Dead! (with download) ... LP
Warp, 2014. New Copy 2LP Gatefold ... $23.99 24.99
Flying Lotus is not only very much alive on You're Dead! – he's as lively as ever – delivering his best, most diverse record to date! The Flying Lotus sound is in peak form here – glitchy beats and spacey keyboards, deftly layered samples, and carrying boundless influences from cosmic soul jazz to leftfield hip hop! An impressive guest roster from both realms participate – with appearances by Herbie Hancock (!!!), Kendrick Lamar, Snoop Dogg, frequent collaborator and stylistic sibling Thundercat, strings arranger Miguel Atwood Ferguson and others. Standout moments include the tracks "Tesla" and "Moment Of Hesitation", both with some incredible keyboards by Herbie Hancock, plus the uber-moody, Ennio Morricone-sampled "Turtles" – but the whole thing is great, and shows that the Flying Lotus phenomenon is still in ascension, circa 2014. Other cuts include "Cold Dead", "Never Catch Me" with Kendrick Lamar, "Dead Man's Tetris" with Snoop Dogg, "Turkey Dog Coma", "Stirring", "Obligatory Cadence", "The Protest" and more. LP, Vinyl record album

Possible matches89
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Rob Franken ElectrificationAbsorbed Love ... LP
678 Records (Netherlands), Mid 70s. New Copy ... $24.99
Pianist Rob Franken left this planet all too soon – passing away in his early 40s in 1983 – but during the 70s, he recorded a wealth of fantastic sessions on the Dutch jazz scene – including this rare batch of tracks that are issued here for the first time ever! The tunes are all keyboard instrumentals, with Rob on both electric piano and some more electronic modes – working in small combo formats with either Eef Albers or Joop Scholten on guitars – both of whom are excellent players who bring plenty to the rhythms while Franken really lets loose on his solos – then step into the groove with some great solos of their own! The work here is right up there with our favorite keyboard jazz of the 70s – with plenty of elements that raise these grooves up to the level of classics by Bob James, Deodato, or Herbie Hancock – and titles include the originals "Rob's Hit", "Escape", "Hard Beat", "Loadstone", and "Absorbed Love" – plus covers of "The Anderson Tapes", "Blow Up", and "Red Baron". LP, Vinyl record album

Possible matches90
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Rob Franken ElectrificationTogether ... LP
678 Records (Netherlands), 1972/1975. New Copy ... $24.99
Fantastic Fender Rhodes and other cool keyboards – served up in rare 70s sessions from Dutch jazz legend Rob Franken – tracks that are only making their first appearance here! The record has a mighty lean groove overall – usually just Rob's electric piano and organ in a quartet with electric bass, drums, and guitar – occasionally letting that last instrument get a bit of solo space, but usually just having the sweet keys of Franken in the lead! The tracks from 1972 are all funky keyboard jazz – but some of the numbers from 1975 add in some cool spacey elements too – using electronics in a Herbie Hancock way along with the other instruments in the mix. Titles include "The Pleasant Pheasant", "Rhyme & Reason Time", "Cactus", "The Kumquat Kids", "Together", "Skabadaf", "La Vendedora", "Scintilla", and "Turtle Shake". LP, Vinyl record album

Possible matches91
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Rodney FranklinLearning To Love ... LP
Columbia, 1982. Very Good+ ... $1.99
Rodney Franklin's learning to love – and he's learning to groove, too – by adding in just a bit more vocals to his music than before, but still holding onto all the best keyboard strengths of the past! Franklin was really one of the leading lights of the Columbia Records jazz scene of the time – an exceptionally strong artist, and very much his own spirit – yet sadly not as remembered these days as contemporaries like Lonnie Liston Smith or Herbie Hancock. Yet Rodney's got all the range of both of those artists – the same ability to mix jazz, funk, fusion, and soul – the last of which he does here wonderfully, with help from singers Jim Gilstrap, Howard Smith, and Darryl Phinnessee. Yet at the heart of all the tracks are Rodney's nice soulful keyboards – which have the same smooth feel as Bobby Lyle's from the same time – and the same ability to blend wonderfully with lyrics and other instrumentation. The record was produced by Stanley Clarke – and titles include the great "Enuff Is Enuff" – the theme from the early 80s blacksploitation flick One Down Two To Go – plus "Sonshine", "Learning To Love", "Don't Wanna Let You Go", "Sailing", and "That's The Way I Feel Bout Your Love". LP, Vinyl record album
(Cover has a cutout hole.)

Possible matches92
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Stan GetzCool Velvet/Voices ... CD
Verve, 1960/1966. Used ... $4.99
Very groovy CD that brings together 2 different albums that Stan Getz cut with larger groups and more baroque orchestrations than usual. The Cool Velvet set is from 1960, and has Stan's breathy alto blowing with arrangements by Russ Garcia. The material has Garcia's usual off-kilter sense, and although the sound is a bit 50's, Getz cuts through the tracks nicely. The real treat, though, is the incredible Voices album, which has stunning arrangements by Claus Ogerman, and beautiful jazz playing by Herbie Hancock, Jim Hall, Ron Carter, and Artie Butler. We love this album to death, and it's filled with some of Getz's best playing of the 60s. Titles include "Zigeuner Song", "Infinidad", "Darling Joe", "Once", and "Nica's Dream". The whole CD's packaged beautifully, and it's got a total of 21 lovely lovely tracks! CD
(Out of print.)

Possible matches93
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✨✧ Stan GetzWhat The World Needs Now – Stan Getz Plays Bacharach & David ... CD
Verve, 1966. Used ... Just Sold Out!
Stan Getz meets Burt Bacharach – a heavenly combination that brings together two of our most favorite musical talents of the 60s! And while we're at it, we'd also like to mention a third – Chicago soul arranger Richard Evans, who handles all the backdrops for this set – bringing in a groove that you might not expect for tunes by Burt Bacharach – not exactly Charles Stepney at Cadet, but not far, either – a perfect setting for the sparkling, lyrical tone that Getz was hitting at this point in his career. The tunes are familiar, but the blend of talents really keeps things fresh – and with extra contributions from Herbie Hancock on piano and Jim Hall on guitar, you can bet there's plenty going on here. Titles include "Wives & Lovers", "Windows Of The World", "House Is Not A Home", "Walk On By", and "Trains & Boats & Planes". CD
(Out of print. Digipack has some wear.)
Also available What The World Needs Now – Stan Getz Plays Bacharach & David ... LP 6.99

Possible matches94
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Stan GetzWhat The World Needs Now – Stan Getz Plays Bacharach & David ... LP
Verve, 1966. Very Good+ Gatefold ... $6.99
Stan Getz meets Burt Bacharach – a heavenly combination that brings together two of our most favorite musical talents of the 60s! And while we're at it, we'd also like to mention a third – Chicago soul arranger Richard Evans, who handles all the backdrops for this set – bringing in a groove that you might not expect for tunes by Burt Bacharach – not exactly Charles Stepney at Cadet, but not far, either – a perfect setting for the sparkling, lyrical tone that Getz was hitting at this point in his career. The tunes are familiar, but the blend of talents really keeps things fresh – and with extra contributions from Herbie Hancock on piano and Jim Hall on guitar, you can bet there's plenty going on here. Titles include "Wives & Lovers", "Windows Of The World", "House Is Not A Home", "Walk On By", and "Trains & Boats & Planes". LP, Vinyl record album
(In a non-textured cover.)

Possible matches95
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✨✧ Patrick GleesonBeyond The Sun – An Electronic Portrait Of Holst's The Planets ... CD
Mercury/BSX, 1976. New Copy ... $13.99 15.99
One of the most ambitious records ever made by electronic wizard Patrick Gleeson – a huge talent on the moog and Arp, whose work was featured on key 70s jazz albums by Charles Earland, Joe Henderson, Bennie Maupin, and Herbie Hancock – and that's saying a lot, given that Herbie already played plenty of keyboards himself! This set's a reworking of "The Planets" – the symphonic suite by the composer Gustav Holtz – whose spacey structures are perfect for Pat's other-worldly work on the keys. Trombonist Julian Priester plays on the record – adding a few analog moments next to Pat's work on the EMU Polyphonic Synthesizer – and titles include "Saturn The Bringer Of Old Age", "Neptune The Mystic", "Uranus, The Magician", "Mars The Bringer Of War", and "Mercury The Winged Messenger". CD

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CD, LP, Vinyl record album cover art
Great Jazz TrioMilestones ... CD
East Wind/Universal (Japan), 1978. New Copy ... $13.99
One of a number of late 70s milestones from the Great Jazz Trio – that sublime grouping of Hank Jones on piano, Ron Carter on bass, and Tony Williams on drums! Like the rest of their gems from the time, the album's got this simple, subtle brilliance – a way of approaching piano trio material that was quite fresh for the time – different than Jones might have sounded the decade before, and clearly influenced by the huge growth of the format in Japan – the market for which the album was originally produced. Carter really shines on the record – reminding us of his incredible ability to act as both a soloist and a rhythmatist – and Tony Williams is a great here as he is on the Herbie Hancock trio dates of the time. Titles include "Wave", "Milestones", "Mr Biko", and "Eighty One". CD
(Part of the East Wind Masters Collection 1000!)

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CD, LP, Vinyl record album cover art
✨✧ Grant GreenFeelin' The Spirit (non-RVG edition) ... CD
Blue Note, 1962. Used ... Just Sold Out!
Soulful, spiritual work from guitarist Grant Green – an exploration of older tunes with a hip Blue Note 60s soul jazz approach! The album features Grant working in a quartet with Herbie Hancock, Billy Higgins, and Butch Warren – plus some added tambourine on a number of tracks – and the overall approach is extremely laidback and open, with Green soloing in a personal style that's a bit less frenetic than some of his other work of the period. Tracks include "Go Down Moses", "Just A Closer Walk With Thee", and "Nobody Knows The Trouble I've Seen". CD features the bonus track "Deep River". CD
(Out of print.)

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CD, LP, Vinyl record album cover art
Guru's JazzmatazzStreetsoul ... CD
Virgin, 2000. Used ... $5.99
More soul than before, with guest work by Angie Stone, Erykah Badu, Macy Gray, Les Nubians, The Roots, Donell Jones, Herbie Hancock, and Isaac Hayes. Tracks include "Keep Your Worries" featuring Angie Stone, "Plenty" featuring Erykah Badu, "Who's There?" featuring Les Nubians, "Lift Your Fist" featuring The Roots, "Guidance" featuring Amel Larrieux, "Timeless" featuring Herbie Hancock, "Where's My Ladies?" featuring Big Shug, "All I Said" featuring Macy Gray, "Certified" featuring Bilal, "Night Vision" featuring Isaac Hayes, "Supa Love" featuring Kelis, and more. CD

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CD, LP, Vinyl record album cover art
Jimmy HeathSwamp Seed ... LP
Riverside, 1963. Very Good+ ... $13.99
Early genius from Jimmy Heath – a set that displays both his talents on the tenor sax, and his growing role as a jazz arranger! The style here is still relatively simple – with Heath's saxophone offset by a range of brass players who include Donald Byrd on trumpet, Julius Watkins on French horn, and Don Butterfield on tuba – all shading in the tunes with great tones and colors, and providing a lot more depth than just the usual hardbop session! Heath is the main soloist, along with pianist Harold Mabern (or Herbie Hancock on a few tracks) – and Donald Byrd occasionally gets in some nice licks as well. Titles include a number of very nice soul-jazz oriented originals – with the tracks "D Waltz", "Wall To Wall", "Six Steps", and "Swamp Seed". LP, Vinyl record album
(70s Japanese pressing, with insert. Cover has some edge wear and bumped corners.)

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CD, LP, Vinyl record album cover art
Hieroglyphic BeingRed Notes ... CD
Soul Jazz (UK), 2018. New Copy Gatefold ... $18.99 22.99
A really jagged little record from Hieroglyphic Being – a set that feels even more stripped-down than his previous album, to a point where we can really focus on his inventive beats and cosmic keyboards! The album's dedicated to a range of influences that include Herbie Hancock, Sun Ra, Weather Report, Jon Hassell, Heldon, and Daniel Carter – and while it definitely draws on all of that inspiration, the sound here is completely HB's own – very forward-thinking, despite the ancient imagery on the cover – far from any spiritual jazz roots, or even the more recent generations of the Chicago electronic scene. Instrumentation includes Hammond, moog, and other keyboards – plus guitar, alto, flutes, and other acoustic instruments used in very unusual ways. Titles include "The Emotional Listener", "Tone Bather", "The Red Notebook", "Video Jazz", "Awake & Energize", and "Youth Brainwashing & The Extremist Cults". CD
Also available Red Notes (with bonus download) ... LP 16.99
 
 
 



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